The Science Fiction Horror and Fantasy Film Review
Bodyswap is a term used on this site to refer to films where characters swap their minds into different bodies. Usually the body the person finds themselves in is someone who is very different to their self.
Variations include where people swap age; where men and women swap gender; where characters find themselves in a body of a different race; or where people are transferred into the bodies of animals.
Most of the treatments here are light comedy but there are also a number of horror treatments concerning brain transplants and body hijacking. There are also various SF versions that take place in futures where people regularly switch into ‘sleeves’. There have also been a number of variations in the genre of Surrealism.
Sequel to the hit multi-director anthology has a less high-profile line-up of directors, nor hits the astonishingly perverse heights of its predecessor. As always some entries never do much but the film finds its stride in the last few episodes
The success of Trainspotting gave birth to this anthology that adapts three Irvine Welsh stories, including episodes in which a man is transformed into a fly and a man swaps minds with a baby
The animated revival of the Addams Family was a mixed affair. All of the same creative personnel and voice talents return here for a sequel, which takes the Addams Family on a road trip
Australian-made film about a heroine being drawn into occult conspiracies around her that only treads where Rosemary’s Baby went before
Directors Lucky McKee and Chris Sivertson conduct a remake of their earlier film about resurrected cheerleaders. The question might be why – both have demonstrated they can do far better than this
One of Steve Martin’s finest works, a variant of the bodyswap comedy in which he finds himself sharing his body with Lily Tomlin. Martin’s on-screen contortions are side-splitting
Dazzling mash-up of 1940s film noir and the horror genre. One of the most beautifully filmed of all horror films, Alan Parker creates a bygone world with a visual sensuality that constantly edges over into the fantastic
One of the films from the 1940s fad for light afterlife fantasies in which mobster Paul Muni is sent back from Hell by The Devil in the body of a respectable judge to create mischief
Another of the low-budget films Bruce Willis made before his retirement, this has a plot about body-hopping assassins that has surprising similarities to Possessor
From Walter Hill, one of the legendary action directors, comes what is either the most edgy or tasteless concepts for a revenge film – Michelle Rodriguez is a hitman who seeks revenge after having gender reassignment surgery forced on him
The early 2020s saw some strong,d intelligent variations on body-hopping themes. This is one variant filled with a series of wildly disorienting spins that frequently jerk the carpet out as Toby Kebbell becomes possessed by an entity
The most charming among the spate of bodyswap fantasies of the 80s. Tom Hanks was Academy Award nominated for his role as a boy who makes a wish to “be big” and wakes up to find himself in a man’s body
Blumhouse film in which an initial plot about a man suffering amnesia undergoes a twist to become a body theft story
A peculiar mixture of 1940s mad scientist and gangster film in which Boris Karloff transplants a mob boss’s brain into the body of a mild-mannered English professor
An unofficial copycat of the Filipino-made Blood Island from exploitation director Al Adamson, a trashy mix involving a dictator’s transplanted brain, Frankenstein monsters and a perverted dwarf
An entry among the 1970s occult cycle post-Rosemary’s Baby where a family stray into a sinister small town where a coven of Satanists are abducting children for sinister purpose
A young man recuperates from a brain injury while tended by his father. As he tries to piece together what happened, we discover we are in the midst of a Frankenstein-type film
A raucous and eminently predictable variant on the bodyswap comedy that also manages to be expertly played by leads Jason Bateman and Ryan Reynolds and pulls off some genuine laugh-out-loud moments
The films of Bill Plympton have gained a cult following for their absurdist humour and surreal animation. This is Plympton’s take on relationships, a wild fantasia of imagery and transmogrifications that is a world away from Disney/Pixar offerings
French Cyberpunk film with a detective investigating the murder of an illegal immigrant girl and finding a blackmarket in stolen and transplanted memories
SF neo-noir that suffers from a painfully low budget (particularly when it comes to its CGI) but transcends this with a consistently intelligent story and a world created with a reasonable sense of verisimilitude
Adam Sandler does more acting than usual in the story of a shoemaker who transforms into the wearer whenever he puts on a pair of shoes. A throwaway premise that attracts a surprisingly high-profile cast
Indie film in which Paul Giamatti goes to a company that specialises in removing the soul only to have his stolen. An SF film that feels like a Woody Allen comedy minus the one-liners
Another of the last films made by Bruce Willis before his retirement. This one has a watchable central idea and is set around the idea of a prison for super-villains even if Bruce is not up to much
Everything indicates this should have been a hit – an impressive star line-up, big polished action sequences – only it tanked. Much has been assembled in the service of a hackneyed idea where the memories of an FBI agent are implanted into criminal Kevin Costner
Musical where an ordinary guy sells his soul to become a star baseball player. Choreographed with exuberance by the great Bob Fosse, including a seduction number that proved controversial for the era
Incomprehensible surrealism from director Raul Ruiz about a doctor sent to investigate a village where miracles occur with commonplace regularity
Pilot for an unsold tv series that was later released theatrically produced by Alfred Hitchcock’s company. Leslie Nielsen plays an occult detective and the film proves surprisingly well-shot and atmospheric
An Australian variant on the bodyswap comedy in which couple Guy Pearce and Claudia Karvan end up in each other’s bodies resulting in some likeable if predictable comic mishaps
Timur Bekmambetov’s sequel to Night Watch comes with a much better budget and the same wild visuals, although is slightly the lesser film
South Korean ghost story that has borrowed most of its moves from the J-horror cycle – Ring, The Grudge et al. A relatively anodyne treatment is enlivened by a twist ending that draws heavily on The Sixth Sense
A film with insane creativity and spilling over with snide pop culture wit. Like a mash-up of Bad Kids Go to Hell, John Dies at the End and Back to the Future written by a love child of Kevin Williamson and Diablo Cody
Here Nick Willing makes an initially promising film but this becomes a disjointed muddle involving hypnotism, serial killers and occult conspiracy. Not to be confused with the Stephen King adapted film
An enthusiastically full-tilt horror comedy. This draws from the classic The Hidden in its premise of a demon that hops between bodies, possessing the person that kills its previous host. Dolph Lundgren has the time of his life
French actress-director Marina de Van makes a film about a woman who finds her identity being occluded by someone else’s life. de Van creates a superbly paranoid sense of dis-ease that compares favourably to Polanski’s The Tenant
Remake of Heaven Can Wait/Here Comes Mr Jordan as a vehicle for comedian Chris Rock where the heavenly body mix-up now becomes about a black man ending up in a white man’s body
One of the forgotten entries in the mid-1980s spate of bodyswap comedies where elderly Jason Robards finds himself in teenager Corey Feldman’s body. This suffers from a very confused script
A South Korean film where a tough gangster and a bullied teenager end up swapping bodies whereupon the gangster ends up transforming the teen’s life by employing gangland tactics in the school playground
One of the spate of 1980s bodyswap comedies a la Big, Vice Versa and Like Father, Like Son in which octogenarian George Burns swaps bodies with his teenage grandson Charlie Schlatter
Don’t be put off by the Young Adult label. Look past this and you will end up with one of the most original premises and one of the most beautifully written films seen in some time.
Film with an interestingly original premise where a guy is murdered and then inhabits the bodies of a group of friends as he tries to expose the killer
A multiverse comedy in which Michelle Yeoh is propelled through an hilarious series of alternate selves. One of the most mind-spinning films of recent viewing. Also the first SF film to win an Academy Award for Best Picture
An undeniably imaginative SF film in which scientist Sasha Roiz to invent a device to view memory only for things to go wrong and become trapped in someone else’s memories
A John Woo directed action film with the improbable premise where FBI agent John Travolta and terrorist Nicolas Cage end up surgically swapping faces and then taking over the other’s identity
A film that received great acclaim at awards season. Anthony Hopkins is a dementia-ridden senior and we experience his state of mind subjectively in a constantly shifting sense of what is real
The fourth of Hammer’s Frankenstein films and the most conceptually wild with Frankenstein conducting soul transplants, including transferring his assistant’s soul into a woman’s body
The fifth of Hammer’s Frankenstein films and the absolute pinnacle of the series. Terence Fisher is on the peak of his form and turns in a series of directorial set pieces that are quite masterful
The 2003 Freaky Friday was one of the better Disney remakes with Jamie Lee Curtis and Lindsay Lohan giving inspired performances as mother and daughter who swap bodies. The two reunite for a sequel here
A slasher film with a novelty (gimmicky?) premise where the Final Girl and the hulking killer of the show end up swapping bodies. Essentially a conceptual mash-between a slasher film and Freaky Friday
The original version of the Disney live-action comedy with mother Barbara Harris and a young Jodie Foster as her daughter who swap bodies for one day. The performances are hilarious and this is filled with witty deadpan gags
Enjoyable remake of the 1970s Disney comedy about a mother and daughter who swap bodies. Jamie Lee Curtis and Lindsay Lohan nail the swapped roles to perfection
The fourth film version of the Disney comedy about a mother and daughter who swap bodies for one day. This was made for the Disney Channel and comes as a grating teen musical
Emilio Estevez is snatched into the future and pursued for his body by bounty hunter Mick Jagger in an SF film that makes no sense at all. A film more worth watching for some bizarrely awful performances
Amid the 2010s spate of multi-director horror anthologies a la The ABCs of Death, V/H/S etc, this is a trio of tales from all German directors, the most well known of which is Jörg Buttgereit of Nekromantik infamy
The modern cinematic madman Takashi Miike makes a uniquely original work that starts out like a Yazkuza film, before taking a turn into the completely surreal and arriving at an admirably twisted ending
Paco Plaza, best known for the [Rec] movies, returns with an unsettlingly effective film about a girl forced to tend her grandmother only to find increasingly sinister things going on
Warren Beatty co-directs/stars in a remake of the afterlife film Here Comes Mr Jordan. Amiably lightweight but this was over-praised at the time, inexplicably receiving an Academy Award nomination for Best Picture
One of the original Hollywood afterlife films of the 1940s light fantasy boom, twice remade, most notedly as Warren Beatty’s Heaven Can Wait. Amiable and likeable while avoiding any deeper issues
This was a minor cult hit at the time and concerns an alien that hops between human host bodies while having the invincibility of a Terminator. The idea is played with considerable panache and directed with great flair
Wonderfully madcap film with Christopher Lee and Peter Cushing travelling aboard the Trans-Siberian Express in the 1900s realising they are facing a body-hopping alien
Adam Sandler produced film that is a variant on the bodyswap standard in which Rob Schneider and Rachel McAdams switch bodies. Much crass humour ensues in between a good-naturedly all-inclusive message
Unusual and interesting ghost story that draws heavily on Don’t Look Now and proves fascinating in its teasing maze of visual clues, before heading off into a surreal game of identity exchange
A lightweight comedy in which nerd Steve Levitt makes a pact with The Devil to have the perfect male body but soon comes to regret his decision
Charlie Kaufman’s mind-bending, head-scratcher about road trips, weird dinner conversations and shifting identity blurrings as what we assume become increasingly more surreal as the film goes on
A fascinatingly enigmatic work from Robert Altman, an artily experimental film in which the identities of five people together at a countryside cottage begin to shift and blur
An interesting twist on the bodyswap film where millennials at a party use a device that allows them to swap bodies – only for two of the host bodies to be killed in an accident
As the title suggests, this is cryptic. Chloe Pirrie wanders off in the woods, encounters a mysterious Bigfoot creature and afterwards experiences a baffling identity exchange
One of several continental Frankenstein films of the 1970s, concerning Frankenstein’s daughter. This tries to imitate Hammer Films on a lesser budget and with more nudity
A surreal very Lynchian French film in which a deranged Charlotte Rampling shoots herself and then afterwards appears to possess Laurent Lucas’s wife Charlotte Gainsbourg
A unique and original variation on the bodyswap theme, told from point-of-view of an entity that passes through various bodies in a murderous spree as it tries to make its way back to the girl it loves
An entry in the spate of 1980s bodyswap comedies with Dudley Moore and Kirk Cameron as father and son who swap bodies. Enjoyably silly with good performances from both.
A bafflingly surreal yet compulsive David Lynch film in which Bill Pullman and wife receives mysterious threatening videotapes and Bill then inexplicably turns into Balthazar Getty
French thriller where psychiatrist Gerard Depardieu tests a device that allows him to swap bodies with a serial killer – only for the killer to get free and steal his life
Classic Boris Karloff mad scientist effort in which he plays a scientist who invents a device that allows him to swap minds into different bodies. All the usual Gothic fear-filled view of science from this era, but rather well made and with Karloff on fine form
Lightweight French bodyswap comedy where aging rocker Alain Chabat and mousy bureaucrat Daniel Auteuil end up sharing the same body
A clear attempt to copy Rosemary’s Baby made with extraordinary stylishnessas Jacqueline Bisset believes husband Alan Alda’s body has been stolen by a dead man
Folk Horror about the discovery of a witch’s body in a bog, this is a slow burn film that falls together with great subtlety
Mad scientist film in which George Zucco transplants an executed man’s brain into a gorilla’s body whereupon the ape-man proceeds to exact revenge against those who wrongly convicted him
An amusingly lurid Z budget film with a widow using an atomic reactor to transfer her mind into a younger body
David Lynch work of Hollywood noir in which novice actress Naomi Watts (in the role that made her name) is drawn into a surreal idenity blurring mystery. As always with Lynch, this baffling, weird and mesmerising
Your mind struggles to process the premise of Nine Lives – where Kevin Spacey finds himself in the body of a cat. It seems a variation on the earlier Oh Heavenly Dog in which Chevy Chase was reincarnated as Benji. Some cute effects but what a lightweight effort for an actor of Spacey’s calibre
The one and only film produced by Christopher Lee’s production company, this sets up an interesting premise about a mysterious orphanage but fails to quite make it work
A very lame comedy with Chevy Chase as a private detective working in London who is killed and is then reincarnated in the body of a dog (now played by superstar dog Benji)
Taiwanese film in which multiple personalities are implanted into a prisoner’s body, one of which is a serial killer, in an effort to find a missing child
The second film from Brandon Cronenberg, a fascinatingly original work about body-hopping assassins
Beautifully written film where newlywed bride Meg Ryan ends up swapping bodies with an old man
The fourth of The Prophecy films about war between angels, the first to be made without Christopher Walken with Sean Pertwee as a detective in Bucharest who is drawn in
A film directed by actor Zack Ward – his best known role was probably as Postal Dude in Uwe Boll’s Postal. Not a terribly interesting film – it starts as a ghost story before this proves to be a red herring and then meanders around without much direction
The second of Hammer’s Frankenstein films and a fine work that finds positively ingenious ways to continue on from its predecessor. Terence Fisher and the production team are all on top form.
Tarsem Singh is one of the most extraordinary visual stylists at work today. The disappointment here is that he has abandoned this to make a regular chase and shootout film that any other director could have. What we get is an uncredited rehash of the Rock Hudson film Seconds stripped down to an action film
Ageswap fantasy in which middle-aged Matthew Perry is rejuvenated as a teenage Zac Efron. A glib fantasy that seems made by abstinence campaigners
Adaptation of the superhero comic is played for comedy, making it very different in emphasis to the other films in the DCEU. The boy into man transformation is played up as essentially Big with superpowers – with appealing results
Shazam! was one of the more enjoyable DCEU superhero offerings, placing a light-hearted spin on the superheroics. This is the sequel
The third of the Shrek films settles in with a formulaic blandness where the characters turn up more because everyone expects them to than the film finds much for them to do
An early CGI animated film conducted on a cut-price budget that tells further adventures of Sinbad
Kate Hudson becomes a care-aid on an old Southern mansion and finds voodoo at work. Director Iain Softley piles on the Southern atmosphere but only strains at horror effect
Pixar film with a head-scratchingly odd plot but also one of the better efforts of the divided post-2010 period that goes a long way towards recapturing the things they did so well in their heyday
The second film from Duncan Jones, this places Jake Gyllenhaal through a Groundhog Day scenario as he is forced to relive the same eight minutes in order to find who planted a bomb on a train
A conceptually intriguing cross between the bodyswap film and the South Korean gangster film
Leonard Nimoy steps into the director’s chair of the third Star Trek film and his doing marks the shift of the films from intergalactic adventuring into the regulars engaged in a safe, easy set of adventures playing to fan audiences