A for Andromeda (2006)
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
One of the inspired delights from Disney’s live-action era, a hit that became the template for their subsequent live-action films. The scenes with flying vehicles and basketball teams are entirely charming.
The first film of directors Lucky McKee and Chris Sivertson, concerning a troupe of cheerleaders who are killed and resurrected from the dead. The two later returned to conduct a better-budgeted remake
Directors Lucky McKee and Chris Sivertson conduct a remake of their earlier film about resurrected cheerleaders. The question might be why – both have demonstrated they can do far better than this
One of Steven Spielberg’s more overlooked and quieter films, a remake of the 1940s guardian angel fantasy A Guy Named Joe. Spielberg never much ignites the love story but the film has some magical moments and a scene-stealing John Goodman
Based on a book that claimed it was true story (but was later proven to be a hoax), this haunted house tale was a considerable success and spawned a series of sequels and imitators that continue to this day
Remake of the 1979 film that still persists with the claim that the Amityville hoax was true. This embellishes the rather dull original with the baggage of trick effects of the modern horror film
A film crew in the Amazon headed by Jennifer Lopez encounter a giant snake. Mounted as a CGI monster movie in the aftermath of Jurassic Park, this has scripting that frequently descends into the ludicrous
Anaconda was a CGI monster movie that has subsequently gained a bad movie reputation. The idea of a comedy remake about conducting a remake of the film just seems a little too cutely meta
Overlooked psycho-thriller from Robert Fuest, director of the Dr Phibes films, about a girl whose friend goes missing while on a cycling tour through France. Fuest does an great job in making the French countryside into something sinister
Another pointless 1970s remake, in this case of the little-known British psycho-thriller about two tourists stalked in the French countryside (now transplanted to Argentina) with ho-hum results
Robert Wise’s standout adaptation of Michael Crichton’s first novel about scientists trying to contain a virus brought back from space. This does a very faithful job of capturing Crichton’s fascination with the science
TV series remake of Michael Crichton’s novel about the attempts to contain a viral outbreak from space. Crichton’s story was a straightforward work, whereas the mini-series has been absurdly overburdened with other plots
One of the films from the 1940s fad for light afterlife fantasies in which mobster Paul Muni is sent back from Hell by The Devil in the body of a respectable judge to create mischief
An amiable venture into the light fantasy films that were popular during this era., Here angels come down and intervene to aid a baseball team on a losing streak
Disney remake of the old light fantasy film in which angels step in to aid a losing baseball team. This is pitched to family audiences and holds a surprisingly ardent evangelical message
Another J-horror on the bandwagon created by the Ring and Ju-on/The Grudge films. Some promisingly initial scares traipse off into a dull mystery about investigating the past
The first anime film to be based on the manga, this is set in a future where the heroine is the head of a heavily armoured SWAT team fighting terrorists. Several different incarnations followed.
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
This is one slasher film that chooses a title date where the date in question requires it taking a more comedic approach. Despite which this is a standard effort in all ways
One of the worst among the 00s fad for remakes of 80s horror films. The original is abandoned all bar the name and becomes an I Know What You Did Last Summer-type slasher peopled by unlikeable teens
The second film from John Carpenter, a powerful and effective work about a handful of police and prisoners trapped in a police station at siege from an all-out assault by gang members outside
Fair-to-reasonable remake of John Carpenter’s low-budget 1976 film about a handful of staff in a police station under siege from gangs outside. Much of the original has undergone change
The first and best film version of a classic story about an expedition finding the city ruled by an immortal queen in the desert. This was shot in the real locations and comes with a stunning sense of expansiveness
1950s bad movie classic with Allison Hayes as a wife made into a giant by a passing UFO who rampages through town after her philandering husband. Painfully bad effects make for show that frequently slides into the laughable
The first time we have had a remake of a bad movie – in this case the 1958 film. The title role is cast with Darryl Hannah and the shabby effects gets a much more polished work over
A typical 1950s B monster movie. The first half creates an entertainingly torrid drama in the bayous, although when they eventually turn up the giant leeches never get to do much
The original evil child film featuring an unforgettable performance from Patty McCormack (who received an Academy Award nomination along with most of the cast). Dated somewhat today but still holds a real charge
The 1956 The Bad Seed is the original evil child film. All other psycho children films draw themselves from here. This is a remake directed by actor Rob Lowe who also plays the father. McKenna Grace gives a superbly chill performance as the child
Luc Besson written/produced film that is a French rehash of Escape from New York but director Pierre Morel gives it a series of exhilarating action and parkour sequences
Very slight Disney live-action comedy with Kurt Russell as a tv network mailboy with a chimpanzee that can predict which tv shows are going to be hits
The first of the screen’s Old Dark House thrillers set around large mansions with the cast stalked by a masked killer. None of this prepares you for the utterly sensational visuals of this film, which leap off the screen with vivid effect
The second remake of the still superior silent Old Dark House classic. The original had incredibly vivid visuals but despite the addition of sound and Vincent Price, this version feels creaky and dated
Sound remake of the silent Old Dark House classic The Bat. This retains the original’s extraordinary visuals, including use of a mobile camera, something that was groundbreaking technology for the time in ways that still astonish today
Mini-series that reconstructs the old Battlestar Galactica into smart and intelligent SF with strong characters, a gritty realism and sensational effects. A tv series followed and became one of the best SF shows of the 2000s
The start of the 90s renaissance of Disney animation, a beautifully made adaptation of the fairytale that hearkens back to the Disney Golden Age. The only animated film nominated for an Academy Award Best Picture
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
British comedy made with an acerbic bite featuring Dudley Moore as a hapless loser who makes a pact with Peter Cook’s Devil to win the love of his life but has the wording of each wish contorted around on him
US remake of the British comedy where Brendan Fraser is a schmuck who sells his soul to The Devil who twists the wording of each wish. The bite of the original is lacking
Underrated work of Southern Gothic with Clint Eastwood as a wounded soldier sheltered at a Confederate girl’s school during the Civil War where he succeeds in manipulating the sexual tensions of the teachers and schoolgirls to his advantage
Sofia Coppola’s remake of the 1971 Clint Eastwood film. The original was a work of brooding Southern Gothic of repressed sexual tensions; Sofia seems more interested in making a costume drama that is a stretch to call a horror story any longer
A typical entry in the 1940s fad for light fantasy films in which Cary Grant plays an angel who comes down to Earth to assist poor overworked bishop David Niven
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
Another in the mid-2000s fad for 1970s remakes. This revives what has been cited as the first slasher film but throws most of the original out and turns the rest into a gore-drenched slasher film
A remake of the work that has been cited as the first slasher film. This is less a horror film than a horror film that has been hijacked by a political agenda, delivered with a relentlessly loud and damning misandrist tone
Film about a monstrous blob that devours everything in its path. This has become a 1950s B movie classic more through its chessiness value, not to mention theme of teenage rebellion, than necessarily being a great film
The original 1958 The Blob gets a full makeover via some sensational state-of-the-art animatronics and makeup effects with impressive results. A much superior work to the original in all ways
This has the notoriety of being the very first ever splatter film and served to turn director Herschell Gordon Lewis into a cult figure. Shoddy and unpolished, you have to admit it goes for broke
Blood Feast was the world’s first splatter film. This is a remake with a better budget but suffers a tameness that fails to come anywhere near the go-for-broke rawness of the original
Stunning Mamoru Oshii-prodcued anime short about a vampire girl who operates as an American agent eliminating vampires in post-War Japan
Live-action English-language remake of the anime short about a demon-hunting vampire girl. The original is reduced to no more than a series of slick by-the-numbers action poses
Abel Ferrara’s remake of Invasion of the Body Snatchers is an overlooked film that settles in with an undeniable creepiness that is just as effective as the earlier versions. The metaphor for the pod people is more diffuse in this one but that does not mitigate the film’s effect
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
A quirky low-budget black comedy from cult B movie director Roger Corman with Dick Miller as a wannabe who suddenly receives artistic acclaim when he exhibits dead bodies in plaster as works of art
Roger Corman’s original A Bucket of Blood is a cult black comedy starring Dick Miller a nerdy wannabe who is acclaimed after passing dead bodies off as works of art. Here it was remade with Anthony Michael Hall inheriting the role of Walter Paisley
The first film from Eli Roth, which proved a solid hit, one that gets back to gore-drenched horror basics. Not quite the classic it was acclaimed but delivers the goods and with a strong dose of wryly sarcastic humour
A remake of Eli Roth’s first film? Why, given that the original only came out 14 years ago, is anybody’s guess. This literally recycles the original’s script but is deaf to its sarcastic humour of the original
Classic film that was groundbreaking for its designs – all distorted and angular sets, exaggerated shadows – that became defined as German Expressionism and its tale of a sinister hypnotist
A remake of the silent German Expressionist classic that replicates the unique look and sets. Interesting, although it now emerges more like a film noir with artistic pretensions than the avant garde work the original was
A South Korean film that remakes The Caller about a girl who finds she can make phone calls across time to another woman only to find that the caller is a psychopath who begins to wreak havoc with her timeline
A horror version of Frequency where Rachelle Lefevre has phone conversations across time with a disturbed woman who then starts causing people to disappear and altering the timeline. Cleverly told and with some chilling twists
Classic psycho-thriller with Robert Mitchum (who was never better) as an ex-con determined to take revenge against lawyer Gregory Peck. Stark and superbly sustained psychological suspense
Martin Scorsese remakes the classic thriller with Robert De Niro playing the ex-con seeking revenge against his lawyer. Scorsese makes the morality more ambiguous and bring out tensions within the family
Classic film that has gained a cult reputation, this creates a superbly eerie and haunted atmosphere as a woman moves to a new town and finds herself surrounded by mysterious figures
Carnival of Souls was rediscovered as a cult classic in the 1980s. Then there was this remake that misses all of the haunted mood of the original in favour of makeup effects jumps and reality blurrings that make no sense
The very first Stephen King adaptation, a hit that made King’s name. Brian De Palma directs with flamboyant visuals that make you gasp but the film would be nothing without its amazing central performances from Sissy Spacek and Piper Laurie
TV mini-series remake of the Stephen King novel, which restores many aspects of the book not in the 1976 film. Unfortunately, Brian De Palma has been replaced by a tv director who regards it as just another assignment
Another pointless 70s remake that replicates the 1976 Carrie almost scene for scene but misconstrues the material by a mile. Crucially, it comes without the sensational casting that made the original, nor a Brian De Palma at the helm
The film that defined the Old Dark House genre with spooky thrills as people are stalked around a big mansion. Expatriate German director Paul Leni brings an extraordinarily sophisticated arsenal of visual tricks to bear
The classic Bob Hope comedy version of the Old Dark House play. Probably overrated, this has a creaky affected atmosphere and laughs but fails to hold a candle to the far superior and more stylish silent version
The fourth film version of the classic Old Dark House thriller, remade in the vein of the recent success of Murder on the Orient Express with an all-star cast of the day
Val Lewton’s classic work of psychological ambiguity about a woman who believes she is turning into a panther. Lewton’s ingenuity was to leave the actuality of the monster one that was merely suggested
The remake of Cat People. In the hands of Paul Schrader, all the ambiguity is made overt and the film becomes one of Schrader’s allegories for tormented sexuality. On its own terms, this is an often smoulderingly sensual work
Classic bad movie in which astronauts land on The Moon and encounter an all-female society. Some really datedly war of the sexes politics play out amid the laughably impoverished sets and effects
Tim Burton’s remake of Willy Wonka and the Chocolate Factory is a peculiarly lifeless confection that fails to find any of the zaniness of the original, something that one would have thought would have been Burton’s forte
A classic animated film. A delightful film about a young pig that seeks to change his fate and gets aid from a spider that can spell. A theatrical outing for Hanna-Barbera, creator of tv’s The Flintstones et al
A fifteen page Stephen King story about a patricidal child cult has spawned this film, nine sequels and a remake. Not a very good film, this is stuck with padding a very slight original out to a full-length film
This remake of the Stephen King short story (this time with a script from King himself) is a much better film than the earlier 1984 version or any of its numerous sequels
The controversial remake of Child’s Play where Chucky is no longer possessed but become an artificially intelligent smart toy. This seems to misconstrues everything that the fanbase of the series celebrates by a mile
My introduction to Wu Xia – imagine some vision of Kwaidan as directed by Sam Raimi, filled with sensationally beautiful and out of this world imagery and completely nutsoid fantastical battles with ghosts and demons
A Chinese Ghost Story was one of the greatest Hong Kong fantasy films; this remake gets everything wrong. The aerial combat scenes are replaced by CGI, the characters rewritten and the Buddhist elements eliminated
This would be the last of the films made by stop-motion animator Ray Harryhausen where he turns his creations towards conducting another Greek Mythology adventure. With an all-star cast playing the Greek gods.
Heavily disappointing remake of the Ray Harryhausen film where the replacement of Harryhausen’s stop-motion animation with CGI fails to achieve any magic
Flush from the success of The Andromeda Strain and Westworld, Michael Crichton directed this medical conspiracy thriller, which returns to the fear of science themes that runs throughout his work
TV mini-series remake of the Michael Crichton medical thriller that pointlessly changes and over-extrudes a tight and effective original, while director Mikael Salomon adds absurd red herrings and keys away major surprises well in advance
One of a spate of Disney live-action comedies that was successful enough that it spawned two sequels. A young Kurt Russell is a college student who gets the contents of a computer accidentally transferred into his head
George Romero’s most underrated film, filled with disturbing images as the population of a town are driven crazy by a bio-weapon spill The first and also the best of a number films on the theme of outbreaks of mass insanity
George Romero’s underrated classic gets a makeover amid the 00/10s fad for remakes of 70s/80s horror films. Alas, Romero’s modest classic about a madness-inducing biospill has a big-budget thrown to emerge as just another zombie film
Overshadowed by the tragedy of star Brandon Lee’s death on set, this is a beautifully dark and glistening Gothic tale of a murdered youth revived from the dead to attain vengeance against his killers. Several lesser sequels followed
The original The Crow is a cult classic. This long-planned remake from the perpetually terrible Rupert Sanders was an ill-advised move from every angle that gets just about everything from the mood to the conception of its character wrong
An excellent conceptual SF film, a directorial debut for Vincenzo Natali with six people trapped in a labyrinth of identical rooms some of which contain death traps where they must solve the puzzle to find the way out
Japanese remake of the Vincenzo Natali film where a group of people wake up in mysterious labyrinth of identical cubed rooms filled with death traps
Larry Buchanan was a director whose output rivalled Edward D. Wood Jr in quality. This film about an expedition into the bayous encountering a mad scientist creating human-crocodile hybrids registers fairly poorly on most counts
Hideo Nakata made the highly influential Ringu but his other films have been uneven. This ghost story is one of his few follow-ups that comes near recapturing the same uncanny mood
George Romero’s successor to his cult hit of Night of the Living Dead. Romero creates a very different film, one that takes place in a mall and comes with a level of droll satire. A bigger budget allows him to push things to gore-drenched extremes
Zack Snyder debuts with a remake of the cult George Romero film. While this has a bigger budget, it is missing is the satire and gore-drenched effects that made the original memorable. This inspired the mid-2000s zombie film revival
The third and most undervalued of George Romero’s original trilogy of zombie films, an explosively bared to the bone series of apocalyptic confrontations containing some of the best performances and writing in any of his films
A remake of George Romero’s third and most underrated zombie film, This came out as part of the 2000s revival of the genre but majorly miscalculates the original and emerges as wrong in just about every way
One of a growing industry of zombie films that leech off the George Romero name. This remakes Romero’s Day of the Dead, which means it cherry picks key elements and rearranges them in a different way but lacks everything else that Romero offered
A classic of the 1950s Golden Age of SF, featuring Michael Rennie as an alien visitor film who comes to make a warning about the need to make peace. This stands at the start of the Atomic Age with a stark urgency