The Factory (2012)
A Dark Horse Entertainment film that traipses through a tired serial killer plot that comes out resembling a weak episode of CSI before a frankly unbelievable twist ending
The Science Fiction Horror and Fantasy Film Review
Pregnancy Horrors are stories about malevolent pregnancies and/or births. This is a genre that specifically plays on women’s fears of gynaecological horrors.
The genre began with Village of the Damned (1960) in which women of a village all go to sleep and awaken pregnant and give birth to alien children. The work that popularised the genre was Rosemary’s Baby (1968) in which Mia Farrow is certain that the child she is pregnant with was fathered by The Devil. A great many films followed in which the child is satanic, mutant or alien in origin. Another version is of the heroine sought by a Devil Worship cult in order to impregnate.
Another variant on the theme is where a pregnant women is abducted and imprisoned, or is imprisoned to be impregnated. There are also some films about the attempts to snatch foetuses from the womb. The Alien Abduction film features a number of cases where women are impregnated after being abducted by UFOs.
A Dark Horse Entertainment film that traipses through a tired serial killer plot that comes out resembling a weak episode of CSI before a frankly unbelievable twist ending
A throwback to the 1980s/90s psycho-thriller that came out after Fatal Attraction featuring a surrogate mother who develops a stalkerish fixation on a husband. The crucial difference is that this is played with an all-Black cast but in a way that sends out weirdly uncomfortable racial messages
Film about ghosthunters investigating a reputedly haunted California winery. The scares are about as generic and forgettable as they come, although the end takes a very strange left field turn
Julian Sands returns in a sequel to Warlock where the frequently unserious effects of director Anthony Hickox turn it into a silly comic-book of a film
A Roger Corman produced cheapie about genetically engineered dinosaurs that was quickly rushed out to exploit the success of Jurassic Park. Corman went on to make two sequels
Scientist Rock Hudson brings an unborn embryo to life as beautiful emotionless Barbara Carrera. Though it uses the trappings of modern science, this still has its feet in the creaky old mad scientist film
Head-scratchingly strange Italian film that seems made as a crosshatch of 1970s Devil Child films and Close Encounters of the Third Kind. Makes no sense in terms of story but worth watching for the bizarreness of its imagery
This feels like mostly a series of horror tropes – ghost hunters with cameras in an abandoned building, backwoods occultists wanting the heroine’s baby – shuffled without originality
Larry Cohen’s 1974 cult classic about a killer mutant baby gets the remake treatment. Even though Cohen co-writes the script here, the remake manages to wring anything interesting out of the original
The Jeepers Creepers films created a highly original boogeyman with some creepy effect. Mired in controversy, the fourth entry in franchise emerges from Finnish director Timo Vuorensola
Skyline was a modest alien invasion film; this is a long-planned sequel. The new director has simply turned it into an action film and tediously deals with every alien encounter with gunfire, stunts and explosions
One of the essential Troma films, this seems to have been conceived as Rock’n’Roll High School with Evil Dead-styled makeup effects and lots of moronic bad taste humour
London couple find the perfect room to rent in the home of a very strange aging husband and wife. What starts out seeming an oddball comedy gradually slides over into horror movie territory but in truth this is not a very well made film on all fronts
Adaptation of an early Dean R. Koontz novel about an A.I who imprisons a woman in her own home with the intention of impregnating her. A variant on Rosemary’s Baby conducted far more tastefully than you might think
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
South African-shot film that pretends to be set in The Philippines. Utterly generic on every level, the film seems to be about Filipino vampire monsters but everything is vaguely sketched
Saw series director Darren Lynn Bousman makes a film set at a convent for unwed mothers in the 1950s. Is there any chance this might be a work about institutional cruelty or the plight of unwed mothers in the era? Hardly, all it really is is Bousman inflicting a series of tortures on the girls
James Wan has an exemplary track record in one’s opinion, you think this would extend to anything he produces. Here all we get are series of tired haunted house cliches before a twist ending that makes no real sense
Roger Christian was art director on Alien but will always be remembered as director of the notorious Battlefield Earth. Here he is stuck making a cheap, tatty and frequently incomprehensible copy of Alien about alien impregnation
A blatant Italian copy of The Exorcist. An exploitation film made with almost zero directorial style that only has the schlock amusements of its attempts to outdo The Exorcist going for it