Age of Dinosaurs (2013)
A modestly effective Jurassic Park copy from The Asylum with genetically-revived dinosaurs loose in L.A. and featuring better than usual effects
The Science Fiction Horror and Fantasy Film Review
A modestly effective Jurassic Park copy from The Asylum with genetically-revived dinosaurs loose in L.A. and featuring better than usual effects
Ridley Scott makes a further Alien prequel that is an improvement on Prometheus. While the first half gives us the stuff of aliens hunting humans, the second less interestingly doglegs off into the story of a mad android
The fourth of the Alien films. French director Jean-Pierre Jeunet comes on board and delivers a comic-bookish run through of a Joss Whedon script that overspills with too many ideas
The Divergent series is a fundamentally implausible scenario for people that think horoscopes are a profound insight into human nature. This is the most interesting of the films and gives us an imaginative future world
A classic German Expressionist film where Metropolis‘s Brigitte Helm gives a sizzlingly seductive performance as a woman born via artificial insemination who grows up as an emotionless man-eater
From Iron Sky director Timo Vuorensola, Tom Felton stars as a wheelchair-ridden hero battling a genetic dystopia. This emerges as a bizarre melding of Gattaca and Upgrade
Brandon Cronenberg makes an impressive writing-directing debut, taking up the thematic reins of his father’s earlier films in a darkly satiric future escalation of contemporary celebrity culture
The first anime film to be based on the manga, this is set in a future where the heroine is the head of a heavily armoured SWAT team fighting terrorists. Several different incarnations followed.
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
James Cameron’s film was a smash phenomenon. Cameron has relocated the plot of Dances With Wolves on another planet and uses motion capture to create one of the most dazzlingly realised alien worlds on film
James Cameron finally delivers his sequel to Avatar. Nothing could quite repeat the same phenomenon a second time but this does well with Cameron taking the opportunity to show more depth to his alien world
This was critically dismissed – even its director spoke out against it – nevertheless it proves a flawed but not entirely uninteresting French Cyberpunk film as mercenary Vin Diesel is hired to protect miracle girl Melane Thierry
There has yet to be a decent killer bat movie. This redresses the balance somewhat by offering up CGI bat effects but otherwise falls prey to a cliche-ridden script
A Jet Li vehicle that falls into the masked superhero genre where the show has taken a few leaves from the tv series The Green Hornet. Enjoyable fun with some exhilarating action sequences
Tsui Hark takes over the directorial reins of the sequel, filling it with much more fantastical elements, pitting the hero against a mad scientist and his mutant creations in a series of wild martial arts scenes
An enthusiastically gore-drenched New Zealand comedy about mutant sheep, this favourably harkens back to the heyday of Peter Jackson’s early splatter films
Third of the Blade films with Wesley Snipes. As director, series screenwriter David S. Goyer emulates the same exhilarating, kinetic moves that Guillermo Del Toro infused the second film with, while the script zings with his wryly cynical dialogue
One of the most impressive overhaulings of the vampire theme in recent years in which vampirism is treated as an addiction in which humans become hooked on the vampire’s blood
A reboot of the Jason Bourne series with Jeremy Renner replacing Matt Damon. The exhiliratingly kinetic action scenes are watered down, while the plot lacks the same focus. The first of the series to enter genre territory however
TV movie adaptation that conducts a hatchet job on Aldous Huxley’s dystopian novel where his vision of a conditioned class structure is turned into an allegory about a media-saturated world
Another of the last films made by Bruce Willis, before his retirement. Here Bruce is on form and gives a decent performance. The film is an Alien copy with the crew of a space mission under attack by a parasitic lifeform
A Roger Corman produced cheapie about genetically engineered dinosaurs that was quickly rushed out to exploit the success of Jurassic Park. Corman went on to make two sequels
A film about a scientist trying to perfect a genetic engineering process. This turns into a strange SF reworking of the classic ghost story The Turn of the Screw
The best-selling children’s book series come to the screen with a big red CGI dog, which proves more enjoyable than the low-expectation film you initially expect going in
A cross-historical epic from The Wachowskis and Tom Tykwer. An uneven film driven more by its determination we view it as an epic. Surely a studio publicist’s nightmare, it grasps at the meaning of it all yet eludes telling audiences what it is about
Prolific Z-budget director Mark Polonia jumps aboard the bandwagon of Cocaine Bear and offers a film about a shark-human hybrid that is created by experimental cocaine
A standout Michael Winterbottom film set in a fascinatingly detailed and well conceived future dominated by genetic laws where Tim Robbins and Samantha Morton conduct an illicit affair
A completely ridiculous action film (that features no cyborg cops) and instead concerns the attempts to create an army of cyborgs using insect DNA
a low-budget SF film set in an underground world ruled by a caste of genetically engineered people concerning who now face rebellion from among the lower classes
Superheroes have overrun screens. It is starting to seem a little too much when we now get an animated film about animal superheroes who form their own Justice League
A killer shark film by way of Jurassic Park. The perpetually terrible Renny Harlin creates something almost watchable that vies between moments of tension and the entertainingly absurd
For some reason, nineteen years years later, someone has decided to produce a sequel to Renny Harlin’s unintentionally funny killer shark film only to give it a pitiful budget that causes it to sink well into bad movie stakes
After the genuinely terrible Deep Blue Sea 2, all it took to improve the Deep Blue Sea series was a better director. This no more than a B movie but is certainly halfway watchable
Amateur low-budget production about mysterious happenings in the aftermath of an alien invasion. This has many ideas but none of them much coalesce into a plot
This has an insane plot about Satanists stealing the Shroud of Turin to clone a body to incarnate The Devil and a priest possessed by the archangel Michael wading into action with a glowing sword
Pierce Brosnan’s final outing as James Bond lacks the sharpness of the preceding entries and is hampered by Halle Berry who is given great presence but nothing to do. Despite which this has some of the best action scenes of any Bond film
Another variant on Alien – a monster movie with Mark Dacascos as a doctor facing a genetically engineered insect monster in the jungles of Borneo
Disappointing film version of the videogame. The film seems to either miss or water down the principal appeals of the game, although you do get Dwayne Johnson (still billed as The Rock) as the bad guy
Typical Syfy Channel creature film with people encountering giant fire-breathing genetically-engineered wasps in the jungles of Belize
David Lynch disowned his film version of the classic Frank Herbert SF novel. However, Lynch may be incapable of making a bad film and this, while acting freely with the book, has a visual grandeur that makes it highly watchable
This TV mini-series remake of the Frank Herbert novel is much more faithful to the essence and complexity of the book, even if it lacks the visual resplendence of the film versions
Denis Villeneuve’s adaptation of Frank Herbert’s classic SF novel comes with a determination to give the story and its richly detailed world faithful life on screen. Villeneuve adapts freely in many areas but gets the complexity of the saga
The second part of Denis Villeneuve’s adaptation of Frank Herbert’s classic SF novel Dune, this delves more deeply into the world of the Fremen, although starts to diverge more from the book
Scientist Rock Hudson brings an unborn embryo to life as beautiful emotionless Barbara Carrera. Though it uses the trappings of modern science, this still has its feet in the creaky old mad scientist film
This is a B-budget film about genetically engineered killer bats where the usual is boosted by a sense of humour and a line-up of eccentric characters
A big-budget space opera from Luc Besson. This offers a dazzlingly designed future but the plot is an inane hodgepodge of bad SF elements with a tone that flails between action and camp
A standout tv mini-series that updates old mad scientist clichés into the era of Jane Goodall as scientist Charles Dance creates a human/gorilla hybrid child and tries to raise it as his own son
One of the numerous copies of Alien. This was produced by Roger Corman, which means more of an exploitation emphasis – the alien is three times the size, there is more of a T&A emphasis and the effects are cannibalised from his other films
A fairly routine cable monster movie about people dealing with a series of attacks by genetically-engineered killer fish that are loose in the bayous
This is an intriguing low-budget film that sets out to offer a modernised retelling of Mary Shelley. If nothing else, it gives the oft-told story a very different spin than usual
The first film from Andrew Niccol, a smart work set in a dystopian future where genetic engineering has perfected the human species and those who are born naturally are doomed to an underclass
Modest Cyberpunk film set in a future where gene editing and hacking has become a norm. Bai Ling owns the show as the kick-ass fetish-gear clad heroine
The 26th Japanese Godzilla film, the fourth pitting him against Mechagodzilla. After a slow first hour, the film delivers all the exhilarating mass destruction sequences we expect of it as the monsters go head to head
The eighteenth Godzilla film and one of the best of the modern era. This has the most conceptually audacious plot of any Godzilla film and overflows with wild ideas involving time travel and changing the timeline
A far less successful sequel to the mega-hit of Gremlins where director Joe Dante brings the gremlins to Manhattan and allows the silliness to go completely over-the-top and into orbit, even breaking the fourth wall
A triumphal Marvel Comics adaptations that manages to mainline the spirit of the original Star Wars, while in in its wryly, self-deflating culture savvy suggesting a Star Wars rewritten by a 14 year-old Quentin Tarantino
Third of the Guardians of the Galaxy films, this successfully recaptures the nature of the goofy ensemble comedy caper that made the first film such a winner but seemed to be missing in the second
US-made live-action adaptation of a popular manga/anime about a power-suit superhero. Directed by two makeup effects artists mostly as a vehicle for their creature creations
A film about a genetically tinkered teenage girl assassin that never lives up to its potential. Saoirse Ronan is great in the title role but director Joe Wright never gives the action scenes the kick they need
Disappointing film adaptation of the videogame from Xavier Gens that comes with unremarkable action scenes, a script filled with holes and Timothy Olyphant miscast as Agent 47
The second film based on the videogame, more a reboot than a sequel. This is far closer to the game than the earlier film and emerges as the superior of the two due to a slick action movie polish
A low-budget film about a homeless man who has been turned into a serial killer by a series of experiments designed to create urban mayhem
An early entry among the pre-MCU surge of Marvel Comics films in the early 2000s sees Ang Lee taking on The Incredible Hulk. Not Lee’s best film, this was slighted at the time but is worth reconsideration
A Young Adult box-office hit that does little more than competently shuffle around ideas from other SF films. Jennifer Lawrence makes an impressive showing but the film also soft-pedals the moral reality of its scenario
This Canadian effort about Soviet super-soldiers unfrozen in the present-day feels like one of a bunch of cheap direct-to-video copies of Universal Soldier that came out in the late 1990s
A horror film where Sydney Sweeney stars as a virginal nun who appears to be experiencing an immaculate conception. This is only a slightly better version of The Nun
Film about giant crabs amok that feels like a throwback to a certain kind of 1950s monster movie. This plays itself remarkably seriously for the most part only to fall apart right at the end
The second film adaptation of the H.G. Wells novel following The Island of Lost Souls. This has remade with a decent budget but the story’s primal charge has been cleaned up
A legendary cinematic train wreck filled with behind the scenes stories of fired directors and star egos. Despite all of this, this remake of the H.G. Wells novel emerges as a well made and watchable film
Phantasm series director Don Coscarelli makes a mind-expanding effort that seems a conceptual collision between Donnie Darko, Limitless, a slacker version of Supernatural and Dr Strange
The film adaptation of the cult comic-book looks great in terms of design but misses the comic’s satiric sense of humour and simply becomes a thudding Sylvester Stallone action vehicle
The Wachowskis set out to make a space opera adventure in the Star Wars vein. As always, the elevate every genre they take on and the film is packed with astonishing action sequences and wild, mind-expanding ideas
Steven Spielberg handed the directorial reins of the series over to Joe Johnston and this emerges as a better film than The Lost World was, even if it is only ever arranged around a series of effects set-pieces
An enormous hit for Steven Spielberg who took new emergent CGI technologies and wowed audiences with dinosaurs brought to life in dazzlingly realistic detail. It doesn’t hurt that he delivers a relentlessly suspenseful film too
Fifth of the Jurassic Park films. Industrial Light and Magic do their usual excellent job but this time the film is just recycling the same thing as before with minimal change
The seventh of the Jurassic Park/World films, this receives a creative shot in the arm from Gareth Edwards, director of Monsters and The Creator
Rather good British-made low-budget take on Jurassic Park, which conducts its variation with an undeniable sense of humour. One of the better films from low-budget director Andrew Jones
The Asylum offer up their own mockbuster copy of the Jurassic World films, an amiable children’s film where a young boy hatches a dinosaur egg he finds
After two ho-hum sequels, this finally delivers a solid follow-up to Jurassic Park. Rather than more scenes with dinosaurs chasing people, this comes with some fascinating ideas about seeing the park in operation
This was the sixth film in the Jurassic Park/World franchise and offers very much a return to the familiar. It at least also shakes several familiar things up
Beyond the wilfully ridiculous title, this is a surprisingly entertaining and funny film that lampoons monster movies in general concerning a monstrous condom on the attack.
Action film with Jeff Wincott as a resurrected hitman who makes the discovery that AIDS has been artificially manufactured
1980s makeup effects vehicle with students uncovering mad science experiments in an old house. The effects get the better of the cast, most notedly a horrendously over-acting Rod Steiger
Neil Marshall was a highly promising genre name a few years ago on the basis of The Descent. Here he returns with a film about soldiers facing alien hybrid monsters in Afghanistan
Monster movie about larvae emerging from genetically engineered cattle feed and becoming giant bat-like creatures. When a film casts Rachel Hunter as a corporate lawyer, it is not exactly aiming for believability
A formula Syfy Channel film variant on the bugs gone amok film, starring Lucy Lawless as a government official who fights to stop a genetically-engineered swarm of locusts miles wide
A dull Quebec-made about the discovery of how a pharmaceutical company is conducting illicit experiments to create an artificial womb to breed embryos
The first sequel to the massive success of Jurassic Park where Steven Spielberg returns to direct with a script that seems a mishmash of loose ends that only weakly rehashes the original
Modest and interesting Cyberpunk film that works as a melancholy future-set romance with Ryan Kwanten as a hitman. Minimalist but with some striking conceptual twists
Zack Snyder’s reboot of Superman leaves you irritated in the first half of the film at its throwing chunks of comic-book canon out the window and the second half bored with the mass destruction orgy that drags on
Film about a dog that has been experimentally crossbred with DNA from other animals that proceeds to go amok. The film proceeds to collapse into the completely ridiculous
In between the hugely successful Young Adult adaptations of the 00s/10s there has been another trail of YA adaptations that never made it beyond one film. Adapted from a YA series by crime writer James Patterson about a group of kids with wings, this is an exceedingly lacklustre production
This was the second film from Guillermo Del Toro, a modest and quite good Alien copy with Mira Sorvino hunting evolved insects in the New York subway tunnels
Produced by Wes Craven and his son, this started as a third Hills Have Eyes film but ends up a generic Alien copy with a mutant monster hunting people in a desert laboratory
Sony’s attempts to wring everything possible from the Spider-Man copyright in order to compete with the MCU continue with this film devoted to the Spider-Man vampire villain
A very different to the current SF boom in Chinese cinema at the moment, this is a Cyberpunk film about the construction of mutant fighters
The first of several sequels Albert Pyun made to Nemesis. This copies The Terminator with bodybuilder Sue Price being pursued through East Africa by killer androids
Sequel to the Eddie Murphy remake of The Nutty Professor. That film’s tour-de-force was a scene with Murphy playing all the members of his family. Here the family have been brought to the fore. Murphy’s performance and the effects are expectedly great but the plot is all over the place
Boon Jong Ho’s version of E.T., albeit one where E.T. is a genetically-engineered pig the size of an SUV, not to mention one with an oddball sense of humour that it is hard to imagine being enjoyed by young age groups
J.J. Abrams’ produced film about soldiers encountering Nazi mad science experiments during WWII. Despite a decent budget thrown at it, this was a box-office failure. It may be that in a genre where we have gravitated to films about Nazi zombies and Nazi moonbases, this was just too tame