Seance on a Wet Afternoon (1964)
Standout thriller with Kim Stanley as a medium who fakes a child kidnapping with husband Richard Attelborough to prove her powers
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
Standout thriller with Kim Stanley as a medium who fakes a child kidnapping with husband Richard Attelborough to prove her powers
Larry Buchanan must count as one of the all-time bad movie directors and in this ultra-cheap alien invader film, in itself a remake of Invasion of the Saucer Men (1957), he is true to form
Larry Buchanan was a director whose output rivalled Edward D. Wood Jr in quality. This film about an expedition into the bayous encountering a mad scientist creating human-crocodile hybrids registers fairly poorly on most counts
The Disney animated version of Rudyard Kipling’s Mowgli tales, the one that everybody remembers, a lively affair with talking and singing animals
This gets the nonsensical absurdity of the original Doctor Dolittle stories far more than the Eddie Murphy version. On the other hand, this was the era of Mary Poppins and this is made as a lumbering musical
Pearl White was the original serial heroine in The Perils of Pauline. During the 1960s Batman craze, the serial was revived as this campy comedy
South Korean copy of the Japanese Godzilla films and a painfully cheap effort on all counts
British comedy made with an acerbic bite featuring Dudley Moore as a hapless loser who makes a pact with Peter Cook’s Devil to win the love of his life but has the wording of each wish contorted around on him
The film that started it all. This takes what could have been a jokey premise and delivers it in bold, exciting stokes. What elevates the film is Rod Serling’s script. filled with embittered soliloquies that become a biting commentary on the human condition, before the film reaches one of the great cinematic twist endings
The film that created the modern zombie genre, that took a creature from voodoo and reinvented at a something stumbling and wanting only to devour flesh. George Romero creates a horror film that shoots out all cozy, established convention
Classic film and one of Roman Polanski’s finest works, the comically paranoid story of a housewife who increasingly comes to believe that the child she is pregnant with was fathered by The Devil
One among the spate of 1960s psycho films with Stella Stevens dealing with her brother and sister, one of whom is a killer
One of a spate of Disney live-action comedies that was successful enough that it spawned two sequels. A young Kurt Russell is a college student who gets the contents of a computer accidentally transferred into his head
Overlooked psycho-thriller from Robert Fuest, director of the Dr Phibes films, about a girl whose friend goes missing while on a cycling tour through France. Fuest does an great job in making the French countryside into something sinister
One of Herschell Gordon Lewis’s splatter films about a stage magician who cuts up women on stage and real life. The film makes mind boggling plays between reality and illusion
Robert Wise’s standout adaptation of Michael Crichton’s first novel about scientists trying to contain a virus brought back from space. This does a very faithful job of capturing Crichton’s fascination with the science
Very slight Disney live-action comedy with Kurt Russell as a tv network mailboy with a chimpanzee that can predict which tv shows are going to be hits
A Roald Dahl children’s film that has become a cult classic, set in a deliriously nonsensical world with Gene Wilder give a sinisterly threatening performance in the title role
Underrated work of Southern Gothic with Clint Eastwood as a wounded soldier sheltered at a Confederate girl’s school during the Civil War where he succeeds in manipulating the sexual tensions of the teachers and schoolgirls to his advantage
Fine little tale of an introverted man who befriends a horde of rats and uses these to gain comeuppance. A hit that presaged a host of Animals Attack films throughout the 1970s.
The second film version of I Am Legend, this rewrites the book’s vampires as mutants and abandons its mood of paranoia for a fantasy of hippie utopia and Charlton Heston in square-jawed action hero mode
Strong and powerful formative entry in the Backwoods Brutality genre where Dustin Hoffman and wife Susan George stir up locals in a small Cornwall town and are forced to mount a brutal siege after he shelters a man hunted by a lynch mob
Called the Russian 2001. Andrei Tarkovsky makes one of the great SF films, a haunting ghost story set on a space station as an alien planet below drives the crew mad with recreated doppelgangers of their loved ones
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
Classic 1970s porn film about a spinster condemned to Hell who is sent back to the world to experience the lusts of the flesh. Made back at a time when the people involved seemed to care about making a good film as well
Fascinating Blaxploitation vampire film. In contrast to the more popular and cheesier Blacula, this is arty, oblique, almost an experimental film that manages to offer a unique take on the vampire film
A hit for novelist Michael Crichton who made his directorial debut here. Themes of machines going amok run throughout Crichton’s work and here he comes up with the ingenious idea of a Western simulation playground using androids that proceed to turn against the humans
Stodgy, bloated musical remake of the 1937 classic about the discovery of a lost valley in the Himalayas. The film dies an ungainly death with a cast awkward in ill-fitting costumery
George Romero’s most underrated film, filled with disturbing images as the population of a town are driven crazy by a bio-weapon spill The first and also the best of a number films on the theme of outbreaks of mass insanity
A thinking person’s disaster movie depicting Japan’s sinking into the ocean
Classic horror film that imagines a secret world of pagan rites existing into the modern day. As much a classic for its colourful creation of a folk culture as it is for an unforgettable ending
A classic animated film. A delightful film about a young pig that seeks to change his fate and gets aid from a spider that can spell. A theatrical outing for Hanna-Barbera, creator of tv’s The Flintstones et al
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies but rarely any that matched the original
The film about a killer mutant baby that made the name of director Larry Cohen who developed a cult following. Cohen infuses it with rich imagery and dark sense of humour. Several sequels followed
This tv movie was the first English-language remake of the classic French thriller Les Diaboliques. It follows the original closely and still works effectively, although being shot in colour rather than black-and-white lacks the stark tension. Sam Waterston gives a performance of amazing cruelty as the husband
Many argue that this is the original slasher film – and it does the whole formula a good deal better than many of those that came along a few years later, having some wry characterisations and a sardonic sense of humour
Classic work of dystopian SF set in a future where an ultra-violent sport has been created to pacify the masses
A remake of the classic film noir psycho-thriller. Now the story is conducted in colour and with a name star cast but misses all the atmosphere the original had by a wide mile
Disney live-action film with two psi-powered kids on the run. A popular hit that seems to have been mostly construed around a series of novelty effects set-pieces
Satiric hit produced by Roger Corman, a spoof of Rollerball, with David Carradine as a driver in a futuristic road race where points are won by running down pedestrians. Also featuring a young unknown Sylvester Stallone
Ira Levin’s original novel wherein the men of a town replace their wives with subservient android duplicates seems to have its satiric point blunted when it comes to the film adaptation
The No 1 cult film of all time, more a phenomenon than a film, a demented glitter rock homage to mad science cinema and 50s sf films run through with celebration of a gender-bender joie de vivre
Interesting little film that has gained a small cult reputation, a True Crime work based on a series of unsolved killings conducted by a masked figure in a small Southern town in 1946. A solid, quasi-documentary-like depiction that adheres to the facts for the most part
The very first Stephen King adaptation, a hit that made King’s name. Brian De Palma directs with flamboyant visuals that make you gasp but the film would be nothing without its amazing central performances from Sissy Spacek and Piper Laurie
The second film from John Carpenter, a powerful and effective work about a handful of police and prisoners trapped in a police station at siege from an all-out assault by gang members outside
This is where all the cliches of Devil Children began. A big hit among the 1970s occult boom, this is essentially Sunday tabloid Christianity – a lurid, doom-filled take on Book of Revelation End Times prophecies that moves with a slick polish and a series of schlocky deaths every few minutes
The original version of the Disney live-action comedy with mother Barbara Harris and a young Jodie Foster as her daughter who swap bodies for one day. The performances are hilarious and this is filled with witty deadpan gags
The infamous miscalculated Dino de Laurentiis remake of King Kong where the stop-motion is replaced by Rick Baker in an ape suit, while the fairytale romance is replaced by Jessica Lange as a flower child who cracks jokes
The second film adaptation of the H.G. Wells novel following The Island of Lost Souls. This has remade with a decent budget but the story’s primal charge has been cleaned up
The second film from Wes Craven, a classic in the 1970s Backwoods Brutality cycle with a family stranded in the desert as they come under attack from a family of cannibals lurking in the hills
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
Disney live-action film about a boy and his dragon where the dragon is represented by animation
The fourth film from David Cronenberg, a clear (although by no means uninteresting) attempt to repeat the success of Shivers with Marilyn Chambers as a woman with a vampiric skin parasite that turns victims into maddened killers
John Carpenter’s all-time classic, the film that created the slasher film and has been much imitated, not to mention multiply sequelised and remade. None of these however come anywhere near recapturing Carpenter’s eerie spookiness
Warren Beatty co-directs/stars in a remake of the afterlife film Here Comes Mr Jordan. Amiably lightweight but this was over-praised at the time, inexplicably receiving an Academy Award nomination for Best Picture
One of the most raw and savage films ever made, this sits on a dividing line between true horror and exploitation as we experience Camille Keaton being raped with no detail spared before exacting a brutal revenge
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
Dennis Potter was the greatest writer to ever work in televisio. This mini-series is one of his most celebrated works, featuring characters bursting out into lip-synched Golden Oldie songs, making biting contrast to their downbeaten lives
George Romero’s successor to his cult hit of Night of the Living Dead. Romero creates a very different film, one that takes place in a mall and comes with a level of droll satire. A bigger budget allows him to push things to gore-drenched extremes
Fine Australian from Richard Franklin that jumps aboard the popularity of Carrie concerning a coma patient who demonstrates psychic powers
Excellent Australian-made Nature’s Revenge film with a couple on a weekend at a beach at siege from nature. Like the film’s obvious model The Birds, the attack occurs for never-specified reasons
The second film from Joe Dante. Mounted as a quickie copy of Jaws by producer Roger Corman, Dante succeeds in peppering it with a lot of sly jokes and genre in-references
Flush from the success of The Andromeda Strain and Westworld, Michael Crichton directed this medical conspiracy thriller, which returns to the fear of science themes that runs throughout his work
The fourth film version of the classic Old Dark House thriller, remade in the vein of the recent success of Murder on the Orient Express with an all-star cast of the day
An excellent remake of the Cold War classic Invasion of the Body Snatchers. The original has now been smartly retooled for the 1970s and slots right into the Me Generation era with paranoia perfectly intact
One of the best Stephen King adaptations made as a tv mini-series concerning a town overrun by vampires. Director Tobe Hooper excels himself, staging the book in terms a series of captivating set-pieces
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
The original babysitter stalker film based on a short film that was then expanded out to feature-length following the success of Halloween
Werner Herzog conducts a remake of the silent German classic with Klaus Kinski as Dracula. A very different film to the original but quite unique in Herzog’s individualistic way
Based on a book that claimed it was true story (but was later proven to be a hoax), this haunted house tale was a considerable success and spawned a series of sequels and imitators that continue to this day
Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
Entry amid the 1980s slasher fad featuring Jamie Lee Curtis. A fairly dreary effort that comes with much disco dancing footage
Monster movie featuring mutant fish monsters come onto land to breed with women. Absurdly entertaining, this at least brings the interspecies lust in films like The Creature from the Black Lagoon out into the open
A parody of the Backwoods Brutality film. One of the very first films produced by Lloyd Kaufman of Troma fame
John Carpenter’s immediate successor to Halloween is a suspenseful and scary ghost story about undead sailors descending on a small town in a fog bank, even if the narrative logic holding everything together is thin
One of the better entries among the 1980s slasher film cycle – and even featuring the era’s quintessential heroine Jamie Lee Curtis. Essentially Halloween aboard a train, at which the film does the basics of the genre with perfect competence and undeniably stylish photography
Dino de Laurentiis climbed aboard the Star Wars fad with this remake of the classic serial. Against expectation, the film’s campy tone and eye-popping sets and costumes work and it has become an audience favourite
Stanley Kubrick’s adaptation of Stephen King’s novel throws much of the book out but has duly become a classic. Jack Nicholson goes grandly mad amid Kubrick’s stupendous production and unsettling set-pieces
A copy of John Carpenter’s Halloween that proved a big success and spawned a long-running series of sequels. Both films created the slasher film, which came to overrun horror in the 1980s, although this is a cruder film than Halloween
This would be the last of the films made by stop-motion animator Ray Harryhausen where he turns his creations towards conducting another Greek Mythology adventure. With an all-star cast playing the Greek gods.
Ferociously paced low-budget hit that put the names of Sam Raimi and Bruce Campbell on the map. What made the film a cult hit was Raimi’s full tilt pace and entertainingly over-the-top splatter effects
Tarzan turned into a tedious softcore work designed to highlight the talent-free Bo Derek in a state of undress. This directly remakes the 1932 Johnny Weissmuller film – the original was an adventure classic, this is just an expensive nudie film
Classic from the heyday of the slasher film, an effort that was clearly designed to exploit another holiday title in the wake of the successes of Halloween and Friday the 13th. This snappily adapts the slasher formula and does better than most of its ilk in serving it back up
An appealing comedy remake of The Incredible Shrinking Man with Lily Tomlin as a housewife who starts to shrink after exposure to household cleaning products. One of the better films from the usually terrible Joel Schumacher
Debate will always rage as to whether this was directed by Tobe Hooper or executive producer Steven Spielberg. It doesn’t alter the fact that it is a superlative rollercoaster of a ghost story that doesn’t always make sense but pulls its effects off flawlessly
Supposedly a feminist parody of the slasher film but one has doubts. For one, the film is lacking in discernible irony and otherwise no different from the other slasher films of the era bar the fact it was directed by a woman
A slasher film from the classic 1980s heyday set during a party at a sorority house. This has been praised as being one effort that is well above the rest of the genre.
John Carpenter at the peak of his career, remaking The Thing from Another World as a wild and phantasmagoric film steeped in paranoia that proved to be the absolute epitome of the era’s fad for air-bladder transformation effects
The remake of Cat People. In the hands of Paul Schrader, all the ambiguity is made overt and the film becomes one of Schrader’s allegories for tormented sexuality. On its own terms, this is an often smoulderingly sensual work
David Cronenberg adapts a Stephen King novel with Christopher Walken waking from a coma with clairvoyant abilities. An okay film if one that lacks the personal intensity and rich themes of Cronenberg’s original works
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
TV mini-series remake of The Phantom of the Opera starring Jane Seymour that rewrites and rearranges much of the story to negligible effect
The adaptation of the Stephen King novel with Drew Barrymore giving a fantastic performance as a young girl with pyrokinetic powers on the run as she is hunted by a sinister government agency
Ridiculous red-blooded, flag-waving film in which the Soviets invade the USA and a group of high-school teenagers maintain a lone guerilla campaign
Based on a non-fiction, fringe science book that makes claims that the US Navy conducted experiments that turned a ship invisible during WWII, this spins the idea out into a modest time travel story
The film that launched the name of Troma Films. The world’s first superhero splatter film, this readily dives into bad taste just to see what kind of offence it can get away with
A fifteen page Stephen King story about a patricidal child cult has spawned this film, nine sequels and a remake. Not a very good film, this is stuck with padding a very slight original out to a full-length film
One of the most influential horror films of the 1980s, creating a series of dream horror copycats. Before the campy, makeup effects driven sequels kicked in, Wes Craven’s original creates a genuinely unearthly series of nightmare jumps
An overrated classic that is nevertheless an undeniable fixture of 1980s pop culture. Overlong, it is largely carried through Bill Murray’s lazy sarcasm and the sterling work from the visual effects team
One of the great tv series of the 1980s, a powerful and incisive snapshot of Thatcherite England, the backroom politics of the nuclear power industry and the environmentalist movement. A brilliantly written show featuring great performances