Honey Pupu (2011)
A confusing Taiwanese film about a series of mysterious disappearances. This is a film that feels like a series of random improv scenes constructed without anything resembling a plot
Science Fiction
Honey, We Shrunk Ourselves! (1997)
The second sequel to Honey, I Shrunk the Kids. Things are feeling uninspired by this point and this just repeats the first film except makes it the adults who are miniaturised
Honeymoon (2014)
A newlywed couple head to a cabin in the woods for their honeymoon. This seems to be a traditional backwoods horror but instead travels into an increasingly unnerving and way out territory
Hoppers (2026)
The 30th film from Pixar, a strange take on Avatar where a young conservationist enters a robotic beaver body in order to venture out among the animals. Directed with a good deal of likeably snappy humour
Hornet (2018)
An Asylum mockbuster aimed to exploit the release of the Transformers spinoff BumbleBee. This has the unique distinction of being a Transformers-type film shot as Found Footage
Horror Express (1972)
Wonderfully madcap film with Christopher Lee and Peter Cushing travelling aboard the Trans-Siberian Express in the 1900s realising they are facing a body-hopping alien
The Horror of Party Beach (1964)
A Z movie classic that combines some of the most absurd looking mutant monsters ever created with the era’s fad for beach party movies, including appearances from a wannabe Beach Boys band
Horror of the Blood Monsters (1970)
Film from Z-budget filmmaker Al Adamson. Most of this is reissued from a Filipino caveman film, along with a handful of filler scenes slung together from odds of Adamson’s other half-finished films
The Host (2006)
Bong Joon Ho, the South Korean director of Snowpiercer and Parasite, delivers his own version of a monster movie that certainly comes with a difference
The Host (2013)
Andrew Niccol, a director of smart conceptual sf, seems mismatched on an adaptation of a Stephenie Meyer novel but Niccol tones down Meyer’s overripe teen romance to deliver a smart take on the alien body snatchers genre
Hot Bot (2016)
The Polish Brothers make some great Midwestern dramas but seem out of their depth trying to make a comedy about a sex robot. that comes out an embarrassingly unfunny variant on Weird Science
Hot Tub Time Machine (2010)
A raucous and vulgar, if at times undeniably funny, comedy where John Cusack and three friends use a hot tub at a resort that causes them to travel back in time to the 1980s.
Hot Tub Time Machine 2 (2015)
Why we needed a sequel to Hot Tub Time Machine is a big question. Essentially, Back to the Future Part II meets The Hangover, all this does is wind the original’s amiable coarseness up by a factor of ten
Hotel Artemis (2018)
This comes with the promising set-up of the setting of a socially collapsing near-future L.A. where Jodie Foster is a disgraced medic who runs an off-the books hospital that treats the criminal underworld.
Hotspring Sharkattack (2024)
A Japanese entry in the Gonzo Killer Shark film fad, an entertainingly demented effort with sharks invading a hot springs and emerging out of hot tubs. This has been greeted as a new cult movie
A House of Dynamite (2025)
Kathryn Bigelow makes a strong return to form with a film about the lead-up to an imminent a nuclear attack on the US. Made with a documentary-like urgency that convinces you this is the way that the real thing would play out
Hover (2018)
From the title and poster, you get the impression this is a future-set film about hoverboards or drones. Instead we have a near-future film involving agri-business conspiracy where euthanasia is dispatched by corporate lackeys
How I Became a Super-Hero (2020)
The title suggests either a comedic take on the superhero film or a teen film about a kid discovering superpowers. The least thing you expect this to be is a French police thriller about a unit investigating super-powered crimes
How I Live Now (2013)
While the title suggests a self-help manual about someone going to live off the land, this depicts an imaginary invasion of England similar to Red Dawn having been pitched as a Young Adult work
How It Ends (2018)
Concerning a catastrophe of never-explained nature, this follows two men – Theo James and a bad-ass Forest Whitaker – across a landscape where society is visibly collapsing
How It Ends (2021)
A shot during the Covid lockdown film. An amiable comedy set on the last day of the world where Zoe Lister-Jones and her imaginary younger self Cailee Spaeny walk across L.A. to find closure with the people in her life
How to Make a Monster (2001)
Horror movie about computer game designers dealing with a motion-capture suit that has gained life and is trying to kill them. This has nothing in common with the 1950s film beyond the title
How to Save Us (2014)
Intensely mysterious film that resembles something of Stalker. This consists of a man venturing into a deserted Tasmania that has been taken over by spirit beings in search of his missing brother
How to Steal the World (1968)
The eight and last of the films recut from episodes of tv’s The Man from U.N.C.L.E.. This starts to show the strain of trying to make what were originally designed as tv episodes work as feature films
How to Talk to Girls at Parties (2017)
Though the title seems more suitable to a book of pick-up lines, this is about a romance with an alien visitor set during the punk era. John Cameron Mitchell adapts a Neil Gaiman story but seems to have forgotten the comedy elements
How William Shatner Changed the World (2005)
Beyond the attention-grabbing title, this is a documentary about the influence that Star Trek has had in the real world. A not uninteresting concept wrecked by Shatner’s condescending attitude to interview subjects
Howard the Duck (1986)
This adaptation of the cult Marvel comic-book from Lucasfilm should have been a classic but went tail-feathers up in a big way such that it became the term used for a film that bombs for years afterwards
Hulk (2003)
An early entry among the pre-MCU surge of Marvel Comics films in the early 2000s sees Ang Lee taking on The Incredible Hulk. Not Lee’s best film, this was slighted at the time but is worth reconsideration
Hulk Vs (2009)
An animated Marvel Comics adaptation that is actually two separate stories involving The Incredible Hulk, who battles respectively Wolverine and Thor
The Human Duplicators (1965)
This is regarded as a bad movie classic. An alien invasion tale, it was the first film on the theme of humans being replaced by androids. No worse than any other B movie of the era, it does suffer from a dullness
Human Highway (1982)
Musician Neil Young directs a science-fiction film! I was hoping this would be another Repo Man, instead we get an incoherent mess that throws in a jumble of sf concepts and feels like it was made without a script
The Human Race (2013)
Fascinating film about a group of people who are abducted by aliens and forced to run around a course where their heads will explode if they stop or are too slow
Human Timebomb (1994)
A mindless action film made for video as a copy of Universal Soldier in which FBI agent Bryan Genesse comes up against soldiers turned into programmed killers via implanted chips
The Human Vapor (1960)
Godzilla creator Ishiro Honda makes a film about a meek man who gains the ability to transform into a mist and promptly becomes a bank-robbing super-villain
Humane (2024)
David Cronenberg’s daughter Caitlin makes her directorial debut with a film set around a family dinner in a future where the world has decided to euthanize the world population by twenty percent
The Humanity Bureau (2017)
Nicolas Cage is a lawman of the future who rebels against the system to protect a woman and child. Essentially a copy of the basics of Logan’s Run, this manages to be uninteresting in every way
The Humanoid (1979)
One of several cheap Italian copies that were made after the success of Star Wars starring Richard Kiel as a peaceful intergalactic police inspector who is mutated into a killer humanoid
The Hunger Games (2012)
A Young Adult box-office hit that does little more than competently shuffle around ideas from other SF films. Jennifer Lawrence makes an impressive showing but the film also soft-pedals the moral reality of its scenario
The Hunger Games: Catching Fire (2013)
The first sequel to the box-office juggernaut. The surprise is that it spends defies most of the things that made the first film, not to mention has made one of the year’s biggest box-office hits into a parable for Marxist revolution
The Hunger Games: Mockingjay Part 1 (2014)
The third The Hunger Games film starts in with a more brooding complexity but with the book being split in two parts, the story feels more thinly drawn and comes to an abrupt end just when it starts to get interesting
The Hunger Games: Mockingjay Part 2 (2015)
The finale of the saga comes with a tough, gritty edge that make it the best directed of the series. On the other hand, it builds well only to arrive at an ending that goes oddly sideways and throws sympathies to the wind
The Hunger Games: The Ballad of Songbirds & Snakes (2023)
The Hunger Games was one of the biggest franchise of the 2010s. Here a number of the key talents return to make a prequel to the events, telling a story from the early days of the Hunger Games
The Hungover Games (2014)
In the vein of the Scary Movies films, this offers the amusing idea of a mash-up between The Hunger Games and The Hangover where the characters are forced into a death match against characters from other media franchises
The Hunt for Red October (1990)
The first and best Tom Clancy adaptation about a hi-tech Soviet submarine whose captain goes rogue. Director John McTiernan conducts the undersea maneuverings with gripping tension
Hunter Prey (2010)
An SF film with minimal resources – just two characters in a desert – that deliver a modest variant on the Enemy Mine scenario about an alien and human enemy stranded on a planet
Hyper Sapien: People from Another Star (1986)
This is a derivative and dull copy of E.T. about two alien kids and pet who run away from their family on The Moon and found by a teenage cowboy on a ranch in rural Wyoming
The Hyperboloid of Engineer Garin (1965)
Soviet film about the invention of a death ray. The first half is a spy thriller, which is fascinating to see from the other side of the fence to James Bond while the second half concerns a great engineering discovery
The Hyperions (2022)
The rarity of an original screen superhero film, this takes place in a Retro 1970s setting as former superheroes conduct a heist to get their badges of power back
Hypersleep (2022)
A film of reality bending conceptual twists about a psychiatrist tending cryogenically frozen prisoners who then wakes to find that he has become one of the prisoners
Hypnotic (2023)
Robert Rodriguez makes a film with Ben Affleck as a detective dealing with a man who can control others’ minds. However, this develops into a mind twister of considerable reality bending proportions
I Am Legend (2007)
The third film version of Richard Matheson’s book is only a remake of the previous version The Omega Man. Crucially, this throws out the essence of the book for a far less interesting piece about Will Smith fighting mutants in the ruins
I Am Mother (2019)
A unique and original fallout shelter drama from Australia that sits in an interesting place of ambiguity. What makes the film stand out is its unique robot design
I Am Number Four (2011)
Produced by Michael Bay and directed by the perpetually insipid D.J. Caruso, this is no more than a Young Adult high school version of Disney’s Witch Mountain films concerning an alien teenager with psi powers
I Am Omega (2007)
A mockbuster from The Asylum that was intended to capitalise on the release of I Am Legend and in fact gets much more of the essence of the original Richard Matheson novel than the official film did
I ♥ Robots (2024)
An amateur-looking film set after the robot apocalypse concerning a girl and her friendly robot who must make a journey across the wasteland. This at least boasts some well-integrated robot effects
I Married a Monster from Outer Space (1958)
Defying the sensationalistic title, this is actually a fairly reasonable entry in the 1950s alien body snatchers fad in which wives discover their husbands have been taken over by aliens come to Earth to repopulate their species
I Married a Monster (1998)
Rather tatty remake of I Married a Monster from Outer Space made for tv. This is routine tv filler that has been churned out with little care or feel for the original.
I Origins (2014)
Mike Cahill’s follow-up to Another Earth, an intriguingly different work about how research into the human eye leads to a very unusual discovery. As much a relationship drama as SF
I, Robot (2004)
Disappointing adaptation of Isaac Asimov’s Robot stories. The film pays token acknowledgement to Asimov’s characters and universe and mostly seems interested in spectacular effects set-pieces
I.S.S. (2023)
A gripping work set aboard the International Space Station where the US and Russian crews are suddenly placed at one another’s throats as war between the two sides breaks out down on Earth
I Spy (2002)
Painfully unfunny big screen revival of the 1960s spy tv series. This has been reduced to a series of plotless gags that involve Eddie Murphy and Owen Wilson doing nothing except bickering with each other
I Still See You (2018)
A Young Adult film that comes with a highly original premise concerning the aftermath of a catastrophe that has left ghostly figures trapped in timeloops repeating the same moves
I Think We’re Alone Now (2018)
Set in the aftermath of an unspecified apocalypse, this is a film about the oddball friendship that grows between misanthropic Peter Dinklage and pixie-ish Elle Fanning
I Was a Zombie for the FBI (1982)
Obscure title that when seen is revealed to be a surprisingly well-made (in places) homage to the 1950s alien invasion genre and replication of the era’s style of filmmaking
iBoy (2017)
A British film about a teen who gets a cellphone embedded in his head and develops the ability to tap into cellular and internet traffic. The Computer Wore Tennis Shoes with an admirably gritty edge
The Ice Pirates (1984)
A space opera that was made in the aftermath of Star Wars. It is a magpie collage of influences that are not always the most coherently presented and given a comic emphasis
Ice Sharks (2016)
Another killer shark film from The Asylum, the people behind the Sharknado films. This plays itself seriously and turns out a reasonable story about the crew of a polar base under attacks by prehistoric sharks
Ice Soldiers (2013)
This Canadian effort about Soviet super-soldiers unfrozen in the present-day feels like one of a bunch of cheap direct-to-video copies of Universal Soldier that came out in the late 1990s
Ice (1998)
A made-for-tv disaster movie about a new Ice Age. This uncannily prefigures the scenario of Roland Emmerich’s big budget, high-profile The Day After Tomorrow
Ice Twisters (2009)
Another formula Syfy Channel disaster movie based around a scientifically improbable meteorological premise. This does at least make the characters work with more of a sparring vigour than usual
Iceman (1984)
Excellent and underrated film about a caveman unthawed in the Arctic where attempts are made to help him adjust. This conducts the a creaky old story with modern scientific and anthropological realism
Identified Flying Object (1985)
Low-budget director Ulli Lommel makes a film about a teen who befriends an artificially intelligent rogue military helicopter in what becomes E.T. by way of Blue Thunder
Idiocracy (2006)
A film about stupid people that for once actually is funny. This a raucous but often biting satire where Luke Wilson wakes up in the year 2025 to find that the stupid have inherited the future
If Looks Could Kill (1991)
Way back before Austin Powers, the James Bond/spy movie parody began here with this silly effort in which teenager Richard Grieco is propelled into an international spy caper
If You Were the Last (2023)
A space film set aboard a NASA space mission as two stranded astronauts debate whether to surrender to mutual attraction. In contrast to realistically grounded efforts such as Gravity, The Martian et al, this is a comedy
Ignition (2001)
An action film set against the backdrop of a new Moon mission where Bill Pullman plays a US marshal assigned to protect judge Lena Olin whose life is under threat
I.K.U. (2000)
Described as a cyberporn fantasy, a quasi-pornographic film set in a Cyberpunk future where androids are designed to consume sexual experience
I’ll Follow You Down (2013)
A time travel film that has the near-soporific pace of a Lifetime tv movie. Haley Joel Osment discovers that his father built a stable wormhole that allowed him to travel back in time to 1947
Illang: The Wolf Brigade (2018)
The anime Jin-Roh: The Wolf Brigade was a fascinating play of metaphors that mixed terrorism and Little Red Riding Rood. This is a live-action remake from South Korea
The Illusionauts (2012)
A Peruvian children’s animated film about a device that allows people to enter an author’s imagination. This mostly has children having adventures in a facsimile of Jules Verne
The Illustrated Man (1969)
An anthology that adapts three stories from Ray Bradbury’s short story collection but does so with singularly heavy-handed regard. The best aspect of the film is the framing story with a brooding Rod Steiger in the title role.
I’m a Cyborg, But That’s Ok (2006)
After the ultra-violent Oldboy, Park Chan-wook puzzled everyone by next making this frothily surreal comedy about a girl in an asylum who believes she is a cyborg
Immortal (ad vitam) (2004)
Comic-book creator Enki Bilal creates a visually extraordinary film about Ancient Egyptian gods awakening in a future New York
An Impossible Voyage (1904)
Georges Melies’ successor to A Trip to the Moon featuring a journey to the sun by astronauts aboard a combination train-submarine-dirigible. A charming whimsy with remarkably technically accomplished effects for the era
Impostor (2002)
An adaptation of a Philip K. Dick short story in which Gary Sinise plays a man who is dragged away by security accused of being an android replacement that has a bomb implanted inside him
Impulse (1984)
Reminiscent of George Romero’s The Crazies, this is a subtle, low key film about a small town as it is affected by a toxic waste leak that causes mass insanity
In Like Flint (1967)
Sequel to the James Coburn-starring Our Man Flint, one of the James Bond parodies of the 1960s. Unlike its predecessor, this one is less interested in the humour and seems to be taking the silliness seriously
In Search of Tomorrow: A Journey Through ’80s Sci-Fi Cinema (2022)
A documentary that comes with great affection for the SF films of the 1980s and covers these, along with interviews with key people, although leaves quite a number of blank spots in works it does not cover
In the Blink of an Eye (2026)
Former Pixar director Andrew Stanton, known for Finding Nemo and Wall-E, makes a cross-historical work in the vein of Cloud Atlas that takes place between prehistory, the present and the future
In the Shadow of the Moon (2019)
Jim Mickle film that starts out as though a police procedural, possibly a supernatural horror film, and then performs an astonishing series of twists to become something else altogether and an absolute must see
In Time (2011)
Niccol has a smartness that makes him a must-watch director. Considerable conceptual dexterity has gone into this variant on Logan’s Run set in a future in which time is regarded as a currency
Inception (2010)
Christopher Nolan’s The Matrix. Concerning an action theme that invade people’s dreams, this is a bold, brilliantly original SF film driven by ideas – a film that succeeds beautifully on all levels
Incident at Loch Ness (2004)
A witty parody of the Found Footage form where the attempts by Werner Herzog to make a documentary about the Loch Ness monster are constantly upset by the director’s insistence on sensation and faked monster appearances
Incident at Raven’s Gate (1988)
An enigmatic film from director Rolf de Heer where a town in the Australian Outback is haunted by strange lights and other mysterious unexplained phenomena
Incoming (2018)
An action film set aboard the International Space Station, which has been converted into a prison to house terrorists, who proceed to hijack it, turning the station into a suicide missile headed towards Earth
The Incredible Hulk (1977)
The theatrically released pilot film for the 1970s/80s tv series based on the Marvel Comic that tells the Hulk’s origin story. This is one of the better episodes of the otherwise banal series
The Incredible Hulk (2008)
Sequel to the Ang Lee Hulk with Edward Norton inheriting the roles of Bruce Banner. Ang Lee gave the first film a visual brio but this often seems by the numbers
The Incredible Hulk Returns (1988)
The very first ever team-up between Marvel Comics characters on the screen in which Bill Bixby’s Hulk meets Thor. The film has a camp reputation because of its Thor who resembles a Swedish bodybuilder
The Incredible Melting Man (1977)
Throwback to 1950s films like The Quatermass Xperiment with Alex Rebar as an astronaut infected with a condition that causes his flesh to melt. A B movie boosted by great melting effects from Rick Baker
The Incredible Petrified World (1960)
Jerry Warren;’ films rank alongside Edward D. Wood Jr in their cheapness, complete lack of directorial style and agonising dullness. This is a lost world adventure that mostly consists of people sitting around in a cave