The Science Fiction Horror and Fantasy Film Review
Biopic of the so-called prophet Nostradamus, although this seems more interested in depicting him as a progressive thinker of his era than as a prophet. Directed by Roger Christian who next went on to make Battlefield Earth
A batshit crazy film involving Nostradamus who is a present-day cop, a time travelling assassin trying to bring about the Biblical Apocalypse at The Millennium, plus alternate timelines and a psychic FBI agent
Quirky and wittily clever film from Vincenzo Natali, director of Cube, where two characters wish themselves into a blank white void filled with literally nothing
Not to be confused with Now You See Me, the one about the bank-robbing magicians, this is a surprisingly good film for the usual creative wasteland that is the Disney Channel about a reality show for illusionists who discovers a teen whose powers would appear to be real
Demented Joel Schumacher film in which Jim Carrey sees occurrences of the number 23 everywhere and finds his life is being predicted by a book. Featuring one of the most absurd scripts ever written
I went into this with zero expectations, expecting no more than a work of formula family entertainment and came out gently surprised. Essentially a talking cartoon animals variant on a heist plot, it does the formula likeably and with none of the relentless smart-ass cynicism of too many contemporaries
Big, no-expense-spared Disney production of the fairytale. The film is stunning to look at it in terms of design and costuming but has a simplicity that leaves little for adults to engage with
Following the release of Nacho Libre, we had this parody – a porn film about lucha libre (Mexican masked wrestlers), an idea that in practice ends up about as random and lame as it sounds
The Coen Brothers hilariously adapt The Odyssey into the Depression Era with George Clooney leading a trio of escaped convicts as he tries to return to his wife
Exquisitely lovely anime set in a world of creatures that live on scavenged human junk. If in the end, the heroine’s allegorical quest is on the generic side, the film captivates you with the richness of colour and detail that has gone into imagining its world
Brian De Palma with Paul Schrader on script make a homage to Alfred Hitchcock’s Vertigo with Cliff Robertson wandering Venice believing he has found the reincarnation of his late wife
Famous short film adaptation of an Ambrose Bierce short story that patented the twist ending in which someone discovers that have been dead all along
Cheap and tatty variant on the Arthurian legends with people trying to prevent a reincarnated sorcerer obtaining Excalibur
On one level, this sets out to be a warm-hearted fantasy about the appearance of a magic child to a childless couple. On another possibly unintentional level, it is a rather unlikeable film about how two parents continually force a child to conform to the social expectations of those around them
At first glance, Stephen Sommers and Dean R. Koontz seem strange bedfellows, but oddly enough it works – Koontz gives Sommers more story than he is used to working with and surprisingly it is the likeable characters and mind-boggling quirks of plot at the forefront rather than Sommers’ usual CGI bombast
Supposedly an adventure based on an untold story from The Odyssey, an entry among the fantasy adventure films made for cable filler in the 2000s
Lush Magical Realist adaptation of a Gabriel Garcia Marquez book about demonic possession that takes the view that it is no more than Church superstition
Obscure, little seen but beautifully made Magical Realism film set amongst witches and romantic rivalry in Mexico
Amiable and quite likeable light fantasy in which supermarket manager John Denver receives a visit from God in the person of George Burns. This throws barbs in the direction of organised religion but in a way intended not to offend anybody
Sequel to Oh, God, this brings back George Burns as God but pairs him with a cute kid
A very lame comedy with Chevy Chase as a private detective working in London who is killed and is then reincarnated in the body of a dog (now played by superstar dog Benji)
Outrageously whacked Hong Kong film that prefigures The Toxic Avenger in having a downtrodden hero jump into a pool of oil and emerge as an avenging superhero made of oil. Crudely made and pitched, the film’s novelty all lies in the bizarreness of its title character
The Old Guard about a team of immortal mercenaries was a hit when it was released a few years ago. Now most of the principals reunite for a sequel
Huge Netflix hit adapted from a comic-book about a team of immortal mercenaries
Lucky McKee, director of May and The Woman, makes a film about two men meeting at a cabin in the woods where secrets emerge amid psychological tensions between the two
One of the more forgettable Disney animated film of the 1970s/80s lull, this draws heavily on Lady and the Tramp for a talking animals retelling of Oliver Twist
Agnieszka Holland drama about the sudden return of a boy who went missing several years earlier, although may well be an impostor. Contains minor fantasy elements
The Omen and imitators had been exploiting Biblical End Times prophecies for years but this is one that approaches it from a Christian perspective. The film also started a wave of serious faith-based films that employed name actors in order to carry them to crossover audiences
Romantic musical in Barbra Steisand discovers psychic powers and her reincarnated past lives. Despite being a flop, this is a film of oddball charms and features an effervescent Stresiand
Unique light fantasy film in which aging Lionel Barrymore manages to imprison Death in a tree in his backyard
Irish-made comedy with Robbie Coltrane who has a Aborigine head in a jar that can predict horse races
A very strange Japanese-made blend of fairytale and detective story that takes place in the realm of fairytale where Little Red Riding Hood turns detective to solve a murder at Cinderella’s ball
Appealing animated film with an environmentalist theme where four young orphan animals go on a quest to save their woods
Disastrous tv movie version of the classic musical based on The Princess and the Pea
Neil Jordan directs a beautifully earthy Irish fairytale in which Colin Farrell fishes up a possible selkie woman
Mind-twisting mini-series where videogame designer Stephen Dillane is wound into a series of reality and illusion games
The last really good animated film made during Walt Disney’s lifetime and for the next couple of decades. Filled with cuddly anthropomorphism and charmed delights
This live-action remake of the classic Disney animated film benefits from Glenn Close chewing scenery in grand style as Cruella De Ville but the latter half essentially degenerates into no more than a series of Home Alone-styled slapstick violence scenes
Sequel to the live-action 101 Dalmatians remake. This brings back Glenn Close as Cruella DeVil and proves a far more enjoyable film that its predecessor
Going by the title you could easily dismiss this as an indie relationship drama (as I initially did) but what we instead get is a fascinatingly cryptic doppelganger film where a couple go on a retreat only to encounter idealised versions of themselves who seem intent on stealing their lives
The 22nd animated film from Pixar and also the least successful (being released only a week before theatrical chains closing down due to Coronavirus). This has an appealingly quirky and original concept not unakin to Bright that takes place in an alternate reality where magic creatures live in a world akin to our own
Passable animated film from Sony Pictures Animation, although the story arcs too closely resemble every other animated film for it to have much in the way of notability
British quota quickie, a comedy about a man who discovers an oracle in a well that gives him tips on horse races
Carl Dreyer, the Danish director of Vampyr and The Passion of Joan of Arc, is one of the least well-known great directors. This, his second-to-last film, concerns itself with the nature of religion and miracles. A very weighty Bergman-esque piece, it arrives at an astonishing ending
Tilda Swinton plays a gender-changing immortal in Sally Potter’s eccentric adaptation of a Virginia Woolf novel
Jean Cocteau’s beautiful modernisation of the Greek myth of Orpheus and Eurydice updated to post-War France
The Farrelly Brothers make a part-animated, part-live action film that is set inside slob Bill Murray’s body where the cells and body functions are all talking characters
Hilarious Jan Svankmajer film about a mother who decides to treat a log as a child. Full of blackly funny humour before transforming into a macabre monster movie
This sets out to offer a dark take on Alice in Wonderland but leaves you scratching you head. At most the Wonderland characters take a lot of drugs, along with a haphazard mix of scenes from the book cheaply shot
In the vein of Pasolini’s Teorema, French director Bruno Dumont makes a film about an ambiguous visitor who may be capable of miracles. Slow, very opaque but eventually rewarding
Unfunny comedy in which Eva Longoria dies and returns as a ghost to make life miserable for fiance Paul Rudd as he becomes involved with another woman
Likeable DreamWorks animated film filled with much slapstick energy about a group of talking animals that venture into a housing estate in search of food
A British children’s tv mini-series about a mysterious dinner service that presages the playing out of a Welsh myth, this is seen as one of the original influences on the Folk Horror genre
Sam Raimi’s prequel to The Wizard of Oz is now; the story of how a conman fools an entire land rather than of an innocent girl just trying to find her way home. The reconceptualisation of Oz comes with a colourful sweep
From the awful slapstick-heavy trailer, the prospects for this seem dismal – less Paddington Bear than a reprise of the live-action Yogi Bear. The finished result confounds expectation and the story of a small unassuming bear at large in the world comes full of considerable charm
Sequel to the 2014 film based on the much loved children’s books … This comes with exactly the same mix of silliness, overblown slapstick and sweetness that made the first film work – albeit on a more elaborate budget – and succeeds with the same winning charms
Third of the Paddington series, this has more of an adventure film feel as it takes Paddington and the Browns to Peru in search of a lost city
Forgotten silent Japanese avant garde classic set in a mental asylum. This has many similarities to The Cabinet of Dr Caligari in its shifting perspectives that delve into the subjective mental space of the inmates
Amiable if lightweight film where a live-action Macaulay Culkin gets animated and has a series of adventures in a Land of Fiction where he must pass through various classic stories
A Hong Kong supernatural fantasy that has been made as a copy of the ground-changing A Chinese Ghost Story. The last film directed the legendary King Hu, the man who created the Wu Xia film
Variation on the Groundhog Day timeloop theme, this has two people trapped on the same day at a wedding. Of all the copies, this is a delight that has a really hilariously madcap creativity
Ostensibly a Peter Pan prequel and origin story, this is a massively over-produced turkey – colossally scaled effects set-pieces, everything obtrusively arranged to pop out at us in 3D – that seems to completely miss the innocent charms that the original story had
Exquisitely shot Technicolor fantasy in which Ava Gardner is romanced by James Mason as the Flying Dutchman, cursed to eternally sail the seas
Critically acclaimed Guillermo Del Toro film set during the Spanish Civil War where a young girl finds the entrance to a dark realm. This plays like a very dark version of the Narnia films
Epic filmed version of the Richard Wagner opera set around the Arthurian legends and the quest for the Holy Grail
Oddball German comedy in which a toy table footballer magically comes to life and becomes a star soccer player
Well-cast, nicely made film that seems to be setting out as a supernatural variant on Fearless, which had Jeff Bridges as a reinvigorated plane crash survivor, only to fall apart in a groan-worthy twist ending that has become tediously overused in recent years
This has the intriguing idea of two Demi Moore’s living on either side of the world, each dreaming that they are the other but the premise pans out as no more than a routine Chick Flick
Charming post-War Ealing Studios comedy where the London suburb of Pimlico declares themselves a separate country
Australian-made children’s film about a kid who creates a computer program so his dog can talk where it then becomes voiced by Billy Connolly
Hong Kong-made Wu Xia based on a Japanese manga about warrior monks fighting to stop the opening of portals to Hell. This seems uninspired when it comes to the flights of fantasy the genre specialises in, although picks up when it comes to the vigour of its cheap makeup effects scenes
Strange Canadian children’s film about a boy who goes bald and is then given a peanut butter solution that causes wild uncontrolled hair growth
The comic-strip Peanuts is a wryly whimsical depiction of childhood. The movie version has been taken up by Blue Sky Studios, the ones guilty for the repetitive sequelitis that most modern animation has descended to – somehow you suspect that Charles Schulz’s intention wasn’t to reduce it to a series of slapstick set-pieces
A standout adaptation of a classic work of Mexican literature in the Magical Realist tradition. This creates an incredibly haunted mood as it follows a man’s quest for his past to a town that seems to exist inside a twilight zone
Pee-Wee Herman is someone who polarises crowds to love or extreme hate. The was the first film from Tim Burton who seems charmingly attuned to the kitsch banality of Pee-Wee’s universe
Pee-Wee Herman is a deliberately annoying character that is either adored or intensely loathed by audiences. This third film closely follows the structure of the first film with Pee-Wee in a series of nonsense adventures on a cross-country journey
One of the numerous ‘vs’ films that came out after Mega Shark vs Giant Octopus, this is actually a B-budget fantasy adventure made for cable. This is not particularly bad, just routine and uninspired on all counts where the budget cramps any of its imaginative horizons
This is Francis Ford Coppola’s version of Back to the Future wherein housewife Kathleen Turner wakes up back as her high school self and gets the opportunity to remake her life’s choices
Absolutely extraordinary British tv play that was one of the formative works in the development of Folk Horror on screen
This has the feel of a fairytale where Christina Ricci plays a girl who suffers from a hereditary curse that has left her with a pig-like snout
This spinoff from the Madagascar films is a lot more fun that I was anticipating – how could you dislike a film with John Malkovich as an octopus super-villain? Essentially cast as a spy parody, the film has a gonzo insanity that hits in with a manic delirium
Dennis Potter was the greatest writer to ever work in televisio. This mini-series is one of his most celebrated works, featuring characters bursting out into lip-synched Golden Oldie songs, making biting contrast to their downbeaten lives
From Eric Rohmer, a director of the French New Wave, an adaptation of stories from the Arthurian legends, made in a decidedly eccentric style
Chris Columbus seeks to emulate the success of the Harry Potter films with this adaptation of a Young Adult series about the children of Greek gods. The film falls apart due to Columbus’s typical banal cues and effects overkill
This sequel is marginally better than the first film (largely due to Chris Columbus no longer being in the director’s chair), being more dramatically engaged and with effects that feel less like random eye candy. That still doesn’t disguise the fact that the Percy Jackson series is no more than a lightweight and forgettable Harry Potter knockoff
Spinoff of characters featured in David Lynch’s Wild at Heart and a greatly underrated film for Alex de la Iglesia. this pushes into even darker and more anarchic places than Lynch did, featuring outlaw lovers who are black sorcerers on a trail of murder and kidmap
An extraordinary Tom Tykwer film starring Ben Whishaw as an 18th Century man who has a hyper-acute sense of smell
Pearl White was the original serial heroine in The Perils of Pauline. During the 1960s Batman craze, the serial was revived as this campy comedy
A fascinating documentary about animator Richard Williams that principally focuses on the tragic failure of Williams’s lifework The Thief and the Cobbler, which would have been the most ambitious hand drawn film ever made
One of the animated Disney classics, if probably an overrated film. It throws slapstick and derring-do together in a likeable package
Live-action remake of the classic story this has some lovely moments but also feels over-produced and adds unnecessary adult psychological motivations to the mix
Disney conduct a live-action remake of their Peter Pan and promisingly place it in the hands of David Lowery, director of A Ghost Story and The Green Knight
From the people behind Winnie-the-Pooh: Blood and Honey, this is the horror version of Peter Pan. And good grief, does this go dark with Peter as a child abductor and Tinkerbell who shoots up ‘fairy dust’ through a needle
The first Peter Rabbit film was an abomination that trashed Beatrix Potter’s genteel stories. It made this site’s Worst of 2018 list. This is a sequel
Beatrix Potter wrote genteel stories of talking animals in the English countryside. This is a film so astonishingly awful in its treatment of the source material – it feels like someone drunkenly urinating on Beatrix Potter’s gravestone for lulz. The No 1 contender for Worst Film of 2018
Disney live-action film about a boy and his dragon where the dragon is represented by animation
Another Disney remake that hardly resemble its source – the original was light slapstick with a big cartoon dragon, this is a sober wild child story where the dragon is now an endangered species
Serial adaptation of the famous comic-strip superhero. One of the better serial comic-book adaptations, featuring some great cliffhangers and maintaining great faith to the comic-strip original
Big screen adaptation of the popular comic-strip superhero. This aims for the tone of an old fashioned serial adventure and is nicely mounted but crucially never comes to life.
Silent film whose greatest footnote is that it was Ingmar Bergman’s favourite film. Has some extraordinary fantastic images, even if these are technically primitive today. Less effective is the modern attempts to view it as a ghost story, when it is more a morality play akin to A Christmas Carol