Freaky Friday (2003)
Enjoyable remake of the 1970s Disney comedy about a mother and daughter who swap bodies. Jamie Lee Curtis and Lindsay Lohan nail the swapped roles to perfection
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
Enjoyable remake of the 1970s Disney comedy about a mother and daughter who swap bodies. Jamie Lee Curtis and Lindsay Lohan nail the swapped roles to perfection
Filipino ghost story inspired by The Ring and Ju-on films that generates a reasonable haunted atmosphere in its story about mysterious happenings in an apartment building. This later underwent an English-language remake
Frank Oz conducts a remake of The Stepford Wives, which becomes a broad comedy take on the gender wars in the modern world
Zack Snyder debuts with a remake of the cult George Romero film. While this has a bigger budget, it is missing is the satire and gore-drenched effects that made the original memorable. This inspired the mid-2000s zombie film revival
Luc Besson written/produced film that is a French rehash of Escape from New York but director Pierre Morel gives it a series of exhilarating action and parkour sequences
Remake of the classic Cold War thriller from Jonathan Demme that has been updated for the era of George W. Bush
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
The long-planned film adaptation of The Phantom musical emerges as disaster under Joel Schumacher. The Phantom’s presence has all been watered down and the film exists as no more than a series of scenographic poses
TV mini-series remake of the Stephen King novel, this fails to hold a candle to the earlier 1979 version
A remake of the silent German Expressionist classic that replicates the unique look and sets. Interesting, although it now emerges more like a film noir with artistic pretensions than the avant garde work the original was
Eli Roth-produced remake of the Herschell Gordon Lewis splatter film Two Thousand Maniacs, this plants tongue in cheek, is fairly and squarely aimed at a frat boy audience and unapologetic about piling on copious amounts of gore and naked breasts
A remake of the first Quatermass story conducted as a live broadcast tv movie. Quite a considerable technical achievement considering the limitations and one that works with quite reasonable results
Palm Springs was one of the funniest and most delightful variants on the Groundhog Day timeloop theme. This is a French language remake that relocates the story to the Moroccan desert
One of the worst among the 2000s fad for remakes of 70s/80s horror films. John Carpenter’s 1980 original has been transformed into a teen horror film where the spookiness collapses into frequently ridiculous shock effects
Fair-to-reasonable remake of John Carpenter’s low-budget 1976 film about a handful of staff in a police station under siege from gangs outside. Much of the original has undergone change
Peter Jackson’s dream project, a remake of the 1933 film, and his finest work as a filmmaker. Jackson builds the original out considerably and his command of the effects gives us something quite dazzling
Remake of the 1979 film that still persists with the claim that the Amityville hoax was true. This embellishes the rather dull original with the baggage of trick effects of the modern horror film
Tim Burton’s remake of Willy Wonka and the Chocolate Factory is a peculiarly lifeless confection that fails to find any of the zaniness of the original, something that one would have thought would have been Burton’s forte
A tv movie remake of a classic 1960s BBC serial where astronomers pick up messages from space that gives instructions for the construction of a body for themselves
Big-budget modern Japanese remake of a 1970s disaster movie in which Japan starts to catastrophically sink into the ocean. Despite revisiting the original with CGI spectacle, this is a film in which hardly anything interesting happens
Disappointing remake of Brian De Palma’s 1973 Siamese twins psycho-thriller that changes many elements and crucially lacks De Palma’s stylistic showmanship
Another in the mid-2000s fad for 1970s remakes. This revives what has been cited as the first slasher film but throws most of the original out and turns the rest into a gore-drenched slasher film
Passable remake of the 1979 slasher film that streamlines the original and sets it all in amazing designer dream home
The 1973 version of The Wicker Man is a cult classic; this is one of the worst remakes of all time that gets nothing about the original right, blunts its themes about religion and tosses in crude shocks and killings
Wes Craven’s Backwoods Brutality classic gets a gore-drenched makeover from Alexandre Aja. One of the better amid the 2000s fad for horror remakes where the original is dragged into the modern day in some interesting ways
The remake of the old Disney comedy becomes a vehicle for Tim Allen, played with a manic slapstickery wherein Allen demonstrates there are few levels of silliness he will travel to in imitating dog-like behaviours
Remake of George Romero’s seminal zombie classic. The 3D is no more than a gimmick, while elsewhere they are some radical changes – a white Ben, a lame explanation for the zombies, some far-too-cute in-jokes – that fails to match the effectiveness of the original
The classic 1976 Anti-Christ film is given the remake treatment. The production look slick but quickly disappears into forgettability
Furious and highly engaging Spanish Found Footage film about the infected dead taking over an apartment building. Three sequels and an English-language remake followed
The fourth film version of Invasion of the Body Snatchers starring Nicole Kidman, this badly miscues many key scenes and is missing all the paranoid mood of the original film
A remake of the cult Herschell Gordon Lewis splatter film about a stage magician who creates illusions of eviscerating people on stage
Michael Haneke’s English-language remake of his earlier home invasion film has a sense of pointlessness to it. But in following the original so closely, it also cannot help but work where it did
Another J-horror on the bandwagon created by the Ring and Ju-on/The Grudge films. Some promisingly initial scares traipse off into a dull mystery about investigating the past
Another disappointing remake of an 80s horror film, this misses the gripping suspense and everything that worked about the 1986 original and turns it into just another teen horror film
Another inferior entry in the mid-00s fad remake of 70s/80s horror films. Whereas John Carpenter gave us Michael Myers as evil incarnate, Rob Zombie gives us Michael Myers as a misunderstood and unloved kid
An interesting if uneven remake of the 1950s SF classic from Scott Derrickson that smartly updates the story from the Atomic Age to a post-9/11 era where it now delivers a modern environmental warning
An English-language remake of the ghost story from the Pang Brothers follows the other film faithfully but in terms of atmosphere is a pallid copy of the original
One of the worst among the 00s fad for remakes of 80s horror films. The original is abandoned all bar the name and becomes an I Know What You Did Last Summer-type slasher peopled by unlikeable teens
TV series remake of Michael Crichton’s novel about the attempts to contain a viral outbreak from space. Crichton’s story was a straightforward work, whereas the mini-series has been absurdly overburdened with other plots
Pointless remake of the cult Australian Nature’s Revenge film. This takes place amid some gorgeously shot natural scenery, is very faithful to the first film but seems to entirely miss the paranoid tone
A remake of George Romero’s third and most underrated zombie film, This came out as part of the 2000s revival of the genre but majorly miscalculates the original and emerges as wrong in just about every way
Larry Cohen’s 1974 cult classic about a killer mutant baby gets the remake treatment. Even though Cohen co-writes the script here, the remake manages to wring anything interesting out of the original
A strong and unusual Swedish vampire film that is less a horror film than one about friendship between a boy and the very strange girl next door who we gradually realise is a vampire
Another among the fad for remakes of 70s/80s horror films. Any connection to the original Jamie Lee Curtis disco slasher is thrown out in favour of a generic modern slasher
Revival of the Disney Witch Mountain films of the 1970s. Now the films have been dragged into the post-X Files era and flashy effects added to negligible result
Loose remake of the 1980s slasher film The House on Sorority Row, competently made but in the end this never sufficiently surmounts the routine
Fourth version of the tale about a family who believe their boarder might be Jack the Ripper. This is updated to the present and abandons most of the story for a mind-bending pretzel of identity speculations
Disastrous remake of the classic 80s horror film, which comes shorn of its biting satire on Family Values and turned into just another teen horror film
Another 1980s horror remake that had much potential. However, this proves to be just another Friday the 13th film by the numbers, albeit with a bigger budget, and widely misses the mark
Live-action English-language remake of the anime short about a demon-hunting vampire girl. The original is reduced to no more than a series of slick by-the-numbers action poses
A disappointing remake of the harrowing Wes Craven classic where the violence has been tamed down and the film is entirely missing the irony of the original’s savage ending
Another in the fad for remakes of 70s/80s films. where the 1981 slasher film gets reworked if this did not come with the 3D gimmick, it would be no more than a routine direct-to-dvd release
Strong and dramatically absorbing Swedish thriller featuring one of the most original and provocative heroines on screen in some time. A word of mouth hit that later underwent a lesser English-language remake
This remake of the Stephen King short story (this time with a script from King himself) is a much better film than the earlier 1984 version or any of its numerous sequels
Another pointless remake of an 80s horror film. The original was a cheap Evil Dead ripoff driven by cheesy effects; this provides more professional effects but only becomes a slickly produced assemblage of cliches we have seen dozens of times before
Heavily disappointing remake of the Ray Harryhausen film where the replacement of Harryhausen’s stop-motion animation with CGI fails to achieve any magic
George Romero’s underrated classic gets a makeover amid the 00/10s fad for remakes of 70s/80s horror films. Alas, Romero’s modest classic about a madness-inducing biospill has a big-budget thrown to emerge as just another zombie film
A film remake of one of the great tv series of the 1980s. A complete betrayal by the original’s director Martin Campbell that strips all the politics and simply makes it into a Mel Gibson revenge film
Yet another in the fad for 19870s/0s horror remakes, a merely efficient revival that reduces the wild, outré scares of Wes Craven’s original to conveyor belt shocks
This has almost nothing in common with the 1980 film it is supposedly based on. Instead we get a home invasion film where Darren Lynn Bousman of Saw sequel fame shows that constant scenes of brutality and torture are all that he has in his arsenal
Another in the fad for 70s/80s remakes where Alexandre Aja for once captures the spirit of Joe Dante’s 1978 original by planting tongue in cheek and wading in with mind-bogglingly gory enthusiasm
The harrowing 1970s raped woman on a revenge spree film is given the remake treatment, although is watered down in many key areas. The revenge scenes however are played up for a particular nastiness
The 1941 Lon Chaney Jr The Wolf Man is given the remake treatment in a way that builds out on the creaky original with lavish sets and state of the art transformation effects
Popular animated adaptation of a children’s book. This hits all the right story arcs and in sufficiently likeable measure to work amiably. Two sequels and a live-action remake followed.
Another pointless 1970s remake, in this case of the little-known British psycho-thriller about two tourists stalked in the French countryside (now transplanted to Argentina) with ho-hum results
Another wholly unnecessary remake that waters the raw savagery of the original down to a safe tepidness. Everything that the original set down has now become formulaic
Tsui Hark, a key figure of the modern Wu Xia cycle, makes a lushly extravagant, Chinese-backed flying swordsman epic. Featuring a wide canvas of characters who come together in a series of very entertaining playoffs
A horror version of Frequency where Rachelle Lefevre has phone conversations across time with a disturbed woman who then starts causing people to disappear and altering the timeline. Cleverly told and with some chilling twists
Another 1980s horror remake that resurrects and changes the original to little purpose. This fails to understand that what was original in 1985 lacks much when placed alongside contemporary vampire films
Though pitched as a prequel, this is essentially a remake of John Carpenter’s classic. Alas, this only finds the same phantasmagoric outlandishness as Carpenter did in a couple of scenes that may be moderately impressive for those who have never seen the original
Chinese remake of the romcom where Mel Gibson was suddenly able to hear women’s thoughts. A second time over, the premise seems slight while the film crucially fails to create much passion between its two stars
A Chinese Ghost Story was one of the greatest Hong Kong fantasy films; this remake gets everything wrong. The aerial combat scenes are replaced by CGI, the characters rewritten and the Buddhist elements eliminated
Guillermo Del Toro produced cinematic remake of a 1970s tv movie, this creates a good deal of creepy mood and atmosphere with Katie Holmes as a mother who finds goblins in the cellar, but never pushes any of it in a way that jolts audiences in their seats
Backwoods Brutality Chilean style. This has the look and feel of a lost 1970s film that some people insist on calling grindhouse. Not the most polished work but this does deliver assorted brutality, gore and cannibalism
TV mini-series remake of the Michael Crichton medical thriller that pointlessly changes and over-extrudes a tight and effective original, while director Mikael Salomon adds absurd red herrings and keys away major surprises well in advance
This Syfy Channel production can’t seem to decide if it is a sequel or a remake of the 1984 film. Michael Paré turn up in both versions but goes from being the hero to a menacing heavy. The original had its moments but this is generic and routine in all ways
Controversial remake of the 1980 psycho film. The remake’s unique take is that everything is shot in first-person from the point-of-view of the killer.
The idea of remaking John Milus’s ridiculous 1984 survivalist fantasy about a Communist invasion of the USA maybe counts as one of the most absurdly unnecessary of all remakes. The film laughably tries to deal with the absence of a Soviet Union by creating a boogeyman out of North Korea
I was never a particular fan of the Schwarzenegger original and this improves on it somewhat. This is far better conceived as an action film with some amazing Cyberpunk designs. On the other hand, the two decades interim has made the story’s Philip K. Dick-ian reality bendings seem commonplace
This remake of the Australian classic about a coma patient with psychokinetic powers is astonishingly bad. Richard Franklin’s stylish scares are replaced by laughably overwrought sequences
This is a Canadian-made remake of the Alyssa Milano-starring erotic vampire film The Nosferatu Diaries: Embrace of the Vampire. For some reason, this is now minus the erotica and emerges as tepid
Directors Lucky McKee and Chris Sivertson conduct a remake of their earlier film about resurrected cheerleaders. The question might be why – both have demonstrated they can do far better than this
One of the few remakes of the 00s/10s that delivers the goods. While messing around with the plot set-up with mixed results, this quickly goes for broke to create a satisfying show on most accounts
Ben Stiller’s remake of the unfunny Danny Kaye vehicle about an impractical daydreamer has no more depth than an inspirational postcard and takes a long time to deliver it
Another pointless 70s remake that replicates the 1976 Carrie almost scene for scene but misconstrues the material by a mile. Crucially, it comes without the sensational casting that made the original, nor a Brian De Palma at the helm
Spike Lee makes a vampire film (even though the title gives the impression is he has detoured off into gospel). The even bigger surprise is he conducts a remake of the Blaxploitation classic Ganja & Hess
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
Bollywood remake of a ghost story that comes with one of the cleverer M. Night Shyamalan conceptual reversal twists
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
Eli Roth home invasion thriller where two malicious girls turn family man Keanu Reeves’ life upside down. Roth creates a strong opening but hits the peak of the film not too far in and thereafter loses direction
This offers the bizarre novelty of being the version of Plan 9 from Outer Space that Ed Wood would have wanted make if he had a decent budget. Surprisingly enough this is played straight, although you question whether what Wood was trying to make was a modern zombie film
It has become an overused phrase in this site’s critical arsenal to say “yet another 70s/80s remake that is inferior to the original”. The 1982 Poltergeist was one of the great ghost stories of the era; this hits all the beats and with bigger effects but fails to find any of the haunted mood of the original
Blood Feast was the world’s first splatter film. This is a remake with a better budget but suffers a tameness that fails to come anywhere near the go-for-broke rawness of the original
One of the lush, beautifully produced modern Wu Xia (flying swordsmen) films. Produced and written by the legendary Tsui Hark
There was a lot of hate centred on this for recasting what is considered a classic film with an all-girl cast. It emerges mostly likeably, no better, no worse on the whole, where the new ensemble make a solid showing
A remake of Eli Roth’s first film? Why, given that the original only came out 14 years ago, is anybody’s guess. This literally recycles the original’s script but is deaf to its sarcastic humour of the original
Nothing indicates how miscalculated this remake is than the fact it has been placed in the hands of the director of the High School Musicals and sundry Disney Channel fodder
Live-action remake of the Disney film that gives the animals life through top of the line CGI effects. The results are impressive aided in large part by near-perfect voice casting
Another Disney remake that hardly resemble its source – the original was light slapstick with a big cartoon dragon, this is a sober wild child story where the dragon is now an endangered species