The Science Fiction Horror and Fantasy Film Review
The Woods refers to the use of any forest, bush or large wooded wild area as a locale in fantastic cinema (although not a jungle). Usually the woods will be some distance from civilisation. It is a borderland world where those who come from civilisation, which represents the rational everyday world, are forced to confront forces that lie outside the safety of the world of reason.
In the fantasy film, in particular the Fairytale, the woods can be enchanted where unexpected and magical things can occur. There are also frequently darker elements present in the fantasy woods such as the Big Bad Wolf and Hansel and Gretel’s witch.
In the horror film, the woods can be a place where those who innocently stray are separated from civilised amenities and forced into a brutal survivalism as they come under attack by those that live there. In these cases, the woods can be inhabited with lurking psychos and slasher maniacs, in-bred hillbillies, witches, spirits, demonic forces and those engaged in folk ritual. The cabin in the woods is also a frequent locale where those who venture are forced to hold off at siege from the dwellers of the woods.
The woods is the principal locale of the Backwoods Brutality film and a number of Slasher Films. The Bigfoot Film also takes place in the woods where it is an elusive creature than can be seen as either monster or shy and an endangered species.
Stephen King adaptation with Johnny Depp as a writer in a cabin in the woods harassed by mysterious stranger John Turturro. Screenwriter David Koepp directs a marvellously chill Turturro with lots of twisty surprises
Rather funny British-made parody on Backwoods Brutality cliches where a work group of a team-building exercise ending up hunted by East European locals
This comes with a fantastic conceptual hook “Man is invited to a meeting with God at a hut in the woods”. Alas, what we get is no more than a work of faith-based cinema that drowns in its feelgood Christianity Lite sentiments and appeal to Middle American wholesomeness
A film filled with weird, constantly intriguing directorial effects, although you eventually have to accept that none of it makes any sense
Another entrant in the fad for gonzo killer shark film. This gets some award for combining the killer shark film, the women’s prison film and the cabin in the woods horror standard
A Folk Horror film where aging Alice Krige becomes rejuvenated and discovers the ability to enact vengeance against her abusers from the woods
French Backwoods Brutality film heads in some admirably weird and gross directions but falls apart at the end
Danish film about an immigrant agreeing to become a surrogate mother only to believe she is inhabited by something malevolent. This does well in the build-up but a crucial failure to put a finger on what is going on makes for a frustrating experience
An anthology of short anime pieces from various directors, including creator Katsuhiro Otomo, the cult creator of Akira. The four episodes vary from historical to fantasy to futuristic warfare and, as with any anthology, vary in quality from the okay to the watchable
A group of friends travel to Ireland and go on a tour searching for magic mushrooms. In between assorted drug hallucinations, someone or thing begins slaughtering the group
An alien body snatchers film conducted with a series of smart whiplash twists and turns – even surprisingly a sense of humour
A German-made copy of the Backwoods Brutality cycle that only rehashes clches and frequently verges on the amateurish in execution
For their third Smurfs film, Sony have dispensed with the live-action/CGi animation mix of the previous two films and made a wholly animated film. Its’ the Smurfs in their more natural element but the film is never more than 3D eye candy for the moppet audiences
Caroline Thompson, a regular Tim Burton scriptwriter, directs a uniquely revisionist version of the fairytale in which she digs in to explain the origins of many of the familiar aspects of the story
The live-action remake of Disney’s Snow White comes surrounded by controversy on every side and served to make it a critical and box-office flop that left doubt over the future of the Disney remake industry
Beautifully made and very adult version of the fairytale, which seems determined to play up the terror aspect of the title, resulting in a work that seems a long way away from Disney
The second of 2012’s Snow White films after Mirror Mirror, this turns the fairytale into an epic fantasy. Well produced but ultimately a film that lacks anything unique nor pushes far enough into the dark fantasy it promises to be
The first full-length animated film ever made and the beginning of the Disney tradition. A superlative effort, full of an adorable anthropomorphism where Disney instinctively grasps all the elements of the formula
The Three Stooges are transplanted into a retelling of the fairytale, although their slapstick inanity feels drowned out amid the maudlin banality and Cinemascope spectacle
An amazing reinterpretation of the classical fairytale as modern ballet for adults. This does amazing things to reinvent the original and is visually extraordinary
Film made without dialogue about haunted happenings at a cabin in the woods that attains quite a haunted atmosphere
A beautifully evocative Walter Hill film where National Guard soldiers on training manoeuvres are hunted through the Louisiana swamps after accidentally shooting at Cajun locals
South Korean horror film that feels like The Sixth Sense crossed with the enigmatic games of Don’t Look Now. The film takes place in a cryptically baffling mandala of dreams, hallucinations and possible deathdream that eventually proves rather absorbing
George Lucas’s venture into animation was critically pilloried. It’s not bad, just no different from a formula film like Rise of the Guardians or Epic. From the man who made Star Wars, you had higher expectations
The Strangers was an incredibly eerie home invasion story that has become a modern classic. This is the second chapter in a trilogy of reboot films that have been handed over to the perpetually terrible Renny Harlin
Fascinating film set during Puritan witchery as men travel into the woods to confront a witch, this has many similarities to Robert Eggers’ The Witch: A New-England Folktale. Made by an historian who makes everything authentic to the era
A horror film made by the alt modelling website Suicide Girls where several girls go away for a modelling shoot only for something to cause them to start disappearing
The first film on the theme of zombies from the American Civil War. Not too badly made and with an unusual cast line-up including Nichelle Nichols as a drill sergeant
An Irish-shot post-apocalyptic drama that could not be further than the demolition derbies of Mad Max et al. This remains contained within a small cabin in the woods and with a cast of three, a man and two women, and emerges with a riveting and emotionally raw grimness
Fascinating Norwegian film about the discovery of a mysterious girl who it gradually becomes apparent is not human … The first 20 minutes are a superb piece of scene-setting but the rest of the film consists of not much more than people sitting around a cellar waiting for something to happen
A horror anthology featuring episodes from seven different directors. As with other anthologies, the episodes vary in quality, ranging between the so-so, the mostly quite good and one standout segment
By the numbers Backwoods Brutality where a woman is imprisoned by crazed backwoods fundamentalists in order to bear them a child
Indie film that seems a mix of A Field in England and The Picnic at Hanging Rock. The first half contains some very realistic scenes of people getting wasted on drugs but the second as characters set out along a path in the woods that leads to Hell proves frustratingly elusive
An Australian version of Red Dawn – prettily mounted but feels more like Dawson’s Creek Goes to War than it has does a realistic war film
Disappointing Bryan Singer produced horror anthology set around Halloween where its potential is frequently dragged down by over-emphatic direction
Disney adaptation of a classic children’s novel about the discovery of a family in the woods who are immortal due to a magical spring
An amusing parody of the Backwoods Brutality film where the hillbillies are likeable innocents and the college kids end up killing themselves in a series of bizarre accidents. Amusing, although in the end is only a one-joke film
Francis Ford Coppola makes what may be a ghost story or a vampire film but things are so confused you are never sure what. Less like the mature work of one of the great American filmmakers than an ingenue effort from director straight out of film school with a head full of muddled pretensions
From writers of several Saw films and The Collector, a film about teens under attack in the woods where it is unclear what is going on oe who they are facing for most of the film
aka The Fantastic Adventures of Unico Japan. 1981. Crew Director – Toshio Hirata, Screenplay – Masaki Tsuji, Based on a Story by Osamu Tezuka, Producer – Shintaro Tsuji, Music – Ryo Kitayama, Art Direction – Akio Sugino. Production Company – Sanrio. Plot The gods are jealous of the young unicorn boy Unico who can bring […]
One of the spate of H.P. Lovecraft adaptations that came out in the late 80s/early 90s. This feels like an effort by earnest amateurs but does take its Lovecraft seriously unlike most of the other films of this cycle.
A film with an ingenious premise where a nearly blind woman must rely on a total stranger to guide her by her phone through the woods while avoiding a pursuer
Irish horror about a couple who inherit a house with faerie creatures at the end of the garden
The directorial debut of Ryuhei Kitamura. A film premised on the idea of mashing the John Woo-styled gangster film up with the gore-drenched George Romero zombie film.
An anthology of five short Found Footage horror films each from a different director. As with any anthology these are variable in tone but are on the whole mostly effective and contain a number of alternately unearthly and spooky moments
Adam Green has enjoyed some success with the Hatchet films; this is the fourth entry in the series … Most of the other films have consisted of not much more than buckets of gore and a host of genre cameos – here though, Green adds a considerable sense of humour to the mix
M. Night Shyamalan creates three-quarters of a tense and eerie film about a 19th Century village under siege from mysterious creatures only for it to fall apart when he produces a damp squib of a twist ending
The second film from Belgian director Fabrice Du Welz is an intensely haunted albeit enigmatic journey into Southeast Asian jungles in search of a missing child
One of the classic works from Ingmar Bergman, uncreditedly remade by Wes Craven as The Last House on the Left, with Max Von Sydow as a virtuous farmer who is driven to vengeance after three youths rape and kill his daughter
Adaptation of a classic Aleksei Tolstoy story set in Eastern Europe as a family awaits the return of the patriarch who has been turned into a vampire
A supernatural variant on Overlord where G.I.’s during WWII enter the Black Forest and encounter something supernatural
Problem ridden Disney ghost story with a science-fiction rationalisation that never quite comes together on screen
M. Night Shyamalan’s daughter Ishana directs a film of her own. Say what you will about nepotism, it is a really good film
English-language remake of the Mexican film, this version made by Jim Mickle who made the fine Stake Land. This version is far less cryptic about what is happening but is more muted and takes far longer to ever arrive at being a horror film, although delivers an effectively brutal ending
Belgian Backwoods Brutality effort concerning a boy scout troupe who run afoul of a mysterious feral child and hunter in the woods near their campsite. Defying many of the expectation of the genre, this provides a series of often unearthly images
Early film from Larry Fessenden about a family and a Native American spirit. Much brooding build-up but not much payoff (*)
Colin Minihan is an up and rising genre directors well worth keeping an eye. Here he makes a taut and effective survival story where a woman is hunted by her wife who turns psychopathic after a getaway to a cabin in the woods
Russian dark fantasy and horror has emerged as one of the most exciting genres in recent years. This incredibly spooky little film is a Russian equivalent of The Blair Witch Project
Not at all the film you’d expect for a film directed by stand-up comedian Bobcat Goldthwait – a Found Footage film about Bigfoot. Based on Goldthwait’s record as an actor, you expect this to get batshit crazy, but it instead heads into Blair Witch territory with rather effective results
Monty Python’s Terry Jones conducts a live-action adaptation of Kenneth Grahame’s classic children’s story
Amiable live-action adaptation of Kenneth Grahame’s classic children’s work made for the BBC with an all-star cast
On the slight side as a Disney theatrical film, nevertheless this keeps to the essence of the original tales and comes with some appealingly playful fourth-wall breaking visuals
Yes, someone made a horror version of the much loved children’s character. Imagine The Texas Chain Saw Massacre where Leatherface has been replaced by Winnie-the-Pooh
Winnie-the-Pooh: Blood and Honey offered a horror version of the much loved children’s character. This is more of the same with a bigger budget
A fascinatingly different and original work. A scrupulous effort is made – from the dialogue and clothing – to place us inside a 17th Century setting dominated by insanely legalistic religious superstitions and fears, at contrast to which there lie a series of phantasmagoric visions of witches
One of the first copies of Alien, this essentially acts as a slasher movie but with an alien instead of a hockey-masked killer. It also manages to predict the essentials of Predator in many ways. A B-movie but the cast list makes for eye-opening reading today
After reviving The Invisible Man, James Wan associate Leigh Whannell takes on a reworking of The Wolf Man
The third film from Irish animator Tomm Moore, a beautiful Princess Mononoke-like tale of a girl’s friendship with persecuted werewolves in the forest
British werewolf film that wittily uses being a werewolf as a metaphor for being gay
Strange surrealist New Zealand made film that emerges as a Brothers Grimm fairytale as directed by a David Lynch or a Guy Maddin
A sequel that has been arranged for the sole purpose of serving up a series of gory dispatch set-pieces every few minutes
Passable effort that copies that basics of The Texas Chain Saw Massacre with a group of stranded teens running afoul of an in-bred family
Not much to do with The Wizard of Oz – more like The Crazies by way of The Blair Witch Project, this creates a genuinely unsettling otherworldly mystery before entering into decidedly disturbed headspace
The 2020s have seen a surprise upsurge in films about people being pursued by attackers. This is another about a teen girl flees pursued by a J.K. Simmons as a business professor who suddenly goes psycho