The Science Fiction Horror and Fantasy Film Review
Split Personality, or to give it its technical name Multiple Personality Disorder and more recently Dissociative Identity Disorder, concerns individuals who have a condition where they periodically manifest one or more different personalities. This is a real world phenomenon and there have been a number of non-fiction works about people affected with such a condition.
Split Personality entered the Psycho-Thriller with Norman Bates and Psycho (1960) and there have been numerous other examples of split personality psychos. The Other (1972) created a unique twist where we had two twins, one good and one bad, before a twist ending reveals that one of them only exists in the other’s mind. Similar kinds of Conceptual Reversal Twists where characters are revealed to be inside someone’s head have been popular since.
The most famous fictional Split Personality was Dr Jekyll and Mr Hyde. Dr Jekyll is an upstanding doctor who invents a potion that brings out his evil side that proceeds to rampage forth conducting wanton mayhem. This has been filmed multiple times – for which see Jekyll and Hyde Films. Another example would be the Batman villain Two-Face who is a physically divided personality with one side of his face scarred, one regular and his personality split between good and evil.
Quite a good film about a space expedition where the crew members on a mission to Saturn fall into an increasing paranoia and inability to tell what is real due to the drugs used in the hypersleep process
The revived Hammer Films takes on adapting Dr Jekyll and Mr Hyde with Eddie Izzard playing the role as a trans woman. This offers some amusing modernisations of the familiar, oft-filmed story
A very strange surrealist film about the strange characters that populate a rundown hotel. Includes reincarnation, alien bug people and John Malkovich as a psychiatrist with red hair in a bow
After overseeing a growing list of worthless sequels and spinoffs, James Wan is back in the director’s chair and goes batshit crazy with this film where Annabelle Wallis is taken over by an evil twin
An enterprising low-budget adaptation of the Dr Jekyll and Mr Hyde story, which has been filmed numerous times. This offers the most radical spin on the story of any adaptation to date
This is a superbly written and directed work of Southern Gothic that consists of three interwoven tales that gradually expose dark family secrets
The first sequel to the passable Venom. Next to Batman & Robin, this could be a strong contender for the worst big-budget superhero film ever made
The Long Halloween Part One was one of the best DC animated films in some time, now comes the concluding chapter, which alas fails to fulfill the promise that the first film showed
Taiwanese film in which multiple personalities are implanted into a prisoner’s body, one of which is a serial killer, in an effort to find a missing child
Fascinating film that conjures something of Primer in which a scientist creates a machine that splits his personality into ten parts
Unbreakable was M. Night Shyamalan’s everyday superhero film. Here he merges the characters from Unbreakable and Split to create his own shared universe. This could in effect be the kitchen sink version of The Avengers
Essentially a women’s version of Fight Club, a black comedy about a girl being dragged on a killing spree by a murderous life coach
A smart and intelligent SF film where two brothers both inhabit the same body and then both fall for the same woman. Great acting from Ansel Elgort in the titles role(s)
Another woman seeks vengeance film, sort of a female version of The Crow where the heroine wears PVC catsuit, fishnets and cat ears. A film made with a cod-grindhouse aesthetic hoping to get by on a certain trash movie sensibility
M. Night Shyamalan’s name took a nosedive throughout most of the 2000s (although I am prepared to defend him) but he received some of his best notices in years with his collaborations for Blumhouse, This split personality thriller, anchored by a tour-de-force performance(s) from James McAvoy, continues the upward trend
Batman: Return of the Caped Crusaders, an animated homage to the 1960s Batman tv series reuniting Adam West and Burt Ward, was a quirky delight. This is a sequel in the same vein, although more a case of a joke that tires in the retelling
The reboot of the Mummy series emerges as a wannabe Michael Bay film where even star Tom Cruise plays second banana to the CGI eye candy. Equally, an attempt to jumpstart a shared universe out of Universal’s Famous Monsters with the inclusion of Dr Jekyll seems awkward
Film about children hiding in big old house of secrets following the death of their mother. Filled with all manner of fascinating secrets and twist revelations
From Cody Calahan who made Antisocial, a reasonable modernisation of the Jekyll and Hyde story with a girl at war for ownership of her own body with an evil alter ego
Effective and disturbing work about two boys who begin to think that someone else might have taken their mother’s place after she returns in bandages. The film reaches a particularly chill and nasty climax
Robert Rodriguez turns his earlier action film into an insanely creative comic-book overflowing with SF devices (and homages). The casting alone is side-splitting and Rodriguez’s visual absurdism wins the day
Psycho-thriller that plays out like a creaky old deranged relative in the cellar film retooled as a teen romance until an absurd mid-film conceptual twist irredeemably kills the film off
Dull and unimaginative Silent Hill sequel that only revisits what went before. The first film had an uncanny otherworldly atmosphere but the sequel reduces everything to no more than pop-up Clive Barker
Ingenue slasher film from Sage Bannick about a teacher finding his pupils are being killed, this eventually settles down as an old hat evil twin plot
Haunted house film that comes with the novelty of being shot entirely in one take. This delivers some okay but never standout jumps but in the end you appreciate it more for its technical novelty than producing scares
British director Adam Mason has been a rising name of note in recent years. Here he makes a Jekyll and Hyde story with Andrew Howard as a mild-mannered man at war with his own evil half
This starts out was as a film about multiple personality disorder with several scenes that catch your attention before it drifts into a muddle of confused supernatural themes
A misfire from the usually reliable Wes Craven, this drearily traipses through a slasher/supernatural plot that lacks any surprises or Craven’s characteristic atmosphere
John Carpenter returned to the director’s chair after more than a decade but failed to light the world on fire. Carpenter makes what you could call a ghost story version of Girl, Interrupted. The scares are tame and the film is hamstrung by an improbable M. Night Shyamalan twist ending
Takashi Miike makes a sequel to his earlier superhero film filled with his typically eccentric touches
Spanish Found Footage film about the investigation of a haunted woods during which almost nothing happens, before a left-field twist ending that makes little sense
Award-winning Darren Aronofsky film about the rivalry between two ballerinas. At heart though, this is no more than a Brian De Palma psycho-thriller with pretensions
Another in the fad for remakes of 70s/80s films. where the 1981 slasher film gets reworked if this did not come with the 3D gimmick, it would be no more than a routine direct-to-dvd release
French actress-director Marina de Van makes a film about a woman who finds her identity being occluded by someone else’s life. de Van creates a superbly paranoid sense of dis-ease that compares favourably to Polanski’s The Tenant
The Hollywood remake of the South Korean ghost story A Tale of Two Sisters that waters down and reduces the effectiveness of the original to generic shocks
Fourth version of the tale about a family who believe their boarder might be Jack the Ripper. This is updated to the present and abandons most of the story for a mind-bending pretzel of identity speculations
Pascal Laugier makes one of the most horrific films to emerge from France in the 00s. Scenes of grim torture sit alongside a plot that twists like a pretzel and messes with almost everything we take for granted
Whose bright idea was it to give us kid versions of The Avengers (ostensibly their children)? While Marvel have had an unparallelled string of hits on the big screen in the 00s, their attempts to replicate the successes that rival DC have had in animation have been a dismal failure
Modernised version of the Dr Jekyll and Mr Hyde story starring Dougary Scott. The principal novelty here is that the bulk of the story takes place in a courtroom as Hyde is placed on trial for murder
Christopher Nolan brought the cinematic Batman franchise back to life with Batman Begins and here expands it into something amazing. The show is capped off by Heath Leder’s towering Academy Award winning performance as The Joker
Lightweight French bodyswap comedy where aging rocker Alain Chabat and mousy bureaucrat Daniel Auteuil end up sharing the same body
Sequel to the Ang Lee Hulk with Edward Norton inheriting the roles of Bruce Banner. Ang Lee gave the first film a visual brio but this often seems by the numbers
Doctor Who writer/producer Steven Moffat’s modernised Jekyll and Hyde reworks the story in fascinatingly radical ways, while James Nesbitt gives a gleeful rafter-rattling performance
One of the best of all filmed videogame adaptations. Christophe Gans creates a creepy and unworldly atmosphere, along with a series of genuinely outlandish creature effects
Disappointing remake of Brian De Palma’s 1973 Siamese twins psycho-thriller that changes many elements and crucially lacks De Palma’s stylistic showmanship
A modermised retelling of the Jekyll/Hyde story as a teen horror film where Jekyll (Bryan Fisher) is experimenting with Ecstasy to try and have success with girls
Richard Linklater conducts an animated adaptation of the Philip K. Dick novel with extremely faithful results. Keanu Reeves is a police officer assigned to investigate what he realises is himself
A True Crime film based on the Hillside Stranglers case, or at least the arrest of one of the killers. From a director who makes True Crime films but throws out the facts and makes up his own story about what happened
Quite evidently modelled on Se7en even to the lookalike title, this is the novelty of a Christian serial killer thriller. The results are quite strange to say the least
The first of several animated films based on Marvel Comics properties, this does a solid job in adapting Mark Millar’s The Ultimates, a retelling of The Avengers origin story
Follow-up to the previous animated Marvel Comics film featuring The Avengers, this serves to introduce Black Panther to the screen for the first time
Takashi Miike’s One Missed Call was one of the more popular of the Ringu-influenced Japanese ghost stories, concerning a viral curse passed by cellphone calls. This was the second Japanese sequel
A variant on the sinister child’s invisible companion theme. A fine cast has been assembled but the film goes and kills itself with a lame twist ending
Stephen King adaptation with Johnny Depp as a writer in a cabin in the woods harassed by mysterious stranger John Turturro. Screenwriter David Koepp directs a marvellously chill Turturro with lots of twisty surprises
Softcore all-girl take on the Dr Jekyll and Mr Hyde story concerning a formula that brings out repressed sexuality. The expected tumblings are handled with an arty flair that makes for an undeniably interesting watch
The weakest of Peter Jackson’s Lord of the Rings films. This is the most variant from the source material and the one where Jackson allows his tendency to visual effects bloat to take over
John Cusack leads a star cast line-up in what appears to be a slasher where a group of people gathered at a motel are being killed by someone among their number. Big conceptual twists then ensue
An early entry among the pre-MCU surge of Marvel Comics films in the early 2000s sees Ang Lee taking on The Incredible Hulk. Not Lee’s best film, this was slighted at the time but is worth reconsideration
The film that made the world take notice of Alexandre Aja. Aja serves up a brutal and gore-drenched variant on the Backwoods Brutality film, although things fall apart in an absurd twist ending
Psycho-thriller that should have gotten better notice than it did. Katie Holmes plays an A-student at an Ivy League college who is stalked by a missing ex. Slick and coolly written, before arriving at an effective twist ending
Excellent tv movie adaptation of the Jekyll/Hyde story starring John Hannah. This is mounted with exquisite period detail and brings new depths and interpretations of an oft-told tale
A huge hit and one of the key influences that created the box-office dominance of Marvel Comics in the 2000s/10s. A fine incarnation of the comic-book, Sam Raimi brings it to life with exhilarating web-slinging scenes but overdoes the winsome innocence of Peter Parker
Peter Jackson’s Lord of the Rings saga truly gains its feet here, expanding out onto an epic scale where he has fused special effects and story into a singular vision
This has a promising set-up – a series of Jack the Ripper copycat killings taking place in a modern criminology class – that turns out as no more than a standard slasher film
Borrowing the Blair Witch aesthetic, Brad Anderson makes a highly effective minimalist horror film about a group of working men encountering something during the clean-up operation of an abandoned asylum
Based on an off-Broadway play, this is a drag parody of the beach party movie. It does dig into the squeaky clean image of the genre but never seems a particularly funny parody
Takashi Miike tv mini-series with a mind-bogglingly confusing plot involving a split personalitied detective, possession, a terrorist pop star and barcodes imprinted in eyeballs
Sequel to the Eddie Murphy remake of The Nutty Professor. That film’s tour-de-force was a scene with Murphy playing all the members of his family. Here the family have been brought to the fore. Murphy’s performance and the effects are expectedly great but the plot is all over the place
A passable psycho-sexual thriller that copies Fatal Attraction and Basic Instinct with Andrea Roth caught between two men, one of who seems to be stalking her
David Fincher tackles Chuck Palahniuk’s novel about secret brawling clubs. Maybe the only major studio film with an openly anarchist manifesto. Brilliant, incendiary, all over the map plotwise and thoroughly unique
A Japanese horror film that winds a convoluted plot involving stolen corpses, a blackmarket in organ harvesting, split personality, twins and religious cults
Over Gus Van Sant’s shot-for-shot remake of Psycho, there hangs the single question of “Why?” The result seems a futile conceit, one only designed to infuriate those who regard the original in such high esteem
The directorial debut of Satoshi Kon, overseen by Katsuhiro Otomo, an anime concerning a troubled Japanese pop singer being cyber-stalked by a doppelganger
Remake of the Jerry Lewis film is a comedic tour-de-force for Eddie Murphy as he swings between a shy 400 lb professor and a manic, testostoronally charged health junkie
This took a critical drubbing at the time it came out with everybody laughing at Julia Roberts’ Irish accent but is a revisionist take on the Jekyll/Hyde story, all told through the eyes of Dr Jekyll’s maid and an extremely good version of the story
A tawdry erotic thriller copy of Basic Instinct where psychologist Rebecca De Mornay is drawn in to become involved with possible stalker Antonio Banderas
Another variation on the Dr Jekyll and Hyde becomes a woman theme. This version is played as a modern comedy wherein Tim Daly turns into Sean Young who plays to bitchy excess
Tim Burton’s superlative duo of Batman films were wrecked after Joel Schumacher took up the director’s chair and turned the films into giant camp fests. Here he allows a madly overacting Jim Carrey and Tommy Lee Jones loose as the villains
A blatant copy of Basic instinct with psychologist Bruce Willis getting involved with Jane March as his patients start being murdered. Much bare flesh but the film is killed by ludicrous plot twists
For a time Kevin J. Lindemuth had a reasonable place making direct-to-video films and anthologies. This is a solidly effective video-released anthology of horror tales
Psycho-thriller with Gregory Hines as a radio talkback host dealing with a psychopathic caller who plays a series of taunting games with him
Likeable light fantasy comedy where Robert Downey Jr is possessed by four disembodies souls and sets out to help them achieve their purpose. Filled with some great performances.
Brian De Palma made a return to his trademark psycho-thriller for the first time in several years but the benchmarks of the genre were now The Silence of the Lambs and Basic Instinct and De Palma’s wildly contorted plot and flourishes of style for their own sake seem dated
Probably the worst film adaptation of Dr Jekyll and Mr Hyde, this opts for a trashy sordidness with a lunatically over-the-top Anthony Perkins in the centre of the show
Near indescribable mix of horror, hallucination, surrealism and tormented sexuality – quite possibly cult director Alejandro Jodorowsky at his best
The very first ever team-up between Marvel Comics characters on the screen in which Bill Bixby’s Hulk meets Thor. The film has a camp reputation because of its Thor who resembles a Swedish bodybuilder
A shabby Canadian police procedural with David Birney as a detective hunting a killer who is targeting prostitutes
Well worthwhile Psycho sequel directed by Anthony Perkins himself who makes an assured, even at times dazzling debut. The film has a playfulness and outrageousness that quite takes you aback
Surrealist film from Raul Ruiz that proves a tedious, drawn-out ramble through disconnected images and non-sequiturs
Psycho did not need a sequel but this does a scrupulous and exacting job, bringing back Anthony Perkins and paying a great deal of homage in many small details. The script comes with a considerable cleverness
80s slasher film about a teenage temptress who leaves a trail of dead men around her. An impressive cast but the film sits on a very dubious line
Incredibly shabby film about residents of a Texas boarding house being killed by a supernatural dog
Extremely silly and at times undeniably funny spoof on Dr Jekyll and Mr Hyde – here Dr Jekyll becomes a coke addict who snorts his formula and turns into a swinger with a giant afro
Retelling of Dr Jekyll and Mr Hyde from cult Euro erotica director Walerian Borowczyk. Not quite the erotic retelling one expects, this nevertheless conducts some radical revisions
Brian De Palma’s homage to Psycho. With De Palma at absolute peak form, this is dazzlingly stylish in its directorial set-pieces and comes with an often outrageous sexual pathology
Muchly under-appreciated film with Anthony Hopkins as a performer dominated by his ventriloquist’s dummy. Great direction from Richard Attenborough, fantastic script and performances
Way back before Peter Jackson, Ralph Bakshi made this not uninteresting animated adaptation of J.R.R. Tolkien. The film was not a success and Bakshi failed to return to complete the second part of the story
The theatrically released pilot film for the 1970s/80s tv series based on the Marvel Comic that tells the Hulk’s origin story. This is one of the better episodes of the otherwise banal series
After the Blaxploitation fad gave us Blacula and Blackenstein, there came this wild variation on the Jekyll/Hyde story where a good African-American doctor takes a potion and turns into a rampaging white monster
UK. 1976. Crew Director/Producer – Pete Walker, Screenplay – David McGillivray, Photography – Peter Jessop, Music – Stanley Myers, Makeup Supervisor – George Partleton, Art Direction – Chris Burke. Production Company – Peter Walker (Heritage) Ltd. Cast Lynne Frederick (Samantha Gray Falconer/Jean Longmarsh), Jack Watson (William Haskin), John Leyton (Alan Falconer), Stephanie Beacham (Beth), John […]