Written By (2009)
Unique venture into meta-fiction by Wai Ka Fai that creates fascinatingly wound layers of fiction and reality that eventually become so complex that one gets lost
The Science Fiction Horror and Fantasy Film Review
A Conceptual Reversal Twist comes as part of a work that lulls the viewer into believing that they are watching one type of story before an abrupt reversal that usually comes at the very end reveals that everything one assumed about what was happening is not the case at all.
The two most famous Conceptual Reversal Twists are those that come at the end of Planet of the Apes (1968) and The Sixth Sense (1999), which offer jolting surprise twists about the protagonist’s conception of the world around them or who they are.
A famous Conceptual Reversal twist is the Deathdream Ending where the protagonist discovers that they have been dead all along or are in the process of dying. This, along with other twists such as that everything that transpired is All a Dream or a Virtual Reality illusion, has become a cliche from overuse.
The success of The Sixth Sense gave the ghost story the seeming need to have to pull last minute twists in every film made since to the point of frequent tedium. Such twists have also been popular in science-fiction works or Psycho-Thrillers that reveal characters are split personalities or imaginary.
The Conceptual Reversal Twist is very similar to the Conceptual Breakthrough Story where the protagonist comes to a new understanding of themselves or the world they live in, although not all Conceptual Breakthrough stories come with a Conceptual Reversal Twist. The crucial difference in the stories listed here it is the audience rather than the protagonist who makes a discovery about what they believe to be true.
Unique venture into meta-fiction by Wai Ka Fai that creates fascinatingly wound layers of fiction and reality that eventually become so complex that one gets lost
The biggest box-office hit six weeks in a row in 2020, albeit during Corona lockdown. This gets some extremely creepy effects in that managed to work on a jaded viewer
Slickly produced psycho-thriller that comes mired in controversy, featuring Amy Adams as an agoraphobe who maybe witnesses a murder.
This is like a version of The Stepford Wives updated to the era of Ex Machina and the modern A.I./android film
This is a superbly written and directed work of Southern Gothic that consists of three interwoven tales that gradually expose dark family secrets
John Carpenter returned to the director’s chair after more than a decade but failed to light the world on fire. Carpenter makes what you could call a ghost story version of Girl, Interrupted. The scares are tame and the film is hamstrung by an improbable M. Night Shyamalan twist ending
M. Night Shyamalan makes one of his best films in ages. He kicks back his heels and goes nuts – at the same time as he is spooking us he also has us laughing; he ventures into making a Found Footage film but at the same time is also deconstructing the process with hilarious results
M. Night Shyamalan creates three-quarters of a tense and eerie film about a 19th Century village under siege from mysterious creatures only for it to fall apart when he produces a damp squib of a twist ending
A film with a captivatingly original idea – bank robbers break into a bank vault, only to find they have stirred something supernatural imprisoned there. A film that builds a more than reasonable head of tension before losing it with a weak payoff
The English-language remake of Open Your Eyes, starring Tom Cruise. The Spanish version is still the superior of the two but this stays surprisingly faithful to the original
The Hollywood remake of the South Korean ghost story A Tale of Two Sisters that waters down and reduces the effectiveness of the original to generic shocks
This was made before Ex Machina and has a surprisingly similar plot – although takes it even further in many regards – where a woman journalist goes to interview a tech genius and ends up in a romantic triangle between him and his android creation
I was very impressed with director Marcel Sarmiento on the basis of the perversely twisted Deadgirl. Here Sarminento turns his hand to making a ghost story
Quite evidently modelled on Se7en even to the lookalike title, this is the novelty of a Christian serial killer thriller. The results are quite strange to say the least
Pascal Laugier returns with this fascinating effort about a small town subject to child abductions by a possible boogieman. A film that is as blatantly manipulative as it is ingenious in its way-out twists and turns where everything we assume is going on at the outset is eventually turned completely on its head
A South Korean ghost story that achieves quite a degree of spookiness, albeit influenced by the Japanese Ring phenomenon, although things fall apart at a confusing twist ending
What seems a routine low-budget action film is propelled into the decidedly watchable by a bizarre Philip K. Dick-ian twist that comes mid-film
Japanese director Shion Sono has emerged as an increasingly worthwhile name in recent years. This is an admirably twisted and perverse work that leaves you quite flabbergasted
Akiva Goldsman is the single worst screenwriter in Hollywood with a line of genre atrocities to his name. In his second directorial outing, blow me down if Goldsman doesn’t make a halfway decent film, a cryptic film about a young girl facing unseen monsters amid a possible invasion
Marc Forster film that starts in with a beautifully filmed sense of disquiet mood and eerie reality disjuncts but loses it when it opts for another M. Night Shyamalan twist ending
This is essentially The Sixth Sense rehashed as a teen horror film and conducted without any finesse – here you can see the twist ending coming miles in advance
This seems a variant on the plot about a cult pursuing a child for their purposes but expectations soon get twisted on their head in interesting ways
Quite a good film about a space expedition where the crew members on a mission to Saturn fall into an increasing paranoia and inability to tell what is real due to the drugs used in the hypersleep process
The title is misleading – we expect some kind of internet based horror film but the show telescopes down to being no more than a Backwoods Brutality effort. On the other hand, it is not taking itself too seriously and some of the twists become entertainingly absurd
The film that made the name of M. Night Shyamalan and still a strong and spooky story despite the variability of Shyamalan’s offerings since then. What made the film a classic was its twist ending, something that has been relentlessly copied by numerous genre films since
Haunted house film that comes with the novelty of being shot entirely in one take. This delivers some okay but never standout jumps but in the end you appreciate it more for its technical novelty than producing scares
An alien body snatchers film conducted with a series of smart whiplash twists and turns – even surprisingly a sense of humour
A film ostensibly about alien abductees that has rather pleasurably been construed as a series of wild head-spinning twists that are constantly pulling everything we think we know is going on from under the audience, even if it eventually provides more questions than it ever does answers
Martin Scorsese and an impressive A-list cast make a 1940s-styled psycho-thriller about a sinister asylum that soon starts into a series of major reality bending turns
A group of friends travel to Ireland and go on a tour searching for magic mushrooms. In between assorted drug hallucinations, someone or thing begins slaughtering the group
Borrowing the Blair Witch aesthetic, Brad Anderson makes a highly effective minimalist horror film about a group of working men encountering something during the clean-up operation of an abandoned asylum
Not to be confused with the Joss Whedon film, this starts out seeming like a weepy romantic drama before pulling one of the most absurd M. Night Shyamaalan-esque conceptual twists ever put on screen on us
Stephen King adaptation with Johnny Depp as a writer in a cabin in the woods harassed by mysterious stranger John Turturro. Screenwriter David Koepp directs a marvellously chill Turturro with lots of twisty surprises
A low-budget film about a journalist’s modern-day investigation into a secret village located near Salem, Massachusetts that results in paranoia and suspicious treatment by the locals
British-made film about an astronaut stranded on a world of robots. Made by a team of three people, this produces effects that rival Hollywood productions but is also a solid work of planetary survival that comes with some jaw-dropping mid-film twists
While the title suggests something of the classic The Hitcher, this reminds more of And Soon the Darkness with its image of tourists being stalked in the pastoral French countryside. Ravishingly photographed, creating a strong sense of dis-ease to arrive at a great twist ending
This starts out as a seeming ghost story without creating much tension then features Tom Sizemore going psycho, before arriving at one of the most confusing of all attempts to conduct an M. Night Shyamalan twist ending
Two Americans fleeing an armed bank robbery with hostages take refuge at a house that they discover it is haunted. A vy the numbers effort before arriving at a confused twist ending.
A Japanese-made variant on the dream incursion theme of Inception. Director Kiyoshi Kurosawa is noted for his bafflingly surrealistic horror films but in working in a genre like science-fiction that requires an implied explainability, he makes a far less interesting film
A film from the Pang Brothers in which a heroine enters into an extraordinarily conceived fantasy world that would appear to be taking place in her own imagination
This comes with a fascinatingly original premise – man wakes up with complete amnesia and finds that he has the ability to kill anyone within thirty feet of him. The case of a film that holds attention with a captivating and unusual plot and a series of constant whiplash reversals
For some reason, The Exorcist is hugely popular in Bollywood horror – this is the fourth in a series of otherwise unrelated films about possession. The film conducts its borrowings not unentertainingly and is boosted by a script that turns what we think is happening on its head with quite a degree of dexterity
Gerard Depardieu is being interrogated by police inspector Roman Polanski over a murder he cannot remember. Solid, well constructed drama that is turned on its head with a surprise ending
An exceptional time travel film, one of the best to emerge in some time. Adapted from a classic Robert Heinlein story, the pleasure of the film all comes in seeing its twists and turns come together into the most ingenious temporal paradox ever conceived
The film that started it all. This takes what could have been a jokey premise and delivers it in bold, exciting stokes. What elevates the film is Rod Serling’s script. filled with embittered soliloquies that become a biting commentary on the human condition, before the film reaches one of the great cinematic twist endings
Bollywood remake of a ghost story that comes with one of the cleverer M. Night Shyamalan conceptual reversal twists
A rare Indian venture into the horror film, this is a haunted house film of modest effect that suddenly becomes a whole lot more watchable when it pulls a major M. Night Shyamalan-esque twist on us
This seems to be shaping up to be a modern variant on The Collector in which Dominic Monaghan abducts the object of his desire and locks her in a cage beneath the dog shelter where he works. From there the film starts to twist expectations on their head
David Twohy has shown himself a standout screenwriter and director with the Riddick films but came unstuck with this effort where tourists in Hawaii come to believe their traveling companions are wanted killers. A film killed by far-fetched twists
Rare cinematic treatment of the generation ship story that conducts it with a modest degree of affectiveness. Produced by Paul W.S. Anderson.
Alejandro Amenabar directed ghost story made not longer after The Sixth Sense that works with nicely subtle effect and arrives at an unexpected twist ending that turn the standard haunted house tale on its head
Classic horror film about good and evil twins that creates a good deal of sinister effect and arrives at a much imitated twist
Excellent film from Alejandro Amenabar in which a handsome playboy finds himself in the midst of a baffling series of reality flips before arriving at an SF twist ending
Lucky McKee, director of May and The Woman, makes a film about two men meeting at a cabin in the woods where secrets emerge amid psychological tensions between the two
An effective slow burn film that settles in with the promise of being a standard entry with a babysitter being stalked on Halloween night. However, this proves to turn all your expectations on their head
The Adams Family have become one of the most impressive genre talents in recent years. It has been fascinating watching them explore a dark version of American folk horror – this takes them into the darkest places they have visited yet
A horror anthology with a mordant sense of humour with Clancy Brown doing a great turn as an octogenarian mortuary attendant who tells several stories of the bodies he has tended
A.I. film directed by Ridley Scott’s son. The set-up seems awfully similar to Ex Machina – unfortunately, this sidesteps any of that fascinating questions about A.I. that film dealt in, while the latter half just becomes The Terminator before reaching a frankly unbelievable twist ending that sinks the film
Film in which Christina Ricci fears her son is being drawn to a monster in the lake, this hangs around a very contrived twist ending
This starts out seeming like another haunted house film before developing some conceptual reversal twists of the first M. Night Shyamalan-esque order
Pascal Laugier makes one of the most horrific films to emerge from France in the 00s. Scenes of grim torture sit alongside a plot that twists like a pretzel and messes with almost everything we take for granted
Film about children hiding in big old house of secrets following the death of their mother. Filled with all manner of fascinating secrets and twist revelations
Film about a psychiatrist dealing with a boy who appears to be able to cause things to happen. All before things get really weird
Fascinating film from Brad Anderson where Christian Bale is subject to a series of reality blurrings. What hangs over the show most of all is Bale’s intensely physical performance for which he lost a third of his body weight to turn himself into an anorexic shell of a human
This starts out seeming like it is going to be a regular Backwoods Brutality film about a regular family threatened by hicks before expectations are abruptly turned on their head
There have been some extremely good films about androids and A.I. in the last few years. This one about an android manservant is so ridiculous it should have been played as a comedy
From the director of The Last Exorcism Part II, a title that does nothing to suggest a horror film. All we get is a ghost story that does an M. Night Shyamalan shift into an improbably contrived fugue state drama
Rue Morgue magazine editor Rodrigo Gudiño makes his directorial debut with an old-fashioned ghost story that is a slow, moody ambiguous single-person drama
A haunted house film from Andrew Jones, who makes an okay but very low key film – the spookiest it ever gets is a phantom record player. Things are lifted by a modest M. Shyamalan-esque twist
This asks the question of what happens to the final girl after a slasher film. This is less a slasher film than a work about post-traumatic stress before reaching a jaw-dropping ending
The film that made Ben Wheatley’s reputation, this starts as a kitchen sink drama about the domestic lives of two hitmen before taking a bizarre left field turn into horror territory
Another remake that nobody asked for. The 1990 film is reworked in a script that ditches almost all of the afterlife themes and instead seems to want to be a film about veterans addicted to reality-blurring drugs
Adrian Lyne became one of the most visually exciting directors of the 1980s. Here he makes an afterlife film that swings between moments of greatness and a script that seems very confused about what is happening
This feels as though the director, frustrated with lack of financing, grabbed a camera and shot a film around his home. This generates a modest creepiness but falls apart at a credibiity-stretching ending
Film about a man in his home fearful of demonic forces attacking those around him, this comes with decent atmosphere and at least one highly effective twist
Jim Mickle film that starts out as though a police procedural, possibly a supernatural horror film, and then performs an astonishing series of twists to become something else altogether and an absolute must see
An adaptation of a Philip K. Dick short story in which Gary Sinise plays a man who is dragged away by security accused of being an android replacement that has a bomb implanted inside him
John Cusack leads a star cast line-up in what appears to be a slasher where a group of people gathered at a motel are being killed by someone among their number. Big conceptual twists then ensue
Robert Rodriguez makes a film with Ben Affleck as a detective dealing with a man who can control others’ minds. However, this develops into a mind twister of considerable reality bending proportions
A film of reality bending conceptual twists about a psychiatrist tending cryogenically frozen prisoners who then wakes to find that he has become one of the prisoners
An airport psycho-thriller that feels like wannabe Gillian Flynn that has been mounted as a vehicle for the talent-handicapped Sydney Sweeney. The whole plot hangs on a believability stretching mid-film twist revelation
Psycho-thriller that plays out like a creaky old deranged relative in the cellar film retooled as a teen romance until an absurd mid-film conceptual twist irredeemably kills the film off
This has quite a few similarities to the underrated The Wind with Sarah Paulson as a mother in the 1930s Dustbowl seeing possible supernatural figures amid the dust storms, which could just as easily be fraying sanity
Solid effort about two girls who venture into a storage facility only to unleash a creature. Filled with reasonable and effective tensions, not to mention a surprise mid-film twist that makes it into something else
The film that made the world take notice of Alexandre Aja. Aja serves up a brutal and gore-drenched variant on the Backwoods Brutality film, although things fall apart in an absurd twist ending
A variant on the sinister child’s invisible companion theme. A fine cast has been assembled but the film goes and kills itself with a lame twist ending
A film from Duffer Brothers creators of tv’s Stranger Things. This is a fallout shelter drama where the Duffers create a strong paranoid mood but kill the film with a ridiculous twist ending
Incomprehensible New Zealand film about a group of camp counselors being haunted by something as they run through the woods
An old fashioned Victorian ghost story based on a James Herbert novel, this suffers a very laidback pace but is redeemed by its left field twist ending. Produced by Francis Ford Coppola
The Austrian Goodnight Mommy was one of the most effective horror films of recent years. This is the toned-down English-language remake starring Naomi Watts as the mother
Effective and disturbing work about two boys who begin to think that someone else might have taken their mother’s place after she returns in bandages. The film reaches a particularly chill and nasty climax
Imagine a version of Fatal Attraction where the Glenn Close character is the protagonist, this also has an unnerving Repulsion-like quality where what we think is happening keeps blurring and shifting
Film with a literally off-the-wall premise in which Ryan Kwanten is trapped in a rest stop bathroom with a Lovecraftian deity that speaks through a glory hole in the next stall
For a reasonable part of the runtime, this plays as a wilderness survival drama about a woman abandoned in the woods. Somewhat directionless before being redeemed by its twist ending
US soldiers arrive at a chateau in Nazi-occupied France during World War II that appears to be haunted. In a conceptual reversal twist, everything is not what it seems
Pascal Laugier emerged as a most promising director with Martyrs. All of his films hang on improbably contrived twists. This starts out as a home invasion film not unakin to The Strangers but nothing is as it seems
A fascinating series of interwoven stories, one of which is set in a religion-dominated dystopian future. An intriguing puzzle that arrives at a surprise left field ending
A directorial outing from Bill Paxton, a strikingly original film quite unlike anything else where Paxton plays a man who has religious visions and invokes his sons to murder what he calls demon
From the pen of Iain Reid who wrote I’m Thinking of Ending Things, an SF film about a man recruited for a space mission and the training of his android replacement. Expectedly, what is going on is shifting and pulls expectation out from under us
A film that mostly consists of amnesiac Air Force pilot James B. Sikking being questioned by psychologist Hector Elizondo. The film constantly hints at a big revelation before settling for one of the corniest twist endings