The ABCs of Death (2012)
Unique anthology that offers 26 episodes from different directors, each ending with a death. The episodes vary wildly in quality but a sufficient number ignore all good taste and/or travel waaaay across taboo lines
The Science Fiction Horror and Fantasy Film Review
Sadism and Torture is the infliction of pain, suffering and cruelty on another person and the enjoyment of doing so. The sexual enjoyment of administering and receiving such between consenting parties is discussed under BDSM.
Sadism and Torture is frequently the province of Psychos and Serial Killers. Those held captive in Imprisonment Thrillers are also frequently subject to such. 1970s exploitation films detailing the historic Witch Persecutions and the Women in Prison genre became notorious for depicting catalogues of cruelties inflicted on victims.
The Backwoods Brutality cycle was known for pushing depictions of sadism and torture to extremes, showing backwoods dwellers and hillbillies taking great delight in inflicting a range of savageries upon innocent city dwellers.
One of the greatest extremes in recent years has been the so-called Torture Porn cycle of the 2000s and the French Extremism of the same period, featuring a series of films that pushed on-screen depictions of sadism to heretofore unknown levels.
Unique anthology that offers 26 episodes from different directors, each ending with a death. The episodes vary wildly in quality but a sufficient number ignore all good taste and/or travel waaaay across taboo lines
Extraordinary Found Footage film from Shane Ryan shot from the viewpoint of a killer as he seduces and kills a girl. A quasi-pornographic film that makes us question our own complicity in what we are watching
Sequel to Shane Ryan’s disturbing snuff Found Footage film. This works with the same effectiveness as the original, where the videography is transformed via a dreamily beautiful series of experiments with editing and colour
The first two of these films did ingenious things but now the inspiration is showing through and these films are starting to seem more like a personal fantasy on the director’s part
Lars von Trier made this deeply unfathomable film after a bout of severe depression. Claimedly a work of misogyny, it features Willem Dafoe trying to deal with a deranged Charlotte Gainsbourg
Gareth Evans, the director of The Raid films, makes a film about the search for a missing sister among a cult. The film borrows from The Wicker Man, before a climactic dive into full-on gore and sadism
Actor Wings Hauser directs and stars in a film in which he plays a detective pursuing a killer who is luring teenage runaways into making snuff films
A variant on Buried, which had Ryan Reynolds trapped in a coffin for the duration, featuring a girl trapped in an elevator as it conducts high-speed rises and drops, all before a bizarre left field SF ending
Brazil’s Ze do Caixao or Coffin Joe is one of the most evil characters ever created on film, spearheaded by director/star Jose Mojica Marins’s contempt for the weak and catalogue of brutalities and blasphemies
The film that made the world pay attention to Takashi Miike. Starting out as a seeming love story, this culminates in some of the most brutal and hard-to-watch torture scenes ever committed to film
This is one of the most twisted films I have ever come across in recent years in which a couple have their home invaded by a clown who makes them into his sexual playthings
Balls-to-the-wall horror from Turkey. It is not clear what is going on for much of the film about police investigating a house filled with Devil worshippers but you cannot deny that it pulls out all stops
An imprisonment thriller with a difference, a work of Japanese BDSM erotica where a young teacher is imprisoned and erotically tortured. Quite out there and different to anything Western erotica turns out
This is a brutal and unnervingly effective film about Mexican illegal immigrant day labourers who are imprisoned and tortured by a wealthy entitled white couple
Israeli film about a parent who abducts and tortures a man they believe responsible for killing their child. This proves immensely entertaining with its whiplash plot reversals and hilarious pepperings of black humour
An appealingly nasty little film where a celebrity chef imprisons and tortures a scathing food critic. Produced by Larry Fessenden.
This has nothing whatsoever to do with the Edgar Allan Poe story but is a fascinating piece with Boris Karloff and Bela Lugosi skulking about engaged in a twisted plot involving revenge, Satanism and chess games played for human lives
Film that gained a notoriety for its scenes of a stage magician torturing and mutilating people. This seems fueled by a nasty misogyny involving the degradation and killing of women.
Made not long after the success of The Witchfinder General, a film based on the notorious historical figure of Judge Jeffreys. In the hands of exploitation director Jess Franco, the historical account is sidetracked by sado-sexual scenes
Not a Marquis de Sade adaptation as this was sold as but an Italian giallo film. Mickey Hargitay (aka Mr Jayne Mansfield) has a ball as a mad bodybuilder aristocrat in red tights devising entertainingly lurid tortures.
One of the key David Lynch films in which cleancut college kid Kyle MacLachlan finds a severed human ear and is drawn into a dark underworld of S&M lorded over by a maniacally deranged Dennis Hopper
Highly effective British venture into the Torture Porn fad made not long after the successes of Saw and Hostel. A brutal and harrowing tale about women kept prisoner in the woods that travels to some grim and gore-drenched extremes
Along with Cannibal Holocaust, this was the most notorious and extreme of the Italian cannibal film fad of the 70s/early 80s. The film becomes a catalogue of violent savageries that are not recommended for the faint of heart
THE most extreme film covered on this site. The defining work of the notorious Italian cannibal genre, a pseudo-documentary work that features stomach churning tortures, guttings and actual animal mutilations
Blatant Saw copy from Roland Joffe, a director better known for his arthouse works, from a script by cult director Larry Cohen. This starts stylishly before collapsing in a series of ridiculous twists
An anthology of three Stephen King stories, this comes out with extremely variable results where what were originally a series of tight and mordant tales end up strangely overblown
A man offers two down-on-their-luck guys a series of increasingly more extreme bets for money. This sets out to defy taboos and good taste, largely succeeding by pushing into some alternately grotesquely funny and nauseating territories
Not to be confused with the Chucky films, this is a little-seen film about a series of sadistic games played by pupils that targets other pupils in a Catholic boys’ boarding school
A man is abducted by a stranger who proceeds to remove his limbs in an effort to make him remember the terrible crime he committed. This suggests an incredibly grim film. Surprisingly enough, it is a comedy
Disappointing sequel to the Torture Porn film The Collector. The captivating premise of an ordinary house turned into a series of deadly traps is gone, while the sadistic, gore-drenched set-pieces are tame and unimaginative
A directorial debut from one of the writers of the Saw sequels, a Torture Porn film that has a highly unusual set-up about a burglar stumbling into a family home that has been turned into a death trap by a serial killer
Making claim to being based on a true story, this recounts the brutal beating and killing of a handicapped boy by three youths. More social horror than genre horror, this culminates in a horrible and not easy to watch scene
A film about a snuff site that broadcasts a torture gameshow live on the web. This is a thriller that feels as though made by people who know nothing about the internet or law enforcement procedure
Eli Roth’s remake of the classic Charles Bronson vigilante film is an ugly affair. In an era where school shooting are a weekly scourge in the US, do we really need another fantasy about one man becoming empowered and sorting things out with a gun?
Harrowing wilderness survival film from John Boorman about four men on a trip downriver that fall afoul of hillbillies. A classic that was highly influential on the formation of the Backwoods Brutality genre.
Unfriended gained attention as a horror film that took place across social media where the computer screen became the video screen. It was done first in The Den about a snuff internet site that stalks people who innocently log in
Brian Yuzna plays on everybody’s fear of the dentist in this outrageously nasty film top-lining Corbin Bernsen in wildly over-the-top mode as a psychopathic dentist amid a series of imaginatively sadistic dental-themed dispatches
In this sequel to their earlier film, director Brian Yuzna and star Corbin Bernsen return to the role of the psychopathic dentist and successfully tap the same outrageously sadistic nastiness and black humour once again
Rob Zombie’s sequel to House of 1000 Corpses and a more polished film, probably Zombie’s best. On the other hand, Zombie’s nihilistic worldview and sympathy for the psychopaths does take one aback.
A blatant copy of Saw, albeit without the Torture Porn sadism, with people imprisoned in a cellar forced to kill one another. An oddly unconvincing film that fails to generate any tension or even conviction
Clive Barker adaptation about a disturbed university researcher who pushes an experiment into people’s fears to extremes. This takes some time to start going anywhere but does eventually deliver the horrific goods
This seeks to be another Se7en, adapting a script by Se7en writer Andrew Kevin Walker and employing the same visual style in the story of Nicolas Cage delving into a seedy underworld in search of a snuff movie.
Cult Brazilian figure of Jose Mojica Marina returns to his signature role of the demoniac sorcerer Ze do Caixão/Coffin Joe after 40 years. Marins’ nihilist philosophising and catalogue of torture scenes proves madly entertaining
British director Charlie Steeds delivers a well tuned homage to The Texas Chain Saw Massacre that gets it right in ways that most of the Texas Chainsaw sequels don’t
This was debatably the first of three films that came out around the same time with the same title. Here a group find themselves in an escape room facing nasty deaths in each room
An existential puzzlebox of a film where a group of job interviewees are locked in a room and asked to work out what the question is. A fascinating conceptual film that falls somewhere between Cube and Saw
An anthology of Edgar Allan Poe tales narrated by Christopher Lee, Bela Lugosi and others. Each episode is in a different style, where the succinctness allows the stories to be told as written
Horror film from the rising name of Anthony DiBlasi set around an extreme haunt, a Halloween horror show that pushes everything beyond people’s limits
The big screen remake of the popular 70s/80s tv series about an island that makes guests fantasies come true. In the hands of Blumhouse, this has now been turned into a horror film
A film about a couple who break down on a country road and seek help at a sinister farmhouse, before everything turns into Torture Porn territory. And then things get weird
Internet horror film that rehashes Ring with a haunted website instead of a tv broadcast. This suffers from a muddled concept where it is not at all clear what is happening.
Harrowing and difficult to watch variation on The Last House on the Left where a trio of escaped convicts brutalise a decent black family in a series of humiliations
A modestly effective action film written by/starring stuntman Corey Michael Eubanks where he is forced by backwoods hicks to compete in bare-knuckle fights
Brutal Michael Haneke film where a family’s weekend getaway becomes a nightmare when two boys enter the house and proceed to torture and kill them. Haneke adds a level of meta-fiction that taunts the viewer’s participation
Michael Haneke’s English-language remake of his earlier home invasion film has a sense of pointlessness to it. But in following the original so closely, it also cannot help but work where it did
Amid the 2010s spate of multi-director horror anthologies a la The ABCs of Death, V/H/S etc, this is a trio of tales from all German directors, the most well known of which is Jörg Buttgereit of Nekromantik infamy
One of the notorious 1970s Nazisploitation films, this Italian-made entry is one work that crosses way over taboo lines and makes for extreme watching
A wonderfully disturbed film from Norway. A girl goes on a date with a man and discovers he has a roommate who wears a furrie suit and lives as a dog. And then things start to get really twisted
A really good, unrecognised early Found Footage film, supposedly a series of videotapes that chronicle the activities of a serial killer. A film that takes us inside an incredibly disturbed headspace
Two guys’ trip across the border into Mexico goes wrong as they end up imprisoned and tortured by cartel. This dives into a dangerous world with an askew sense of humour and becomes more bizarrely twisted as it goes on
Brilliantly nasty film where Ellen Page is a 14 year-old who is lured by a paedophile Patrick Wilson and promptly turns the tables, preparing to castrate him. Filled with razor sharp dialogue and career-best performances from Page and Wilson
Mario Van Peebles directs a beyond ridiculous getaway thriller that turns into Torture Porn. Cybill Shepherd gives a performance that seems determined to trash her image
A directorial outing from the screenwriters of A Quiet Place produced by Eli Roth set around a Halloween haunt. This avoids the pitfall of other Halloween haunt films and creates some effective games of reality and illusion
The first of the Hellraiser sequels. This lacks Clive Barker’s original dark obsessive vision but is worthwhile in its own right, expanding the scope of the story out into a magnificent vision of Hell
The Hellraiser sequels begin their descent to mediocrity. Clive Barker’s original vision of dark, forbidden pleasures has been watered down and the Cenobites become little more than campy variations on Freddy Krueger
The fifth Hellraiser sequel and the only one among the last four worth watching. It brings back Ashley Laurence but abandons the Cenobites for a fascinating series of reality bending games
The film that put the name of Clive Barker on the map. A work of considerable imagination where Barker delves into forbidden pleasures and fuses the film with S&M imagery for the memorable creations of the Cenobites
A valiant attempt to remake Clive Barker’s glistening and brilliant original that only emerges as a better made version of one of the sequels. This has a disappointing tameness that would never have inspired a series of sequels
Fourth of the Hellraiser films. This attempts to tell a story set in three different eras but was subject to much studio interference that waters the vision down to something forgettable
Fifth and best of Hellraiser sequels after Clive Barker bowed out. Scott Derrickson made his directorial debut here and infuses the series with some of the wild imagery and perverse darkness that Barker gave the original
The ninth Hellraiser sequel. Most of the others are a far call from Clive Barker’s original. This demonstrates that all hope is not lost in a wild and imaginative opening sequence
The ninth of the
A Backwoods Brutality effort that is somewhat better than usual thanks to a darkly acerbic David J. Schow script that constantly subverts the expectations of the genre
A compilation of short horror films from Denmark
A highly entertaining Herman Cohen production where Michael Gough plays a mad crime writer who employs a series of cruel sensationalistic deaths for his victims
The film that put the term Torture Porn on the map. Eli Roth determines to push boundaries with one of the most brutal films ever seen in mainstream release in the tale of tourists made prisoners at an East European hostel for paying clients to torture
Eli Roth’s sequel to his earlier hit, this emerges as a pallid copy of its predecessor, having merely changed the sexes of the protagonists and lacking the original’s gut-churning impact
Third in the Hostel series, an indifferent piece of formula hackwork minus Eli Roth where suspension of disbelief is constantly being disrupted by absurdly contrived scenes
Rob Zombie’s debut film was propelled into an infamy it didn’t deserve it was banned by its distributor. Zombie only slavishly rehashes The Texas Chain Saw Massacre with a constant posturing for shock effect that becomes tiresome
The best film from UK director Pete Walker. All of Walker’s film have a horror of ingrained institutionalism. This, concerning a private prison where morally lax women are abducted and tortured, is depicted with an extraordinary cruelty
From the director of Cannibal Holocaust, Ruggero Deodato, comes this home invasion thriller that rips off The Last House on the Left. This was listed as a Video Nasty back in the day
These rape-revenge films leave you wanting to conduct the moral equivalent of taking a shower after watching them. This sequel to the 2010 remake also ends up being undeniably brutal and effective
The harrowing 1970s raped woman on a revenge spree film is given the remake treatment, although is watered down in many key areas. The revenge scenes however are played up for a particular nastiness
One of the key films upon which the Takashi Miike cult is based. Miike takes a nominal Yakuza plot based on a manga where he pushes the sadism and ultra-violence to a mind-boggling extreme
The first of the sequels to the notorious Ilsa, She Wolf of the SS. The dispenses with the first film’s unpleasant use of the Nazi concentration camps as a source of exploitation grist and is an altogether better film
One of the most tasteless films ever made, a sado-sexual work set in a Nazi concentration camp with Dyanne Thorne as a sadistic commandant torturing and having sex with prisoners.
This was the third of the notorious Ilsa films featuring a hyper-sexed Dyanne Thorne. This locates everything in Russian where she is the commandant torturing the prisoners of a Soviet gulag
The original Apt Pupil, an extraordinary study in cruelty about a Nazi war criminal confined to an iron lung and the way his past cruelties influence a teenage boy reading his journals
The most difficult to watch of the films to come out of French Extremism about a pregnant woman pursued by a mystery woman determined to tear the baby from her womb
The 2007 Inside in which a pregnant mother is pursued by a woman with a pair of scissors was one of the most brutal viewing experiences amid the French Extremism fad. This is the English-language remake
Larry Buchanan is a director on a par with Edward D. Wood Jr. This, not to be confused with the 1974 killer baby film, is his best film. Buchanan creates a perverse obsessiveness that is fascinating to watch
Whether we asked for it or not, this is a revival of the Saw series. The upside is that unlike the other sequels it comes from a duo of directors who have made some quite good films elsewhere
Film based on true-life serial killing couple Paul Bernardo and Karla Homolka. This could have been another Monster but it feels like a film that played everything safe in terms of its content
A disturbing Japanese film about a student revolutionary group and their internal turmoils, which descend into violence and bloodshed as the leader pushed them to torture and bloodshed
Spanish home invasion thriller that comes with a moderate degree of brutality and tension but ultimately feels more like a set of choices in a survival horror videogame than an engaging thriller
Eli Roth home invasion thriller where two malicious girls turn family man Keanu Reeves’ life upside down. Roth creates a strong opening but hits the peak of the film not too far in and thereafter loses direction
A home invasion thriller starring Olivia de Havilland as a wheelchair-ridden woman who is brutalised and tormented after three hoodlums break in as she is trapped in an elevator cage during a power cut
A work of exploitation notoriety about snuff movies. Seen in heavily cut and edited forms, the film holds an undeniably sordid and nasty charge but mostly comes across as amateurish
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
A disappointing remake of the harrowing Wes Craven classic where the violence has been tamed down and the film is entirely missing the irony of the original’s savage ending