Me Two (2008)
Lightweight French bodyswap comedy where aging rocker Alain Chabat and mousy bureaucrat Daniel Auteuil end up sharing the same body
The Science Fiction Horror and Fantasy Film Review
The history of French Cinema is the history of the beginnings of cinema – from the very first films made by the Lumiere Brothers, which screened in Paris in 1895, to some of the first science-fiction and fantasy films by Georges Melies who pioneered most of the major special effects techniques.
France has produced a steady stream of films since. Its next major wave of genre output came during the French New Wave of the 1950s and 60s, which produced a series of experimental films that broke with Hollywood narrative and technique, creating a series of surrealistic, sometimes extraordinary, often baffling and pseudo-intellectual works.
France has its steady output of films that are light comedies, popular thrillers and action films, as well as a strong output of drama and independent works that usually defy a Hollywood norm. From the 1980s onwards, one of the major producers of genre cinema has come from Luc Besson who operates in the action, science-fiction and fantasy genres.
The other major intersection with genre material came during the so-called French Extremism movement of the mid-late 2000s involving a series of horror films that pushed gore, sadism and blood-letting to unbearably brutal levels.
Regular genre contributors from France include Alexandra Aja, Olivier Assayas, Enki Bilal, Alexandre Bustillo, Leos Carax, Marc Caro, Helene Cattet, Sylvain Chomet, Rene Clair, Jean Cocteau, Marina de Van, Claire Denis, Julia Ducournau, Quentin Dupieux, Bruno Forzani, Abel Gance, Christophe Gans, Xavier Gens, Jean-Luc Godard, Michel Gondry, Jean-Pierre Jeunet, Mathieu Kassovitz, Rene Laloux, Pascal Laugier, Louis Malle, Chris Marker, Julien Maury, Georges Melies, Dominik Moll, David Moreau, Gaspar Noe, Michel Ocelot, Francois Ozon, Xavier Palud, Pitof, Thierry Poiraud, Jean-Marie Poire, Jean Renoir, Alain Resnais, Jean Rollin and Roger Vadim.
Lightweight French bodyswap comedy where aging rocker Alain Chabat and mousy bureaucrat Daniel Auteuil end up sharing the same body
Head-scratchingly odd fantasy film produced by John Boorman and family where a young boy is transported to a world where he mingles with characters from fiction
Almost certainly this is the one Christopher Lee Dracula film you will never have heard about. This was a French comedy made not long after Mel Brooks’ Young Frankenstein, spoofing the Dracula film
An entry in a popular series of French slapstick comedies with Louis de Funes as a comic gendarme. In this, the series sole genre entry, he goes up against alien visitors
Chris Marker, the director of La Jetee, returns to SF. Though this is set around a Virtual Reality game, it is in fact a documentary essay about the Battle of Okinawa
Bernardo Bertolucci directs a biopic of the Buddha, which is interspersed with a modern story where a Western boy learns that he is the reincarnation of a revered abbot
Michael Haneke has risen to great acclaim in recent years; this is one of his earlier works – a slow Tarkovsky-esque work that seems set in a future that is collapsing at the edges. Haneke is a fascinating talent but this is a bit too vague and well free of anything actually happening for me
Disappointing film adaptation of the videogame from Xavier Gens that comes with unremarkable action scenes, a script filled with holes and Timothy Olyphant miscast as Agent 47
European arthouse film that feels like it should have been a horror film. This starts well but when it veers into genre territory, its big twist has been done by too many genre films of recent and holds nothing interesting in its treatment
The title suggests either a comedic take on the superhero film or a teen film about a kid discovering superpowers. The least thing you expect this to be is a French police thriller about a unit investigating super-powered crimes
One Cut of the Dead was one of the freshest takes on the overworked zombie film in recent years. Here Academy Award-winning director Michel Hazanavicius conducts a French remake but misses the mark
A gender-flipped version of the Jekyll and Hyde story with Isabelle Huppert is a teacher who is walked over in every aspect of her life before she is changed by a strange electrical discharge
A French horror film shot all in a single unbroken take as a deadly infection spreads all around town and we follow various people as they try to survive in the midst
Xavier Gens delivers a French copy of The Texas Chain Saw Massacre. This is largely by the numbers excepting for a gore level raised to what must be a maximum for the genre
Film from Enki Bilal, a celebrated comic-book creator in France, about the noirish goings-on and in-politics on a lunar colony
Rather of an oddity – a French adult film about women from the future that in the aftermath of Star Wars was re-edited to become a film about alien women visitors come to kill off the human species via sex. Often directed with an artiness that proves far more than you expect
Animated film based on the popular comic-books co-directed by the comic-book’s creators René Goscinny and Albert Uderzo,. This is disappointingly weak animation that substitutes slapstick cartoon gags for the comic’s more sophisticated humour
Another of Quentin Dupieux’s gonzo, surreal comedies where a married couple buy a house and find it has a portal that takes them twelve hours into the future, while making them younger
A CGI animated film based on the popular comic-book character Asterix. After numerous other adaptations, this was the first of the Asterix films to be written directly for the screen
The sixth film version of a classic lost world story about explorers finding Atlantis and its immortal queen in the desert. This is a more mundane version that waters down the fantastic elements
The title is misleading as the film doesn’t feature any robots but a group of mind-controlled assassins. An entry in the mid-1960s spy film fad from cult exploitation director Jess Franco
Cult exploitation director Jesus Franco pays homage to the mad surgeon films of his heyday. Essentially one of Franco’s Dr Orloff films by way of the sadistic despatches of the giallo film
The English-language remake of the Luc Besson-produced Banlieue 13. The electrifying parkour scenes of the original now seem routine and the film’s social set-up so thinly sketched as to be negligible as science-fiction
A French catastrophe film where the Earth’s poles abruptly reverse, transforming what was ocean into a desert. A survival film that is based on a premise that is fundamentally scientifically absurd
Luc Besson makes a return with an adaptation of Bram Stoker’s Dracula. The surprise about this is that he fairly much uncreditedly remakes Francis Ford Coppola’s version of the story
Directors Alexandre Bustillo and Julien Maury made the brutally extreme Inside. Here they return with what feels like an unofficial copy of Candyman about a vengeful boogeywoman
Jaco Van Dormael film that reaches for epic ideas in a story about multiple life pathways and a babble of ideas taken from physics but fails to assemble them in a way that makes much sense
From the director of the standout Meander, a dark and claustrophobic film set in the 1950s about miners disturbing a Lovecraftian entity buried in the depths of a mineshaft
A biopic of Paula Maxa, the real-life star of Paris’s Grand Guignol Theatre. The Grand Guignol specialised in plays depicting gory on-stage deaths and she was killed on stage an estimated 10,000 times during her career. Here the biopic elements are blended with a mystery in which she is targeted by a serial killer
Prolific exploitation director Jess Franco makes an entry in the early 1970s fad for lesbian vampire films. This has more softcore erotic content than other entries, although the Dracula part of the title is a misnomer
Maisie Williams and an aging Sylvester McCoy in a film about house burglars who break in to a home to discover sinister things afoot
From Eric Rohmer, a director of the French New Wave, an adaptation of stories from the Arthurian legends, made in a decidedly eccentric style
French director Robert Bresson’s take on the Arthurian legends, stripped of nobility and magic. I’m not part of the critical cult around Bresson. Films that are dull and lifeless are not about spiritual yearning just dull
Finally, the answer to what happened to Marc Caro after parting ways with Jean-Pierre Jeunet. Caro directs what would appear to be a darkly lit and confusing variation on The Green Mile set on a space station
Xavier Gens film from the screenwriters of The Conjuring films based on a supposedly true-life exorcism. One was hoping that Gens would do amazing things with the exorcism genre but he only rehashes the same cliches
From regular genre director Christophe Gans, this is a head-scratching mix of French historical drama, monster movie and imported Wu Xia action moves
Luc Besson scripted sequel to the serial killer thriller The Crimson Rivers. However, in director Olivier Dahan’s hands, this emerges as a empty-headed series of shock images and random action scenes
From the director of Emmanuelle, this is an adaptation of an adult comic-book that replays the lost city adventure with the addition of a mind-boggling softcore fetishism
The final film of French animator Rene Laloux, a planetary adventure set on a world where Laloux delights in creating exotically trippy aliens and landscapes. Released in English as Light Years with an Isaac Asimov script
The Monk is a sordid classic of 18th Century Gothic literature, filled with crazed lusts and Catholic guilt and damnation. However, in the hands of French director Dominik Moll, all the tortured sexuality has been watered down and the story stuffed as a costume drama
Director Jean Rollin gained a cult following with his erotically fetishised, strikingly poetic vampire films, of which this was the first. Viewing the film today, one has more than a few problems with the title
French film about true-life serial killer Marcel Petiot, a respectable doctor who operated a lifeline for Jewish refugees during WWII only to kill them
The first film from Enki Bilal set in a decaying luxury bunker where the elite of the future take shelter from a civil war. A film that creates a fascinating world – in which nothing interesting ends up happening
Catherine Breillat, a director usually known for tackling issues of female sexuality, adapts the classic fairytale in a muddled effort that singularly fails to fly either as fairytale or deconstruction
Luc Besson takes on the Joan of Arc story with then wife Milla Jovovich in the title role but in Besson’s hands it becomes a crazed historical action film that unquestioningly accepts Joan’s visions as real
This French film is an uncredited copy of Peggy Sue Got Married wherein director/star Noemie Lvovsky a dissatisfied divorcee who is propelled back to her high school graduating year and gets to relive her life choices
An early film written/produced by Luc Besson concerning a scientist driven crazy by tv announcers who invents a device that can kill people as they appear live on tv
The first film from Pascal Laugier who has emerged as a leading French horror director since, a ghost story set at a girl’s boarding school, Laugier does produce some eerie jumps but the script is a frustrating tangle of narrative loose ends
French Cyberpunk film with a detective investigating the murder of an illegal immigrant girl and finding a blackmarket in stolen and transplanted memories
Gore-drenched French-Canadian film where teens play a board game that forces them to kill a select number of people lest their heads explode
Long-winded French film largely about criticising the country’s problematic immigration and asylum seeking system. This also has a B plot about a series of cursed documents
Vastly over-praised French New Wave film that is a ghost story of sorts. Three hours plus of tediously protracted happenings that don’t seem to be about anything at all
One of the sillier among the animated Asterix films maintained at a high-level of slapstick and with badly dubbed voices that do not suit the characters
This was the second of Luc Besson’s Minimoys films, partly animated children’s films set in a world of miniature creatures. Here the charms of the first film seem thinly stretched
Baffling SF film that lacks anything resembling a plot and seems mostly an experimental film about showing pretty light patterns
A big-budget space opera from Luc Besson. This offers a dazzlingly designed future but the plot is an inane hodgepodge of bad SF elements with a tone that flails between action and camp
The third film and least version of the classic horror story about a pianist who receives hands transplanted from a murderer and is driven mad believing they are possessing him
Group of backpackers at a chateau find an old VCR that mashes up genres and sucks them inside. There’s a good idea for a horror film somewhere here but it ends up with terrible execution
Luc Besson has made some phenomenal action films but I just can’t seem to get into his trilogy of children’s films. This was the third. A silly effort written down to a very juvenile level and padded with inane humour
A modernised retelling of the Cinderella story that is set in the Paris fashion world starring with Jennifer Grey as a lowly seamstress falling for self-important fashion designer Rob Lowe
The US remake of the French time travel comedy Les Visiteurs. With a script by John Hughes, this imports the original film’s stars but misses its comedy charms by a mile
This exploits the topical fascination with the darknet in a story ostensibly about making snuff videos for sale there. In actuality, this telescopes down to being no more a variant on The Most Dangerous Game
French film about Earth endangered by an oncoming moon and how only one man can save the world. This seemed it might be something culty – before the mind-bogglingly bizarre science becomes apparent
Claire Denis makes a film loosely based on the activities of a true-life drag performer/serial killer. However, she seems uninterested in developing plot or suspense
An incredibly dull version of Albert Camus’s novel about a city infected by plague. Camus wrote the original as an allegory for the Nazi occupation of France but this talks itself to death
Jean-Luc Godard’s classic of the French New Wave where a couple’s journey into the countryside for the weekend becomes increasingly more surreal and anarchic
One of the original Nazi zombie films. From cult director Jean Rollin, known for his arty vampire erotica
Luc Besson written/produced effort where a videogamer kid is transported to Ancient China. A blatant copy of The Forbidden Kingdom that manages to be fundamentally implausible on every level and one of the worst attempts to pander to the Chinese box-office
An obscure French comedy in which Peter Cushing plays a vampire or more correctly plays a horror actor used to playing vampires. Assorted extremely unfunny shenanigans running around his castle ensue
A controversy-laden Jean-Luc Godard film that offers an irreverent modern-day retelling of the Immaculate Conception. An amusing idea that vanishes under Godard’s pretensions
Another woman takes revenge against men film. You would think that this being directed by a woman would be less exploitative than usual but oh boy this one goes off the rails into the demented