Prey for the Devil (2022)
Daniel Stamm, the director who made the standout
The Science Fiction Horror and Fantasy Film Review
Catholicism refers to the beliefs of the Roman Catholic Church. The church has a long history and is the largest Christian denomination in the world. Catholicism is widespread in Latin American countries, Ireland and Italy, among many others.
Catholicism has a number of essential doctrines that differentiate it from mainstream Christianity. These include a male priesthood who must remain celibate their entire lives, while women become nuns; the belief that the Pope is the appointed head of the church and God’s voice on Earth and that his teachings are infallible; the belief that the Virgin Mary, the mother of Jesus, has a consecrated position. There is also the belief in those who lead sanctified lives can be appointed saints and have special power.
Beliefs also entail the confession of one’s sins to a priest and small penance that one must do to receive forgiveness. Controversial has been stances against divorce, contraception and homosexuality. There are many other aspects, particularly now defunct doctrines such as Latin liturgy, relics and the notion of Purgatory (a holding place between Heaven and Hell where one’s prayers and devotions can aid the dead progress on to Heaven).
In genre portrayals, Catholic priests have been seen as the frontline defenders against demonic possession in the Possession Film ever since The Exorcist (1973). The Church is also seen as funding vampire and other Monster Hunters. They are also seen as aiding in/fighting against the coming of Biblical End Times. The Vatican Library is seen as having objects of great rarity and occult value.
There have been a number of works that are critical of the church’s beliefs and practices, ranging from Witch Persecutions and The Inquisition to modern real-life accounts of paedophile priests. Some other works promote Conspiracy Theories about the church. There have also been films that feature psychopathic priests or nuns or are thrillers set around the confessional.
Daniel Stamm, the director who made the standout
This spends much effort creating an imaginative future where priests battle vampires who are banished to reservations only to do nothing with it other than reach for the tropes of the Western
The possession and exorcism film has become a heavily exhausted one, having cycled through the same limited bag of tricks for the last 40 years. This South Korean take still mines the same territory but adds some nifty new tricks to build to a riveting climax
One of the less successful, nevertheless underrated John Carpenter films where he pays tribute to Nigel Kneale in a conceptually mind-boggling mix of deviltry and quantum physics
Well worthwhile Psycho sequel directed by Anthony Perkins himself who makes an assured, even at times dazzling debut. The film has a playfulness and outrageousness that quite takes you aback
Difficult to find 1970s Canadian-made occult film that doesn’t quite live up to expectation. Mostly it is a police procedural and the devil worship cult angle only emerges as a left field ending in the last ten minutes.; Not tight enough as a detective story to fully work
Lesser sequel to the Spanish Found Footage zombie film [Rec] that repeats the original to variable effect but needlessly breaks up the single camera point-of-view
This should be mandatory viewing after watching The Exorcism of Emily Rose. While that film rewrote the tragedy of Anneliese Michel as a film about possession, this German-made production sets things straight and tells a story about a girl with mental health issues
This has a fascinating premise where the Catholic Church develops a resurrection process, before one priest starts to see a darker conspiracy beneath. Shot in the Screenlife process where the film screen becomes a computer screen
Full-blooded possession and exorcism that takes its Catholic cant seriously and emerges as dramatically gripping, with Anthony Hopkins delivering a tour-de-force performance. Supposedly based on a true story.
A film based on what is said to be the most well-documented exorcism in US history. Al Pacino plays the exorcist
Extremely good thriller from an Elmore Leonard script with Donald Sutherland as a Catholic priest who tries to stop a serial killer without violating the sanctity of the confessional
Saw series director Darren Lynn Bousman makes a film set at a convent for unwed mothers in the 1950s. Is there any chance this might be a work about institutional cruelty or the plight of unwed mothers in the era? Hardly, all it really is is Bousman inflicting a series of tortures on the girls
Fairly by-the-books possession and exorcism film that does have the novelty of playing out in a morgue and where the entire cast has been pared down to four. There also seems an earnest strain of belief in Christianity/Catholicism that runs throughout
Medieavel fantasy action film with Nicolas Cage and Ron Perlman assigned to escort a witch who may be able to deliver the land from the Black Plague. The wider moral issues of the film are buried under action and CGI
Michael Winner directs a film about a sinister apartment building but his typical crude and heavy-handed style fails to conjure anything remotely scary
Not the first but the most famous of the psycho Santa films. At the time, it was just another slasher film exploiting a holiday title. However, this does the slasher movie formula rather well while digging into Christmas sentiment with a bite that takes you aback
Catholic horror film with Heath Ledger miscast as a priest that was a flopped. This is a fascinating piece of theological horror that plays out with an unusually strong and original script
Paco Plaza, co-director of the [Rec] films, shows James Wan how to do a nun horror film properly. This is a prequel to Plaza’s earlier Veronica, telling an origin story for Sister Death
This seems caught between offering an earnest theological debate about Catholicism and being a standard possession film. The results are not entirely uninteresting
Agnieszka Holland film with Ed Harris as a Catholic priest who has lost his faith who is asked defend the authenticity of a supposed miracle
Park Chan-wook film in which he rewrites the French literary classic Therese Raquin with the addition of a vampire priest with most effective results
The second-to-last Hammer film, an adaptation of one of Dennis Wheatley’s occult novels, shows them trying to catch up with The Exorcist and its ilk
The second and more sophisticated of the Ze do Caixao/Coffin Joe films with director Jose Mojica Marins as a diabolic undertaker who delights in inflicting a catalogue of tortures on the weak-minded
Dull serial killer thriller with Andrew McCarthy tracking a killer that has a Catholic fixation
A British mini-series that offers an ingenious modernised reconeptualisation of the vampire genre, depicting the activities of a secret agency of vampire hunters
Adaptation of a James Herbert book about a deafmute girl who suddenly speaks and performs miracles, which may have a sinister cause
Little-seen Czech film that sits on the blurred edge of a dream in its hazily surreal view of the world through the eyes of a young girl where the figures around her seem to become vampires that constantly loom with darkly allegorical sexual threat
John Carpenter revitalises the vampire film with a sharp action edge as James Woods heads a team of vampire hunters. Woods gives a ferociously determined performance way above and beyond the call of duty
Stephen Sommers conducts a big-budget rehash of a 1940s Universal monster bash. A film so overloaded with CGI bombast and general overkill it becomes utterly absurd.
The exorcism film has made a big comeback in the 00s. From one of the co-directors of the Crank films, this only offers up the same mix of cliches as usual – indeed, often seems like a series of random jump scares without any rationale as to why they would be happening
Obscure film in which director Fernando Arrabal depicts a series of vignettes from his childhood depicting the sadism and cruelty of the Spanish Fascists
One of the standout entries in the giallo film and certainly one of the best plotted of the genre, concerning a series of murders at a Catholic girls school
Acclaimed classic of 1980s Italian horror where a mysterious typewriter ribbon leads a writer in search of zones where the dead can return to life