Batman: Hush (2019)
Animated adaptation of the classic Batman comic-book story, this places the Batman/Cat Woman relationship centre stage to give her the most substantial workout of any film
The Science Fiction Horror and Fantasy Film Review
Animation refers to films in which the films are drawn individually by hand, each frame moved slightly to give the impression of movement. Animated films from the mid-1990s onwards have been increasingly drawn by computer to the point that today the art of hand-drawn animation is a dying art form.
The first animated film was Walt Disney’s Snow White and the Seven Dwarfs (1937) and the success of this has spread until animation now covers a sizeable percentage of contemporary box-office earnings.
Animation in the American mainstream is almost always sold as being for family audiences (although there is a reasonable amount of animation for grown-ups, particularly outside the US, this has by and large not been financially successful). Content frequently deals with fantastic topics such as fairytale adaptations, the lives of anthropomorphic talking animals or adventures featuring young protagonists.
See also: For animation from Japan see Anime. Films in which animation is blended with live-action are discussed under Toons. For animation using three-dimensional models see Stop-Motion Animation, for animation that uses models molded in clay see Claymation. For films that remake prior animated works in live-action see Animation in Live-Action.
Animated adaptation of the classic Batman comic-book story, this places the Batman/Cat Woman relationship centre stage to give her the most substantial workout of any film
Animated film that has the madcap premise of a top spy (voiced by Will Smith) transformed into a pigeon. A film that comes with such a level of comedic energy that it makes you think all hope is not lost for Blue Sky Studios, the makers of the interminable Ice Age films.
From Makoto Shinkai who made Your Name., a lovely anime about a girl who can control the weather. An odd premise about orphans that soon develops unusual and unexpected depths
Michel Ocelot is one of the great underrated animators of the world. Here he makes an exquisite tribute to the Belle Epoque featuring appearances from names of the era and decked out in Steampunk inventions
After Ron Howard’s over-produced version of the Dr Seuss story, one looked to Illumination Entertainment, the animation company behind the Despicable Me films, to do the story right
Pixar’s venture into sequels has resulted in works playing off past successes that are lesser than their originals. This came with much anticipation but it too must be counted as another disappointment
I had a lot of liking for Disney’s Wreck-It Ralph, a depiction of the inside of a videogame from the viewpoint of the characters. This expands the concept to the internet. Despite being the ultimate product placement film, this also rather appealingly shows Disney poking fun at themselves
The third of the trilogy of animated films from Arcana Studios based around the adventures of a young H.P. Lovecraft
I’m not a fan of the Hotel Transylvania films and their reduction of the Famous Monsters to slapstick yocks. This is exactly the same as the preceding films, no better, no worse and with only minute plotting difference
Mamoru Hosoda film nominated for the Best Animated Film at Academy Awards. A young boy jealous at the arrival of a baby sister is visited by her future self and travels through time to meet his family at different periods
The concluding chapter in the trilogy of Godzilla anime films. This reintroduces two familiar monsters but takes a long time to build to the monster bash we have come to see
The Dc Comics character John Constantine was made into an animated web series that was compiled as this film. One is quite taken aback at how much more edgy and adult this is than most of DC’s animated offerings
A CGI animated film based on the popular comic-book character Asterix. After numerous other adaptations, this was the first of the Asterix films to be written directly for the screen
The second of the anime Godzilla films and much more successful than its predecessor. The reconceptions of some of the classic monsters has a dazzling ambitiousness while Godzilla has all the ferocity it should have had in the first film
Sequel to Gnomeo & Juliet, which retold Shakespeare with garden gnomes. This for some reason adds a garden gnome Sherlock Holmes to the mix. The high speed whirring you hear is probably Arthur Conan Doyle rotating in his grave,
Film spinoff from the animated tv series Teen Titans Go! This hits in with an hilairous barrage of one-liners wickedly spoofing the superhero genre and jokes at DC Comics canon
The Death of Superman is still is the top-selling comic-book title of all-time after 25 years. This was the first half of a two-part animated adaptation of the storyline, which brings it to life with a fair and reasonable telling
Sony, the holders of the Spider-Man copyright, squeeze more out of the property with a madcap animated offering that mixes up a host of alternate takes on Spider-Man in what visually resembles an explosion at a pop art exhibition
Adaptation of a classic graphic novel that imagines Batman back in the late 19th Century as he fights Jack the Ripper. This works rather well – in fact, better than the graphic novel it is based on
A DC Universe Original Animated Movie given over to Suicide Squad. Clearly inspired by the live-action film, this goes overboard on the super-villains present, having three entire teams running around to general confusion, while striking a very odd tone in its pitch for an R-rating
BBC tv mini-series remake of the classic Richard Adams novel about talking rabbits on a quest. To get it over with, the animation is not the high-end quality that we have been spoiled with by Pixar et al. On the other hand, what remains is an excellent faithfully told version of the story
This gets full marks for a WTF set-up, an anime that imagines Batman and most of the villains transplanted back to feudal Japan. There is fun to seeing the familiar characters reinterpreted in terms of Japanese imagery
An extraordinary anime adapted from Project Itoh, a conceptually challenging work concerning a villain who can manipulate language to drive populations to genocide
Third of the animated films based on the Lego toy line. This has the same fast-paced humour and witty fourth-wall breaking gags as its predecessors, even if you suspect the Lego Movie brand is starting to fade
Pixar’s 19th film. Set on the Mexican Day of the Dead and then venturing into the afterlife, this is a celebration of all things Mexican, which Pixar conduct without any wrong steps. A film made in vibrant colours
Following the success of The Lego Movie, where he was a scene-stealing supporting character, Batman gets a whole Lego film to himself. Less a Batman film than it is a parody of Batman
The Teen Titans get their first solo film in the DC Universe Original Animated Movies. A reasonable adventure based on a classic comic title that works with a good story and characterisation, even if some of it has an adult flavour that makes you wonder who the audience is
Despicable Me was a delightful debut for Illumination Entertainment but has come close to making the studio a one-hit wonder they have milked that one hit for all they can
The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
The 30th Japanese Godzilla film, this is the first anime Godzilla film and the first in a trilogy. More disappointingly, it is more a space opera and planetary adventure than it is ever a Godzilla film
The title is misleading as this features no Bigfeet but is an animated film about a family that sprouts all-over body hair and big feet. This quickly falls into the usual formulaic inanities of the modern animated film
Another of the weaker sequels that Pixar seem determined to churn out. This lacks the fun among the anthropomorphic vehicles that its predecessors had with a hardly inspiring story about its hero feeling old and over-the-hill
The second in a series of animated children’s films about the young H.P. Lovecraft and his encounters with the various denizens of the Cthulhu mythos
The third film from former Studio Ghibli employee Hiromasa Yonebayashi. Yonebayashi is seen as the carrier of Hayao Miyazaki’s mantle, so much do his films look like lost Miyazaki works. This is sweet and amiable, even if it never hits the emotional heights Miyazaki does
A mockbuster from The Asylum released to take advantage of Pixar’s Cars 3, this is actually a much better film that you expect it to be
We are familiar with the Justice League but this gives us an alternate League whose members have supernatural abilities or are versed in dealing with the occult.
The fifth of the films in the series begun with Paul Verhoeven’s Starship Troopers. The best of the series was the previous entry Starship Troopers: Invasion where they turned it over to anime director Shinji Aramaki. This is a sequel to that, although the same mix fails to work again
This has one of the most original nemeses created for an animated film – a baby in business suit and briefcase and with the demeanour of a ruthless corporate CEO – only for the film to then go and soften the character
An animated film that bizarrely speculates that the emojis in your text messages are actually living entities that have lives inside the phone. A not-too-well-thought out concept that leaves you with strange questions about its world
Animated film based on the popular series of children’s stories about a kid who befriends a vampire boy. The same stories had previously appeared as a live-action fllm
Building on the popularity of the character in Suicide Squad, an animated film that gives to Harley Quinn, and lets loose with a sense of humour far more adult than the other animated Batman films
Batman: Return of the Caped Crusaders, an animated homage to the 1960s Batman tv series reuniting Adam West and Burt Ward, was a quirky delight. This is a sequel in the same vein, although more a case of a joke that tires in the retelling
For their third Smurfs film, Sony have dispensed with the live-action/CGi animation mix of the previous two films and made a wholly animated film. Its’ the Smurfs in their more natural element but the film is never more than 3D eye candy for the moppet audiences
An appealingly charming anime about the friendship between a lonely boy and a mermaid. She gains legs whenever music is playing and they form a pop band together
Surprisingly good animated revival of Robert E. Howard’s warrior woman with a script by comic-book writer Gail Simone that gets the character just right
Studio Ghibli’s first ever international co-production. A desert island castaway fantasy, this makes interesting comparison to the recent Robinson Crusoe/The Wild Life, even if both films are poles apart in style. This is dialogueless, spare and contained with a minimalism of plot and drama
As animated films go, there are few that feel like a constructor set of pieces copied from every other film than this. Audiences found the adventures of a twerking polar bear lacking too and it made a record for the lowest weekend gross for an animated film ever
The Kung Fu Panda series are films for couch potatoes – martial arts films with a hero who proclaims the virtues of laziness, overeating and goes into combat with an self-inflated sense of his own awesomeness
Pixar have never been the same since giving in to sequelitis but this sequel to Finding Nemo does recapturing some of their heyday. Not perfect but this has a winning array of new characters and some delightfully madcap comic set-pieces
A really good Disney animated film set in a world that imagines what might happen if animals lived in cities, this is an ingenious reworking of the talking animals premise that overflows with visual ingenuity and warm humour
I have lowered expectations of animated films these days but was surprised what an effortlessly engaging film this is. Essentially a version of American Idol but recast with talking/singing animals, it is a film that bursts with confidence and its own natural energy from every pore
Adaptation of the Alan Moore graphic novel, one of the most famous comic-book titles of all time. The notoriously cranky Moore need have no reason to shun this film version, which recreates his work right down to preserving his dialogue and replicating the set-up of individual panels
The most demented premise of the year – an animated film about the lives of the talking produce in a supermarket. This is crude, rude and guaranteed to offend (as might be expected from a Seth Rogen penned vehicle); it is also one of the funniest and cleverest films of the year
Anime film released to accompany the computer game. Dazzling, epic-sized animation, mocapped in photorealistic detail that wows the eye on a scale that Western animators never come near
I really enjoyed Illumination Entertainment’s debut film Despicable Me but thereafter they just seemed to slip into formula and following what every other animation studio is. Despite low initial enthusiasm, they regain their form here, doing nothing radically out of the ordinary but producing a modestly engaging work
Despite being a huge box-office and critical success and being nominated for an Academy Award, I am in a minority in disliking this. Maybe it’s something to do with the fact that it appropriates the culture from my neck of the woods and only spins it out as a series of glib jokes and one-liners
Robinson Crusoe is a classic adventure story about a man shipwrecked on a desert island. It has no fantastic content but this is a bizarre animated version where Crusoe is aided by the talking animals that inhabits the island amid much slapstick shenanigans
Another of the DC Universe Original Animated Films. This is less a Batman film than a Batman Family film, a mixed effort that sidelines Batman for much of the show
This did nothing for me in the pre-release. Watching it, it proves far more enjoyable than expectation. It is very baby-centric but it does have a frequently off-the-wall sense of humour that is rather appealing
I hate the Ice Age films and their tediously extruded adventures. The opening sequence here and its ignorance of even basic science is the most inane thing in the entire series
H.P. Lovecraft is a cult horror writer whose work brims over with a sense of cosmic dread. One of the most bizarre Lovecraft film adaptations is this work of children’s animation featuring a young Lovecraft
A film based on a mobile app surely counts as a world first. Mostly this is the equivalent of switching one’s brain off and spending an hour-and-a-half watching cartoons for the single digit age group
A perfect example of all the things I hate about modern animation. Based around the popular Troll dolls, this is vapidly designed, content-free product based solely around simplistic storylines, manic slapstick sequences, song and dance numbers, and inane contemporary pop culture in-jokes
Though sold as a Justice League film, this DC Universe Original Animated Movie serves to introduce the Teen Titans to the animated universe
Someone figured out Adam West and Burt Ward, Batman and Robin from the 1960s Batman tv series, were still around and put them in this animated film that replicates the look of the show and pays homage to its willful silliness
Makoto Shinkai anime that starts as a light and fluffy piece about a boy and a girl who keep waking up in each other’s bodies but expands out into a wholly different story, gaining unexpected emotional depths
Train to Busan was a massive breakout hit from South Korear. Overlooked in the buzz was this animated prequel from the same director released at the same time. The zombie film and animation are an uneasy mix but this works well, if not with the same kick as Train to Busan
Animated film based on the popular computer game. On screen, this emerges as essentially an instantly forgettable variant on one of the Star Wars prequels retooled for the Under Tens with the emphasis all on frenetic slapstick and visual eye candy
Film spinoff of an anime series about a future police force that uses a system to monitor the brains of the populace for the potential to commit crime. Reminiscent of Minority Report, this is not uninteresting, although falls short of being another Appleseed or Ghost in the Shell
Pixar have never been the same since they slipped into the easy familiarity of sequelitis. This is essentially a boy and his dog story but played out with a dinosaur and a caveboy, but also an alternate history tale
Pixar have slumped into terminal sequelitis during the 2010s – this was only the second original work they have made during that time. While not perfect, it goes regains the creative heights from five years earlier
On its own terms, a frequently lovely film. The director made a big thing of how much he loved the Saint-Exupery original but makes a completely different story with only occasional Little Prince interludes
Strange, surrealist animation from Spain – the characters are the small, cute talking animals you might encounter in a standard piece of cutsie moppet animation but it exists in a disturbing world that is anything but where characters are plagued by drug addictions, mental illness and police brutality
Another anime film in the Ghost in the Shell franchise. This was the fifth episode of the Ghost in the Shell: Arise reboot series that received a theatrical release
The comic-strip Peanuts is a wryly whimsical depiction of childhood. The movie version has been taken up by Blue Sky Studios, the ones guilty for the repetitive sequelitis that most modern animation has descended to – somehow you suspect that Charles Schulz’s intention wasn’t to reduce it to a series of slapstick set-pieces
An anthology of Edgar Allan Poe tales narrated by Christopher Lee, Bela Lugosi and others. Each episode is in a different style, where the succinctness allows the stories to be told as written
George Lucas’s venture into animation was critically pilloried. It’s not bad, just no different from a formula film like Rise of the Guardians or Epic. From the man who made Star Wars, you had higher expectations
An alternate world take on DC Comics characters, who are much more morally ambiguous – Superman is General Zod’s son and Batman’s role is taken by Man-Bat and is an actual vampire
An animated version of the epic Chinese legend Journey to the West that was overshadowed by the hit live-action film that came out some months earlier that retold the tale with CGI
The incomprehensibly manic antics of the Minions have a cuteness appeal that has overspilled the Despicable Me films and seemed like it is in danger of taking over pop culture in the last couple of years; here they get a film all to themselves with amiably lightweight results
An animated alien visitor film that is more likeable than anything suggests – it has a bubbly, juvenile pitch but generates a good deal of humour out of the alien fish of water amid human culture routines
Not so much a Justice League film as an Aquaman origin film, which at least conducts a character oft regard as a DC laughing stock with suitable dignity
I had little enthusiasm for this, I tend to like my classic monsters serious rather than defanged – these Hotel Transylvania films are so watered down, Dracula doesn’t even get to drink blood
Anime set in a disquiet utopia where the populace is monitored by cyber implants. Almost completely eschewing the usual action scenes of sf anime, this tells a strong, intelligent and character-driven story
Fascinatingly original anime set in an alternate history Steampunk version of Victorian England that has developed a technology based on Frankenstein’s corpse resurrection experiments
Second in the trilogy of animated films dealing with Bruce Wayne’s son Damian who becomes the new Robin – this also adapts the massive Court of Owls crossover event, which provides a fascinating new nemesis for Batman
This nominally tells three slice-of-life tales but in each the principal character is creating a book or film about one of the other characters. This becomes a meta-fiction of considerable cleverness as we see how the problems of one character end up reflected in the other character’s story
If Hayao Miyazaki ever follows through on his threat to retire, the one most likely inheritor would be Mamoru Hosoda. This is a perfectly enjoyably film that is sort of The Karate Kid by way of Disney’s The Jungle Book
Animated film that takes place in a Steampunk alternate history. This brims over with an extraordinary degree of visual invention from the amazingly detailed vistas of the world to a script tossing in quirky twists and wacky inventions
Sweet and tender anime about a young girl who has a curse placed on her that causes her to lose her voice and how this actually allows everyone around her to voice things they don’t say.
Animated film spun off from a popular French online gameworld, which had also previously spawned an animated tv series. The results are amiably engaging with a sense of humour that makes the show
DreamWorks animated film based on an old Rocky and Bullwinkle segment about a time-travelling genius dog and his adopted human son. This takes a relentlessly content-free approach to history that strips it down to no more than a series of giddy 3D slapstick gags for the single digit age groups
This is more of a Suicide Squad than a Batman film. Based on the popular Arkham videogames, this a Justice League-type adventure but with super-villains where the emphasis is on dark humor and gleeful mayhem
How much fun can a film based around Lego characters be? A film that overflows with cleverness, wit and energy. The most fun is in the film’s creating a madcap mix-up of characters from different franchises
Animated sequel to The Wizard of Oz that proved a charmless flop that misses the magic of the original by a mile. The familiar characters are run over with a gratingly modern sense of humour
Another of the DC Universe Animated Films that rewrites the Justice League into DC’s New 52 continuity reboot. This changes the character’s origins and designs to little point
I went into this with zero expectations, expecting no more than a work of formula family entertainment and came out gently surprised. Essentially a talking cartoon animals variant on a heist plot, it does the formula likeably and with none of the relentless smart-ass cynicism of too many contemporaries
Disney animation and Marvel Comics come together; Marvel loses and most of the comic-book is tossed out the window and this becomes a simple story about a boy and his robot story before settling into familiar sueprheroics
An animated film produced by Guillermo Del Toro that draws on his Mexican heritage and Day of the Dead mythology. An amazingly colourful and happy film with one of the most unique design schemes ever
Reboot of the Ghost in the Shell series in a quartet of prequel stories. This funnels the essence of Cyberpunk superbly, creating a dazzling world with cyborgised security services fighting terrorists hacking people’s brains