The Science Fiction Horror and Fantasy Film Review
Cryogenics (sometimes referred to as cryonics) is the science of freezing the human body in a suspended state and then reviving it at a later period.
In science-fiction, cryogenics is used as a means of dealing with lengthy space voyages – there are a number of stories where astronauts wake from sleep to find things gone wrong.
Another popular story is of the cryogenic sleeper who wakes up in a changed future or the present-day, which includes popular characters like Buck Rogers and Captain America. Cryogenics is also seen as a popular means of punishing criminals.
Fantasy regularly deals with suspended animation as in the story of Cinderella pricking her finger and going to sleep for a hundred years. Also popular have been a series of films dealing with dinosaurs and cavemen revived after being frozen in ice.
For more detail and an overview of the genre see the Theme Essay Films About Cryogenics and Suspended Animation.
In the early 2010s, we had a series of fairytales rewritten as dark adult fantasies; The Asylum served up their own cheap copies – this was their version of Maleficent. Directed by actor Casper Van Dien, this not uninterestingly plays out as a fantasy adventure that follows the prince’s attempts to enter the castle
Quite a good film about a space expedition where the crew members on a mission to Saturn fall into an increasing paranoia and inability to tell what is real due to the drugs used in the hypersleep process
Comedy about a cop from the future who joins the present-day force where he is partnered with a cop thawed out from the 1960s. This is a premise that should have been funny but emerges as something like Sledge Hammer cast with the characters from Dumb and Dumber
I had mixed feelings about J.J. Abrams’ reboot of Star Trek This time around the actors seem more at home in the characters and the plot works a good deal better (for the most part), while Abrams creates a hurtling effects spectacle that is the most action-oriented of the Trek films
George Lucas’s first sequel to Star Wars and a work that holds up every bit as well as its predecessor, in many places betters it. The story darkens the mythos and introduces new characters, while the special effects sequences are the peak of the series
A disappointing end to George Lucas’s original Star Wars trilogy. The script lazily wraps up loose ends while sidelining the new characters introduced the last time, and the climax rehashes the climaxes of the two other films
The third of the films based around Star Trek creator Gene Roddenberry’s Genesis II concept where a cryogenic sleeper awakes in a post-apocalyptic world
The celebrated Walter Hill directs an Alien-inspired film about a mutated killer loose on a spaceship. This was a problem-ridden production that pans out far less interestingly than it promises to be
This has an interesting premise where a middle-aged man suddenly faces his teenage girlfriend returned unaged from a relativistic space voyage
Unimaginative time travel/action film that plays out like
The Asylum’s answer to Michael Bay’s Transformers. Bay had a $150 million budget; they try to copy it for $250,000. To its credit, the film flies valiantly to deliver a watchable show in the face of inadequate effects
The greatest science-fiction film ever made? Stanley Kubrick goes against all convention – the film is slow, has no clear story and reaches an enigmatic ending and yet it is a work of brilliance
2001: A Space Odyssey did not need a sequel but this fits the bill surprisingly well. A warmer and much more human film than Stanley Kubrick made, this has some of the very best effects of its era.
One of the more cheesily entertaining among the Italian-made ripoffs of Mad Max 2 during the 1980s (as well as more than a few dashes of Escape from New York). The film works up a moderate head of steam
The first of several animated films based on Marvel Comics properties, this does a solid job in adapting Mark Millar’s The Ultimates, a retelling of The Avengers origin story
Yet another entry that nobody asked for in a conceptually threadbare series that nobody seems to like … passably better than the last two sequels due to some ok action moves but still empty-headed in terms of ideas
Disappointingly tatty rendering of the famous comic-book strip as a low-budget Roger Corman production. Vampirella is missing her distinctive costume and Talisa Soto comes nowhere near the comic-book character’s statuesque voluptuousness
The English-language remake of Open Your Eyes, starring Tom Cruise. The Spanish version is still the superior of the two but this stays surprisingly faithful to the original
Forgotten 1980s obscurity about aliens come to Earth in search of rock music that feels like someone attempted to conduct a version of Grease for the Star Wars crowd. Filled with utterly excruciating slapstick humour and bland songs from bands that nobody has heard from again
From Tommy Wirkola, director of Dead Snow and Hansel and Gretel: Witch Hunters, a film where Noomi Rapace plays seven identical sisters hiding their existence in an overpopulated dystopian future, A film where neither the scenario nor the central characters end up convincing in any way
Kevin Smith’s follow-up to Tusk slides off the cliff somewhere between Johnny Depp’s incredibly silly performance, a nemesis you can’t take seriously and what largely becomes a vanity exercise in nepotism – Smith and Depp creating a vehicle to highlight their daughters
Enjoyable sequel to Jumanji and actually a much superior film in the hands of Jon Favreau. This expands the idea of the Jumanji boardgame that brings things from a jungle to life to a space theme