The Science Fiction Horror and Fantasy Film Review
The third of the Japanese Ringu/Ring films. A new director means a different approach but what also becomes apparent is that the original was never intended as a series and the attempts to further draw it out result in a confusing mishmash of ideas
Kaidan eiga (Japanese ghost story) that was a huge hit, spawning several sequels and an English-language remake, plus a horde of imitators. For all its reputation, the film is often crude, nevertheless does evince an eerie atmosphere
The second of the Japanese Ring/Ringu films where director Hideo Nakata improves over the original with a series of eerie scares if a frequently incomprehensible mishmash of story ideas
Part of the fad for gonzo Japanese splatter films we had in the late 00s, featuring absurdly over-the-top splatter effects and demented action sequences.; Concerning cyborg-enhanced geisha who wade into battle going through a deliriously silly range of bio-mechanical transformations
One of the earliest works from Katsuhiro Otomo, the cult director of Akira, although he only contributes one episode to an anthology of anime tales with the common theme of robots. The collection contains some impressive and visually striking episodes
Katsuhiro Otomo written anime that functions as a parody of the school of Transformer robots as the artificially intelligent hospital bed of a geriatric becomes a giant ramshackle colossus rampaging through the city
The original Ring was a classic, an eerie ghost story that was a success that spawned a series of copies right around the Asian region. Here the Ring cycle has been rebooted in a heavy letdown that abandons all of the creepy atmospherics of the original for a series of pop-up CGI effects
The thirteenth film in the Ring/Ringu franchise. The question is whether the return of original director Hideo Nakata to the franchise can revitalise the series
The two most popular Japanese horror franchises come together to fight it out. Both series work on the provision of intensely uncanny effect but brought together the result is diluted at best
Japanese film about a demon-slaying girl samurai. The creatures effects and world-building mythology gone into this is quite extraordinary
Mamoru Hosoda conducts the bizarre notion of an anime version of Shakespeare’s Hamlet. It is a Hamlet that Shakespeare would barely recognise, following a heroine as she makes a journey across the afterlife
A trio of Japanese tv movies that retell supposedly true life ghost stories
Japan’s Kiyoshi Kurosawa conducts a remake of the British thriller Seance on a Wet Afternoon. Where the original was a mundane film that depicted a kidnap scheme involving a fake medium, Kurosawa builds this out as an actual ghost story
Toho Films of the 1960s are best known for the Godzilla films and assorted monster bashes. This is one of their non-monster films, part of a spate of mutant supervillain films concerning a villain who has invented a teleportation machine and is using it to exact revenge
I went to see this on the description that called it a horror film about premonitions of disaster but far less interestingly it is a fictional attempt to analyse people’s attempts to grieve over the Fukushima Disaster – not uninteresting but with little interest in being a fantastic film
Spookily effective Japanese ghost story about a mother’s pilgrimage around a series of shrines to raise her daughter’s spirit from the dead
The 29th of the Japanese Godzilla films. Coming after the longest gap in the series to date, this functions as a complete reboot of the original. Godzilla is reconceived as a fearsome creation amid epic mass destruction and what are hands down the best effects of any film in the series
A reboot of the classic Japanese tv series about a superhero who goes into action on a motorcycle using a suit to transform into a grasshopper being
Reboot of the old Japanese superhero series, conducted with the epic scale, mass destruction and dazzling effects of the more recent Godzilla films
An anthology of short anime pieces from various directors, including creator Katsuhiro Otomo, the cult creator of Akira. The four episodes vary from historical to fantasy to futuristic warfare and, as with any anthology, vary in quality from the okay to the watchable
Big-budget modern Japanese remake of a 1970s disaster movie in which Japan starts to catastrophically sink into the ocean. Despite revisiting the original with CGI spectacle, this is a film in which hardly anything interesting happens
From Mamoru Oshii of Ghost in the Shell fame, an anime that seems a mix of Biggles and Never Let Me Go, all taking place in an alternate world. The film is exquisite in its detail
Another version of the popular figure from Japanese urban legend, which has appeared in a number of films. This is an anthology where four Japanese directors have come to L.A. to shoot a series of strictly average short horror tales, not all of which feature the Slit Mouth Woman
Ambitious SF film about a space expedition to save the Sun, this bombed at the time but is not uninteresting
The eighth Godzilla film featuring the introduction of his son Minya in a shameless pitch for juvenile audiences. The series is no longer taking itself seriously, although ends up more likeable than some of the other entries of this period
The great Osamu Dezai makes a colourful anime that jumps aboard the Stars Wars space opera fad
A live-action remake of the 1970s anime series Space Cruiser Yamato made with stupendous effects, although now much of the plot has been rendered familiar by assorted Star Wars copies
Anime film spun off from a popular Japanese tv series. Despite crude animation, this has a colourful vigour and taps the same space opera vein as Star Wars, which came only three months earlier
The brooding space pirate Captain Harlock is one of the famous anti-heroes in manga and anime. Harlock gets a big screen revamp here from Shinji (Appleseed) Aramaki, one of the most amazing of modern anime directors, who delivers a series of epic space battles with a breathtaking beauty
The black sheep among the Japanese Ringu films. A sequel released the same time as the first film, this lacks the other’s uncanny atmosphere and was ignored
One of the masterpieces of Hayao Miyazaki, a gentle, beautiful work of anime set in an afterlife bathhouse where Miyazaki’s range of extraordinary creatures and quiet tenderness finds something that Western fantasy rarely ever comes near
Katsuhiro Otomo overseen anime about the discovery of Noah’s Ark, an alien artifact that gives a child vast psychic powers in a swathe of destruction not dissimilar to Akira
A bizarre Japanese film about hordes of schoolgirl zombies
The importation of anime director Shinji Aramaki to helm the latest Starship Troopers film provides dazzling animation and hardware, along with some hard, furious military action that easily outstrips all the other films. On the other hand, the film never goes beyond being about soldiers shooting up bugs
Sixteen years after making Akira, Katsuhiro Otomo returns to direct a full-length anime, making a Steampunk work that is dazzling in its epic quality and vistas of mass destruction
Japanese director Shion Sono has emerged as an increasingly worthwhile name in recent years. This is an admirably twisted and perverse work that leaves you quite flabbergasted
A thinking person’s disaster movie depicting Japan’s sinking into the ocean
Japanese horror film that launched the name of Shion Sono and is attention grabbing but proves an unfathomable mix of mass suicides, mysterious websites that predict deaths and a pop band seemingly controlling it all
Witty and enormously clever Japanese time travel film. This readily homages Back to the Future but has a great deal of original fun of its own creating a series of hilarious temporal conundrums. One of the most entertaining films I have seen in some time
Beautifully made Mamoru Hosoda film about a rogue A.I. taking over a social media network. A film that is also a heartwarming work about family togetherness
Beautifully made anime from Makoto Shinkai about a young girl and a three-legged chair on a quest to close a series of portals across Japan and prevent unimaginable chaos emerging
Japan’s Kiyoshi Kurosawa has developed a reputation for his intensely uncanny and deeply unfathomable horror films. This is one of his earlier works, a much more straightforward haunted house film that in its more bizarre moments attains the whacked-out dementia of the cult Japanese film House
Part of the 1990s fad for dark romantic vampire films with vampire Julian Sands lurking around a library and fixating on Suzanna Hamilton
Studio Ghibli adaptation of a classic Japanese folktale from Hayao Hiyazaki’s mentor Isao Takahata. This is a slower, very different film than Hayao Miyazaki’s, the animation designed like a traditional Japanese woodprint. Never quite soars like Miyazaki’s films do but not without its charms
Hayao Miyazaki’s son Goro more than capably takes up his father’s mantle in a anime beautiful adaptation of one of Ursula K. Le Guin’s later Earthsea books
Grungy low tech anime that comes out like a sarcastic version of Hello Kitty
Likeable and charming Japanese anime for children about a young boy of hubris who sets out on a series of adventures
Anime about two homeless boys living in an inner city neighbourhood. The background artwork has a stunning degree of detail such that the city almost becomes its own character
Takashi Miike delivers a completely madcap film about evolved cockroaches on Mars being fought by astronauts who take doses of mutagenic serum to give them insect-based super-powers
Japanese movie made for international sales where a scientist has built a race of amphibian cyborgs to take over the world
The fifteenth Godzilla film, the last of the classic series, featuring a return of Mechagodzilla from the previous film. Original director Ishiro Honda returns to the series and reclaims it from the juvenile focus it had taken over the last few films to make the best entry of the 1970s
Shinya Tsukamoto makes a better budgeted sequel to his breakthrough hit. The first film was a masterpiece of guerilla filmmaking but the same frenzied fetishism is missing here
Shinya Tsukamoto’s third Tetsuo film is a disappointingly commercial concession that waters down all of the surrealism and wild sexual fetishism that made the first film so amazing
Extraordinary directorial debut from Japan’s Shinya Tsukamoto, a frenetic, fetishistic and surreally deranged vision of man-machine fusion that feels like David Lynch having gone away and done a crash reading course of William Gibson
Standout horror anthology designed to highlight episodes from three Asian directors – Hong Kong’s Fruit Chan, South Korea’s Park Chan-wook and Japan’s Takashi Miike – all of whom are on top form
Fascinating anime about a cafe for androids. Imagine a cross between an Isaac Asimov Robot story and Jim Jarmusch’s Coffee and Cigarettes. The film opens up in a series of episodes that tell stories of human-robot relations that hold a lovely tenderness
Highly entertaining Japanese film about modern soldiers thrown back to feudal Japan and deciding to overthrow the shogunate
A live-action film based on a popular Japanese young adult novel that has been filmed multiple times before. This is a rather dull film that fails to do anything terribly interesting with its time travel premise
Multiverse films are all the in-thing in superhero films right now. This anime is a treatment of multiverse themes far away from superheroics that works beautifully in its sophistication of ideas
Shinya Tsukamoto returns to the repressions of his earlier Tetsuo: The Iron Man in this frenetic, ultra-violent work about a downtrodden salaryman who reconnects with life by allowing himself to be beaten up in the boxing ring. This feels like Raging Bull remade by David Cronenberg
Live-action adaptation of a manga about a teenager who becomes part of a secret world of flesh-eating ghouls. The set-up comes with some imagination but the film suffers from an uninvolving story and a reliance on unconvincing CGI
One among the 00s spate of gonzo Japanese splatter films. The film exists as a series of outlandishly over-the-top and absurdly entertaining splatter and bizarrely cartoonish bio-mechanoid transformation
Shion Sono is a director who has gained cult acclaim in recent years. This astonishes with the brashness of his approach, set among the street gang warfare of the near future where all of the dialogue is delivered in rap. On the other hand, the film lacks the budget to sustain such energy
Another Japanese horror film that stands heavily in the shadow of Ringu. Directed without much style and often uninteresting to the point of being dull, it is hard to tell from this that you are watching a film that inspired eight sequels
Classic Japanese kaidan eiga (or ghost story). Made not long after Akira Kurosawa’s new realism in Japanese cinema, this comes with a superb formalism as it slowly moves over into the supernatural
aka The Fantastic Adventures of Unico Japan. 1981. Crew Director – Toshio Hirata, Screenplay – Masaki Tsuji, Based on a Story by Osamu Tezuka, Producer – Shintaro Tsuji, Music – Ryo Kitayama, Art Direction – Akio Sugino. Production Company – Sanrio. Plot The gods are jealous of the young unicorn boy Unico who can bring […]
The first of two OVA sequels to the anime classic Legend of the Overfiend, this lacks the perverse imagery of the original
Surreal Japanese horror film in which the world is taken over by spiral patterns. A strange and trippy film.
Technically not a vampire film at all, rather about a kind and caring serial killer with a blood-drinking fetish who frequents suicide support boards looking for victims. A remarkable film, shot in a plain, unaffected manner and managing to discover an extraordinary intimacy between the characters
Rather drab and cheap Japanese horror film about a disfigured actress who returns to life as a hairy vampire creature to exact vengeance. Not without its schlocky appeals, the hairy vampire bride looks more funny than threatening
Completely insane Japanese film that wades in gore while playing everything up at a level of demented cartoonish absurdity. Possibly the most delirious movie-watching fun it is possible to have
Cult anime about a monosyllabic vampire hunter moving across a hallucinatory post-apocalyptic dispatching mutants and vampires
Yoshiaki Kawajiri, director of Ninja Scroll and Wicked City, steps in to make a sequel(?)/reboot(?) to the cult 1985 anime with visually enthralling regard
Japanese monster movie from the same team that created the original Godzilla. The English-language version has simply kept the effects scenes and cut everything else, replacing it with scenes of the US military ordering the Japanese about
The directorial debut of Ryuhei Kitamura. A film premised on the idea of mashing the John Woo-styled gangster film up with the gore-drenched George Romero zombie film.
Anime film about an android-overrun future Japan that resembles another episode of the Appleseed franchise
Japanese Coming of Age tale about two mischief-making twin brothers growing up in the 1940s
One of the key films in the cult of Takashi Miike that has been frequently banned for its taboo-defying outrages in which a mysterious visitor causes a family household to descend into perverse extremes
From Ishiro Honda, the creator of Godzilla, this bizarrely features two giant Frankenstein monsters battling it out. A fairly typical Japanese monster movie of its era featuring cheesily ridiculous rubber monsters, copious mass destruction and a largely irrelevant human element
The first Japanese entry in the great alien invader fad of the 1950s. Nothing great but it does boast the awesomeness of starfish-shaped aliens
From Makoto Shinkai who made Your Name., a lovely anime about a girl who can control the weather. An odd premise about orphans that soon develops unusual and unexpected depths
An amusing take on the Japanese Monster Movie that takes place in the aftermath of a monster battle as various government agencies debate what do with the carcass of a giant monster lying in the countryside
A ghost story from Studio Ghibli – although rather than any Western equivalent that sets out to scare the pants off us, this is a sweetly tender story of friendship between two girls. The result more than capably approaches some of Hayao Miyazaki’s best
A sweet and quite lovely anime where a girl befriends the boy she pines after being offered a mask that transforms her into a cat body – only to then have her own body stolen
The very strange Japanese director Shion Sono makes a film about an intergalactic package delivery android, although this is anything but a regular SF film. Filmed in the Fukushima Exclusion Zone.
Anime from Yoshiaki Kawajiri about a war with a demon dimension that falls halfway between H.P. Lovecraft and a hard-boiled detective thriller and brims over wit fascinatingly pathological sexual imagery
Likeable puppet animated film about a time-travelling boy and his monkey companion
Little-seen but beautifully made anime set in an alternate timeline where a young man becomes the volunteer for the first space launch
Mamoru Hosoda proves himself as one of the major directors in anime with this tender, lovely and enormously affecting work about a mother raising two werewolf children.
After making the groundbreaking anime Akira, Katsuhiro Otomo then chose to direct this oddity – a live-action comedy about a frustrated Yakuza enforcer trying to evict an apartment of foreigners that turns into a horror film in its last third
Anime involving a superheroic battle for the fate of the world. Dazzling eye candy but too many characters and subplots make things confusing
A wannabe entry in the Japanese monster movie, this has the distinction of featuring possibly the most ridiculous monster to ever turn up in one of these films
Japan’s Takashi Miike gained a cult with a series of films that went to extremes or crossed way over taboo lines; his films from the mid-2000s have become more experiments that produce a head-scratching “huh?”. Case in point being this Yakuza vampire film that frequently feels like much of it was being made up on the spot
Another Gonzo Japanese Splatter Film about a Yakuza heir who is blown apart by rivals and then rebuilt with cyborg attachments
Takashi Miike conducts a live-action adaptation of a 1970s anime tv series with completely madcap results. The effect is like drowning in multi-coloured candyfloss flavoured with LSD
One of the more forgettable films from Godzilla creator Ishiro Honda about an alien entity taking the form of giant animals on a Pacific island
Makoto Shinkai anime that starts as a light and fluffy piece about a boy and a girl who keep waking up in each other’s bodies but expands out into a wholly different story, gaining unexpected emotional depths
An animated film based on the hit playing card phenomenon, which proves largely incomprehensible to anybody not versed in the game
A very rare anime film about a fairy who descends to Earth from the heavens and takes the side of downtrodden peasants in standing against a greedy landowner and a demon god
Takashi Miike makes a sequel to his earlier superhero film filled with his typically eccentric touches