Warlock: The Armageddon (1993)
Julian Sands returns in a sequel to Warlock where the frequently unserious effects of director Anthony Hickox turn it into a silly comic-book of a film
The Science Fiction Horror and Fantasy Film Review
Occult Artefacts refer to inanimate objects imbued with the powers of evil. These can variously possess or transform individuals, unleash demonic forces, resurrect the dead, possess the user or else open gateways to other realms.
Such objects can take almost any form from books and manuscripts to items of jewellery, swords and weaponry, doorways, keys, statues and busts to mysterious boxes.
Julian Sands returns in a sequel to Warlock where the frequently unserious effects of director Anthony Hickox turn it into a silly comic-book of a film
The Wishmaster series was a franchise based around a series of novelty effects wherein a malevolent djinn turned wishes against the wisher. This third entry is the utter nadir of the series
The fourth and final of the Wishmaster films, which by this point had become cheap and tattily made affairs that are pale shadows of the original
Rather enjoyable effort about an evil djinn that grants cursed wishes. Directed by makeup effects artist Robert Kurtzman, this has been designed to highlight various effects. Three sequels followed.
A remake of the 1980s horror Witchboard. The original was just a VHS release and here is given a better budgeted workover, but disappears among a host of ouija-titled films of recent years
There have been some clever and witty deconstructions and parodies of the slasher film in recent years. This starts in with an immediately captivating hook where the title phrase is turned around on the protagonist