Yongary, Monster from the Deep (1967)
South Korean copy of the Japanese Godzilla films and a painfully cheap effort on all counts
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
South Korean copy of the Japanese Godzilla films and a painfully cheap effort on all counts
A reimagining of the long-running Wrong Turn series of Backwoods Brutality films, this does imaginative things with the set-up and emerges as the best of the series so far
The 1941 Lon Chaney Jr The Wolf Man is given the remake treatment in a way that builds out on the creaky original with lavish sets and state of the art transformation effects
Although it wasn’t the first werewolf film, this is the one the created all the mythology of the werewolf film – full moons, silver bullets etc – while the wolfman went on to join the pantheon of Universal Famous Monsters.
A remake of the cult Herschell Gordon Lewis splatter film about a stage magician who creates illusions of eviscerating people on stage
One of Herschell Gordon Lewis’s splatter films about a stage magician who cuts up women on stage and real life. The film makes mind boggling plays between reality and illusion
Robert Zemeckis’s remake of the Roald Dahl story and Nicolas Roeg film proves a head-scratching effort that misfires on almost every cue
A remake of the 1980s horror Witchboard. The original was just a VHS release and here is given a better budgeted workover, but disappears among a host of ouija-titled films of recent years
A passable 80s horror in which Tawny Kitaen summons an evil spirit via an ouija board. That was a sufficient hit on video shelves that two sequels followed and then a remake.
A Roald Dahl children’s film that has become a cult classic, set in a deliriously nonsensical world with Gene Wilder give a sinisterly threatening performance in the title role
James Wong and Glen Morgan, the duo behind Final Destination, remake the 1971 film about a man and his rats. However, this is set in a stylised 1940s world with a caricatured performance from Crispin Glover that causes the film to lack any credibility
Fine little tale of an introverted man who befriends a horde of rats and uses these to gain comeuppance. A hit that presaged a host of Animals Attack films throughout the 1970s.
The 1973 version of The Wicker Man is a cult classic; this is one of the worst remakes of all time that gets nothing about the original right, blunts its themes about religion and tosses in crude shocks and killings
Classic horror film that imagines a secret world of pagan rites existing into the modern day. As much a classic for its colourful creation of a folk culture as it is for an unforgettable ending
Passable remake of the 1979 slasher film that streamlines the original and sets it all in amazing designer dream home
The original babysitter stalker film based on a short film that was then expanded out to feature-length following the success of Halloween
Chinese remake of the romcom where Mel Gibson was suddenly able to hear women’s thoughts. A second time over, the premise seems slight while the film crucially fails to create much passion between its two stars
Amiable romantic comedy in which Mel Gibson comes round after an accident in the shower to find he now has the ability to read women’s thoughts.
A gender-swapped remake of What Women Want in which Taraji P. Henson gets the ability to read men’s thoughts. Henson displays no talent for comedy and this is a spectacularly unfunny film
Psycho-thriller featuring a mad Bette Davis torturing her sister Joan Crawford. This held considerable shock at the time for seeing two former glamorous Hollywood stars beyond their glory days and going nuts. The film’s success inspired a whole fad of imitators
A hit for novelist Michael Crichton who made his directorial debut here. Themes of machines going amok run throughout Crichton’s work and here he comes up with the ingenious idea of a Western simulation playground using androids that proceed to turn against the humans
Roger Corman cheapie clearly influenced by The Fly in which a woman becomes a creature after using a beauty product derived from wasp venom
Director John Carpenter did amazing things with his remake of The Thing but was not able to replicate such with his remake of Village of the Damned, which misses the taut atmosphere of the 1960 film
Classic adaptation of the John Wyndham novel about the women in a sleepy English village being impregnated and producing emotionless alien children with vast psychic powers. This translates the paranoia of US alien invasion films with considerable effectiveness
One of the better of Herschell Gordon Lewis’s cheap splatter films, set in a Confederate town that exists in a timewarp and slaughters all outsiders
Eli Roth-produced remake of the Herschell Gordon Lewis splatter film Two Thousand Maniacs, this plants tongue in cheek, is fairly and squarely aimed at a frat boy audience and unapologetic about piling on copious amounts of gore and naked breasts
Terry Gilliam remakes the classic short film La Jetee as one of the most impressive of modern time travel films with an exceptional plot that is built around a sophisticated time paradox
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
A remake of the work that launched Troma films. The original The Toxic Avenger was a gungily nasty film that readily trod way over all lines of good taste. In being cast with name stars, this has been cleaned up considerably
The film that launched the name of Troma Films. The world’s first superhero splatter film, this readily dives into bad taste just to see what kind of offence it can get away with
Interesting little film that has gained a small cult reputation, a True Crime work based on a series of unsolved killings conducted by a masked figure in a small Southern town in 1946. A solid, quasi-documentary-like depiction that adheres to the facts for the most part
I was never a particular fan of the Schwarzenegger original and this improves on it somewhat. This is far better conceived as an action film with some amazing Cyberpunk designs. On the other hand, the two decades interim has made the story’s Philip K. Dick-ian reality bendings seem commonplace
Adaptation of a Philip K. Dick story is killed by being turned into an Arnold Schwarzenegger action vehicle and by director Paul Verhoeven’s burying the reality bending subtleties of the story under bludgeoning ultra-violence
After a decade-long slump, Tobe Hooper started to show he still had what it took with this remake of the 1980 slasher film
The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
Remake of the classic H.G. Wells novel that comes with the novelty of being directed by Wells’s great-grandson. More disappointingly it prefers to merely remake the 1960 film rather than return to the book
This adaptation of H.G. Wells’ classic novel was one of the best films from 1950s SF producer/director George Pal. The time travel is depicted with considerable wondrousness and standout effects for the era
One welcomes a collaboration between Tsui Hark, the godfather of Hong Kong fantasy cinema, and Yuen Wo Ping, fight choreographer for The Matrix and Crouching Tiger, Hidden Dragon but the the results are oddly disappointing, with Yuen’s talents seeming buried under the CGI
One of the films from gimmick master William Castle, a more routine ghost story that eventually opts for a mundane ending and was sold with the gimmick of Ghost Viewer glasses. Later remade as Thir13en Ghosts
After the success of their remake of House on Haunted Hill, Dark Castle Entertainment remade another William Castle film here, expanding it with a full arsenal of visual and makeup effects
The very first alien invader film of the 1950s. Maybe or maybe not directed by Howard Hawks, this has a dramatic urgency and tight tension that makes it stand head and shoulders above most of the films that came after
Though pitched as a prequel, this is essentially a remake of John Carpenter’s classic. Alas, this only finds the same phantasmagoric outlandishness as Carpenter did in a couple of scenes that may be moderately impressive for those who have never seen the original
John Carpenter at the peak of his career, remaking The Thing from Another World as a wild and phantasmagoric film steeped in paranoia that proved to be the absolute epitome of the era’s fad for air-bladder transformation effects
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
Dull remake of the classic Arabian Nights film that casts Steve Reeves and tries to make it into a Hercules peplum adventure
An Arabian Nights adventure that offers up one of the purest blends of fantasy and romance of its era. Filled with stunning directorial set-pieces and magnificent sets and all shot in colour.
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies but rarely any that matched the original
Third of the German thrillers of the 1960s featuring the criminal mastermind Dr Mabuse, a remake of the 1933 film where Mabuse continues his criminal schemes via mind control despite being confined to an asylum
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
One of the better entries among the 1980s slasher film cycle – and even featuring the era’s quintessential heroine Jamie Lee Curtis. Essentially Halloween aboard a train, at which the film does the basics of the genre with perfect competence and undeniably stylish photography
An adaptation of Agatha Christie’s novel/play And Then There Were None that relocates the story to an African safari and takes more of a horror movie focus
Larry Clark remakes the old Roger Corman film and makes a beeline for his usual proclivities about teenagers having sex in a fairly outrageous post-apocalyptic work
Roger Corman film that sets out to exploit the teenage themed fad of the late 1950s, offering up a caveman drama that comes with a surprise SF twist
Tarzan turned into a tedious softcore work highlighting the talent-free Bo Derek. This directly remakes the 1932 Johnny Weissmuller film – the original was an adventure classic, this is just an expensive nudie
One of the lush, beautifully produced modern Wu Xia (flying swordsmen) films. Produced and written by the legendary Tsui Hark
Spike Lee makes a vampire film (even though the title gives the impression is he has detoured off into gospel). The even bigger surprise is he conducts a remake of the Blaxploitation classic Ganja & Hess
Dario Argento’s original Suspiria was an almost entirely narrative-free work set around a series of extravagantly arty deaths; this remake could not be a more different film. Not to say it is uninteresting in what it does
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
A thinking person’s disaster movie depicting Japan’s sinking into the ocean
Classic German silent film where a man sells his shadow, which then becomes a malevolent doppelganger that torments his life
Another wholly unnecessary remake that waters the raw savagery of the original down to a safe tepidness. Everything that the original set down has now become formulaic
Strong and powerful formative entry in the Backwoods Brutality genre where Dustin Hoffman and wife Susan George stir up locals in a small Cornwall town and are forced to mount a brutal siege after he shelters a man hunted by a lynch mob
Frank Oz conducts a remake of The Stepford Wives, which becomes a broad comedy take on the gender wars in the modern world
Ira Levin’s original novel wherein the men of a town replace their wives with subservient android duplicates seems to have its satiric point blunted when it comes to the film adaptation
Disastrous remake of the classic 80s horror film, which comes shorn of its biting satire on Family Values and turned into just another teen horror film
Great psycho-thriller with Terry O’Quinn as a man determined to marry into the perfect family who then slaughters the family when they fail to meet expectations. This digs into 80s Family Values with scabrous regard
A remake of the classic film noir psycho-thriller. Now the story is conducted in colour and with a name star cast but misses all the atmosphere the original had by a wide mile
A darkly funny Danish film about a couple who accept an invite to visit another couple who seem to have no boundaries, before everything gets nasty
Loose remake of the 1980s slasher film The House on Sorority Row, competently made but in the end this never sufficiently surmounts the routine
Called the Russian 2001. Andrei Tarkovsky makes one of the great SF films, a haunting ghost story set on a space station as an alien planet below drives the crew mad with recreated doppelgangers of their loved ones
The original feminist slasher film gets the remake treatment with interesting results
Supposedly a feminist parody of the slasher film but one has doubts. For one, the film is lacking in discernible irony and otherwise no different from the other slasher films of the era bar the fact it was directed by a woman
Disappointing remake of Brian De Palma’s 1973 Siamese twins psycho-thriller that changes many elements and crucially lacks De Palma’s stylistic showmanship
Big-budget modern Japanese remake of a 1970s disaster movie in which Japan starts to catastrophically sink into the ocean. Despite revisiting the original with CGI spectacle, this is a film in which hardly anything interesting happens
One of the most extraordinary works ever made for tv. From the pen of Dennis Potter, a mini-series that blends film noir, meta-fiction and autobiography
Stephen King expressed dissatisfaction with the way Stanley Kubrick handled his novel and here remakes it as a tv mini-series that adheres more closely to the book. While Kubrick’s film is far better, this is not bad where even the perpetually awful Mick Garris subdues his tendency to overdo everything towards some subtlety
Stanley Kubrick’s adaptation of Stephen King’s novel throws much of the book out but has duly become a classic. Jack Nicholson goes grandly mad amid Kubrick’s stupendous production and unsettling set-pieces
Taking only the name of the 1950s B movie, this is otherwise a horror film about an imprisoned mermaid creature that wields a sinister threat. This works with a modest effectiveness
A strange mix of 1950s hypnotic regression fad and AIP B monster movie elements that has undeniable mood and verve
The remake of the old Disney comedy becomes a vehicle for Tim Allen, played with a manic slapstickery wherein Allen demonstrates there are few levels of silliness he will travel to in imitating dog-like behaviours
The first of Disney’s live-action comedies, a comic variant on the werewolf story with Tommy Kirk turning into a dog. Mildly amusing but later efforts would do this type of comedy better
Stark black-and-white thriller from John Frankenheimer about a military coup in the US. Twilight Zone creator Rod Serling delivers a superb script
Ben Stiller’s remake of the unfunny Danny Kaye vehicle about an impractical daydreamer has no more depth than an inspirational postcard and takes a long time to deliver it
A light whimsical short story about a daydreamer is turned into a bloated and ponderous vehicle for the musical and comedy set-pieces of the perpetually wet-eared Danny Kaye
Standout thriller with Kim Stanley as a medium who fakes a child kidnapping with husband Richard Attelborough to prove her powers
Japan’s Kiyoshi Kurosawa conducts a remake of the British thriller Seance on a Wet Afternoon. Where the original was a mundane film that depicted a kidnap scheme involving a fake medium, Kurosawa builds this out as an actual ghost story
Remake of the earlier Bob Hope Old Dark House comedy The Ghost Breakers now made as a vehicle for the duo of Jerry Lewis and Dean Martin. Probably overly long and takes forever to arrive at the haunted house but has some occasionally amiable comedic moments
A bizarre South Korean comedy about a businessman who is imprisoned by a possibly crazed man who insists that he is an alien. Things sit in an absurdly funny ambiguity. Later remade by Yorgos Lanthimos as Bugonia
Remake of the classic tv movie with Shannen Doherty investigating her sister’s death among deviltry in a girl’s school
The Stephen King novel about a small town that is invaded by a vampire and is population taken gets its third screen adaptation in this film treatment. The 1979 mini-series is still the best version
TV mini-series remake of the Stephen King novel, this fails to hold a candle to the earlier 1979 version
One of the best Stephen King adaptations made as a tv mini-series concerning a town overrun by vampires. Director Tobe Hooper excels himself, staging the book in terms a series of captivating set-pieces
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
Classic film and one of Roman Polanski’s finest works, the comically paranoid story of a housewife who increasingly comes to believe that the child she is pregnant with was fathered by The Devil
Remade, the 1975 dystopian film about future sports is stripped of any of its big message (even of its future setting) and is turned into no more than a formulaic action film
Classic work of dystopian SF set in a future where an ultra-violent sport has been created to pacify the masses
Nothing indicates how miscalculated this remake is than the fact it has been placed in the hands of the director of the High School Musicals and sundry Disney Channel fodder
The No 1 cult film of all time, more a phenomenon than a film, a demented glitter rock homage to mad science cinema and 50s sf films run through with celebration of a gender-bender joie de vivre