The Science Fiction Horror and Fantasy Film Review
Adventure Films are similar to Action Films but usually take place in an exotic realm (jungles, desert, lost worlds, foreign lands, fantasy and space settings). They feature quest plots where the hero(es) are in search of a treasure, attempting to rescue someone, to simply survive or find a way home. Action Films emphasise muscular heroism whereas adventure films focuses more on the realm the heroes are exploring and the often colourful characters and creatures they encounter.
Most of the films that fall into the themes of Serials, Lost Worlds, Epic Fantasy Films, Arabian Nights Fantasy, Space Opera and Planetary Adventure Films can be considered as Adventure Films. The adventure film also includes many films that take place in historical settings such as Swashbucklers.
Steven Spielberg produced film about an adolescent Sherlock Holmes often feels like it is Holmes being pitched as an Indiana Jones adventure but comes with some beautifully made touches
Disney’s adaptation of Jules Verne’s novel is a lavishly produced period adventure. This became the definitive version of the book and inspired a string of other period-set Verne adaptations over the next decade
Cheap and tatty copycat of Raiders of the Lost Ark shot in the short-lived 1980s 3D revival fad
This reboot of the film series based on the videogame franchise is a mixed affair. Certainly, the perpetually non-acting Angelina Jolie is replaced by Alicia Vikander who gives Lara Croft living, breathing emotions
The Asylum’s mockbuster response to the theatrical reboot of Tomb Raider. This is cut-priced and features globe-spanning adventures that never travel outside of California
Animated adaptation of the Tintin character that gets the look and details of the characters just right but is ruined by bad dubbing of some of the voice parts and allowing a slapstick element to take over
The second in a duo of live-action French-language adaptations of Herge’s famous comic-book character, which gets the resemblance to the characters almost perfect
Not a time travel film as the title leads you to expect but a Chinese copy of Raiders of the Lost Ark where you expect they were trying to call it ‘tomb raiders’. The director is also the production designer leading to a gorgeously designed film but also one of constant action postures almost entirely lacking in substance
Part of the fad during the 1940s for swashbuckling Arabian Nights adventures, this tells the story of Aladdin and is more embracing of the fantasy elements than most of the other films of this period
Animated parody of the Tarzan films made with a very adult sense of humour that was banned in several countries as a result
Fifth of the Johnny Weissmuller Tarzan films and a thoroughly ordinary run through of the by now well-established formula of the series
Fourth of the Lex Barker Tarzan films. Barker is less stiff in the role but this is otherwise as formulaic as they come. The distinction this has is that it is one of the few films that mention Tarzan’s origins and that it features a Communist villain
The fifteenth of the MGM/RKO Tarzan films and third starring Lex Barker. What makes this stand out is that it was the first Tarzan film to go and shoot in Africa, otherwise it follows exactly the same well-worn formula as before and has one of the worst screens Janes ever
Sixth of the Johnny Weissmuller Tarzan films, this takes Tarzan out of the jungle to civilisation and is mostly played for comedy
The first Tarzan film after Johnny Weissmuller’s departure and replacement by a blank Lex Barker, although in all other ways is still the same tired formula. One of the few Tarzan films of the era to employ fantastic plot devices (a Fountain of Youth) but seems to have little idea what to do with it
The first of the Gordon Scott Tarzan films although it does little to vary from the well-established formula of the previous eighteen entries
One of the best of all Tarzan films made under producer Sy Weintraub who dispensed with the cutsie elements of the earlier films and focused on gritty adventure
Third of the Gordon Scott Tarzan films, the second in colour and to be shot in real African locations
The eight of the Johnny Weissmuller Tarzan films. The same formula as before but in a desire for novelty the action is relocated to North Africa
The seventh of the Johnny Weissmuller Tarzan films made as a work of Wartime propaganda where Tarzan faces Nazis
The second Tarzan film from producer Sy Weintraub who threw out the custie elements of the Johnny Weissmuller films, while going to Africa to shoot rather than a studio backlot. The effort makes a satisfying difference
Tarzan turned into a tedious softcore work designed to highlight the talent-free Bo Derek in a state of undress. This directly remakes the 1932 Johnny Weissmuller film – the original was an adventure classic, this is just an expensive nudie film
The first of the Johnny Weissmuller films and where the cinematic Tarzan was essentially formed. The film changes Edgar Rice Burroughs conception in many ways but is a superbly exciting adventure in its own right, while the Tarzan/Jane romance is played with an oddball sweetness
The very first Tarzan film, the silent version starring Elmo Lincoln. Although limited by the technology of the time, this is the most faithful to Edgar Rice Burroughs novel of all the film versions and was made before all the cliches set in
Comedy take on the Tarzan character with Joe Lara playing Tarzan who comes to New York and promptly proves to be a fish out of water. The filmmakers were likely inspired by the then recent hit of Crocodile Dundee
The best ever Tarzan films were the series made in the 1960s, which abandoned the cutsie elements of the earlier efforts. This comes with an emphasis on pure spectacle and adventure that is visually amazing
Fourth of the Johnny Weissmuller Tarzan films, the point where John Sheffield’s Boy enters the series because the Hays Code required that Jane could not get pregnant
Third of the Johnny Weissmuller Tarzan films, the point where the formula of the series started to kick in
One of the best Tarzan films of the 1960s, the first starring US footballer Mike Henry. This goes to shoot in Mexico with Tarzan in search of a lost valley and plays the action with a fine gritty edge
The second of Lex Barker’s Tarzan films, another traipse through the studio backlot jungle sets and well-worn formula – lost cities, mysterious tribes, Jane abducted, Cheeta comic relief antics – with little to distinguish it
The last of the Tarzan outings featuring Lex Barker, as well as an interesting cast line-up including Raymond Burr as the villain
A German-made Tarzan film that resurrects most of the adventure film tropes to negligible effect. As Tarzan, Caspar Van Dien looks like an Ivy League college student in the jungle.
Producer Sy Weintraub made some of the best of all Tarzan films in the 1960s, shooting in real locations and with thrilling adventure elements. This is one of his weaker ones that takes Tarzan to Brazil accompanied by an annoying cute kid
One of several silent movie versions of Tarzan, featuring the actor who was Edgar Rice Burroughs’ personal choice for the role
The ninth of the Johnny Weissmuller Tarzan films. All but the first two Weissmuller films slip into the utterly banal and formulaic. The novelty this time is Tarzan encountering a city inhabited all by all women
The second and very best of the Johnny Weissmuller Tarzan films, this has an incredible sense of adventure and even a surprising eroticism for the era
An animated version of the Tarzan story shot in the motion capture process. Some of the modernisations might have Edgar Rice Burroughs turning in his grave, nevertheless the animation is excellent and the film works well as a technologically upgraded version of the Disney film
This Disney animated adaptation treats the Edgar Rice Burroughs novel with surprising respect and faithfulness for the most part where the addition of talking animals even works for it. Fun and with a great deal of creative energy, one of the better films from the 90s Disney renaissance
Disney’s 61st animated film. A lost world adventure that emerges as Fantastic Voyage by way of Avatar
Preposterous Australian-made Indiana Jones ripoff involving alien artifacts and Easter Island that would be a bad movie classic if it were not so absurdly entertaining
Big screen adaptation of the Will Eisner comic-book and 1950s tv series about a female Tarzan. A blank Tanya Roberts in the title role and a campy script pushes it well into bad movie status
The most lavish of the silent screen adaptations of H. Rider Haggard’s classic, multiply filmed adventure novel about the discovery of a lost city ruled over by an immortal queen
Beautifully produced film version of the old radio superhero where director Russell Mulcahy does a wonderful job with the period design and adventure
Lesser budgeted sequel to the 1994 remake of The Jungle Book, which actually comes closer in tone to the original Rudyard Kipling stories
Steven Spielberg and George Lucas’s homage to the adventure films of the 1940s was a huge hit in its day, spawning several sequels and many imitators. The film is pure action and adventure, delivered with enormous charm and wit
The director of Battlefield Earth teams up with Uwe Boll to deliver a sub-Indiana Jones adventure about venturing into an Egyptian pyramid in search of Ancient Astronauts. The tomb raider cliches are so tired and creaky that the film fails to generate any excitement
Swashbuckling fairytale that treads a fine line between deconstruction and parody, while reveling in a script where the dialogue positively dances. Perfectly cast – a film that few do not come out enjoying its ebullient fantasy
Adaptation of the popular videogame that ventures into Arabian Nights adventure, this was a box-office flop. It swashbuckles entertainingly but Jake Gyllenhaal feels badly miscast as a buffed adventure hero
Enjoyably tongue-in-cheek pirate swashbuckler based on the Disney theme park that proved an enormous hit and spun off a series of sequels, as well as giving Johnny Depp one of his iconic roles
The Pirates of the Caribbean franchise is revived for a fifth outing. There is a new director in Rob Marshall but bar an energetic comic opening, he never does much that hits the zany heights of the previous entries
After the two last lacklustre entries, the Pirates of the Caribbean franchise starts to recover where the two new directors pull off some spectacular comedy-action sequences that go a long way towards recapturing what the series used to be
The second of the Pirates of the Caribbean films. Johnny Depp and all the principals are back and much of the eccentric humour is present but the action has undergone budget bloat
Third of the Pirates of the Caribbean films and purportedly made without a completed script, this becomes bloated and sprawling
Widely rididculed attempt to market Gilbert & Sullivan’s Pirates of Penzance as a teen pop film by way of The Blue Lagoon. A mind-spinning film that seems to have no limit on how silly it is prepared to be, including numerous anachronistic contemporary pop culture in-jokes and fourth-wall breaking gags
Big screen adaptation of the popular comic-strip superhero. This aims for the tone of an old fashioned serial adventure and is nicely mounted but crucially never comes to life.
Serial adaptation of the famous comic-strip superhero. One of the better serial comic-book adaptations, featuring some great cliffhangers and maintaining great faith to the comic-strip original
Pearl White was the original serial heroine in The Perils of Pauline. During the 1960s Batman craze, the serial was revived as this campy comedy
A serial Tarzan adventure that stood outside the regular Johnny Weissmuller films. A producer formed a business partnership with Edgar Rice Burroughs and went to Guatemala to shoot
About the ninth film version of Jules Verne’s desert island survival story. This doesn’t add the giant animals/insects other versions do, although we still get a number of wild sf elements the original book never had. Problem though is that the film never adds enough to make proceedings very interesting
Hallmark tv mini-series adaptation of Jules Verne’s desert island drama featuring no less than Patrick Stewart as Captain Nemo. This sinks badly amid incredibly shoddy giant animal digital effects
Amid the fad for Jules Verne adaptations of the 1950s/60s, we had this version of Verne’s desert island story, which has been pumped up with the addition of giant-size Ray Harryhausen animals and insects
A serial adaptation of Jules Verne’s classic survival story about escapees aboard a hot-air balloon who wash up on a desert island. To the regular story, this sees fit to add hostile natives, pirates and invading aliens from Mercury
The third of the Brendan Fraser Mummy films that feels like it has no point other than to steal $10 from your hand and give you a bucket of content free mental popcorn in return
Sequel to the 1999 The Mummy. Here Stephen Sommers amplifies everything in that film by a factor of ten where the constant bombardment by the spectacular reaches an point of absurd overkill
Nominal remake of the Boris Karloff The Mummy, which has now been inflated into a big budget Indiana Jones adventure. Stephen Sommers lets the film overspill with CGI spectacle but the exercise is deflated by a jokey, unserious attitude
Supposedly an adaptation of Jules Verns’s Mysterious Island from low-budget Spanish director Juan Piquer Simon, one that gives the impression nobody actually read the book
Cheap and ridiculous attempt to cash-in on the 1976 remake of King Kong made by Hong Kong’s Shaw Brothers. A classic bad movie on most counts
A copycat of King Kong made on a budget of about $1.98 and featuring some pitiful giant ape effects
A TV mini-series adaptation of the Arthur Conan Doyle lost world story, this has been produced by the BBC as a glorious period adventure with CGI dinosaurs
An oddity from Hammer Films – a colourfully interesting lost world film set in the Sargasso Sea filled with trapped ships from all eras and cheesy monster. More dramatically interesting in the build-up than when we arrive
A conceptually peculiar mix of Indiana Jones and Waterworld about tomb raiding adventures in a drowned future and the quest for Moses’s staff to turn back the rising waters
The second of The Librarian tv movies featuring Noah Wyle as an Indiana Jones-modelled adventurer in search of mythical artifacts – here a map to King Solomon’s Mines
The first of several tv movies and later tv series about a team that collect mythic artifacts. An unapologetic copy of the Indiana Jones films and surprisingly more fun than you expect
A reasonable attempt to revive Tarzan. Tthis could almost be a sequel to Greystoke with more of an emphasis on adventure. Alexander Skarsgård broods his way through the title role.
A reboot where King Kong is now part of a shared universe. This is less a tragic love story about Kong falling for a girl and being brought down by civilisation than Kong as a heroic defender fighting off other monsters
This has nothing to do with King Kong and is an adventure film that features a female Tarzan and a mad scientist creating an army of mind-controlled gorillas
A Hallmark TV mini-series version of the classic H. Rider haggard adventure novel that suffers from a non-acting Patrick Swayze badly miscast as Allan Quatermain
Cannon Films’ remake of the H. Rider Haggard adventure novel was made to exploit the success of Raiders of the Lost Ark but that does not excuse what an awful film it is where everything is played up for excruciating camp humour
This was The Asylum’s mockbuster copy of Disney’s Jungle Cruise and is a similar kind of adventure film. However, this proves far more entertaining than what you expect
Former Tarzan star Johnny Weissmuller plays himself in a routine studio backlot jungle adventure that uncreditedly steals the plot from H. Rider Haggard’s She
The long-delayed film based on the Disney theme park ride is an assemblage of cliches from various adventure films but ends up being far more enjoyable than it has any right to be
A fairly blatant copy of Rudyard Kipling’s Jungle Book stories – even more so of the then recent 1994 live-action Disney remake – all having been conducted on a B-budget
The first of the Disney live-action remakes of their animated films. Stephen Sommers abandons the talking animals and gives us a film that it more Tarzan than Rudyard Kipling set in a lush fantasy version of India
Lush and beautifully produced live-action adaptation of Rudyard Kipling’s Mowgli stories. In comparison to the studio backlot Tarzan films of the era, this is in colour, builds entire jungle sets and even goes on location in India
A revival of Jumanji. The original’s boardgame is now a videogame that sucks the players inside. The adventure elements are routine but the film’s has comedic fun with its bodyswapped characters
Jumanji: Welcome to the Jungle, the reboot of the 90s Jumanji, was a box-office success. That mandated a sequel. The central problem is where exactly does a film about characters sucked inside a videogame go with its premise?
A mockbusters from The Asylum made to coincide with the big-budget Brendan Fraser film. Resemblance to the Jules Verne book fairly much ends at the title
Hallmark TV mini-series version of the Jules Verne novel that keeps faith to the book for the most part before heading off on some colourfully exotic adventures
Ostensibly as a teen version of the Jules Verne novel made by Cannon Films. However, this started under one director and finished under another with totally incomprehensible results
The success of Disney’s 20,000 Leagues Under the Sea created a spate of Jules Verne’s adaptation. Here Verne’s tale of explorers in an underground realm has been turned into an absurdly colourful adventure
This family friendly adaptation of the classic Jules Verne novel was made to highlight the 3D process and throws most of the book out to essentially become Jules Verne the theme park ride
Sequel to Journey to the Center of the Earth, a supposed adaptation of Jules Verne’s Mysterious Island and a consistently silly, nonsensical film that operates at the level of a children’s cartoon
An underrated and quite magnificent lost world adventure from Disney with an airship crew in search of a lost Viking world in the Arctic. Contains some absolutely stunning effects work for the era.
Novelist Peter Benchley’s name was huge as a result of Jaws. One of the less successful Benchley adaptations about the discovery of a lost society of pirate descendants who prey on shipping in the Bermuda Triangle
Steven Spielberg and George Lucas’s first sequel to Raiders of the Lost Ark is like a single 118 minute rollercoaster ride without let-up in terms of action, although is far less polished in the scripting department
Third of the Indiana Jones films. This comes with all the breakneck action sequences and Sean Connery doing a fine comic turn as Indiana’s irascible father but also plays to a much greater slapstick emphasis
The fourth of the Indiana Jones films, returning after a 19 year gap to general disappointment. Largely a film about Indy getting old, this tries but the action scenes pale against what the series was in its heyday
At age 80, Harrison Ford returns for what looks like being the last ever Indiana Jones film. It’s not perfect but when you compare to all the other contemporary franchises, this still has the good old adventure spirit
Disney’s 20,000 Leagues Under the Sea created a fad for Jules Verne adaptations throughout the 1950s/60s. Disney returned to Verne in this colourfully absurd adventure with children on a globe-spanning hunt for their missing father
A Peruvian children’s animated film about a device that allows people to enter an author’s imagination. This mostly has children having adventures in a facsimile of Jules Verne