The Science Fiction Horror and Fantasy Film Review
Toons are cartoon characters. Not just regular cartoon characters, more specifically, it is a name given to cartoon characters reacting with live-action actors. The term was coined by the film Who Framed Roger Rabbit? (1988) set in an Alternate Realities where humans and cartoon characters coexist.
Toons had existed before they were even given a name with Disney having conducted blends of animation and live-action beginning with The Reluctant Dragon (1941) and most famously in Mary Poppins (1964) and Pete’s Dragon (1977).
Roger Rabbit spawned a brief fad for copycat toon films, although the practice died away shortly thereafter as the advent of CGI animation meant that live-action and drawn elements began to blend seamlessly with little dividing line.
Enchanted in which Amy Adams played an animated fairytale princess entering the real world was a reasonable hit. This is the long-planned sequel that reunites the principals but feels like a joke that belabours in the retelling
This is the most charming animated (in this case stop-motion animated) film in years, a mockumentary about the life of a tiny talking shell that inhabits a human home. My best film of 2021
Tom and Jerry are revived in a part-animated, part-live action toon film although come missing the ultra-violence of the original cartoons
For reasons not clear to me, Space Jam is considered a classic. Now we get a sequel that updates it to the present featuring a different NBA star LeBron James
Mary Poppins was one of the greatest of all Disney live-action films, made with nonsensical charm and has become a much loved favourite. As part of the ongoing firesale that involves resurrecting almost all of their properties, this is a sequel. Its an exacting replication/homage to the original but that is the problem – it is a recapturing rather than seems to create its own sparkle
Japanese comedy with various humans and aliens interacting around an interstellar burger restaurant on the road from Earth, although none of it seems that funny
This nominally tells three slice-of-life tales but in each the principal character is creating a book or film about one of the other characters. This becomes a meta-fiction of considerable cleverness as we see how the problems of one character end up reflected in the other character’s story
An anthology of comedy skits that sets out to be in as bad taste as possible – you are left astounded how far a film has to go to offend in this post-South Park era. That and wondering if the producers had kidnapped some of the stars’ family members to force them to participate
Waltz With Bashir director Ari Folman adapts a work by Stanislaw Lem into a conceptually challenging part-animated film concerning a virtual actress and a future where the populace lives inside a drug-induced mass hallucination
Luc Besson has made some phenomenal action films but I just can’t seem to get into his trilogy of children’s films. This was the third. A silly effort written down to a very juvenile level and padded with inane humour
This was the second of Luc Besson’s Minimoys films, partly animated children’s films set in a world of miniature creatures. Here the charms of the first film seem thinly stretched
Disney film where an animated fairytale princess emerges into the real world to become Amy Adams. This becomes the opportunity to wittily puncture the unreal world of the Disney fairytale
Lightweight Luc Besson directed children’s fantasy with a young boy shrunken down to miniature size to engage in a series of CGI animated adventures among a race of fairy-like people. Several sequels followed
An animated film based on the hit playing card phenomenon, which proves largely incomprehensible to anybody not versed in the game
Spongebob Squarepants was a sleeper hit on the Nickelodeon Channel that crossed over to find an adult following; this is the first of the film spinoffs. The film comes with a zanily surreal sense of humour that ran through the series that is frequently downright hilarious
Joe Dante makes a toon film winding in dozens of cameos from Warner Brothers cartoon characters. The results prove enormously playful and creative. Infinitely more creative and fun that the Space Jam films
The Farrelly Brothers make a part-animated, part-live action film that is set inside slob Bill Murray’s body where the cells and body functions are all talking characters
Cinematic revival of the old Rocky and Bullwinkle series having the two animated characters emerge into the real (live-action) world. A film that you feel should have been funnier and more energetic than is
Based on a Pepsi commercial, this brings NBA star Michael Jordan and a host of Looney Tunes characters together in a basketball game. A cute idea not very well developed.
Amiable if lightweight film where a live-action Macaulay Culkin gets animated and has a series of adventures in a Land of Fiction where he must pass through various classic stories
Extraordinary Belgian fabulist film, part-animated, part live-action, that takes place in a surreal alternate world
Comic-book adaptation featuring a ballistically OTT Jim Carrey who becomes a zany figure of chaos whenever he puts on a mask. The film has been designed to emulate cartoon physics but its lack of any grounding reality proves annoying
A big flop but highly underrated Arnold Schwarzenegger film, a sophisticated meta-fiction that views the cinema screen as another dimension and wittily deflates action cliches
Who Framed Roger Rabbit? popularised the idea of the toon where cartoon characters mingle with humans. This was exploitation director Fred Olen Ray’s take where a stripper is possessed by a demonic toon
Animator Ralph Bakshi jumps aboard the Who Framed Roger Rabbit? bandwagon with a toon film in which a Jessica Rabbit-like cartoon character is dragged into the real world whereupon she is played by Kim Basinger
Groundbreaking film that hilariously imagines an alternate world where cartoon characters live alongside humans. The energy and creativity of the film is superlative
Steven Spielberg, Joe Dante, John Landis and George Miller came together to make this homage to tv’s The Twilight Zone. The episodes are variable but the standout is Miller’s Nightmare at 20,000 Feet
Part live-action, part animated adaptation of a classic Victorian children’s story about an urchin who discovers a secret world underwater
An adaptation of Jonathan Swift’s classic book (or at least the first section) starring Richard Harris as Gulliver, this has been conducted as a mix of live-action and animation
Disney live-action film about a boy and his dragon where the dragon is represented by animation
An Italian-made homage to/parody of Fantasia offering an anthology of animated tales. This is witty and more adult in tone, yet perfectly charming and delightful in its own way
The second film from animator Ralph Bakshi, follow-up to Fritz the Cat. As opposed to Fritz‘s surreal trippiness, this is more down-to-earth and sees Bakshi conducting a loose, bawdy trip through his own childhood in Brooklyn
Obvious but likeable attempt by Disney to replicate the success of Mary Poppins with Angela Lansbury as a good witch taking a group of children on a series of nonsense adventures
An appealingly silly blend of live-action and animation where Don Knotts plays a downtrodden clerk obsessed with fish who falls into the ocean and becomes a porpoise
Disney classic that is mostly a series of dance and effects sequences strung together without any real plot nevertheless is conducted with a dizzying absurdism and perfect charm that never wears out its welcome
A version of the Baron’s tall tales from the great, underrated Karel Zeman. Zeman’s dizzying blend of live-action, animation and cutouts and deadpan absurdism is perfect, resulting in the best Baron Munchausen film to date
Czech Jules Verne adaptation that conducts an extraordinary blend of animation and live-action. Maybe the purest evocation of Steampunk that has ever been placed on screen. A work of underappreciated genius
Disney film that is difficult to see these days due to its controversial treatments of race issues. Controversies aside, this is undeniably likeable, in particular in its telling a series of tall tales and finding a folk vernacular