Warlock: The End of Innocence (1999)
Third and final of the Warlock films where Julian Sands is replaced by Bruce Payne
Horror
Warm Bodies (2013)
The idea of a Twilight copy where the lead male is a zombie seems an utterly lame idea before one sat down to watch this. That said, the film manages to make its peculiarly incongruous mix of teen romantic film, zombie film and comedy work for it
The Wasp Woman (1959)
Roger Corman cheapie clearly influenced by The Fly in which a woman becomes a creature after using a beauty product derived from wasp venom
The Wasteland (2021)
A standout Spanish film about a 19th Century family at remote house in the midst of a great plain who are under attack by monsters that may just as easily exist in the mind
Wasting Away (2007)
Horror comedy told from the perspective of four friends who are unaware they have been transformed into zombies. The contrast of their reactions with everybody else as they flee in terror is mildly amusing for awhile but this is essentially a one-gag film
The Watcher (2000)
Serial killer thriller that is built around the stunt casting of Keanu Reeves as the killer
Watcher (2022)
Nicely chilling film in which Maika Monroe believes that the person in the apartment opposite might be stalking her
The Watcher (2022)
Compulsively watchable Ryan Murphy mini-series about a family whose life is torn apart by a sinister letter-writing campaign. A true story that gets far most bizarre than most fiction
Watchers (1988)
Dean R. Koontz adaptation in which Corey Haim adopts an unusually intelligent dog unaware it is part of a genetically engineered killing machine. Produced by Roger Corman who spun out a series of sequels.
The Watchers (2024)
M. Night Shyamalan’s daughter Ishana directs a film of her own. Say what you will about nepotism, it is a really good film
Watchers II (1990)
The first of three sequels to the Dean R. Koontz adaptation about an intelligent dog, although for each sequel producer Roger Corman has just remade the book
Watchtower (2001)
Modest psycho-thriller about the psychological games between a psychopathic lighthouse keeper (a fine Tom Berenger) and his young assistant
Waxwork II: Lost in Time (1992)
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
Waxworks (1924)
A classic of the silent German Expressionist era, telling three tales throughout history – about the Caliph of Baghdad, Ivan the Terrible and Jack the Ripper – all set around the locale of a wax museum
We Are Still Here (2015)
Solidly atmospheric effort concerning a middle-aged couple who buy a house with sinister forces lurking in the basement. This builds to an admirably gore-drenched climax
We Are the Flesh (2016)
There are few films that you can accuse of crossing over taboo lines and keeping going without compromise. This Mexican film has been construed as a catalogue of depravities; on the other hand, the lack of even a nominal plot soon causes this to lapse into repetitive tedium
We Are the Night (2010)
Slick and visually exciting German vampire film that recaptures something of the chic sumptuousness of The Hunger. Perhaps The Hunger by way of Sex and the City set in a world of conspicuous fashion consumption where vampirism represents women’s ultimate empowerment
We Are What We Are (2010)
Grimly fascinating Mexican film about the activities of a family of cannibals. The film keeps you intrigued because it only drops suggestions about what is happening, leaving it up to us to piece solutions together, although the eventual lack of answers is frustrating
We Are What We Are (2013)
English-language remake of the Mexican film, this version made by Jim Mickle who made the fine Stake Land. This version is far less cryptic about what is happening but is more muted and takes far longer to ever arrive at being a horror film, although delivers an effectively brutal ending
We Are Zombies (2023)
A zombie comedy from the Quebecois trio who were responsible for Turbo Kid, this takes place in a world where zombies are less a horde than an annoyance who have been relegated to the fringes of society
We Bury the Dead (2024)
The zombie film underwent a major revival in the 2000s but by the mid-2020s a horde of low-budget copycats has exhausted most creative possibilities. This shows there is still some originality to be found
We Hunt Together (2020)
BBC mini-series about two lovers on a killing spree that works through some great performance and engaging character arcs
We Need to Do Something (2021)
A horror film made as an allegory for Covid with a family trapped inside a bathroom without supplies as a mysterious catastrophe happens outside their door
We Need to Talk About Kevin (2011)
Almost an arthouse variation of the evil psycho child thriller but one stripped of thriller tropes and told in terms of an alternately striking and hauntingly elliptical tableaux of impressionistic images
We Summon the Darkness (2019)
A film that feels as though it is written by someone who is a fan of 80s heavy metal bands and was there during the day. This throws Satanic ritual sacrifice into the equation and rather enjoyably turns everything we think is going on on its head
Weapons (2025)
Captivating and original film from Zach Cregger about a town that is affected by the mysterious disappearance of a class of children. One film where you definitely can’t predict where things are going
The Weight of Water (2000)
One of Kathryn Bigelow’s less successful films, an adaptation of an Anita Shreve historical murder mystery that tells a story in two different time periods
Weird Woman (1944)
The first of several adaptations of Fritz Leiber’s novel Conjure Wife about witchcraft being conducted between rivalry faculty wives in academia. The best version of the story is still the second one Night of the Eagle but this has some eerie moments and great performances
The Well (1997)
An incredibly spooky film about two woman on an Australian outback farm that believe they are haunted by a dead body in the well
Welp (2014)
Belgian Backwoods Brutality effort concerning a boy scout troupe who run afoul of a mysterious feral child and hunter in the woods near their campsite. Defying many of the expectation of the genre, this provides a series of often unearthly images
Wendigo (2001)
Early film from Larry Fessenden about a family and a Native American spirit. Much brooding build-up but not much payoff (*)
Wer (2013)
From the director of The Devil Inside comes a werewolf film that wants to convince us it might not be a werewolf and a Found Footage film that is only pretending to be a Found Footage film. The result is a crappily photographed film that takes a long time to ever unleash its werewolf
Weredeer (2022)
Exactly as the title suggests, a film in which a girl is transformed into a weredeer after a bite from a deer. Surprisingly enough, the film plays itself seriously
The Werewolf (1956)
A real oddity among the werewolf genre – a film that tries to mix the werewolf up with the 1950s fad for the atomic monster movie in having the transformation brought on by atomically irradiated wolf blood
Werewolf in a Girls’ Dormitory (1961)
Despite one of the great exploitation titles of all time, this collapses into a dreary dullness the moment one actually sits down to watch it
Werewolf in a Womens Prison (2006)
This is exactly what it sounds like – a blend of werewolf film and the women in prison exploitation genre with expectedly lurid and entertaining focus. A film that makes no pretence it is being serious, which actually becomes its redeeming quality
A Werewolf in England (2020)
Director Charlie Steeds creates a modest film set in 19th Century England about people at an inn as it comes under attack by werewolves
WereWolf of London (1935)
Hollywood’s first werewolf film. Largely overlooked and overshadowed by The Wolf Man with Lon Chaney Jr, it takes an approach to the subject that is not uninteresting
The Werewolf of Woodstock (1975)
Another bizarre werewolf movie title collusion from the 1970s era that produced such as Werewolves on Wheels and The Boy Who Cried Werewolf. The film is never quite up to making the notion of hippies vs werewolves work with the amusement of its title
The Werewolf vs the Vampire Woman (1971)
The third of Spanish star Paul Naschy’s films about the werewolf Waldemar Daninsky. This becomes a crossover where Daninsky meets up to fight Countess Bathory
Werewolf Woman (1976)
A classic from 70s Euro trash cinema. The title is misleading as this is not about a female werewolf but more akin to Cat People about a disturbed woman who thinks she has turned into a werewolf at the thought of sex
Werewolves (2024)
A werewolf film with an original idea and a furious action movie sensibility
Werewolves of the Third Reich (2017)
I was hooked into watching the film from the sensationalism from the title but this is a disappointment due to the attempts to provide World War II setting and werewolf transformation effects on a low budget
Werewolves on Wheels (1971)
The werewolf underwent some bizarre title mashups in the 1970s. This has the amusing idea of mashing the werewolf film up with the biker film. The results are played surprisingly seriously.
Werewolves Within (2021)
A werewolf film that is quite unlike anything you expect when you hear the term videogame adaptation
Wes Craven’s New Nightmare (1994)
Seventh of the A Nightmare on Elm Street films where Wes Craven returns to direct the most remarkable of all the sequels, an extraordinary meta-fiction that takes place in the real world
West of Hell (2018)
A strong and imaginative horror/Western hybrid set aboard a train before the realisation that it is travelling to Hell. Deft characterisations and some tight, electric confrontations make this work well
What Ever Happened to Aunt Alice? (1969)
Robert Aldrich had massive success with What Ever Happened to Baby Jane? and later produced another Grand Dame Guignol film here with Geraldine Page and Ruth Gordon playing psychological games with one another
What Ever Happened to Baby Jane? (1962)
Psycho-thriller featuring a mad Bette Davis torturing her sister Joan Crawford. This held considerable shock at the time for seeing two former glamorous Hollywood stars beyond their glory days and going nuts. The film’s success inspired a whole fad of imitators
What Have You Done to Solange? (1972)
One of the standout entries in the giallo film and certainly one of the best plotted of the genre, concerning a series of murders at a Catholic girls school
What Josiah Saw (2021)
This is a superbly written and directed work of Southern Gothic that consists of three interwoven tales that gradually expose dark family secrets
What Keeps You Alive (2018)
Colin Minihan is an up and rising genre directors well worth keeping an eye. Here he makes a taut and effective survival story where a woman is hunted by her wife who turns psychopathic after a getaway to a cabin in the woods
What Lies Beneath (2000)
Robert Zemeckis takes on the ghost story with uncommon effectiveness. While this is average on a story level, Zemeckis’s directorial approach pushes it to the unnervingly spooky, with the last fifteen minutes being one of the most suspense-filled sequences in recent memory
What We Do in the Shadows (2014)
Hands down, this is the best vampire comedy ever made. An incredibly witty effort that contrasts the cliches of the genre with the mundane business of a group of vampires flatting together in New Zealand. A film that comes with sly deadpan gags packed into the corner of every frame
Wheels of Terror (1990)
A blatant copy of Steven Spielberg’s Duel in which school bus driver Joanna Cassidy pursues a muscle car with never-seen driver who has abducted her daughter. Two-thirds of the film is taken up by an extended car chase scene where the stunt people seem to be having a field day
When a Killer Calls (2006)
One of The Asylum’s first mockbusters, designed to popularise on the remake of When a Stranger Calls
When a Stranger Calls (1979)
The original babysitter stalker film based on a short film that was then expanded out to feature-length following the success of Halloween
When a Stranger Calls (2006)
Passable remake of the 1979 slasher film that streamlines the original and sets it all in amazing designer dream home
When a Stranger Calls Back (1993)
When a Strange Calls is one of the overlooked entries of the original slasher fad but was quite a hit in its day. This is a forgotten sequel that does some undeniably interesting things with the basics.
When Animals Dream (2014)
Beautifully low key Danish werewolf film (even if the term is never mentioned throughout) that takes place in a tiny seaside village as a girl tries to understand her transformations, the film is quiet and often takes place in silences rather than dialogue, its horror understated with striking effect
When Good Ghouls Go Bad (2001)
Halloween film for children from the pen of horror author R.L. Stine of Goosebumps fame. The children’s horror story (and tv movie) is filled with many insipid and formulaic entries but this is a decent one that is not unafraid to scare people
When I Consume You (2021)
The massively underrated Perry Blackshear makes another of his kitchen sink works about a handicapped brother and his sister’s possible ghost fighting a demonic figure
When Michael Calls (1972)
TV movie that comes with a great opening hook – a family receive phone calls from a brother who died 15 years earlier
When Night Falls (2007)
New Zealand-made horror film about two nurses being stalked at a remote hopsital
When Strangers Appear (2001)
Excellent thriller set around a roadside diner where Radha Mitchell becomes caught between parties hunting the other where seems to be who they appear
When the Bough Breaks (1994)
Strong and absorbing serial killer thriller with Ally Walker tracking a killer who severs children’s hands
When the Bough Breaks (2016)
A throwback to the 1980s/90s psycho-thriller that came out after Fatal Attraction featuring a surrogate mother who develops a stalkerish fixation on a husband. The crucial difference is that this is played with an all-Black cast but in a way that sends out weirdly uncomfortable racial messages
Where the Devil Hides (2014)
This is a modestly effective effort that sits just on the dividing line between interesting and cliched – the undeniably captivating premise involves an Amish-like cult dealing with a series of prophecies about devil children and killings of their number
Where the Devil Roams (2023)
The Adams Family have made a series of striking horror films in recent years. This is an impressive work set around a circus, a cross-country murder spree and dark magic
The Whisperer in Darkness (2011)
An H.P. Lovecraft adaptation that makes exacting effort to get the mood and period setting right
The Whispering (1995)
Unremarkable and largely forgotten video release with former teen heartthrob Leif Garrett investigating appears of a mysterious figure that encourages people to suicide
Whispers (1990)
Dean R. Koontz adaptation in which Victoria Tennant kills an attacker only for him to be found alive again and return to attack her, involving her in a complex web involving Satanism, vampirism and twins
Whispers in the Dark (1992)
Smart and tightly wound psycho-thriller as psychotherapist Annabella Sciorra is wound into the murder of a patient
White Dog (1982)
A controversial film at the time it came out where Kristy MacNichol adopts a stray dog she accidentally runs down only to find it has been trained by racists to kill African-Americans
White (2011)
Another South Korean copy of Ring with haunted pop songs instead of tv broadcasts. This offers interesting insight into the K-pop phenomenon but nothing particularly standout in the way of scares
White Noise (2005)
Ghost story about so-called Electronic Voice Phenomenon with Michael Keaton as a widower being contacted from beyond by his late wife. A film that achieves some quite reasonable spooky effect
White Noise: The Light (2007)
A sSequel in name only to White Noise, this is a very silly film with Nathan Fillion returning from a near-death experience able to see the auras of those about to die
White of the Eye (1987)
Dazzlingly stylish psycho-thriller from the underrated Donald Cammell with David Keith as a serial killer in a small Arizona town
Whitechapel (2009)
Fascinating British mini-series about a series of modern-day Jack the Ripper copycat killings, one where the writers have clearly done their research
Who Can Kill a Child? (1976)
Fine Spanish-made killer children film inspired by The Birds where children inexplicably turn and kill adults. This has developed a modest cult and works with frequently unsettling effect
Who Invited Them (2022)
A very different type of home invasion film where two mysterious and charming party guests succeed in turning the hosts against each other
Who is Bill Rebane? (2021)
A fascinating documentary devoted to a largely forgotten B-budget sf/horror director and his body of films
Who Killed Doc Robbin (1948)
Typical Old Dark House comedy of the 1940s, which has been welded to the formula of the Our Gang comedies with a bunch of kids engaged in a comedic antics in a scary mansion peopled by apes, dead bodies and a sinister scientist
Whoever Slew Auntie Roo? (1972)
From the great and overlooked Curtis Harrington, a Grand Old Dames film with Shelley Winters going mad in the Baby Jane vein. This also becomes a modernised retelling of Hansel and Gretel
Who’s Watching Oliver (2017)
Low-budget psycho film that bursts with a freshness and originality, not to mention an incredibly perverse kick, featuring an excellent performance from Russell Geoffrey Banks as a mother-dominated killer
Wicked Little Things (2006)
Despite being pitched as a zombie film, this is more of a ghost story featuring undead children who were killed in a mine disaster. Director J.S. Cardone does well with the horror elements
Wicked, Wicked (1973)
Very unique psycho film that takes place in split screen with the killer seen on one side of the screen and the victims and pursuing detective on the other
The Wicker Man (1973)
Classic horror film that imagines a secret world of pagan rites existing into the modern day. As much a classic for its colourful creation of a folk culture as it is for an unforgettable ending
The Wicker Man (2006)
The 1973 version of The Wicker Man is a cult classic; this is one of the worst remakes of all time that gets nothing about the original right, blunts its themes about religion and tosses in crude shocks and killings
The Wicker Tree (2011)
Sold as a sequel to The Wicker Man, although works as more of an update and expansion of its themes. Received a muted reception but is a not entirely uninteresting film, if nowhere near the league of the original
The Widow (2020)
Russian dark fantasy and horror has emerged as one of the most exciting genres in recent years. This incredibly spooky little film is a Russian equivalent of The Blair Witch Project
Wilderness (2006)
Tough brutal British film where a group of youth offenders are hunted while on a wilderness survival course on an island
Wildling (2018)
Bel Powley gives a great performance as a wild child introduced to civilisation for the first time before it is discovered she is a wildling creature
Willard (1971)
Fine little tale of an introverted man who befriends a horde of rats and uses these to gain comeuppance. A hit that presaged a host of Animals Attack films throughout the 1970s.
Willard (2003)
James Wong and Glen Morgan, the duo behind Final Destination, remake the 1971 film about a man and his rats. However, this is set in a stylised 1940s world with a caricatured performance from Crispin Glover that causes the film to lack any credibility
The Willies (1990)
A horror anthology that ostensibly tells a series of children’s tales but heads for an admirable grotesquerie
Willow Creek (2013)
Not at all the film you’d expect for a film directed by stand-up comedian Bobcat Goldthwait – a Found Footage film about Bigfoot. Based on Goldthwait’s record as an actor, you expect this to get batshit crazy, but it instead heads into Blair Witch territory with rather effective results
Willy’s Wonderland (2021)
A horror film premised around Nicolas Cage beating the crap out of a series of possessed animatronic robots, a fairly blatant copy of the Five Nights at Freddy’s videogame
Winchester (2018)
Winchester House with its eccentric designs and strange history is reputedly one of America’s most haunted locales. From Australia’s Spierig Brothers who made the likes of Daybreakers and Predestination, this attempts to tell its story but emerges as far less than it could have been
The Wind (2018)
A beautifully subtle and ambiguous film about a pioneer woman alone in a cabin on the American Frontier where she is haunted by demons of the prairies that may all be in her mind