Aachi & Ssipak (2006)
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
The Science Fiction Horror and Fantasy Film Review
This topic refers to different type of policing in fantastical scenarios. Covered here are depictions of police forces in different worlds – be they future settings or dystopian scenarios, outer space, alternate realities or temporal police forces.
The other major treatment in fantastic cinema is police officers with uniquely different abilities such as those with cyborg replacement parts or where individual officers are afflicted with conditions such as vampirism or lycanthropy. A popular variant is the Buddy Cop film where a regular, usually curmudgeonly, human is partnered with a non-human that can range all the way from aliens and androids to gnomes and orcs.
For more detail and an overview of the genre see the Theme Essay Law Enforcement in Fantastic Cinema.
South Korean anime that is set in a future world where people are obsessed with shit. This comes with a demented energy and a filthy-mindedness that is determined to outrage
Incredibly bad and frequently laughable variation on The Hidden and in turn The Terminator with Jesse Ventura as an intergalactic law enforcement officer hunting a criminal on Earth
The third and least satisfying of the otherwise above average compilation films on the theme of alien invasion from Kevin J. Lindenmuth and other directors
Made not longer after the buddy cop hit of Lethal Weapon, this has a curmudgeonly human paired up with an alien partner. A fairly ordinary cop show plot is boosted by two fantastic central performances
An Asylum mockbuster intended to come out at the same time as the RoboCop remake. Okay low-budget action and use of Cyberpunk tropes where the film’s saving grace is a sense of humour
Andrew Niccol is one of the consistently intelligent and original directors out there. This, set in a world where mass surveillance has erased the concept of anonymity, is the most fascinating and original depiction of a future in some time
WolfCop found an appeal with its amusing title premise. Here the principal talents involved have reunited for a sequel, although the feeling is more that they have done so solely because the first film was a success
The first anime film to be based on the manga, this is set in a future where the heroine is the head of a heavily armoured SWAT team fighting terrorists. Several different incarnations followed.
A dazzling reboot of the earlier manga/anime made with stunning photorealistic animation design and breathtaking action scenes that made this a benchmark for modern anime. Sequels followed.
Shinji Aramaki’s immediate sequel to his reboot of the Appleseed franchise. This lacks the visually stunning qualities of its predecessor and seems more conceptually muddled but Aramaki eventually gets it together
Adaptation of the popular Young Adult series about a twelve-year-old super-villain and his adventures with assorted magical creatures. Audiences hated this but I though it overspilled with a madcap creativity
One of the best of the recent spate of artificial intelligence films. A programmer creates an A.I. for the purpose of trapping sexual predators on the internet only to be faced with ethical questions about what he has created
Luc Besson written/produced film that is a French rehash of Escape from New York but director Pierre Morel gives it a series of exhilarating action and parkour sequences
Sequel to the French action hit. The plot shuffles the same basic elements around but it is the action we have come for, which is slow to start but soon kicks into exhilarating high gear
Ridley Scott’s film was not a success at the time but has since been regarded as a SF masterpiece, one of the defining screen treatments of android themes while the incredibly dense Cyberpunk vision of the future was copied by many subsequent films
Blade Runner is a landmark classic but this is well worthwhile sequel from Denis Villeneuve that recreates the fascinating Cyberpunk world in more detail and expands out on the themes laid down in the original. Made with impeccably beautiful detail
The film that Henry: Portrait of a Serial Killer director John McNaughton chose to make next – about an an alien criminal sentenced to Earth who is forced to ‘borrow’ people’s heads to replace its own
A vampire film with an original premise, a buddy cop film where a vampire and human partner are paired together in a world where vampires are revealing their presence to humans for the first time
Set in an alternate version of the present where fantasy creatures – orcs, elves, fairies – live alongside humans, this comes with a cleverness, while being played as a buddy cop drama that anchors it with a realism
Neill Blomkamp’s film about A.I. turns into Short Circuit dropped into the militarised future of RoboCop. Of all the rich possibilities in the idea, all we get is a goofy comedy with a pimped-out carjacking robot
From Cannon Films, a Sylvester Stallone action vehicle with a near-fascistic view of law enforcement that proves to be an absurd comic-book of a film that is preposterously entertaining
The Canadian-made Code 8 was one of the few non-comic book adapted superhero films of recent years. This is a sequel where a bigger budget has been afforded to the superheroics
A low-budget SF-action film produced by Roger Corman with David Carradine as a police chief in a dystopian future who becomes wound up in the lives of two young lovers on the run
Don ‘The Dragon’ Wilson stars as a law enforcement officer pursued by killer androids in a blatant made-for-video action movie copy of the basics of The Terminator and RoboCop
At face value, this seems to be no more than a Lorenzo Lamas action film for video release, but it surprises one and becomes a quite reasonable Cyberpunk film that conducts a smart airing of the tropes
Australian film in which a psychopathic cop pursues a group of teens who break into a department store after hours. A debut film for Stephen Hopkins who went on to a successful career as a Hollywood director.
Rather enjoyable action film that conducts an amusing spin on Lethal Weapon buddy cop formula with Dolph Lundgren taking on an intergalactic drug dealer
Timur Bekmambetov’s sequel to Night Watch comes with a much better budget and the same wild visuals, although is slightly the lesser film
Made not along after the success of Lethal Weapon, this offers a wacky spin on the buddy cop formula having a cop paired with a zombie. The mildly amusing notion is killed by the excruciating comedy relief of Joe Piscopo
A Yakuza film from Takashi Miike filled with ultra-violence and casual perversity before Miike goes nuts in a totally gonzo ending. Two unrelated sequels followed from Miike
Takashi Miike’s Dead or Alive was a Yakuza film with a gonzo ending. In this sequel, Miike brings back the same two actors and makes it ALL gonzo
One of Sylvester Stallone’s better films, a satirically funny work where he plays a contemporary police officer unfrozen in a future overrun by Political Correctness to chase down criminal Wesley Snipes
Nicole Eggert stars in this cheap and rather laughable copy of RoboCop, where she is a police officer killed in the line of duty who is resurrected as an avenging cyborg vigilante
Halfway reasonable Stephen King adapted tv mini-series. This has been placed in the directorial hands of King’s worst adapter Mick Garris who at least holds his worst tendencies in check
The film that made Clint Eastwood’s name. He is a rule-bending cop who decides he has to defy the system in his pursuit of a psycho (a thinly disguised version of the then active Zodiac Killer)
A highly entertaining effort from Charles Band and Full Moon Productions directed by Albert Pyun featuring Tim Thomerson as a hard-boiled miniature alien cop come to Earth
A second film version of the Judge Dredd comic-book. More faithful than the Sylvester Stallone version, this comes with a satisfyingly visceral kick, yet a low-budget means that we see little of Dredd’s satiric future
While Kurt Wimmer’s film with Christian Bale as an enforcer in a dystopian future attained some acclaim when it came out, it feels like it is comprised of a collage of cliches borrowed from every other dystopian film
John Carpenter’s sequel to Escape from New York falls too much in the shadow of its predecessor, nevertheless has some effective moments of its own, with Carpenter in particular creating a satiric fundamentalist future
One of the key films from John Carpenter with Kurt Russell giving his best ever performance, a slick exciting action film that imagines a future Manhattan Island having been transformed into a lawless prison
A homemade New Zealand film that attempts to pull an ambitious time travel story that takes place in multiple era with temporal police intervening after a scientist invents a time portal
Francois Truffaut adapts Ray Bradbury’s novel about a dystopian future where books are burned. Truffaut finds different things in the story than Bradbury did but creates a beautiful film
This had one simple job – adapt a book by one of the great SF writers. Instead, we go from a work set in a book-burning future to The Firemen on reality tv shows competing for Likes on social media
Blumhouse have handed the reigns of The Purge series to African-American filmmaker Gerard McMurray who takes the opportunity to get political and drag the series into the era of Black Lives Matter
1990s VHS SF/action with David Carradine as a future cyborg bounty hunter on the run with a wrongly convicted girl while hunted by his own side
The first film from Andrew Niccol, a smart work set in a dystopian future where genetic engineering has perfected the human species and those who are born naturally are doomed to an underclass
This received a lot of bad flak, including from star Ryan Reynolds, but I’m not one of the haters. There is the terrible CGI suit and a miscast Reynolds but it does get a good deal of the comic-book mythos right
Animated film that tells different stories of various members of the Green Lantern Corps (including two stories from Alan Moore). Another of the worthwhile animated DC adaptations
The DC Universe Original Animated Movies conduct a solid and worthwhile animated retelling of the Green Lantern origin story, which delves into all the aspects of the mythos
Jim Henson’s son Brian trashes his father’s legacy, showing puppets getting up to very adult things we never saw on The Muppet Show. Peter Jackson did it even more outrageously in Meet the Feebles
This was a minor cult hit at the time and concerns an alien that hops between human host bodies while having the invincibility of a Terminator. The idea is played with considerable panache and directed with great flair
A wholly unnecessary sequel to Hoodwinked!, this again runs the fairytale characters over with modern quips and pop culture references
Nicolas Cage is a lawman of the future who rebels against the system to protect a woman and child. Essentially a copy of the basics of Logan’s Run, this manages to be uninteresting in every way
One of several cheap Italian copies that were made after the success of Star Wars starring Richard Kiel as a peaceful intergalactic police inspector who is mutated into a killer humanoid
Disappointing adaptation of Isaac Asimov’s Robot stories. The film pays token acknowledgement to Asimov’s characters and universe and mostly seems interested in spectacular effects set-pieces
Extraordinary Brandon Cronenberg film about a fictional country where those convicted of crimes can have clone copies executed in their place, leading to an tourist underworld where all crimes are permissible
An alternate world take on DC Comics continuity where Superman snaps and creates a totalitarian police state and the other DC superheroes come together to stop him
Minor British alien invasion effort that creates some atmosphere as a village is trapped in a forcefield by a mystery man pursued by two alien women where both parties claim to be alien cops and the other their prisoners
The film adaptation of the cult comic-book looks great in terms of design but misses the comic’s satiric sense of humour and simply becomes a thudding Sylvester Stallone action vehicle
The original film version of the Jim Thompson novel with Stacy Keach as a charismatic and well-liked sheriff’s deputy in a small Montana town who harbours a psychopathic side
Disappointing adaptation of a classic noir novel where neither Michael Winterbottom nor a blank Casey Affleck do much to get inside the noirish mood or the troubled central character of a psychopathic sheriff’s deputy
A heist film set in a near-future USA where a group of criminals are preparing a last big caper before the activation of a mind control device that will make crime impossible
Action film with Don ‘The Dragon’ Wilson as a cyborg soldier fighting a one-man war against rogue police drones of the future. A fairly generic assemblage of cliches
E.E. ‘Doc’ Smith’s Lensman books are space opera classics. Here they are given the anime treatment, which abandons much adherence to the source material and ends up more as a copy of Star Wars
Dystopian SF mounted on a big budget by people that don’t have a clue what they are doing. This creates one of prettiest depictions of the future of any film of this era but it is only a surface deep depiction
Quite the maddest Hong Kong film once has ever seen featuring a detective who can see people’s inner personalities. No film in recent memory has led such a delirious dance with an audience
The first of the Mad Max films and a considerable jolt if one comes to it after any of the sequels. This is an altogether different film – a grim and violent road movie more in the vein of Death Wish
The first in a series of films starring Robert Z’dar as an hulking, deformed ex-cop seeking revenge. Not as effective as the sequels but is lifted above the routine by a quirky Larry Cohen script
Standout sequel to Maniac Cop, the best of the series, where Larry Cohen turns in a remarkable script and William Lustig delivers incredible action sequences
The third of the Maniac Cop films had production problems and now feels more like a regular slasher film, although is still boosted by a characteristically witty Larry Cohen script
Director Timur Bekmambetov makes a film in the Screenlife process where the screen becomes a computer screen. Set a near future L.A. where the judicial system has been replaced by an A.I
Steven Spielberg takes on Philip K. Dick in a much grittier film than he usually makes. In the strong and intelligent script, Tom Cruise is an officer on a police force that predicts crime before it happens only to then be hunted by his own side
An amazing breakout hit from Russia, a film that is busy to the point of overcrowding with ideas and its’ director’s visual excess but delivers the goods in ways that make your jaw drop
The only film ever directed by Dan Aykroyd, a bizarre oddity that was a huge flop on its initial release. The film is a strange comedy set in an American Gothic junkyard town where even the smallest legal infractions are punished by death. Aykroyd can’t seem to decide it the tone is comedy or horror
Comic-book adaptation about a cop that is resurrected from the dead to take on the toughest assignments. Feels like a throwback to an 80s film like Maniac Cop or Dead Heat where the film is killed by the tiresomely cliched appropriation of the faux grindhouse aesthetic
Promising idea of an alternate world-hopping film from James Wong, this spends too much time copying moves from The Matrix and lets most of its possibilities pass by
The film‘s Space Western idea aside – the plot is High Noon transplanted into orbit – this is a solid and well-made science-fiction film with Sean Connery as a long marshal on Jupiter’s moon Io
SF action film with Eric Roberts as a future cop travelling through time trying to stop kids before they become criminals
Early anime from Mamoru Oshii of Ghost in the Shell fame about a police squad set up to deal with giant robots gone amok. All of Oshii’s visuals and fascinating play of ideas are present
Entertaining B-budget variant on The Hidden with a woman caught between an alien aw enforcement officer and fugitive criminal both of whom offer contradictory stories
Film spinoff of an anime series about a future police force that uses a system to monitor the brains of the populace for the potential to commit crime. Reminiscent of Minority Report, this is not uninteresting, although falls short of being another Appleseed or Ghost in the Shell
From the heyday of the 1980s VHS release, a slasher film with the requisite group of partying teens being stalked by a psychopathic, devil-worshipping police officer
From Peter Watkins, a remarkably stark and brutal film set in a near-future USA where political prisoners are allowed to run for freedom through the desert while hunted by law enforcement officials
Film based around the improbable concept of a future where on one night of each year all crime including murder becomes permissible. While this promises a rich vein of satire, the film only emerges as a variant on Straw Dogs
Slightly more interesting than its predecessor in that it takes the action out from gated communities into the streets, otherwise this offers just the same as The Purge – much in the way of heavy artillery and a patina of contemporary politics that have all the depth of a protest placard
The Purge was a routine film that caught on with audiences but the premise lacks the legs to be a franchise – for one, it is based on a future scenario that has zero plausibility. This makes paper-thin stabs in terms of social issues but all interest evaporates when the guns start blazing
An astoundingly bad low-budget RoboCop copy about an android motorcycle cop that goes amok
Billed as Israel’s first horror film, this is more a dark and violent film that delights in taking a crosscut of characters and mercilessly putting the screws on them
A sequel to R.I.P.D. that tells an origin story of how the sheriff character played by Jeff Bridges in the original became an afterlife enforcement officer
This feels like someone has simply copied the idea of a secretive law enforcement agency from and substituted the dead escaped from Hell for aliens. The two have remarkably similar story arcs, although this is far more goofily entertaining that the absurdly overblown slapstick that overtook the Men in Black sequels
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
The third Robocop film killed the series off with a disastrous decision to go for a PG rating and pair Robocop with a cute kid
Micro-budgeted SF film where a nanoswarm is accidentally released, taking over an apartment building and reprogramming technology
Michael Crichton’s books and films are always run through with a fear of technology run amok. Here Crichton makes an enjoyably straightforward directorial outing about a police squad set up to stop runaway robots,
Third of the sequels to Scanners, this stars Daniel Quinn as a police officer who discovers scanner abilities
Richard Linklater conducts an animated adaptation of the Philip K. Dick novel with extremely faithful results. Keanu Reeves is a police officer assigned to investigate what he realises is himself
The first of a series of poorly made sequels to David Cronenberg’s Scanners. Cronenberg’s ideas have been stripped down to no more than a series of head-exploding effects
Another in the spate of recent A.I. films of the 2010s/20s. Here one can buy android replacements for one’s late spouse but someone is hacking and causing them to go rogue