The Eye (2008)
An English-language remake of the ghost story from the Pang Brothers follows the other film faithfully but in terms of atmosphere is a pallid copy of the original
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
An English-language remake of the ghost story from the Pang Brothers follows the other film faithfully but in terms of atmosphere is a pallid copy of the original
Remake of George Romero’s seminal zombie classic. The 3D is no more than a gimmick, while elsewhere they are some radical changes – a white Ben, a lame explanation for the zombies, some far-too-cute in-jokes – that fails to match the effectiveness of the original
A remake of the work that launched Troma films. The original The Toxic Avenger was a gungily nasty film that readily trod way over all lines of good taste. In being cast with name stars, this has been cleaned up considerably
TV mini-series remake of the Stephen King novel, which restores many aspects of the book not in the 1976 film. Unfortunately, Brian De Palma has been replaced by a tv director who regards it as just another assignment
Roger Corman’s original A Bucket of Blood is a cult black comedy starring Dick Miller a nerdy wannabe who is acclaimed after passing dead bodies off as works of art. Here it was remade with Anthony Michael Hall inheriting the role of Walter Paisley
Remake of Disney’s The Absent-Minded Professor where the charms of the original are buried under an excess of twee – where the professor now gets a cute robot assistant and the flubber becomes sentient
Although it wasn’t the first werewolf film, this is the one the created all the mythology of the werewolf film – full moons, silver bullets etc – while the wolfman went on to join the pantheon of Universal Famous Monsters.
The first film of directors Lucky McKee and Chris Sivertson, concerning a troupe of cheerleaders who are killed and resurrected from the dead. The two later returned to conduct a better-budgeted remake
Directors Lucky McKee and Chris Sivertson conduct a remake of their earlier film about resurrected cheerleaders. The question might be why – both have demonstrated they can do far better than this
Remake of the 1979 film that still persists with the claim that the Amityville hoax was true. This embellishes the rather dull original with the baggage of trick effects of the modern horror film
Anaconda was a CGI monster movie that has subsequently gained a bad movie reputation. The idea of a comedy remake about conducting a remake of the film just seems a little too cutely meta
Another pointless 1970s remake, in this case of the little-known British psycho-thriller about two tourists stalked in the French countryside (now transplanted to Argentina) with ho-hum results
TV series remake of Michael Crichton’s novel about the attempts to contain a viral outbreak from space. Crichton’s story was a straightforward work, whereas the mini-series has been absurdly overburdened with other plots
Disney remake of the old light fantasy film in which angels step in to aid a losing baseball team. This is pitched to family audiences and holds a surprisingly ardent evangelical message
Another J-horror on the bandwagon created by the Ring and Ju-on/The Grudge films. Some promisingly initial scares traipse off into a dull mystery about investigating the past
This is one slasher film that chooses a title date where the date in question requires it taking a more comedic approach. Despite which this is a standard effort in all ways
A remake of the cult Herschell Gordon Lewis splatter film about a stage magician who creates illusions of eviscerating people on stage
In the aftermath of Star Wars, the comic-book/serial hero was revived in this heavily Star Wars influenced remake that was released theatrically and then served as the pilot of a tv series
The first time we have had a remake of a bad movie – in this case the 1958 film. The title role is cast with Darryl Hannah and the shabby effects gets a much more polished work over
A typical 1950s B monster movie. The first half creates an entertainingly torrid drama in the bayous, although when they eventually turn up the giant leeches never get to do much
The 1956 The Bad Seed is the original evil child film. All other psycho children films draw themselves from here. This is a remake directed by actor Rob Lowe who also plays the father. McKenna Grace gives a superbly chill performance as the child
Very slight Disney live-action comedy with Kurt Russell as a tv network mailboy with a chimpanzee that can predict which tv shows are going to be hits
Robert Zemeckis’s remake of the Roald Dahl story and Nicolas Roeg film proves a head-scratching effort that misfires on almost every cue
A typical entry in the 1940s fad for light fantasy films in which Cary Grant plays an angel who comes down to Earth to assist poor overworked bishop David Niven
Another in the mid-2000s fad for 1970s remakes. This revives what has been cited as the first slasher film but throws most of the original out and turns the rest into a gore-drenched slasher film
A remake of the 1980s horror Witchboard. The original was just a VHS release and here is given a better budgeted workover, but disappears among a host of ouija-titled films of recent years
Live-action English-language remake of the anime short about a demon-hunting vampire girl. The original is reduced to no more than a series of slick by-the-numbers action poses
A film about med students stopping their hearts so as to explore the afterlife. This aims for big ideas but befalls director Joel Schumacher who delivers pretty visuals but finds nothing any more profound than a figurative group hug
One Cut of the Dead was one of the freshest takes on the overworked zombie film in recent years. Here Academy Award-winning director Michel Hazanavicius conducts a French remake but misses the mark
Adaptation of a Philip K. Dick story is killed by being turned into an Arnold Schwarzenegger action vehicle and by director Paul Verhoeven’s burying the reality bending subtleties of the story under bludgeoning ultra-violence
Dull remake of the classic Arabian Nights film that casts Steve Reeves and tries to make it into a Hercules peplum adventure
I far preferred the 1990 mini-series to the cinematic remake of the Stephen King book. This emerges as a lesser copy of tv’s Stranger Things, which did the whole 80s nostalgia/horror story far better
Though pitched as a prequel, this is essentially a remake of John Carpenter’s classic. Alas, this only finds the same phantasmagoric outlandishness as Carpenter did in a couple of scenes that may be moderately impressive for those who have never seen the original
A popular Robin Williams starring hit about a boardgame that unleashes jungle-themed chaos in a small town. A cute effects-driven idea that ultimately becomes an incredibly safe fantasy
A revival of Jumanji. The original’s boardgame is now a videogame that sucks the players inside. The adventure elements are routine but the film’s has comedic fun with its bodyswapped characters
Eli Roth home invasion thriller where two malicious girls turn family man Keanu Reeves’ life upside down. Roth creates a strong opening but hits the peak of the film not too far in and thereafter loses direction
A disappointing remake of the harrowing Wes Craven classic where the violence has been tamed down and the film is entirely missing the irony of the original’s savage ending
Disney’s original The Little Mermaid was an enormously fresh film. This is the live-action remake that came out amid much controversy and is inevitably a lesser shadow of the original.
Fourth version of the tale about a family who believe their boarder might be Jack the Ripper. This is updated to the present and abandons most of the story for a mind-bending pretzel of identity speculations
A lost film from the great silent actor Lon Chaney [Sr] who would undergo great physical makeup transformations for his role. This also has the distinction of being the first Hollywood-made vampire film
Pointless remake of the cult Australian Nature’s Revenge film. This takes place amid some gorgeously shot natural scenery, is very faithful to the first film but seems to entirely miss the paranoid tone
The fourth film version of The Lodger with Jack Palance as a new tenant that a family believe might be Jack the Ripper This has neither the style or the melodrama that the previous versions did
One of the spate of teen monster movies of the 1950s, this is a B movie that at least has the benefit of not taking itself too seriously and the creation of some memorable alien creatures
Palm Springs was one of the funniest and most delightful variants on the Groundhog Day timeloop theme. This is a French language remake that relocates the story to the Moroccan desert
Dracula director Tod Browning reteams with Bela Lugosi in a remake of the silent London After Midnight. A vampire film that has much atmosphere but is ruined by a ridiculous ending
Ponderous big screen remake of Death Takes a Holiday where Death in the form of Brad Pitt comes to Earth, engages in a romance
A remake of the classic bad movie Cat-Women of the Moon in which explorers to the Moon encounter an all-women society. Things do not improve in the bad movie stakes here
A reboot of the film series adapted from the popular videogame. Produced by James Wan, this emerges as a kinetic and enjoyable effort that has clearly designed to introduce an ongoing franchise
A parody of the Backwoods Brutality film. One of the very first films produced by Lloyd Kaufman of Troma fame
The Disney live-action remake of Mulan finally arrives mired in controversy but the film itself proves a solid production for the most part, although never quite soars as a work of fantasy
Nominal remake of the Boris Karloff The Mummy, which has now been inflated into a big budget Indiana Jones adventure. Stephen Sommers lets the film overspill with CGI spectacle but the exercise is deflated by a jokey, unserious attitude
A remake of the original zombie film Night of the Living Dead conducted in animation
Another pointless remake of an 80s horror film. The original was a cheap Evil Dead ripoff driven by cheesy effects; this provides more professional effects but only becomes a slickly produced assemblage of cliches we have seen dozens of times before
A copy of John Carpenter’s Halloween that proved a big success and spawned a long-running series of sequels. Both films created the slasher film, which came to overrun horror in the 1980s, although this is a cruder film than Halloween
The second film adaptation of the H.G. Wells novel following The Island of Lost Souls. This has remade with a decent budget but the story’s primal charge has been cleaned up
TV movie remake of a 1960s psycho-thriller about two girls making prank calls and uttering the title phrase – only to inadvertently call a killer. The premise makes a lot more sense updated to the 80s
With Disney having remade most of their animated catalogue in live-action, other studios are now getting in on the act with this live-action remake of How to Train Your Dragon
Another 1980s horror remake that resurrects and changes the original to little purpose. This fails to understand that what was original in 1985 lacks much when placed alongside contemporary vampire films
The Old Dark House film hit a peak in the late 1930s. This was a comedy variant featuring the entirely forgotten comedy act The Ritz Brothers stumbling around an old mansion
Another inferior entry in the mid-00s fad remake of 70s/80s horror films. Whereas John Carpenter gave us Michael Myers as evil incarnate, Rob Zombie gives us Michael Myers as a misunderstood and unloved kid
Fourth film version of The Hands of Orlac about a pianist who receives hand transplants from a murderer and believes they are possessing him. Compared to the first two versions, this is dull and prosaic
Remake of the classic H.G. Wells novel that comes with the novelty of being directed by Wells’s great-grandson. More disappointingly it prefers to merely remake the 1960 film rather than return to the book
After the success of their remake of House on Haunted Hill, Dark Castle Entertainment remade another William Castle film here, expanding it with a full arsenal of visual and makeup effects
Backwoods Brutality Chilean style. This has the look and feel of a lost 1970s film that some people insist on calling grindhouse. Not the most polished work but this does deliver assorted brutality, gore and cannibalism
A slasher film from the classic 1980s heyday set during a party at a sorority house. This has been praised as being one effort that is well above the rest of the genre.
A valiant attempt to remake Clive Barker’s glistening and brilliant original that only emerges as a better made version of one of the sequels. This has a disappointing tameness that would never have inspired a series of sequels
Ira Levin’s original novel wherein the men of a town replace their wives with subservient android duplicates seems to have its satiric point blunted when it comes to the film adaptation
A South Korean entry in the fad for Asian ghost stories that were popular in the 2000s following the successes of Ring and Ju-on/The Grudge. This later underwent remake as Alexandre Aja’s Mirrors
One welcomes a collaboration between Tsui Hark, the godfather of Hong Kong fantasy cinema, and Yuen Wo Ping, fight choreographer for The Matrix and Crouching Tiger, Hidden Dragon but the the results are oddly disappointing, with Yuen’s talents seeming buried under the CGI
Tobe Hooper’s remake of the 1950s alien invaders classic for Cannon Films has much better effects and more technical proficient than the original but misses any of its paranoid, alienated mood
One of the films from gimmick master William Castle, a more routine ghost story that eventually opts for a mundane ending and was sold with the gimmick of Ghost Viewer glasses. Later remade as Thir13en Ghosts
Another 1980s horror remake that had much potential. However, this proves to be just another Friday the 13th film by the numbers, albeit with a bigger budget, and widely misses the mark
Remake of The Bishop’s Wife with Denzel Washington as an angel come to aid an overworked pastor but falling for his wife Whitney Houston
Another wholly unnecessary remake that waters the raw savagery of the original down to a safe tepidness. Everything that the original set down has now become formulaic
Film about a monstrous blob that devours everything in its path. This has become a 1950s B movie classic more through its chessiness value, not to mention theme of teenage rebellion, than necessarily being a great film
A remake of the 1992 film that starred Rebecca De Mornay as a psychopathic babysitter who enters a household seeking revenge. This updates the story for the 2020s, although is no less a conservative version than the original
Remade, the 1975 dystopian film about future sports is stripped of any of its big message (even of its future setting) and is turned into no more than a formulaic action film
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
Tarzan turned into a tedious softcore work designed to highlight the talent-free Bo Derek in a state of undress. This directly remakes the 1932 Johnny Weissmuller film – the original was an adventure classic, this is just an expensive nudie film
The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
A gender-swapped remake of What Women Want in which Taraji P. Henson gets the ability to read men’s thoughts. Henson displays no talent for comedy and this is a spectacularly unfunny film
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
Disastrous remake of the classic 80s horror film, which comes shorn of its biting satire on Family Values and turned into just another teen horror film
A Chinese Ghost Story was one of the greatest Hong Kong fantasy films; this remake gets everything wrong. The aerial combat scenes are replaced by CGI, the characters rewritten and the Buddhist elements eliminated
A remake of the classic film noir psycho-thriller. Now the story is conducted in colour and with a name star cast but misses all the atmosphere the original had by a wide mile
Another remake we never asked for. Considering that this had the entire CGI revolution to conceive of the afterlife journey and merely has to top Joel Schumacher, it is amazing how dull and uninteresting this emerges as
A film remake of one of the great tv series of the 1980s. A complete betrayal by the original’s director Martin Campbell that strips all the politics and simply makes it into a Mel Gibson revenge film
Claude Chabrol updates Fritz Lang super-villain Dr Mabuse to a millennial West Berlin where Alan Bates is a tv mogul who masterminds a mass suicide cult via messages hidden inside advertising
Complete and utter bastardisation of Hugh Lofting’s charming Doctor Dolittle stories, which are turned into a modern comedy with Eddie Murphy and talking animals doing lots of pee and poop jokes
Eli Roth’s remake of the classic Charles Bronson vigilante film is an ugly affair. In an era where school shooting are a weekly scourge in the US, do we really need another fantasy about one man becoming empowered and sorting things out with a gun?
Death Race 2000 was a hit for producer Roger Corman. It was remade minus the satire as a straight action film with Death Race; here Corman remakes the original (albeit very cheaply) and restores the satire
One of a growing industry of zombie films that leech off the George Romero name. This remakes Romero’s Day of the Dead, which means it cherry picks key elements and rearranges them in a different way but lacks everything else that Romero offered
A remake of George Romero’s third and most underrated zombie film, This came out as part of the 2000s revival of the genre but majorly miscalculates the original and emerges as wrong in just about every way
Larry Buchanan was a director whose output rivalled Edward D. Wood Jr in quality. This film about an expedition into the bayous encountering a mad scientist creating human-crocodile hybrids registers fairly poorly on most counts
TV mini-series remake of the Michael Crichton medical thriller that pointlessly changes and over-extrudes a tight and effective original, while director Mikael Salomon adds absurd red herrings and keys away major surprises well in advance
Heavily disappointing remake of the Ray Harryhausen film where the replacement of Harryhausen’s stop-motion animation with CGI fails to achieve any magic
The controversial remake of Child’s Play where Chucky is no longer possessed but become an artificially intelligent smart toy. This seems to misconstrues everything that the fanbase of the series celebrates by a mile