Terror Train (2022)
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
The Science Fiction Horror and Fantasy Film Review
Remakes are previous cinematic works that are given a new interpretation. Almost always the works being remade are popular works in a previous era that have stayed in the public imagination. A remake is an attempt to revitalise the property for a new era.
A remake will update an older work, changing many of the references for a contemporary relevance. It will offer more sophisticated effects and contemporary stars. It is common in films of the late 2010s/2020s for older works to be remade with some of the leading roles gender-flipped or raceswapped. In the majority of cases, the remake fails to have the effect the original had on audiences in that the earlier work was very much a phenomenon that belonged to its era, although there are some exceptions.
It is also worth discussing a remake vs an adaptation. We usually talk about remakes applying to previous successful cinematic works. However, when we refer to a work that was popular before becoming a film or there have been multiple film versions, a new film version is simply referred to as a new adaptation. Nobody ever talks about a remake of Hamlet (1603) or Pride and Prejudice (1813), for instance.
Variants include popular tv series being given film remakes – see Based on TV, or popular foreign-language films being given English-language remakes – see English-Language Remakes. Other types of remakes include animated films and tv being remade in live-action – see Animation in Live-Action.
A side piece of terminology that has come into use in the 2000s is the idea of a reboot where a popular ongoing series is usually revived and reworked in some way or simply an ongoing series is given a new actor and/or a continuity reset.
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
Third of the German thrillers of the 1960s featuring the criminal mastermind Dr Mabuse, a remake of the 1933 film where Mabuse continues his criminal schemes via mind control despite being confined to an asylum
An absolute horror classic, a film that has been conceived as a harrowing assault on one’s nerves. This has become a landmark genre classic and led to numerous sequels and copies but rarely any that matched the original
A remake of Tobe Hooper’s landmark classic that presaged a host of inferior 70s/80s horror remakes throughout the 2000s/10s. What we have is now a different film although not entirely an uninteresting one
An Arabian Nights adventure that offers up one of the purest blends of fantasy and romance of its era. Filled with stunning directorial set-pieces and magnificent sets and all shot in colour.
Dull remake of the classic Arabian Nights film that casts Steve Reeves and tries to make it into a Hercules peplum adventure
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
John Carpenter at the peak of his career, remaking The Thing from Another World as a wild and phantasmagoric film steeped in paranoia that proved to be the absolute epitome of the era’s fad for air-bladder transformation effects
Though pitched as a prequel, this is essentially a remake of John Carpenter’s classic. Alas, this only finds the same phantasmagoric outlandishness as Carpenter did in a couple of scenes that may be moderately impressive for those who have never seen the original
The very first alien invader film of the 1950s. Maybe or maybe not directed by Howard Hawks, this has a dramatic urgency and tight tension that makes it stand head and shoulders above most of the films that came after
After the success of their remake of House on Haunted Hill, Dark Castle Entertainment remade another William Castle film here, expanding it with a full arsenal of visual and makeup effects
One of the films from gimmick master William Castle, a more routine ghost story that eventually opts for a mundane ending and was sold with the gimmick of Ghost Viewer glasses. Later remade as Thir13en Ghosts
One welcomes a collaboration between Tsui Hark, the godfather of Hong Kong fantasy cinema, and Yuen Wo Ping, fight choreographer for The Matrix and Crouching Tiger, Hidden Dragon but the the results are oddly disappointing, with Yuen’s talents seeming buried under the CGI
This adaptation of H.G. Wells’ classic novel was one of the best films from 1950s SF producer/director George Pal. The time travel is depicted with considerable wondrousness and standout effects for the era
Remake of the classic H.G. Wells novel that comes with the novelty of being directed by Wells’s great-grandson. More disappointingly it prefers to merely remake the 1960 film rather than return to the book
The Tom and Jerry cartoons have the distinction of being considered the most violent ever. The question is why anybody considered why we needed an animated remake of Willy Wonka but with the addition of Tom and Jerry
After a decade-long slump, Tobe Hooper started to show he still had what it took with this remake of the 1980 slasher film
Adaptation of a Philip K. Dick story is killed by being turned into an Arnold Schwarzenegger action vehicle and by director Paul Verhoeven’s burying the reality bending subtleties of the story under bludgeoning ultra-violence
I was never a particular fan of the Schwarzenegger original and this improves on it somewhat. This is far better conceived as an action film with some amazing Cyberpunk designs. On the other hand, the two decades interim has made the story’s Philip K. Dick-ian reality bendings seem commonplace
Interesting little film that has gained a small cult reputation, a True Crime work based on a series of unsolved killings conducted by a masked figure in a small Southern town in 1946. A solid, quasi-documentary-like depiction that adheres to the facts for the most part
The film that launched the name of Troma Films. The world’s first superhero splatter film, this readily dives into bad taste just to see what kind of offence it can get away with
A remake of the work that launched Troma films. The original The Toxic Avenger was a gungily nasty film that readily trod way over all lines of good taste. In being cast with name stars, this has been cleaned up considerably
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
Remake of the Ozploitation film where the original’s Most Dangerous Game scenario set in a dystopian future is lamely rewritten as a reality tv show and another Hunger Games ripoff. The original was fairly terrible; this has a lack of conviction in most regards that makes it even worse
Terry Gilliam remakes the classic short film La Jetee as one of the most impressive of modern time travel films with an exceptional plot that is built around a sophisticated time paradox
Eli Roth-produced remake of the Herschell Gordon Lewis splatter film Two Thousand Maniacs, this plants tongue in cheek, is fairly and squarely aimed at a frat boy audience and unapologetic about piling on copious amounts of gore and naked breasts
One of the better of Herschell Gordon Lewis’s cheap splatter films, set in a Confederate town that exists in a timewarp and slaughters all outsiders
Classic adaptation of the John Wyndham novel about the women in a sleepy English village being impregnated and producing emotionless alien children with vast psychic powers. This translates the paranoia of US alien invasion films with considerable effectiveness
Director John Carpenter did amazing things with his remake of The Thing but was not able to replicate such with his remake of Village of the Damned, which misses the taut atmosphere of the 1960 film
Roger Corman cheapie clearly influenced by The Fly in which a woman becomes a creature after using a beauty product derived from wasp venom
A hit for novelist Michael Crichton who made his directorial debut here. Themes of machines going amok run throughout Crichton’s work and here he comes up with the ingenious idea of a Western simulation playground using androids that proceed to turn against the humans
Psycho-thriller featuring a mad Bette Davis torturing her sister Joan Crawford. This held considerable shock at the time for seeing two former glamorous Hollywood stars beyond their glory days and going nuts. The film’s success inspired a whole fad of imitators
A gender-swapped remake of What Women Want in which Taraji P. Henson gets the ability to read men’s thoughts. Henson displays no talent for comedy and this is a spectacularly unfunny film
Amiable romantic comedy in which Mel Gibson comes round after an accident in the shower to find he now has the ability to read women’s thoughts.
Chinese remake of the romcom where Mel Gibson was suddenly able to hear women’s thoughts. A second time over, the premise seems slight while the film crucially fails to create much passion between its two stars
The original babysitter stalker film based on a short film that was then expanded out to feature-length following the success of Halloween
Passable remake of the 1979 slasher film that streamlines the original and sets it all in amazing designer dream home
Classic horror film that imagines a secret world of pagan rites existing into the modern day. As much a classic for its colourful creation of a folk culture as it is for an unforgettable ending
The 1973 version of The Wicker Man is a cult classic; this is one of the worst remakes of all time that gets nothing about the original right, blunts its themes about religion and tosses in crude shocks and killings
Fine little tale of an introverted man who befriends a horde of rats and uses these to gain comeuppance. A hit that presaged a host of Animals Attack films throughout the 1970s.
James Wong and Glen Morgan, the duo behind Final Destination, remake the 1971 film about a man and his rats. However, this is set in a stylised 1940s world with a caricatured performance from Crispin Glover that causes the film to lack any credibility
A Roald Dahl children’s film that has become a cult classic, set in a deliriously nonsensical world with Gene Wilder give a sinisterly threatening performance in the title role
A passable 80s horror in which Tawny Kitaen summons an evil spirit via an ouija board. That was a sufficient hit on video shelves that two sequels followed and then a remake.
A remake of the 1980s horror Witchboard. The original was just a VHS release and here is given a better budgeted workover, but disappears among a host of ouija-titled films of recent years
Robert Zemeckis’s remake of the Roald Dahl story and Nicolas Roeg film proves a head-scratching effort that misfires on almost every cue
One of Herschell Gordon Lewis’s splatter films about a stage magician who cuts up women on stage and real life. The film makes mind boggling plays between reality and illusion
A remake of the cult Herschell Gordon Lewis splatter film about a stage magician who creates illusions of eviscerating people on stage
Although it wasn’t the first werewolf film, this is the one the created all the mythology of the werewolf film – full moons, silver bullets etc – while the wolfman went on to join the pantheon of Universal Famous Monsters.
The 1941 Lon Chaney Jr The Wolf Man is given the remake treatment in a way that builds out on the creaky original with lavish sets and state of the art transformation effects
A reimagining of the long-running Wrong Turn series of Backwoods Brutality films, this does imaginative things with the set-up and emerges as the best of the series so far
South Korean copy of the Japanese Godzilla films and a painfully cheap effort on all counts