The Ring (2002)
This is the English-language version of the Japanese horror Ring and actually a much better and far spookier film, where the new script gives the story more depth
The Science Fiction Horror and Fantasy Film Review
This is the English-language version of the Japanese horror Ring and actually a much better and far spookier film, where the new script gives the story more depth
The second of the Japanese Ring/Ringu films where director Hideo Nakata improves over the original with a series of eerie scares if a frequently incomprehensible mishmash of story ideas
Sequel to The Ring, the English-language remake of Ringu. The filmmakers have returned to the source and brought in original director Hideo Nakata only to produce one of the most disappointing of all the Ringu/Ring films
The question you ask going in is after seven Japanese films and a tv series, a Korean film and two previous English-language films, what is left for filmmakers to wring out a third American The Ring film? The answer seems to be not much – just a rehash of the basics for the 18-25 crowd
A Blue Sky Studios animated film set around a talking macaw and his journey to the wilds of Brazil for the first time to mate and repopulate the species. Familiar cliched story arcs conducted with a good deal of colour
I hate the utterly formulaic films of Blue Sky Studios, the ones behind the endless Ice Age sequels. That said, this is one of their more enjoyable – despite a plot that is amazingly busy trying to reintroduce characters from the first film, the screen overflows with colourful exuberance
A sequel to R.I.P.D. that tells an origin story of how the sheriff character played by Jeff Bridges in the original became an afterlife enforcement officer
This feels like someone has simply copied the idea of a secretive law enforcement agency from and substituted the dead escaped from Hell for aliens. The two have remarkably similar story arcs, although this is far more goofily entertaining that the absurdly overblown slapstick that overtook the Men in Black sequels
This has a promising set-up – a series of Jack the Ripper copycat killings taking place in a modern criminology class – that turns out as no more than a standard slasher film
Reboot of the classic franchise, a loose remake of Conquest of the Planet of the Apes. Thanks to some remarkable CGI effects, the apes entirely outshine the humans
Amnesiac persons wake up in a bunker filled with monstrosities. Sort of H.P. Lovecraft served up as a low-budget variant on Resident Evil
Sequel to the earlier The Rizen with the group of people trapped inside a labyrinth of Lovecraftian horrors
A low-budget film about an evil doll that was made not long after Annabelle came out and boasting a similar Based on a True Story claim. Four sequels have followed
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
The third Robocop film killed the series off with a disastrous decision to go for a PG rating and pair Robocop with a cute kid
A bad movie classic. As the title explains, we get a revived mummy pitted against an actor in a ridiculously clunky tin man suit. Third in the Mexican-made Aztec Mummy series, the biggest ripoff is that 3/4 of the film consist of footage recycled from the preceding films
The No 1 cult film of all time, more a phenomenon than a film, a demented glitter rock homage to mad science cinema and 50s sf films run through with celebration of a gender-bender joie de vivre
Disney are now doing what Lucasfilm did with their novels in the 80s and spinning adventures off from even minor background characters. This is a grittier Dirty Dozen adventure but still recycles the same basic elements
A Stephen King scripted tv mini-series about the investigation into a haunted house. This is not quite a classic in the vein of its model The Haunting but is a solid and effective entry
Classic film and one of Roman Polanski’s finest works, the comically paranoid story of a housewife who increasingly comes to believe that the child she is pregnant with was fathered by The Devil
This is a wholly unnecessary sequel to Donnie Darko, featuring the same bafflingly inexplicable time-blurring things happening to his sister but without the same culty weirdness
The original Ring was a classic, an eerie ghost story that was a success that spawned a series of copies right around the Asian region. Here the Ring cycle has been rebooted in a heavy letdown that abandons all of the creepy atmospherics of the original for a series of pop-up CGI effects
The thirteenth film in the Ring/Ringu franchise. The question is whether the return of original director Hideo Nakata to the franchise can revitalise the series
The two most popular Japanese horror franchises come together to fight it out. Both series work on the provision of intensely uncanny effect but brought together the result is diluted at best
Sequel to the madcap Hong Kong fantasy Peacock King with Gloria Yip as a hell demon trying to adjust to living on Earth, which then turns into a comedy variant on Gremlins
One of the best Stephen King adaptations made as a tv mini-series concerning a town overrun by vampires. Director Tobe Hooper excels himself, staging the book in terms a series of captivating set-pieces
The third in a popular series of films about a Little League baseball team, this involves a time travel element
TV movie where Jenny McCarthy plays Santa’s daughter who takes over the family business
The first of two sequels to The Santa Clause with Tim Allen as Santa Claus, this benefits from a bigger budget
Third of the Santa Clause films starring Tim Allen as Santa where his reality is upended by the evil Jack Frost
Popular film with Tim Allen as a regular family man who is forced to become Santa. Several sequels followed.
Another of the films from the Mexican wrestling superhero Santo where he and his friend Blue Demon encounter assorted Famous Monsters raised by a mad scientist
The eight of Hammer’s Dracula, the second-to-last they would make and the last featuring Christopher Lee. This follows on from the previous film Dracula A.D. 1972 in featuring Dracula in the present day and at least does more with the idea than that film did
A horror film that was the biggest box-office hit ever in Indonesia as a family tragedy stirs up hauntings and the occult. A follow-up to an earlier 1970s film that has become a cult hit.
There has very rarely been a good killer bee movie. This is one exception, a directorial effort from no less than the creator of Mission: Impossible that gains its effectiveness by using real rather than optical bees
Another wackily improbable entry in Hong Kong’s Wu Xia cycle featuring all the wildly fantastical and way over-the-top moves that the genre is renowned for
Sequel to their earlier Wu Xia film, although having nothing in common with it. All the moves are pushed to a level of cartoonish absurdity that proves amazingly silly
Forget the grim and sadistic sequels that followed, this low-budget directorial debut from James Wan is a masterwork that conjures unbearable dread and tension in its study of characters forced to consider the horribly inconceivable
The first sequel to the sleeper success of Saw where Darren Lynn Bousman inherits the director’s chair but delivers a film that lacks the torturous suspense that James Wan gave the original
Third of the Saw films and the point where director Darren Lynn Bousman places the series’ focus on grim gore-drenched sadism and torture
Supposedly the final chapter of the Saw saga – where the sole novelty on offer is gore and body parts coming out the screen in 3D. This is conducted with a tired lack of effort that makes for tedium-inducing watching
Fourth of the Saw films, the third under Darren Lynn Bousman who has placed an increasing emphasis on torturous extremes at the expense of credible plotting
Fifth of the Saw films. By now the series has developed such a complicated backstory it is difficult following how it all pieces together
Sixth time around and the backstory is starting to become so excessively complicated it is hard to follow what is going on. All the gruesome torturings now seem passe, although this does redeem itself somewhat in making a few black digs at the medical health industry
The Saw series is back and this has been getting some of the best reviews of any entries in the series
Third of the sequels to Scanners, this stars Daniel Quinn as a police officer who discovers scanner abilities
The fourth and last of a series of low-budget sequels to David Cronenberg’s Scanners, also the worst of the bunch featuring a series of absurd head-exploding effects
Enormously entertaining David Cronenberg film about psychic powers. Cronenberg is fascinated with the conceptua possibilities and creates some sensational set-pieces
The first of a series of poorly made sequels to David Cronenberg’s Scanners. Cronenberg’s ideas have been stripped down to no more than a series of head-exploding effects
Second of the sequels to David Cronenberg’s Scanners, this features Liliana Komorowska who becomes crazed after taking a scan suppressant drug
The directorial debut of William Malone later to make House on Haunted HillAlien (one of the first of many such), albeit brought down to Earth. As a novice director, Malone is relatively crude and far removed from the masterful style of Ridley Scott
The sixth of the Hammer Dracula films and generally regarded as the low point of the series. It feels as though nobody involved seemed to be making an effort anymore.
The first in a popular series of comedies, this spoofs the recent hits of Scream and I Know What You Did Last Summer in the most vulgar and witless way possible
The first of the Scary Movie sequels. The Wayans Brothers extend the gag beyond the slasher movie to take on the ghost story and exorcism film while aiming squarely for Lowest Common Denominator humour
David Zucker takes over the reins of the franchise from the Wayans Brothers. With a lack of big scary movies in 2002 to parody, the film takes a scattershot approach, parodying any film at all
Fourth of the Scary Movie films and the usual crude inanity, although under David Zucker the movie parodies have expanded well beyond what can be labelled scary movies any longer
Just when you thought that this witless and unfunny series has died off, it drags itself out of mothballs for another outing. As with the other entries, it is a bunch of recent movies overrun with crude, moronic gags
A low-budget horror anthology that is rough around the edges but shows promise
The Wayans Brothers and most of the regulars return to revive the franchise to make more crude farce of the Scream and Halloween revivals and other horror films to come out in the last few years
The live-action film version of the popular Hanna-Barbera animated tv series. Despite James Gunn on script, this is not very good, a one-dimensional, no-brain film trying to look like a one-dimensional, no-brain cartoon
Sequel to the live-action Scooby-Doo, this is at least a better film than its predecessor, being more polished in its slapstick and effects but still has no more ambition beyond being a silly no-brain film
The Maze Runner was one of the better Young Adult films, creating an intriguing conceptual mystery; this sequel ignores all of that, even throws the book out and is essentially a jumble of random sf tropes that amount to no more than running, shooting and things exploding
Back when Dwayne Johnson was a wrestler billing himself as The Rock, this was a forgettable sword and sorcery effort spun off from his appearance in The Mummy Returns. This led to a surprising number of sequels
The best of an otherwise lightweight, throwaway series. Roel Reiné directs some good action scenes, even if the hackneyed plotting never lets the show rise to anything more than average
Fourth entry in the eminently forgettable sword-and-sorcery series, this heads down into bad movie stakes by writing a series of grating quips over everything, while the action scenes exist in the realm of unbelievability that show that nobody is treating anything with the slightest seriousness
The Scorpion King films are such a low expectation series that it is hard to drum up enthusiasm for a fifth entry. The rehashes stock sword and sorcery cliches and passes its time forgettably
Prequel to The Scorpion King. Unfortunately director Russell Mulcahy allows his broad hand with comedy free reign and the plot is overrun by glib character banter and constant flip modern one-liners
Wes Craven and Kevin Williamson return to the Scream franchise to turn out the fourth and best sequel yet. The opening scene alone is the funniest one has seen in a film in some time
Wes Craven and scriptwriter Kevin Williamson make a witty homage to the 1980s slasher film, turning the genre on its head by having the characters perfectly aware they are in a horror film and of the genre’s cliches
Wes Craven’s Scream was a clever and witty homage to/deconstruction of the slasher film of the 1980s; for the sequel, he and Kevin Williamson naturally turn to deconstructing the slasher sequel
By the time of this third film and the departure of screenwriter Kevin Williamson, creativity in the Scream series seems to be flagging even though this has critic-proofed itself by calling itself a parody of a sequel
The Scream series drags itself for another sequel but at least performs a course correction by bringing back original screenwriter Kevin Williamson in the director’s chair, along with appearances of many past cast
Following the recent reboot of the Halloween franchise, many of the original cast and a new directorial team resurrect Wes Craven’s Scream franchise in some undeniably appealing ways
The sixth entry in a series that began as a smart and clever parody/deconstruction of the slasher film. Now this has become just another teen franchise film that has forgotten all the meta margin notes.
Modest and underrated Philip K. Dick adaptation that builds reasonable atmosphere during its journey across a planet and doubt as to who among the party might be one of a breed of evolving androids
Disappointing sequel to the modest original that does little but revisit and re-run the first film’s scenario with little to add to it
Low-budget and fairly indifferently made sequel to David Twohy’s quite good alien invasion film
Lesser budgeted sequel to the 1994 remake of The Jungle Book, which actually comes closer in tone to the original Rudyard Kipling stories
The first film from Don Bluth, a Disney animator who formed his own company vowing a return to the studio’s classic tradition. The results are beautiful and quite magical
The Soska Sisters make a sequel to the 2006 slasher film. You cannot help but think that a sequel to such an average film is the sisters batting well below their capabilities. The surprise is that in their hands the result follows such traditional genre patterns
Modern slasher film where the sole note of distinction is the wrestler known as Kane cast as the hulking killer. Outside of a moderate level of brutality in the despatches, there is little here that stands out from the genre’s cliches in any way
The fifth and most enjoyable of the Chucky films, this amplifies the black humour to an outrageously funny level, while conducting an hilarious meta-fiction with Jennifer Tilly playing herself
Train to Busan was a massive breakout hit from South Korear. Overlooked in the buzz was this animated prequel from the same director released at the same time. The zombie film and animation are an uneasy mix but this works well, if not with the same kick as Train to Busan
One of the classic films from cult stop motion animator Ray Harryhausen, an Arabian Nights fantasy adventure where Harryhausen’s creations prove to be quite wondrous
Sequel to the Hong Kong erotic film, an entirely unrelated work that inflates the original into a madcap Wu Xia film filled with crude, rude humour
Charming and delightful Hong Kong erotic comedy about a scholar who sets out on a journey of sexual freedom
A revival of the 1990s Sex and Zen series of erotic comedies, this comes with the novelty of being presented in 3D
The first of Disney’s live-action comedies, a comic variant on the werewolf story with Tommy Kirk turning into a dog. Mildly amusing but later efforts would do this type of comedy better
John Barrowman fights a giant prehistoric shark in a film that gained a certain reputation as a Bad Movie
Killer shark from the 1990s heyday. This works passably as the B movie it is intended as, while the last third turns into the schlockily absurd with the insertion of two different corrupt conspiracy elements and action movie chases
This arrived as the same instant full-born bad movie cult sensation. Although you cannot help but feel that the people who ridiculed the film are missing out on the joke – in not seeing that it has been made as something intentionally absurd
Sequel to the bad movie phenomenon Sharknado Accompanied by a host of celebrity cameos, there is less the cheerful absurdity of the original than a film that is trying to recapture a spontaneously generated fad
Sharknado was an instant bad movie phenomenon; the first sequel felt a forced attempt to copy that. The good news is that with the third entry, the series gets the balance of tongue in cheek absurdity just right
By this point, the Sharknado series has gone from an amusingly tongue-in-cheek original to a series that is widely signalling that it is not taking anything that happens remotely seriously
The bad movie hit of Sharknado was a surprise to everyone and spawned sequels. By this point, creativity appears to have dried up – essentially, the Sharknado series has jumped the shark
Amid the fad for deliberately absurd killer shark films viz Sharknado, this surely takes the prize for ridiculousness of conception and delivery – a hybrid creature with the head of a shark and the tentacles of an octopus. I defy you not to burst into laughter at some of the scenes (*)
Entry in the gonzo killer shark film (viz Sharknado et al), sequel to the earlier Sharktopus Though produced by veteran B movie producer Roger Corman, these Sharktopus films are some of the shittiest in the gonzo killer shark fad, featuring way below sub par effects and missing the sense of humour
Third of the Sharktopus films from Roger Corman, an entry in the series that is making no longer making any effort to take itself seriously
Shazam! was one of the more enjoyable DCEU superhero offerings, placing a light-hearted spin on the superheroics. This is the sequel