The Science Fiction Horror and Fantasy Film Review
Fantastical Vehicles refers to a body of films set around vehicles that have life and personalities of their own. Also included here are works centred around technologically advanced vehicles. Such vehicles can be cars, trucks, motorcycles, trains, bulldozers, airplanes, helicopters, boats or submarines even bicycles.
Ever since the tv series My Mother the Car (1965-6), there has been the idea of a vehicle that is intelligent and/or self-willed. This led to the popularity of Disney’s Herbie the Love Bug films about a cute Volkswagen with a personality of its own through Pixar’s Cars films and Thomas the Tank Engine about an assortment of vehicles with personalities.
It did not take long for the horror film to discover the vehicle with a personality and repurpose it as a malevolent Machine Amok. The first of these was Steven Spielberg’s first film Duel (1971) about a man pursued by a malevolent truck. Although that was more a psychological thriller featuring a malevolent truck with never-seen human driver, the works that drew from Duel’s template had no difficulty giving the cars and trucks malevolent personalities of their own, featuring possessed, ghostly or alien-inhabited vehicles. There are also several works about larger vehicles like ships and submarines that are haunted.
There is another whole body of works about heroes who go into action in technologically advanced vehicles. These can range from submarines fantasies like Voyage to the Bottom of the Sea (1964-8), works about hi-tech planes like Firefox (1982) and helicopters like Blue Thunder (1983) to the artificially intelligent car in tv’s Knight Rider (1982-6). Gerry Anderson made a whole series of tv puppet shows about heroes and organisations where people were outfitted in an array of fantastical vehicles.
One of the inspired delights from Disney’s live-action era, a hit that became the template for their subsequent live-action films. The scenes with flying vehicles and basketball teams are entirely charming.
The pilot for a tv series that was theatrically released outside of the US. A blatant copy of Blue Thunder, this concerns the hijacking and retrieval of a hi-tech helicopter
TV mini-series released as a theatrical film in some parts of the world that resurrects Captain Nemo in the present-day. It is Irwin Allen returning to his tv roots where Captain Nemo’s adventures become a blatant attempt to copy Star Wars
Inspired by Voyage to the Bottom of the Sea, this was one among the spate of 1960s underwater adventures. Passable adventure following a team on a quest to plant earthquake sensors on the ocean floor
Second in the trilogy of Edgar Rice Burroughs adaptations starring Doug McClure. This opens with the fabulous invention of the drilling mole but the arrival at the earth’s core look cheap and tatty
Ishiro Honda, the director of Godzilla, makes a colourful dventure film about a super-submarine battling an undersea empire in the vein of other works of the era like Voyage to the Bottom of the Sea
James Cameron makes a third venture into the world of Pandora. The question is whether he finds any new territory to explore. What you cannot deny is that he creates a pretty and absorbing picture out of it all
This was a huge hit at the time and has become one of the most indisputable pop culture artifacts of its era. The film takes a clever time travel plot and infuses it with an effortless energy to prove a considerable winner
The first of the Back to the Future sequels has a whiplash ingenuity that propels us through several different scenarios, including a trip to the future, a dark alternate present and requiring Michael J. Fox to duck unseen in and around the margins of the first film
Third of the Back to the Future films, which takes everything back in time to the Old West. Probably the slightest of the trilogy, this nevertheless goes out with a rousing farewell
A fairly blatant copy of Mad Max 2, although this is one of the better-made and budgeted. Crucially what is lacking is much in the way of the action that made Mad Max a hit
David Twohy, director of Pitch Black, makes a fine subtle, ghost story set aboard a submarine during WWII. At times, this achieves a genuinely haunted atmosphere
Made from an old John Carpenter script, this is a reasonable action film starring Tommy Lee Jones as a professional thief who is tasked with stealing a hi-tech car
Low-budget action film that blatantly rehshes the plot of Firefox with Michael Dudikoff as a pilot recruited to go into enemy territory and steal back a hi-tech plane
Dan O’Bannon scripted film about a hi-tech helicopter, this crackles with great writing and some immensely exciting aerial action scenes from director John Badham
Spinoff from the Transformers films. As though all it took was a change of director, this is a small sweet film that has more in common with E.T. as opposed to Michael Bay’s mass destruction spectaculars
Someone seems to have had the idea of combining Steven Spielberg’s killer truck film Duel with The Exorcist to produce an absurdly entertaining film about a possessed car
The Car concerning a possessed car is one of the forgotten films of the 1970s. Why it has produced a sequel 42 years later is a scratch of the head. Not that the two films even resemble one another
A mockbuster from The Asylum released to take advantage of Pixar’s Cars 3, this is actually a much better film that you expect it to be
Winning animated film from Pixar based around the appealingly original idea of vehicles having personalities. The idea is spun out with considerable wit and sophistication. Two sequels followed.
Sequel to Pixar’s Cars. While the original was a cutely appealing concept with a gentle contemplative message, this plays as more of an out-and-out spy caper making a virtue of its international locations
Another of the weaker sequels that Pixar seem determined to churn out. This lacks the fun among the anthropomorphic vehicles that its predecessors had with a hardly inspiring story about its hero feeling old and over-the-hill
Adaptation of a children’s book by James Bond creator Ian Fleming concerning a magical flying car. This is clearly trying to be another Mary Poppins and has been mounted as a lavish musical
John Carpenter takes on Stephen King’s novel about an evil car and a boy’s relationship with it with dynamic results. The film is made by Carpenter’s slick direction and a series of sensational effects set-pieces
Imagine a slasher movie version of Duel – a film about an unseen driver and a van outfitted with a series of novelty killing attachments. A film driven by its gore set-pieces that tends to drag when it comes to the comedy relief
B-budget hackmeister Fred Olen Ray makes a hi-tech vehicle fantasies that reads as a cheap attempt to do Blue Thunder with a motorcycle instead of a helicopter. Cheap action but what an amazing cast line-up
Film about a ghost ship haunted by Nazi atrocities. This gives the impression it was made to highlight a series of novelty deaths styled after the then-recent hit of The Omen
The first film from Steven Spielberg, a tv movie that was released to theatres. Spielberg demonstrates style to spare in the gripping tale of a lone man on the road who finds himself stalked and followed by a murderous truck
Czech Jules Verne adaptation that conducts an extraordinary blend of animation and live-action. Maybe the purest evocation of Steampunk that has ever been placed on screen. A work of underappreciated genius
After several other film incarnations that went nowhere, The Fantastic Four make their first appearance in The MCU. The film creates a wonderful retro world of 1960s futurism based on their original comic-books for them to inhabit
An all-time favourite based on the notion of a journey through the human body via a miniaturised submarine, an idea that comes with a sublime poetry despite the sometimes dodgy effects and plot holes
Remake of Disney’s The Absent-Minded Professor where the charms of the original are buried under an excess of twee – where the professor now gets a cute robot assistant and the flubber becomes sentient
Classic anime space opera adventure made not long after Star Wars and filled with moments of glorious visual poetry including the conceptually absurd image of a spacegoing train
Film adaptation of Marvel Comics’ demon superhero emerges as better than it had the right to be. The risibility of the image of a motorcycle-riding demon hero is made to work through some vivid and way-out effects
Ridiculous sequel to the Marvel Comics adaptation with an indifferently written script assembled from cliches, forgettable action scenes and Nicolas Cage giving one of his silliest performances in ages
This was a big-budget revival of the ghost ship theme by Dark Castle Entertainment about a salvage crew encountering a ghost vessel. Visual effects tend to trump spooky atmosphere
Modestly effective tv mini-series about the crew of a British submarine in the 1980s being taken over by the ghosts from a World War II submarine
The 28th Godzilla film, made for the series fiftieth anniversary and bringing every monster ever created by Toho together for a massive battle. The results are immensely satisfying
A film based on the hugely popular children’s horror series. The film creates a story where the creatures from all the books are unleashed. This is fun to watch, yet what we ultimately have is easy, undemanding horror for family audiences
The second of the Harry Potter films and better than its predecessor. Chris Columbus has his tendency to overblown effects more in check but that does leave the film more dependent on J.K. Rowling’s contrived deus ex machina plotting
A ghost story that takes place between two eras set aboard the real-life cruise liner Queen Mary, this conducts a variant on the ghost ship story with some reasonable effect
Ghost story in which Trish Van Devere moves into her late aunt’s house where she is wooed by a handsome stranger while being haunted by a mysterious hearse
A mind-bogglingly wacky entry in the gonzo Japanese splatter film featuring a crazed bloodbath as Japan is overrun by zombies. This goes frequently nuts featuring vehicles and plans made up of zombie bodies
This was a revival of Disney’s Herbie the Love Bug films. Here it becomes a vehicle for Lindsay Lohan who is cast as a racing driver but is missing all the cute charms the original films had
The fourth and last of the original Herbie the Love Bug films from Disney, this takes a trip to South America where the inanity reaches a nadir for the series
Third of the original Herbie the Love Bug films from Disney. This is an amiable effort that takes place at a car race across Europe and sees the return of Dean Jones, plus has Herbie fall in love
This was the second and best of Disney’s Herbie the Love Bug films. Here the entire show hits an inspired height of nonsensical absurdity in terms of cars doing wacky things
Genuinely mind-screwing effort from Leos Carax. Imagine a version of Cosmopolis as hijacked by Alejandro Jodorowsky – a series of surreal vignettes that arrives at a major “huh?” ending
An animated alien visitor film that is more likeable than anything suggests – it has a bubbly, juvenile pitch but generates a good deal of humour out of the alien fish of water amid human culture routines
A British venture into the gonzo splatter film about a motorcycle that develops vampiric tendencies after blood is spilled in its tank in a Satanist ceremony. Beyond an amusing title, this is crude and heavy-handed
Low-budget director Ulli Lommel makes a film about a teen who befriends an artificially intelligent rogue military helicopter in what becomes E.T. by way of Blue Thunder
Georges Melies’ successor to A Trip to the Moon featuring a journey to the sun by astronauts aboard a combination train-submarine-dirigible. A charming whimsy with remarkably technically accomplished effects for the era
A live-action adaptation of the popular animated series, one of the spate of such films made after the live-action The Flintstones. Amiably silly and frequently slapstick fun that proves to be exactly what one expects of it
This tv movie’s premise – “a killer bulldozer” – has had it slotted into bad movie stakes. It was clearly intended as a copy of Duel and its killer truck premise but lacks Steven Spielberg as director
The much hated adaptation of the Alan Moore graphic novels. It is undeniable fun watching the crossover between various fictional Victorian characters, while the production design is amazing
A thriller in which Bill Skarsgård is a petty thief who break into a SUV only to become trapped inside and psychologically tormented by the vehicle’s owner Anthony Hopkins
This was the first of Disney’s Herbie films about a Volkswagen with a life and mind of its own. Not quite as good as the sequels, this still has a charming silliness to it
TV movie revival of Disney’s Herbie films and one of the better sequels, playing around with the concept and even adding a Herbie origin story
Adaptation of a book by famous children’s writer Enid Blyton about a series of adventures in a magical tree. Blyton would be turning in her grave at some of the changes and modernisations
SF film about an international action team outfitted in hi-tech vehicles, this was a big bomb in its day
You can almost see the process in the scriptwriters head “What if we had Monster Truck rallies where the trucks were actual monsters?”. Way more entertaining than you ever expect it to be
Peter Jackson written-produced film that creates a fascinatingly original world. As always with a Jackson film, all the fun is in the massively scaled effects sequences and the design of the world. Alas, Jackson is not as well attuned in the story department, which often drags up corny cliched scenes
New Zealand-made ghost story where Heather Bolton buys a second-hand car only to find it is haunted
Passable B-budget film about an alien-possessed motorcycle
Another horror anthology with each episode from a different directors, united around the wraparound theme of stories being told by patients in a strange psychiatric facility
The second of Disney’s spinoffs from Pixar’s Cars films featuring talking anthropomorphic planes. Like the first film, this is amiable and occasionally cute but lightweight. This is beginning to feel like a franchise that is spinning out thinning ideas solely for its own sake
This broke ground in being the first animated film made using the motion-capture process. Robert Zemeckis directs with a quite magical touch
Australian film that takes a big bite out of Duel with a group of people being pursued through the Outback by a truck-trailer that appears to be fueled by human blood
The novelty of an animated Disney travelogue. Pitched to the South American market, the four stories see Donald Duck and Goofy visiting various locations
A kid makes the discovery that his father is a superhero and he and his friends amuse themselves with the cool gadgetry in his secret headquarters, before being required to defend it against a villain
A reboot of the classic Japanese tv series about a superhero who goes into action on a motorcycle using a suit to transform into a grasshopper being
One of the most original science-fiction films of recent years. Set aboard a train where the last survivors of humanity circle a frozen globe, this is less an action film than something like Runaway Train turned into a unique conceptual breakthrough story, all rent through with a fierce parable about social revolution
A live-action remake of the 1970s anime series Space Cruiser Yamato made with stupendous effects, although now much of the plot has been rendered familiar by assorted Star Wars copies
Anime film spun off from a popular Japanese tv series. Despite crude animation, this has a colourful vigour and taps the same space opera vein as Star Wars, which came only three months earlier
Matthew Vaughn adapts a Neil Gaiman book in this undeniably appealing fantasy that comes with a story of epical sweep that vies between fantastic imagination and broad humour
Disney’s 61st animated film. A lost world adventure that emerges as Fantastic Voyage by way of Avatar
Modestly effective film about people being hunted by a shapechanging killer car
Theatrical film spinoff from the Thomas the Tank Engine tv series using several imported American actors
The Three Stooges join a number of other comics of this era in taking on the space race. Well they only briefly venture into orbit and mostly this can be described more as a slapstick haunted house comedy with alien invaders
The second of the films spun off from the Gerry Anderson puppet tv series and a much better dramatically sustained film than its predecessor
This live-action film version of the cult Gerry Anderson puppet series is a disaster. Great effort is made to replicate the look of the original but the film is killed by the choice to rewrite everything as a modern formula kid’s movie
The first of the films spun off from Gerry Anderson’s cult puppet tv series. Not a completely successful transition but it is, as always with an Anderson production, worth watching for what the Andersons do best – making amazing models and blowing them up
Julia Ducournau’s Cannes award-winning film is a challenging work that pushes boundaries into uncomfortable places. Not to mention comes with human and car sex scenes
An offering from The Asylum where a replica of the Titanic sets sail only to be beset by the ghosts of those who sank aboard the original ship
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
Are there any new creative directions that Michael Bay feels he he has to explore for a fourth Transformers film? All the Transformers beating the crap out of each other and copious mass destruction has become hard to tell one of the films from each other
The third of Michael Bay’s Transformers films. While the human scenes opt for a ghastly miscalculated sense of humour, the effects houses are at the peak of their game, even if Bay allows them to drag the mass destruction out to a numbing excess
Since Michael Bay retired from the series, The Transformers films have been looking for new directions. This ventures into animation to tell a Transformers origin story
The first of Michael Bay’s Transformers sequels has even better effects and more copious mass destruction to the point it washes over you without any effect
The seventh of the live-action Transformers films, the second made after Michael Bay stepped down from the director’s chair
The fifth of Michael Bay’s Transformers films. This comes with more of an outright comedy focus than any of the other films where Bay seems to be second-guessing his critics and spoofing his own peccadilloes in quote marks, only to produce the silliest entry in the series yet
Tron was a genuinely groundbreaking work. It is hard to describe how ill conceived this sequel is where we have gone to predicting the idea of cyberspace to a fight over a glorified 3D printer
The second of the film spinoffs from tv’s Mighty Morphin Power Rangers. More inane silliness played with shrieking OTT excess
The film that inspired the popular tv series. As always with Irwin Allen, stolid dramatics, bad science and colourful spectacle
A strong and imaginative horror/Western hybrid set aboard a train before the realisation that it is travelling to Hell. Deft characterisations and some tight, electric confrontations make this work well
A blatant copy of Steven Spielberg’s Duel in which school bus driver Joanna Cassidy pursues a muscle car with never-seen driver who has abducted her daughter. Two-thirds of the film is taken up by an extended car chase scene where the stunt people seem to be having a field day
A spinoff from Pixar’s Cars series (although is not in itself a Pixar film but comes from Disney) that sets out to do the same with anthropomorphic planes. Amiable, even likeable but more a wannabe that seems like it is trying to be than actually hits the cleverness and creative heights of Pixar
An unknown Charlie Sheen stars in a film about teens haunted an avenging ghost car. An uncredited copy of Clint Eastwood’s High Plains Drifter
I have to search my memory to think of another film that is so openly plagiaristic – this is almost a scene-for-scene remake of Steven Spielberg’s Duel about a man facing a killer truck on a highway. This misses the subtlety of the original so widely you could run a highway through it