Stalked (1994)
Pierre David produced psycho-thriller where Maryam d’Abo is befriended by Jay Underwood who proves to be a stalker in a creepily effective performance
The Science Fiction Horror and Fantasy Film Review
The Psycho-thriller has been used as an umbrella term in older genre studies to refer to any horror film where the menace is not supernatural or science-fictional and is mundane in nature. The menace of such shows are commonly Psychos and Serial Killers, although not all psycho-thrillers necessarily feature psychos.
Psycho-thrillers can be murder mysteries – stories that build up to the revelation of who among a group is the killer – where there is more emphasis on the murders and stalking. Others take the structure of a Gothic novel where a protagonist may be at the centre of a series of happenings that unveil in terms of elaborate deception and gaslight schemes, where there is an emphasis on the suspense and horror elements.
The psycho-thriller began on screen in the 1920s as part of the Old Dark House thriller. Its greatest flourishing was in the 1960s with the success of Psycho (1960), which saw a number of copycat films about killers with gender-conflicted issues. Many of the copies draw on the earlier French classic Les Diaboliques (1955) in their creation of elaborate (frequently improbably contrived) plots involving schemes to kill, defraud or drive the protagonist insane. A unique subset of these were the Italian Giallo thrillers that offered up psycho-thrillers plots with an emphasis on extravagant visuals, sado-sexual eroticism and ultra-violent despatches.
The 1980s brought a series of thrillers about female stalkers with Fatal Attraction (1987) and several other works with people having their homes and workplaces invaded by disturbed individuals. In the 1990s, Basic Instinct (1992) brought the psycho-sexual thriller where there was much emphasis on eroticism and usually a desirable but psychopathic Femme Fatale at the centre.
Since the mid-2000s, the psycho-thriller has largely died away as a genre in theatrically-released films, although is still alive and well in numerous thrillers made for cable tv.
Pierre David produced psycho-thriller where Maryam d’Abo is befriended by Jay Underwood who proves to be a stalker in a creepily effective performance
A disappointingly tame giallo thriller from Dario Argento about a poker-playing serial killer. Disappointingly, Argento has cut back on all his customary extravagantly arty and sadistic murder set-pieces
Psycho-thriller with Erika Eleniak and Monika Schnarre trapped in a snowbound cabin
An adaptation of an Ira Levin thriller that has been turned into a blatant copy of Basic Instinct featuring Sharon Stone in more steamy scenes in a plot involving video voyeurism in an apartment building
A psycho-thriller directed by renowned cinematographer William A. Fraker that is never more than a series of elliptical, soft-focus images
Chris Sarandon is a writer who becomes embroiled in solving a series of murder that mimic his own books. An okay set-up that rarely moves beyond the unfolding of cliches
Brian De Palma made a return to his trademark psycho-thriller for the first time in several years but the benchmarks of the genre were now The Silence of the Lambs and Basic Instinct and De Palma’s wildly contorted plot and flourishes of style for their own sake seem dated
Blumhouse thriller about an old school friend who inserts himself into the lives of a successful couple and proceeds to stalk them. This produces several effective twists but ultimately feels too mannered
A stylishly directed Australian psycho-thriller about Jackie Kerin who inherits a retirement home and takes it over only to find that someone is killing the seniors
Psycho-thriller where derelict Michael Sarrazin is taken home by Gayle Hunnicutt and gets wound up in a series of games between her and batty aunt Eleanor Parker
A giallo film from Umberto Lenzi, best known for creating the Italian cannibal film but Lenzi’s direction is crude and lacking style in comparison to the others working in this genre
There was undeniable shock value watching 1960s sex symbol Diana Rigg cast as a venomous middle-aged woman with murder on her mind. While this BBC mini-series won awards, you feel that a 1960s Hammer psycho-thriller would have conducted it in half the time
Classic and highly influential psycho-thriller with Glenn Close as a deranged woman who stalks married man Michael Douglas after he has a fling with her. The film’s stature has been overstated and beneath the surface it holds a very conservative outlook on gender politics
The fourth film version of The Lodger with Jack Palance as a new tenant that a family believe might be Jack the Ripper This has neither the style or the melodrama that the previous versions did
The first of William Castle’s films set around outrageous promotional stunts – here he took an insurance policy out against audience members dying of fright. The film entirely belies its promise to scare an audience to death
One of the earlier films from British director Pete Walker, a whodunnit with a psycho stalking the cast of a theatrical rehearsal. Walker doesn’t stint on the flesh but proves tamer than usual when it comes to the blood
Gimmicky thriller about teen girls making prank phone calls who end up calling and then becoming the target of a serial killer
A psycho-thriller featuring Bo Derek as an agoraphobic wife dealing with the shock of seeing her husband murdered only to then find that his body has disappeared
Forgotten Canadian film about a series of murders around a former funeral home that has been converted into a guest house. Released at the height of the slasher cycle but this comes more in the vein of Psycho
Dario Argento makes a disappointing return to the giallo thriller where he made his name. With Argento’s characteristic murder set-pieces having been toned down, the results are nothing special
A sequel to The Glass House, this time with different cast or orphaned kids and different evil step-parents. This has the bland feel of a tv movie
William Castle psycho-thriller (from a Robert Bloch script) that creates an incredibly haunted mood between dream and reality only to fall apart in an absurdly contrived ending
This feels like a post-Silence of the Lambs thriller with Amanda Seyfried as an abduction survivor trying to find her missing sister. The film never rises above the cliches of the genre
Stephen King writes a screen adaptation of his own story about a wife who discovers that her husband is a serial killer. A strong premise that oddly misses most of the opportunities.
A variant on the evil child psycho-thriller, this seems set up specifically to allow Macaulay Culkin, the obnoxious cute kid from Home Alone, to trash his wholesome image
Another variant on the evil child theme, this suffers from far too mannered an approach where you keep waiting for it to pull back and sink its teeth into something shocking
A New Zealand-made film about a crime writer joining a party tramping through the bush as the group starts to be killed off by one among their number
The sequel to I Know What You Did Last Summer. This misses the playful humour and twists of Kevin Williamson’s script and becomes no more than a routine slasher movie
TV movie remake of a 1960s psycho-thriller about two girls making prank calls and uttering the title phrase – only to inadvertently call a killer. The premise makes a lot more sense updated to the 80s
Gimmick master William Castle turns to making a psycho-thriller about two teenage girls making prank calls and uttering the title phrase – only to inadvertently call a man who has just killed his wife
An airport psycho-thriller that feels like wannabe Gillian Flynn that has been mounted as a vehicle for the talent-handicapped Sydney Sweeney. The whole plot hangs on a believability stretching mid-film twist revelation
Spanish director Jose Larraz gained a small cult reputation for his work amidst the 1970s Anglo-horror cycle. This is a psycho film where a model is stalked after witnessing a murder
Low-budget psycho-thriller about amnesia that tries hard in many areas but fails to generate enough contortion in terms of plot twists to make the show work
Psycho-thriller that plays out like a creaky old deranged relative in the cellar film retooled as a teen romance until an absurd mid-film conceptual twist irredeemably kills the film off
William Castle gained fame for his horror films made with a series of promotional gimmicks. With the success of Alfred Hitchcock’s Psycho, Castle made a blatant copy here, the first of his psycho-thrillers
A giallo film with Anthony Steffen as an aristocrat who likes to pick up red-haired girls and kill them in the dungeon in his villa, who then becomes haunted by the ghost of his late wife
Faye Dunaway is a fashion photographer who gains a psychic link into the mind of a killer. From a John Carpenter script but the thriller plotting is never up to the chic suggestiveness the film is given
Called the only horror film Elizabeth Taylor ever appeared in (although one would dispute that somewhat), this feels like a Hammer psycho-thriller made with an A-list cast
Bert I. Gordon, best known for his giant bug films of the 1950s, makes a torrid psycho-thriller about a young girl being cheated of her inheritance as people around her are being killed possibly by the ghost of her mother (Zsa Zsa Gabor)
A police interrogation film that becomes a psycho-thriller as suspect Tim Roth turns the interrogation back on the detectives. Despite a strong cast, the film eventually strains plausibility
A British psycho-thriller in the Baby Jane mold with Lana Turner as a deranged mother determined to wreck son Ralph Bates’s marriage
Inferior sequel to the modest Devil in the Flesh which had Rose McGowan as a psychopathic schoolgirl. Recast with Jodi Lyn O’Keefe, this is now a routine slasher effort
Thriller with a heroine working in an abandoned hospital amid sinister happenings that draws substantially on the fine Danish film Nightwatch. Does an okay if familiar job making us constantly doubt everything that happens before arriving at an ending that only confuses
David Twohy has shown himself a standout screenwriter and director with the Riddick films but came unstuck with this effort where tourists in Hawaii come to believe their traveling companions are wanted killers. A film killed by far-fetched twists
An abduction thriller that draws much influence from The Silence of the Lambs with Adrien Brody as a smooth criminal genius manipulating his interrogator
Brian De Palma with Paul Schrader on script make a homage to Alfred Hitchcock’s Vertigo with Cliff Robertson wandering Venice believing he has found the reincarnation of his late wife
Another variant on the evil child film featuring a maliciously psychopathic Isabelle Fuhrman
Psycho-thriller with Lisa Zane as a nurse seeking vengeance for the death of her father
A creaky old-fashioned psycho-thriller – one that draws heavily on Les Diaboliques and a contrived plot to drive somebody crazy – that came out the same year as Halloween and feels a whole world apart
Over Gus Van Sant’s shot-for-shot remake of Psycho, there hangs the single question of “Why?” The result seems a futile conceit, one only designed to infuriate those who regard the original in such high esteem
An erotic thriller where detective Shannon Tweed must go undercover as a call girl to find a killer eliminating girls at the agency. A blatant copy of Basic Instinct
Thriller where Sylvester Stallone is a detective who goes into alcoholic rehab after his wife is killed by a serial killer only to realise that the killer is posing as one of the attendees
Pete Walker was one of the most underrated directors of the 1970s Anglo-horror wave. This was his first film. Compared to Walker’s later works, this is more a psycho-thriller that sits on the borderline of being horror
An obscure British thriller about murders in an apartment building of eccentric tenants. This turns into something really quite strange
Low-budget director Fred Olen Ray makes a softcore variation on Fatal Attraction with a vengeful Shauna O’Brien obtaining a job as the babysitter with the married man who jilted her
A remake of the 1992 film that starred Rebecca De Mornay as a psychopathic babysitter who enters a household seeking revenge. This updates the story for the 2020s, although is no less a conservative version than the original
This is sold with the appealing idea of someone slaughtering their way through a bitchy teen clique. However, the film on show is far tamer than anything that it is promises to be
Routine variant on the psycho child theme, which heads into rather dubious territory when it leads us to think a series of killings are being conducted by an autistic child
Dementia 13 was a routine psycho-thriller elevated by the hand of a young Francis Ford Coppola. This remake adds ghosts and a home invasion to the mundane original, but fails to come anywhere near Coppola’s style
Histrionic thriller that reminds of the various copies of What Ever Happened to Baby Jane? in which pregnant Gwyneth Paltrow has evil mother-in-law Jessica Lange trying to steal her baby
The great John Huston, the director of The Maltese Falcon, The African Queen and other classics, directs a psychotherapy psycho-thriller. Alas the thriller essentials slip entirely through his hands
This rehashes Cape Fear, remade by Martin Scorsese the same year, with Denzel Washington as an upstanding lawyer whose life is torn apart by vengeful ex-con John Lithgow. A frequently ludicrous script is made worse by Russell Mulcahy’s overwrought direction
Widely ridiculed psycho-thriller starring Lindsay Lohan at the height of her tabloid headline phase and giving a zero effort performance as twins. Quite what is going on in the confused screenplay is anybody’s guess
One of the thrillers influenced by Fatal Attraction with Rebecca De Mornay giving an ice cold performance as a nanny who infiltrates a family seeking revenge for the death of her husband.
Made in the aftermath of the 1974 Murder on the Orient Express, a star-studded Agatha Christie adaptation about a guests at a remote hotel being bumped off by someone among their number
A work of What Ever Happened to Baby Jane? inspired Grand Dame Guignol with Agnes Moorehead as a Southern matriarch whose relatives are eliminating one another in the hunt for the family fortune
A throwback to the 1980s/90s psycho-thriller that came out after Fatal Attraction featuring a surrogate mother who develops a stalkerish fixation on a husband. The crucial difference is that this is played with an all-Black cast but in a way that sends out weirdly uncomfortable racial messages
A variant on the sinister child’s invisible companion theme. A fine cast has been assembled but the film goes and kills itself with a lame twist ending
I have to search my memory to think of another film that is so openly plagiaristic – this is almost a scene-for-scene remake of Steven Spielberg’s Duel about a man facing a killer truck on a highway. This misses the subtlety of the original so widely you could run a highway through it
A disappointingly poor copy of Basic Instinct with Lorraine Bracco giving a really bad performance as the Sharon Stone equivalent who may be killing people around detective James Belushi
Creaky old film that feels like it belongs in the 1940s about a series of murders at a wax museum. It does have a great cast line-up of genre veterans
Often wrongly pegged as a slasher film, this is more of a 1940s psycho-thriller with slasher sensibilities. The notorious Michael Winner directs with typically crude and unsophisticated effect
Australian thriller that is a blatant copy of Fatal Attraction
Trashy Australian psycho-stalker film set in the world of fashion modelling that was bizarrely passed off as a copy of Halloween in the US
A strange thriller in the Basic Instinct-mold with surveillance expert Ewan McGregor obsessed with tracking serial killer Ashley Judd, while haunted by the imaginary companion of his daughter
Disappointing remake of Brian De Palma’s 1973 Siamese twins psycho-thriller that changes many elements and crucially lacks De Palma’s stylistic showmanship
Blatant Saw copy from Roland Joffe, a director better known for his arthouse works, from a script by cult director Larry Cohen. This starts stylishly before collapsing in a series of ridiculous twists
A remake of the classic film noir psycho-thriller. Now the story is conducted in colour and with a name star cast but misses all the atmosphere the original had by a wide mile
Thriller with Jamie Lee Curtis as a psychopathic mother determined to get her boys back from her ex
Disastrous remake of the classic 80s horror film, which comes shorn of its biting satire on Family Values and turned into just another teen horror film
A cougar version of Fatal Attraction with Jennifer Lopez stalked by a teenage boy. On every level this invites ridicule, from J-Lo sleepwalking through her performance to a director who has never made a good film to a script detached from human psychology
Highly confused psycho-sexual thriller in which Jennifer Jason Leigh inherits a nightclub and begins to experience hallucinations after moving in. It is not at all clear what is going on
A hackneyed rehash of Alfred Hitchcock’s Rear Window where Shia LaBeouf is a teenager on home detention spying with a pair of binoculars who realises that his neighbour might be a serial killer
A blatant copy of Basic instinct with psychologist Bruce Willis getting involved with Jane March as his patients start being murdered. Much bare flesh but the film is killed by ludicrous plot twists
A Fatal Attraction copycat in which executive Timothy Hutton finds that seductive temp secretary Lara Flynn Boyle is killing off all rivals at his firm. This has the reputation as a Golden Turkey classic.
TV movie remake of Virginia Andrews’ best-selling Gothic melodrama about children imprisoned in an attic. Even if more faithful to the book, this is no better than the 1987 film
One of the erotic thrillers made after Basic Instinct, essentially an ripoff of The Hand That Rocks the Cradle where a vengeful Kari Wuhrer becomes a nanny seeking vengeance for the death of her husband
An erotic thriller where a couple are stalked by psychopathic couple after venturing into the swingers scene, this comes with a ridiculously high-handed condemnatory moralism
Les Diaboliques is one of the great all-time thrillers. This remake, designed to highlight a post-Basic Instinct Sharon Stone, is an abortion that rewrites the classic twist ending for something upbeat
An obscure Canadian-made thriller about an evil twin
This blatantly copies the plot of Basic Instinct with detective David Bradley being seduced by bisexual blonde Anna Thomson who is also the suspect in a murder investigation
Tawdry copy of Basic Instinct, an erotic thriller about a woman detective going undercover to investigate a series of murders that are linked to a health club
A tawdry erotic thriller copy of Basic Instinct where psychologist Rebecca De Mornay is drawn in to become involved with possible stalker Antonio Banderas
A poorly made Australian copy of Basic Instinct where a detective and his partner are investigated a serial killer. All the heated sexuality comes out tamely
Ultra-trashy thriller with Morgan Fairchild as a tv newsreader stalked by next-door neighbour Andrew Stevens where she engages in the title seduction to eliminate him. A really bad film
Disastrous English-language remake of the brilliant Dutch thriller The Vanishing, which miscalculates everything including mangling the classic ending
Film adaptation of Virginia C. Andrews’ popular Gothic potboiler about a brother and sister who develop an incestuous relationship after being locked in the attic by their mother. Andrews’ turgid melodrama gets the screen adaptation it deserves
Shabbily made psycho-thriller where Piper Laurie tries to scam niece Olivia Hussey out of an insurance payout at the same time as Olivia starts to see visions of her dead husband
A Basic Instinct-inspired erotic thriller where Shannen Doherty gets into light bondage and attracts the attentions of a killer. A hypocritical film that is predicated on erotic tease then condemns it as disturbed behaviour