The Science Fiction Horror and Fantasy Film Review
A Conceptual Reversal Twist comes as part of a work that lulls the viewer into believing that they are watching one type of story before an abrupt reversal that usually comes at the very end reveals that everything one assumed about what was happening is not the case at all.
The two most famous Conceptual Reversal Twists are those that come at the end of Planet of the Apes (1968) and The Sixth Sense (1999), which offer jolting surprise twists about the protagonist’s conception of the world around them or who they are.
A famous Conceptual Reversal twist is the Deathdream Ending where the protagonist discovers that they have been dead all along or are in the process of dying. This, along with other twists such as that everything that transpired is All a Dream or a Virtual Reality illusion, has become a cliche from overuse.
The success of The Sixth Sense gave the ghost story the seeming need to have to pull last minute twists in every film made since to the point of frequent tedium. Such twists have also been popular in science-fiction works or Psycho-Thrillers that reveal characters are split personalities or imaginary.
The Conceptual Reversal Twist is very similar to the Conceptual Breakthrough Story where the protagonist comes to a new understanding of themselves or the world they live in, although not all Conceptual Breakthrough stories come with a Conceptual Reversal Twist. The crucial difference in the stories listed here it is the audience rather than the protagonist who makes a discovery about what they believe to be true.
An exceptional time travel film, one of the best to emerge in some time. Adapted from a classic Robert Heinlein story, the pleasure of the film all comes in seeing its twists and turns come together into the most ingenious temporal paradox ever conceived
Gerard Depardieu is being interrogated by police inspector Roman Polanski over a murder he cannot remember. Solid, well constructed drama that is turned on its head with a surprise ending
For some reason, The Exorcist is hugely popular in Bollywood horror – this is the fourth in a series of otherwise unrelated films about possession. The film conducts its borrowings not unentertainingly and is boosted by a script that turns what we think is happening on its head with quite a degree of dexterity
This comes with a fascinatingly original premise – man wakes up with complete amnesia and finds that he has the ability to kill anyone within thirty feet of him. The case of a film that holds attention with a captivating and unusual plot and a series of constant whiplash reversals
A film from the Pang Brothers in which a heroine enters into an extraordinarily conceived fantasy world that would appear to be taking place in her own imagination
A Japanese-made variant on the dream incursion theme of Inception. Director Kiyoshi Kurosawa is noted for his bafflingly surrealistic horror films but in working in a genre like science-fiction that requires an implied explainability, he makes a far less interesting film
Two Americans fleeing an armed bank robbery with hostages take refuge at a house that they discover it is haunted. A vy the numbers effort before arriving at a confused twist ending.
This starts out as a seeming ghost story without creating much tension then features Tom Sizemore going psycho, before arriving at one of the most confusing of all attempts to conduct an M. Night Shyamalan twist ending
While the title suggests something of the classic The Hitcher, this reminds more of And Soon the Darkness with its image of tourists being stalked in the pastoral French countryside. Ravishingly photographed, creating a strong sense of dis-ease to arrive at a great twist ending
British-made film about an astronaut stranded on a world of robots. Made by a team of three people, this produces effects that rival Hollywood productions but is also a solid work of planetary survival that comes with some jaw-dropping mid-film twists
A low-budget film about a journalist’s modern-day investigation into a secret village located near Salem, Massachusetts that results in paranoia and suspicious treatment by the locals
Stephen King adaptation with Johnny Depp as a writer in a cabin in the woods harassed by mysterious stranger John Turturro. Screenwriter David Koepp directs a marvellously chill Turturro with lots of twisty surprises
Not to be confused with the Joss Whedon film, this starts out seeming like a weepy romantic drama before pulling one of the most absurd M. Night Shyamaalan-esque conceptual twists ever put on screen on us
Borrowing the Blair Witch aesthetic, Brad Anderson makes a highly effective minimalist horror film about a group of working men encountering something during the clean-up operation of an abandoned asylum
A group of friends travel to Ireland and go on a tour searching for magic mushrooms. In between assorted drug hallucinations, someone or thing begins slaughtering the group
Martin Scorsese and an impressive A-list cast make a 1940s-styled psycho-thriller about a sinister asylum that soon starts into a series of major reality bending turns
A film ostensibly about alien abductees that has rather pleasurably been construed as a series of wild head-spinning twists that are constantly pulling everything we think we know is going on from under the audience, even if it eventually provides more questions than it ever does answers
An alien body snatchers film conducted with a series of smart whiplash twists and turns – even surprisingly a sense of humour
A haunted house film that comes with the novelty of being shot entirely in one take. This delivers some okay but in the end you appreciate it more for its technical novelty than producing scares
The film that made the name of M. Night Shyamalan and still a strong and spooky story despite the variability of Shyamalan’s offerings since then. What made the film a classic was its twist ending, something that has been relentlessly copied by numerous genre films since
The title is misleading – we expect some kind of internet based horror film but the show telescopes down to being no more than a Backwoods Brutality effort. On the other hand, it is not taking itself too seriously and some of the twists become entertainingly absurd
Quite a good film about a space expedition where the crew members on a mission to Saturn fall into an increasing paranoia and inability to tell what is real due to the drugs used in the hypersleep process
This seems a variant on the plot about a cult pursuing a child for their purposes but expectations soon get twisted on their head in interesting ways
This is essentially The Sixth Sense rehashed as a teen horror film and conducted without any finesse – here you can see the twist ending coming miles in advance
Marc Forster film that starts in with a beautifully filmed sense of disquiet mood and eerie reality disjuncts but loses it when it opts for another M. Night Shyamalan twist ending
Akiva Goldsman is the single worst screenwriter in Hollywood with a line of genre atrocities to his name. In his second directorial outing, blow me down if Goldsman doesn’t make a halfway decent film, a cryptic film about a young girl facing unseen monsters amid a possible invasion
Japanese director Shion Sono has emerged as an increasingly worthwhile name in recent years. This is an admirably twisted and perverse work that leaves you quite flabbergasted
What seems a routine low-budget action film is propelled into the decidedly watchable by a bizarre Philip K. Dick-ian twist that comes mid-film
A South Korean ghost story that achieves quite a degree of spookiness, albeit influenced by the Japanese Ring phenomenon, although things fall apart at a confusing twist ending
Pascal Laugier returns with this fascinating effort about a small town subject to child abductions by a possible boogieman. A film that is as blatantly manipulative as it is ingenious in its way-out twists and turns where everything we assume is going on at the outset is eventually turned completely on its head
Quite evidently modelled on Se7en even to the lookalike title, this is the novelty of a Christian serial killer thriller. The results are quite strange to say the least
I was very impressed with director Marcel Sarmiento on the basis of the perversely twisted Deadgirl. Here Sarminento turns his hand to making a ghost story
This was made before Ex Machina and has a surprisingly similar plot – although takes it even further in many regards – where a woman journalist goes to interview a tech genius and ends up in a romantic triangle between him and his android creation
The Hollywood remake of the South Korean ghost story A Tale of Two Sisters that waters down and reduces the effectiveness of the original to generic shocks
The English-language remake of Open Your Eyes, starring Tom Cruise. The Spanish version is still the superior of the two but this stays surprisingly faithful to the original
A film with a captivatingly original idea – bank robbers break into a bank vault, only to find they have stirred something supernatural imprisoned there. A film that builds a more than reasonable head of tension before losing it with a weak payoff
M. Night Shyamalan creates three-quarters of a tense and eerie film about a 19th Century village under siege from mysterious creatures only for it to fall apart when he produces a damp squib of a twist ending
M. Night Shyamalan makes one of his best films in ages. He kicks back his heels and goes nuts – at the same time as he is spooking us he also has us laughing; he ventures into making a Found Footage film but at the same time is also deconstructing the process with hilarious results
John Carpenter returned to the director’s chair after more than a decade but failed to light the world on fire. Carpenter makes what you could call a ghost story version of Girl, Interrupted. The scares are tame and the film is hamstrung by an improbable M. Night Shyamalan twist ending
This is a superbly written and directed work of Southern Gothic that consists of three interwoven tales that gradually expose dark family secrets
This is like a version of The Stepford Wives updated to the era of Ex Machina and the modern A.I./android film
Slickly produced psycho-thriller that comes mired in controversy, featuring Amy Adams as an agoraphobe who maybe witnesses a murder.
The biggest box-office hit six weeks in a row in 2020, albeit during Corona lockdown. This gets some extremely creepy effects in that managed to work on a jaded viewer
Unique venture into meta-fiction by Wai Ka Fai that creates fascinatingly wound layers of fiction and reality that eventually become so complex that one gets lost