Zodiac (2007)
David Fincher’s gripping investigation into the unsolved true-life Zodiac Killer case. Fincher’s stagings are exacting and the mystery he builds intensely absorbing
The Science Fiction Horror and Fantasy Film Review
David Fincher’s gripping investigation into the unsolved true-life Zodiac Killer case. Fincher’s stagings are exacting and the mystery he builds intensely absorbing
Francis Ford Coppola film that came out the same time as The Case of Benjamin Button where Tim Roth regains his youth after being hit by a lightning bolt
A sequel that has been arranged for the sole purpose of serving up a series of gory dispatch set-pieces every few minutes
B-budget Syfy Channel outing that attempts to answer the true-life Unsolved Mystery of the lost colony at Roanoke. Unfortunately, the film’s answers are no more interesting than a bunch of Viking spirits, while the film generates little atmosphere or anything beyond rudimentary historical conviction
A remake of the cult Herschell Gordon Lewis splatter film about a stage magician who creates illusions of eviscerating people on stage
Low budget vampire action about a vampire woman who is recruited into a secret government organisation
The novelty of a ghost story that all takes place within the confines of a car stalled on the roadside – all with modestly effective results
A sSequel in name only to White Noise, this is a very silly film with Nathan Fillion returning from a near-death experience able to see the auras of those about to die
New Zealand-made horror film about two nurses being stalked at a remote hopsital
Earnestly made family film from Walden Media in which a young boy finds an egg that grows into the Loch Ness Monster
Horror comedy told from the perspective of four friends who are unaware they have been transformed into zombies. The contrast of their reactions with everybody else as they flee in terror is mildly amusing for awhile but this is essentially a one-gag film
Serial killer thriller that eventually emerges as I Spit on Your Grave reimagined as a police procedural. Much effort is made to portray a grim urban environment but little to engage as a thriller, although Selma Blair owns the show as the avenged woman in the latter third
Anime film about an android-overrun future Japan that resembles another episode of the Appleseed franchise
Lifetime Channel Valentine’s Day movie that rewrites A Christmas Carol to have Emma Caulfield visited by the ghosts of relationships past, present and future
Val Lewton produced a body of works beginning with Cat People that are the finest horror films of the 1940s. This is a documentary that looks at Lewton’s life and films in detail, produced and narrated by no less than Martin Scorsese
A reasonable film clearly influenced by Hostel with Luke Wilson and Kate Beckinsale as a married couple who sign into a backroads motel used to shoot snuff movies
Excruciating and unfunny live-action version of the animated tv series about a superpowered dog. Everything is now run over with lame slapstick and smartass one-liners
This comes with an intriguingly original concept – that Spanish Conquistador Hernan Cortes during his conquest of Mexico came up against dinosaurs
Having to sit through the Mowray twins airhead natter again in a sequel to their early Disney Channel film feels the equivalent of nails being scratched on a blackboard
I was cautious about hailing 28 Days Later as a modern classic; this sequel is in fact a much better film. Newcomer director Juan Carlos Fresnadillo draws it out into a series of superbly sustained suspense sequences
Political What if scenario that sees British Prime Minister Tony Blair being publicly shamed and then placed on trail for his part in the 2003 invasion of Iraq. The biting points are undone by the film being directed in a tone of strident farce
The Asylum’s answer to Michael Bay’s Transformers. Bay had a $150 million budget; they try to copy it for $250,000. To its credit, the film flies valiantly to deliver a watchable show in the face of inadequate effects
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
From Larry Blamire, a deliberately ridiculous spoof of the 1950s alien invasion film. Blamire’s dialogue and the deadpan with which everybody plays is frequently hilarious
Modest post-holocaust film that tries to do something different to the usual action derbies of Mad Max 2 et al, focusing on the survival efforts of a group of young people
Animated revival of the Teenage Mutant Ninja Turtles, which brings them back to the screen with a satisfyingly gritty edge and a series of kinetic action sequences
Nick Willing conducts the first of his SF revampings of popular tales. Here The Wizard of Oz is reworked into a Steampunk fantasy with some startling reinterpetations of the familiar characters
The debut film from Nacho Vigalondo, a time travel (or more correctly time paradox) film that holds a real delight in its conceptual dexterity with which Vigalondo keeps winding the story around on itself
By the numbers Backwoods Brutality where a woman is imprisoned by crazed backwoods fundamentalists in order to bear them a child
Zack Snyder’s adaptation of the classic Frank Miller graphic novel about the Greek battle of Thermopylae. In replicating the look of the original’s panels, Snyder pushes what would otherwise be a standard historical film into something extraordinarily stylised and fantastic
Solid vampire film produced by Sam Raimi about a small Alaskan town that suddenly finds itself besieged by vampires who have come because of the month of night
The Asylum conduct their cheap version of the Jules Verne novel, so cheap it doesn’t even look like they went to sea or underwater to film. Here the oft-filmed Verne story has been modernised
A low-budget ingenue effort by three friends about a tenant who discovers that the third floor of his apartment building contains the ghosts of dead asylum inmates
An outrageous premise – a girl has a vagina with teeth – that is played with far more good taste that one expects
Incredibly tepid New Zealand horror film about an American tattooist who unleashes evil forces after he appropriates Samoan cultural tattoos
Beautifully tightly wound thriller that takes place in a hotel room between a bank robber, his hostage and an escaped convict where nothing is what it seems
Tim Burton takes on the film version of the Stephen Sondhiem musical about a murderous barber, featuring Johnny Depp in the title role. But disappointingly, Burton still makes the same film he always does
A blatant copy of Snakes on a Plane featuring mutated ants aboard a plane. Without the other film’s tongue-in-cheek approach, this collapses into absurdity
This came out several months after Happy Feet and has a similar plot involving surfing penguins. Though the lesser film and far more predictable, it is likeable
A condensed animated adaptation of the top-selling DC comic-book of all time The Death of Superman that comes with some massively exciting animated action set-pieces
An early mockbuster from The Asylum, a copy of 2007’s crocodile amok films with a giant 100-foot-long crocodile heading towards Los Angeles
Danny Boyle and Alex Garland make a big serious SF film about a solar expedition, which works with great scientific rigour until the shows heads off at a tangent and falls apart in the latter third
Horror film in which Tom Cavanagh goes into hospital for a routine procedure only to emerge with his leg amputated amid increasingly more surreal things happening around the hospital
Stuart Gordon, the cult director of Re-Animator, makes a film based on a bizarre true incident where a woman ran a homeless man down and drove home with him still impacted through the windshield of her car
An Australian-made variant on the Backwoods Brutality cycle where a whitebread couple on a sailing trip are tortured by hicks. Nothing beyond the cliches or remarkable about this.
Stir of Echoes was a spookily effective film. Alas in this sequel, we go from Kevin Bacon as a medium to Rob Lowe as a haunted Iraq War veteran amid a series of routine pop-up scares
Matthew Vaughn adapts a Neil Gaiman book in this undeniably appealing fantasy that comes with a story of epical sweep that vies between fantastic imagination and broad humour
A documentary about William Castle, the horror director of the 1950s/60s who specialised in sensationalistic promotional gimmicks. This does an excellent job in telling Castle’s story and those behind his films
Last and by general opinion the least of the Sam Raimi-Tobey Maguire Spider-Man films. With three super-villains present, the plot feels as though it is bursting at the seams juggling the various origin stories and ongoing dramas, although Raimi still delivers some solid superheroic action scenes
Fourth entry in the Species series where at least the series seems to have gravitated to the arena of the trashily absurd B movie it belongs
Amateur-made grunge vampire film that has some interesting ambitions but ultimately does not make enough about its story clear
A German-made copy of the Backwoods Brutality cycle that only rehashes clches and frequently verges on the amateurish in execution
Film spinoff from the long-running animated tv series. The familiar gags are there but show feels awkward extruded out to a full-length plot. You keep feeling the film should have been more than it is.
Excellent variant on The Crazies as a mysterious signal causes an outbreak of mass insanity. Told in terms of three intersecting stories each of which is made by a different director
Portrait of a disturbed teenage girl on a killing and torture spree. Makes fictitious claims to be based on a true story but mostly seems designed to outrage an audience. At which, despite an undeniable amateurishness, you cannot deny it succeeds
A group of friends travel to Ireland and go on a tour searching for magic mushrooms. In between assorted drug hallucinations, someone or thing begins slaughtering the group
The third of the Shrek films settles in with a formulaic blandness where the characters turn up more because everyone expects them to than the film finds much for them to do
A conceptual puzzle film – people wake up in a facility with no memory of who they are – reminiscent of Cube with the smoke monsters from Lost thrown in. Unfortunately, this is too low-budget to create much mystery and the big reveal is not a terribly interesting one
What starts out seeming like a frat boy comedy about a guy receiving a list of all the women he will sleep with turns into an intriguingly different beast altogether
Adaptation of Susan Cooper’s popular fantasy series handled by people who have no interest in the material and badly rewrite/mangle it in order try to turn it into a Harry Potter/Lord of the Rings knockoff
Uwe Boll ventures into Torture Porn territory with this tale of a brutish serial killer who returns from the electric chair on a trail of vengeance against his condemners
Fourth of the Saw films, the third under Darren Lynn Bousman who has placed an increasing emphasis on torturous extremes at the expense of credible plotting
The third in a popular series of films about a Little League baseball team, this involves a time travel element
The second film from Greg McLean, made directly after the hit of Wolf Creek. In this tale of a killer crocodile. McLean borrows more than a few pages from Jaws to create an incredibly gruelling and intense ride
Overlooked at the time it was released, this is a stylish and quite well made film with Lucy Liu playing a vampire hunter
Cheaply made sequel to the remake of House on Haunted Hill that turns it into a teen film dominated by gore set-pieces
Third of the Resident Evil films. This expands the scale of action to show the entire world destroyed by the virus but for all that and a decent budget, director Russell Mulcahy fails to push the elements to a suitable head of steam
Furious and highly engaging Spanish Found Footage film about the infected dead taking over an apartment building. Three sequels and an English-language remake followed
Reasonable budgeted film about a series of Biblical plagues being visited upon a rural Louisiana town. An interesting set up that flounders amid a confused script
The eighth film from Pixar and Brad Bird’s follow-up to the hit of The Incredibles. Telling the story of a rat that becomes a gourmet chef, this is slightly the lesser among the high standard that Pixar have set nevertheless still immensely enjoyable
Nicolas Roeg returns to screens after a long absence in what would be his last film, a Fay Weldon adaptation about pagan rites, pregnancy and witchcraft that manages to sound far wilder in synopsis than how Roeg directs it all on screen
Strong and intelligent Spanish film that readily homages Philip K. Dick in its mind-expanding story of a science-fiction fan being contacting aliens
Very nicely made French animated film based around the daughter of the pharaoh Akhenaton
One of several killer crocodile films that came out in 2007. This has some big-budget CGI effects but is cliched and was overshadowed by far better entries from the same year with Rogue and Black Water
Weepie drama in which Sandra Bullock becomes unstuck in time flipping back and forward with the foreknowledge that her husband Julian McMahon will befall a tragedy
Another Found Footage film, a mix of interviews and video footage supposedly recorded by a serial killer. Despite some initial amateurishness, the film soon gets a disturbing grip on you in depicting the astonishing cruelty and fiendishness of the killer
Another Uwe Boll videogame adaptation, a satire where Zack Ward sets out on a shooting spree. Boll sets out to offend as many people as possible but somehow forgets to make any of it funny
Micro-budgeted early Adam Wingard film that delves into the disturbed mental spaces of a depressed man
Robert Rodriguez’s half of the Grindhouse double-bill where Rodriguez makes an hilariously tongue-in-cheek zombie film with great absurd comic energy and packed with witty cameos from various stars
Third of the Pirates of the Caribbean films and purportedly made without a completed script, this becomes bloated and sprawling
No-budget film that became a word of mouth hit, spawned a series of sequels and sparked off the Found Footage fascination that took over the 2010s. Unlike most of the films that followed, Oren Peli creates a creepingly chill atmosphere and some undeniable jumps
Tense and twist-filled thriller with Rachel Nichols trapped inside a carpark building by a psychopathic Wes Bentley
Above average revival of the Nazi zombie concept in a film that has spawned two sequels. The plot of soldiers venturing into an old bunker is conducted with tight, lean suspense and some undeniably gory dispatches
British vigilante film that strains at issues of social relevance but only ends up parroting Death Wish cliches
A Spanish ghost story that effectively eschews modern jumpshock tactics in favour of subtle old-fashioned scares
Baffling SF film that lacks anything resembling a plot and seems mostly an experimental film about showing pretty light patterns
Following the release of Nacho Libre, we had this parody – a porn film about lucha libre (Mexican masked wrestlers), an idea that in practice ends up about as random and lame as it sounds
Demented Joel Schumacher film in which Jim Carrey sees occurrences of the number 23 everywhere and finds his life is being predicted by a book. Featuring one of the most absurd scripts ever written
Fascinating directorial debut from screenwriter John August that tells three stories about Ryan Reynolds who gradually makes mind-boggling discoveries about the nature of reality
This adapts a Philip K. Dick story and then throws it out to make a generic action film with Nicolas Cage as a psychic. All the potential of its idea is lost amid a series of ridiculous plot twists
Guy Maddin was hired by the Documentary Channel to make a documentary about his hometown Winnipeg and turns it into a surreal confabulation of fact and tall tale
A tv movie based on the true-life murder of hitchhiker Peter Falconio and the trial by media of his girlfriend Joanne Lees
After the successes of Japanese ghost stories like Ringu and Ju-on: The Grudge, the phenomenon was copied right around the Asian region. This is a South Korean ghost story set in Vietnam concerning a haunted painting.
Family film with Dustin Hoffman as the eccentric owner of a magical toyshop
Overlooked effort where Kevin Costner, in a surprisingly dark and undeniably effective turn, plays an everyday man who has a dark side as a serial killer. A very impressively outing on all levels
After 27 years, Dario Argento finally rounds out his Three Mothers trilogy begun way back with Suspiria but the underwhelming results give all evidence of his having lost his mojo
Frank Darabont delivers one of the best Stephen King adaptations where the story of people at siege in a supermarket from unseen creatures in a mystery fog outside becomes a study in fear and prejudice. With one of the great unforgettable endings
A Countess Bathory film actually made by Hungarians (the area where Bathory lived historically) but this promptly heads into extremely bad movie territory
The Pang Brothers, two of the most exciting genre directors in the world, have their distinctive style swallowed up in their bland US mainstream debut produced by Sam Raimi
One of the more enjoyable efforts from the mid-2000s dead zone where Disney animation with filled with ideas that left-you scratching your head, this quickly gets demented and emerges like The Jetsons colliding with The Royal Tenenbaums