Maniac (1980)
Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
The very first Hannibal Lecter film. Under Michael Mann, this comes with a stylistic flourish very different to what the films became when Anthony Hopkins took the role
Remake of the classic Cold War thriller from Jonathan Demme that has been updated for the era of George W. Bush
John Frankenheimer film. concerning a Communist plot for creating a brainwashed assassin, Frankenheimer shoots with stark and blackly funny effect and this has duly become a cult classic
The fourth film version of The Lodger with Jack Palance as a new tenant that a family believe might be Jack the Ripper This has neither the style or the melodrama that the previous versions did
Effort from the heyday of mad science cinema about a scientist who has perfected an immortality treatment. Better budgeted than most of the other cheapies of the era and better written, although suffers from a slow talkiness
One among the spate of 1960s psycho films with Stella Stevens dealing with her brother and sister, one of whom is a killer
The Hollywood remake of The Hands of Orlac, a classic with Colin Clive as a pianist who believes he is possessed after receiving hands transplanted from a killer. With a fascinatingly demented performance from Peter Lorre
The Hollywood remake of Fritz Lang’s film about how the criminal underworld hunts a child killer. Lang’s film is a classic but this comes with visuals maybe even superior to Lang’s version
Fritz Lang was an extraordinary director of the silent era and this was his first sound film. Peter Lorre gives an amazingly craven performance as a child murderer who becomes hunted by the criminal underworld
Stodgy, bloated musical remake of the 1937 classic about the discovery of a lost valley in the Himalayas. The film dies an ungainly death with a cast awkward in ill-fitting costumery
Hugely successful and probably overrated classic from Frank Capra about the discovery of a lost valley in the Himalayas that offers the secret of immortality
Pointless remake of the cult Australian Nature’s Revenge film. This takes place amid some gorgeously shot natural scenery, is very faithful to the first film but seems to entirely miss the paranoid tone
Excellent Australian-made Nature’s Revenge film with a couple on a weekend at a beach at siege from nature. Like the film’s obvious model The Birds, the attack occurs for never-specified reasons
A lost film from the great silent actor Lon Chaney [Sr] who would undergo great physical makeup transformations for his role. This also has the distinction of being the first Hollywood-made vampire film
Alfred Hitchcock’s third film about a family who believe their lodger might be a killer. This was made during the silent era but Hitchcock uses extraordinary visual tricks that blow you away
Fourth version of the tale about a family who believe their boarder might be Jack the Ripper. This is updated to the present and abandons most of the story for a mind-bending pretzel of identity speculations
Sound remake of the silent Alfred Hitchcock film, starring big man Laird Cregar as the new lodger that a family believe might be Jack the Ripper. Cregar gives a wonderfully melodramatic performance
Roger Corman’s no-budget comedy about a killer plant is remade as a multi-million dollar musical with top-drawer effects. Missing is the original’s black comedy but this has many appealingly eccentric delights of its own
The original, Roger Corman’s zero budget film about a killer plant is an hilarious black comedy that has become a cult favourite and remains his most well remembered film
Disney’s original The Little Mermaid was an enormously fresh film. This is the live-action remake that came out amid much controversy and is inevitably a lesser shadow of the original.
The beginning of the big Disney renaissance of the 1990s. An adaptation of the Hans Christian Andersen fairytale that is conducted with an enormous degree of energy, colour and good cheer
Jon Favreau had success recreating The Jungle Book in live-action with CGI animals and does the same with The Lion King – only to produce an exacting, lifeless replication missing the charms of the original
An acclaimed mini-series about a frumpy woman taking gleeful revenge on the husband who abandoned her. Essentially Fatal Attraction rewritten with a feminist manifesto with hilariously barbed results
A strong and unusual Swedish vampire film that is less a horror film than one about friendship between a boy and the very strange girl next door who we gradually realise is a vampire
This was the second film adaptation of conceptually ingenious Ursula Le Guin novel about a man whose dreams change reality around him whenever he wakes up
A disappointing remake of the harrowing Wes Craven classic where the violence has been tamed down and the film is entirely missing the irony of the original’s savage ending
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
Eli Roth home invasion thriller where two malicious girls turn family man Keanu Reeves’ life upside down. Roth creates a strong opening but hits the peak of the film not too far in and thereafter loses direction
Peter Jackson’s dream project, a remake of the 1933 film, and his finest work as a filmmaker. Jackson builds the original out considerably and his command of the effects gives us something quite dazzling
The infamous miscalculated Dino de Laurentiis remake of King Kong where the stop-motion is replaced by Rick Baker in an ape suit, while the fairytale romance is replaced by Jessica Lange as a flower child who cracks jokes
Perhaps the greatest of all monster movies, one that has attained iconic status. A masterpiece of stop-motion animation, it imbues Kong with character and attains a delicate fairytale-like atmosphere
Live-action remake of the Disney film that gives the animals life through top of the line CGI effects. The results are impressive aided in large part by near-perfect voice casting
The first of the Disney live-action remakes of their animated films. Stephen Sommers abandons the talking animals and gives us a film that it more Tarzan than Rudyard Kipling set in a lush fantasy version of India
The Disney animated version of Rudyard Kipling’s Mowgli tales, the one that everybody remembers, a lively affair with talking and singing animals
A revival of Jumanji. The original’s boardgame is now a videogame that sucks the players inside. The adventure elements are routine but the film’s has comedic fun with its bodyswapped characters
A popular Robin Williams starring hit about a boardgame that unleashes jungle-themed chaos in a small town. A cute effects-driven idea that ultimately becomes an incredibly safe fantasy
Unsettlingly spooky Japanese ghost story from Takashi Shimizu that spawned a number of sequels, reboots and English-language remakes. This was the third of the films and superior to all that came after
Another remake that nobody asked for. The 1990 film is reworked in a script that ditches almost all of the afterlife themes and instead seems to want to be a film about veterans addicted to reality-blurring drugs
Larry Cohen’s 1974 cult classic about a killer mutant baby gets the remake treatment. Even though Cohen co-writes the script here, the remake manages to wring anything interesting out of the original
The film about a killer mutant baby that made the name of director Larry Cohen who developed a cult following. Cohen infuses it with rich imagery and dark sense of humour. Several sequels followed
Sentimental Frank Capra film that had become a Christmas classic where an angel shows depressed everyman James Stewart the alternate world that would happen if he had never been born
One of the early directorial films from Roger Corman, a surprisingly vigorous and well written variant on the alien body snatcher film featuring one of the memorable alien creations of the era
I far preferred the 1990 mini-series to the cinematic remake of the Stephen King book. This emerges as a lesser copy of tv’s Stranger Things, which did the whole 80s nostalgia/horror story far better
The first and best screen adaptation of H.G. Wells’ novel The Island of Dr Moreau. Wells was not happy but Charles Laughton is a great Moreau and the film develops a remarkable sexual undertow
A legendary cinematic train wreck filled with behind the scenes stories of fired directors and star egos. Despite all of this, this remake of the H.G. Wells novel emerges as a well made and watchable film
The second film adaptation of the H.G. Wells novel following The Island of Lost Souls. This has remade with a decent budget but the story’s primal charge has been cleaned up
One of the spate of teen monster movies of the 1950s, this is a B movie that at least has the benefit of not taking itself too seriously and the creation of some memorable alien creatures
An excellent remake of the Cold War classic Invasion of the Body Snatchers. The original has now been smartly retooled for the 1970s and slots right into the Me Generation era with paranoia perfectly intact
The finest film to come out of 1950s SF cinema, concerning an invasion of pods that replicate people but for their emotions. The sense of paranoia and psychological tension is unsurpassed
The fourth film version of Invasion of the Body Snatchers starring Nicole Kidman, this badly miscues many key scenes and is missing all the paranoid mood of the original film
Tobe Hooper’s remake of the 1950s alien invaders classic for Cannon Films has much better effects and more technical proficient than the original but misses any of its paranoid, alienated mood
Classic of the 1950s alien invader genre in which a young boy discovers that the adults around him are being taken over by Martian invaders. Director William Cameron Menzies makes striking use of sets to further a sense of alienation
A South Korean entry in the fad for Asian ghost stories that were popular in the 2000s following the successes of Ring and Ju-on/The Grudge. This later underwent remake as Alexandre Aja’s Mirrors
An appealing comedy remake of The Incredible Shrinking Man with Lily Tomlin as a housewife who starts to shrink after exposure to household cleaning products. One of the better films from the usually terrible Joel Schumacher
One of the greatest of all 1950s SF films in which average man Grant Williams begins to shrink in size. A film that is as much an effects tour-de-force as it is an existential allegory about a man in an alien universe
The harrowing 1970s raped woman on a revenge spree film is given the remake treatment, although is watered down in many key areas. The revenge scenes however are played up for a particular nastiness
One of the most raw and savage films ever made, this sits on a dividing line between true horror and exploitation as we experience Camille Keaton being raped with no detail spared before exacting a brutal revenge
TV movie remake of a 1960s psycho-thriller about two girls making prank calls and uttering the title phrase – only to inadvertently call a killer. The premise makes a lot more sense updated to the 80s
Rather tatty remake of I Married a Monster from Outer Space made for tv. This is routine tv filler that has been churned out with little care or feel for the original.
Defying the sensationalistic title, this is actually a fairly reasonable entry in the 1950s alien body snatchers fad in which wives discover their husbands have been taken over by aliens come to Earth to repopulate their species
In recent years, we have seen successful revivals of the Scream and Halloween franchises. Now it is the turn of another classic 1990s slasher film, a reworking that emerges with hugely underwhelming results
Monster movie featuring mutant fish monsters come onto land to breed with women. Absurdly entertaining, this at least brings the interspecies lust in films like The Creature from the Black Lagoon out into the open
With Disney having remade most of their animated catalogue in live-action, other studios are now getting in on the act with this live-action remake of How to Train Your Dragon
Popular animated adaptation of a children’s book. This hits all the right story arcs and in sufficiently likeable measure to work amiably. Two sequels and a live-action remake followed.
A slasher film from the classic 1980s heyday set during a party at a sorority house. This has been praised as being one effort that is well above the rest of the genre.
The announcement of the remake of The Haunting was followed by this remake of the 1959 William Castle film, which turns out far more unpretentious and altogether more fun than the bloated flop of The Haunting
One of the key films from William Castle, the P.T. Barnum of the horror genre. Castle always approached horror like a carnival barker. Castle does not have much style but the luridness of his shocks proves entertaining
The film that launched Vincent Price as a horror icon where he plays a mad waxworks curator who covers murdered bodies in wax. A remake of Mystery of the Wax Museum shot in the original 1950s 3D fad.
Another disappointing remake of an 80s horror film, this misses the gripping suspense and everything that worked about the 1986 original and turns it into just another teen horror film
One of the best horror films of the 1980s, a grippingly suspenseful work where C. Thomas Howell is caught in a series of taunting psychological games across the interstate after offering psychopathic hitcher Rutger Hauer a ride
Wes Craven’s Backwoods Brutality classic gets a gore-drenched makeover from Alexandre Aja. One of the better amid the 2000s fad for horror remakes where the original is dragged into the modern day in some interesting ways
The second film from Wes Craven, a classic in the 1970s Backwoods Brutality cycle with a family stranded in the desert as they come under attack from a family of cannibals lurking in the hills
Backwoods Brutality Chilean style. This has the look and feel of a lost 1970s film that some people insist on calling grindhouse. Not the most polished work but this does deliver assorted brutality, gore and cannibalism
One of the original Hollywood afterlife films of the 1940s light fantasy boom, twice remade, most notedly as Warren Beatty’s Heaven Can Wait. Amiable and likeable while avoiding any deeper issues
A valiant attempt to remake Clive Barker’s glistening and brilliant original that only emerges as a better made version of one of the sequels. This has a disappointing tameness that would never have inspired a series of sequels
The film that put the name of Clive Barker on the map. A work of considerable imagination where Barker delves into forbidden pleasures and fuses the film with S&M imagery for the memorable creations of the Cenobites
Warren Beatty co-directs/stars in a remake of the afterlife film Here Comes Mr Jordan. Amiably lightweight but this was over-praised at the time, inexplicably receiving an Academy Award nomination for Best Picture
The original 1963 version of The Haunting was a masterpiece of unseen psychological horrors. This, in which all of the psychological horrors are replaced by loud and unsubtle CGI bombast, is one of the worst remakes of all time
This is the finest haunted house film of all. In Robert Wise’s hands, the ghosts are unseen and only ever psychological and suggested – the results are terrifying. Adapted from Shirley Jackson’s The Haunting of Hill House
Completely madcap film from Takashi Miike, a black comedy about a family who run a guesthouse where the guests keep dying. This comes replete with musical numbers and Claymation sequences
The third film and least version of the classic horror story about a pianist who receives hands transplanted from a murderer and is driven mad believing they are possessing him
Classic German silent film about a pianist who receives hand transplants and believes they are possessed. Superbly stylised direction from The Cabinet of Dr Caligari director Robert Wiene and with Conrad Veidt putting his all into the contorted mime work
Fourth film version of The Hands of Orlac about a pianist who receives hand transplants from a murderer and believes they are possessing him. Compared to the first two versions, this is dull and prosaic
A remake of the 1992 film that starred Rebecca De Mornay as a psychopathic babysitter who enters a household seeking revenge. This updates the story for the 2020s, although is no less a conservative version than the original
One of the thrillers influenced by Fatal Attraction with Rebecca De Mornay giving an ice cold performance as a nanny who infiltrates a family seeking revenge for the death of her husband.
Another inferior entry in the mid-00s fad remake of 70s/80s horror films. Whereas John Carpenter gave us Michael Myers as evil incarnate, Rob Zombie gives us Michael Myers as a misunderstood and unloved kid
John Carpenter’s all-time classic, the film that created the slasher film and has been much imitated, not to mention multiply sequelised and remade. None of these however come anywhere near recapturing Carpenter’s eerie spookiness
Classic 1940s afterlife fantasy with Spencer Tracy as a pilot killed in action who is sent back as a guardian angel. This works fantastically well due to a great character arc and a sharp Dalton Trumbo script
The Old Dark House film hit a peak in the late 1930s. This was a comedy variant featuring the entirely forgotten comedy act The Ritz Brothers stumbling around an old mansion
The very first Godzilla film. Essentially a copy of The Beast from 20,000 Fathoms, it has incredibly stark effect despite the primitiveness of the effects. In it you can see Japanese nation struggling to expiate the pain of the Atomic Bomb.
Strong and dramatically absorbing Swedish thriller featuring one of the most original and provocative heroines on screen in some time. A word of mouth hit that later underwent a lesser English-language remake
There was a lot of hate centred on this for recasting what is considered a classic film with an all-girl cast. It emerges mostly likeably, no better, no worse on the whole, where the new ensemble make a solid showing
An overrated classic that is nevertheless an undeniable fixture of 1980s pop culture. Overlong, it is largely carried through Bill Murray’s lazy sarcasm and the sterling work from the visual effects team
The 1939 Bob Hope comedy remake of The Cat and the Canary was a big hit; here he and Paulette Goddard are put through the same in what is all but a sequel. Hope is on top form again
Fascinating Blaxploitation vampire film. In contrast to the more popular and cheesier Blacula, this is arty, oblique, almost an experimental film that manages to offer a unique take on the vampire film
The tough hard-boiled Korean gangster film is a genre of its own. This uniquely has a detective and a crime kingpin deciding to join forces to track down a serial killer. Slated for remake by James Wan
Michael Haneke’s English-language remake of his earlier home invasion film has a sense of pointlessness to it. But in following the original so closely, it also cannot help but work where it did
Brutal Michael Haneke film where a family’s weekend getaway becomes a nightmare when two boys enter the house and proceed to torture and kill them. Haneke adds a level of meta-fiction that taunts the viewer’s participation
Another 1980s horror remake that resurrects and changes the original to little purpose. This fails to understand that what was original in 1985 lacks much when placed alongside contemporary vampire films