Mystery Men (1999)
A superhero parody about a group of reject superheroes with useless powers. Despite moments of amusement, this fails to quite come off
The Science Fiction Horror and Fantasy Film Review
Parody (in the sense used on this site) is a form of Comedy that spoofs other works. Usually in parodies, a particular work or entire genre is taken where its elements and tropes are comically exaggerated or punctured. The most common parodies here are of other films and tv shows, sometimes of other media like books and comic-books.
The superhero parody began with tv’s Batman (1966-8) and its deliberate puncturing of the tone of the comic-book. This begat a long line of superhero parodies, even a mini-spate of ones about superheroes with no powers. Other genres to have attracted a sizeable number of parodies has been the Vampire Film and the Slasher Film.
The British Carry On films of the 1960s took a different genre with each film and played it for raucous farce. Mel Brooks cornered the field on parodies during the 1970s, spoofing a different movie genre with each film. Airplane (1980) popularised the spoof movie and created a number of copycat comedies based around spoofing either genres or individual films. The parody of the individual film is also frequently the stuff of short sketches on tv comedy shows.
The 2000s saw the popularity of the Scary Movie franchise, which spoofed assorted horror films, repeating them with a series of crude and vulgar gags and led to many imitators. This led to the rise of directors Jason Friedberg and Aaron Seltzer whose line of empty-headed and inane gags based on recent hits took the genre to its nadir.
A superhero parody about a group of reject superheroes with useless powers. Despite moments of amusement, this fails to quite come off
Fairly silly comedy in which housewife Susan Blakely discovers that she is turning into a werewolf. This varies between the over-the-top and the oddly amusing line
An anthology of comedy skits that sets out to be in as bad taste as possible – you are left astounded how far a film has to go to offend in this post-South Park era. That and wondering if the producers had kidnapped some of the stars’ family members to force them to participate
Comedy about stupid alien visitors largely construed as a vehicle for popular British comedy duo Mel Smith and Griff Rhys-Jones. Some witty SF in-jokes among a haphazard script
Monster movie parody that spoofs a number of classic films, including King Kong where it takes the title literally and the monster makes off with the hero giving the film a certain LGBT community relevance in its day. Contains quite an impressive cast list, including featuring both Paul Walker and singer Fergie as kids
The painfully unfunny films of Jason Friedberg and Aaron Seltzer are movie parodies, mostly a random assortment of films and celebrities of the last six months run over with crude and vulgar jokes. In this case, they take on parodying principally 300
Peter Jackson‘s second film, what might be called The Muppet Show by way of John Waters, an inspired work of puppet depravity that makes a beeline for bad taste
Tim Burton makes a film based on the old Topps bubblegum card series about Martian invaders, which becomes an affectionately goofy tribute to 1950s alien invasion cinema
A miracle of no-budget filmmaking made on a budget of $1000. A homage/parody of 80s/90s cyborg action films with some extremely accomplished effects posing and a sidesplitting ear for the era’s dialogue
Extremely funny Steve Martin comedy where he plays a neurosurgeon who falls in love with a brain in a jar
Genial and very likeable spoof of Dracula and the vampire film that succeeds where other works have failed and is very funny. George Hamilton steps into the role of Dracula with debonair charm
Rather funny Woody Allen film where he takes to spoofing Russian literature and does some hilarious visual gags and one-liners. Comes with minor fantasy elements including spoofing The Seventh Seal
Joe Dante makes a toon film winding in dozens of cameos from Warner Brothers cartoon characters. The results prove enormously playful and creative. Infinitely more creative and fun that the Space Jam films
This is intended as a deliberately bad parody of a 1950s SF film. It is a fairly silly effort that almost ends up being too well made for its own good to mimic the originals that weren’t even trying
The director of Tucker and Dale vs Evil returns with a comedy that spoofs The Omen about an average guy trying to step-parent the Anti-Christ child
An undeniably amusing Irish comedy in which a drunken dimwit ends up being transformed into a vampire. The film comes working at you in its goofy way
This seems to want to do for the lesbian vampire film what Shaun of the Dead did for the zombie film. Alas, the film makes its appeal fairly and squarely into the crude, sexism of British lad culture
In the same vein as Grindhouse, an anthology that consists of two longer stories set around the gimmick of a tv horror host playing a double-bill, along with several mocked-up parody trailers
A big flop but highly underrated Arnold Schwarzenegger film, a sophisticated meta-fiction that views the cinema screen as another dimension and wittily deflates action cliches
Pitched as a parody of the martial arts moves in The Matrix and Crouching Tiger, Hidden Dragon. In actuality, this is a witless and unfunny comedy that only takes a 1970s martial arts film and dubs it with a laughtrack
The infamous miscalculated Dino de Laurentiis remake of King Kong where the stop-motion is replaced by Rick Baker in an ape suit, while the fairytale romance is replaced by Jessica Lange as a flower child who cracks jokes
This was the third of the Attack of the Killer Tomatoes films. This hits an appealingly silly and wilfully ridiculous note that makes it the best of the sequels.
Fourth and final of the Killer Tomatoes films by which time the slight appeal of the original concept has been well and truly worn out
Beyond the wilfully ridiculous title, this is a surprisingly entertaining and funny film that lampoons monster movies in general concerning a monstrous condom on the attack.
One of several films around the same time about wannabes without powers playing at being superheroes. Matthew Vaughn delivers a film that falls between witty deflation of and a celebration of nerdy fantasy
A much better sequel that gives the characters a thorough workover while making clever play out of the contrasts of masked superhero and reality that ran through the first film
A demented Jeffrey Lau comedy that seems to have no limits on how silly it is willing to be, while parodying just about every other film made around the same time
Rowan Atkinson is a very funny man but try as I might I cannot get into these Johnny English films – they seem at best lame Austin Powers castoffs with gags designed for the single digit age range
Spy movie parody with Rowan Atkinson as an inept agent who is constantly tripping over his own feet. It is Austin Powers reconceived as a Mr Bean film but offering little that is funny.
Extremely silly and at times undeniably funny spoof on Dr Jekyll and Mr Hyde – here Dr Jekyll becomes a coke addict who snorts his formula and turns into a swinger with a giant afro
A lumbering, stagebound adaptation of Stephen Sondheim musical that lamely dips into the fairytale parody that Shrek and other films tapped far more engagingly over a decade ago
Joe Dante pays homage to Fantastic Voyage, the classic film about a submarine journey through the human body. Here Dante plays it as a screwball comedy but his in-joke heavy style failed to catch on with audiences
Big hit for Pixar and director Brad Bird, a witty spoof of the superhero film that shows a superhero family trying to deal with everyday life. Enormously good-natured fun all around
An appealing comedy remake of The Incredible Shrinking Man with Lily Tomlin as a housewife who starts to shrink after exposure to household cleaning products. One of the better films from the usually terrible Joel Schumacher
Way back before Austin Powers, the James Bond/spy movie parody began here with this silly effort in which teenager Richard Grieco is propelled into an international spy caper
An absolutely delightful comedy from Maurizio Nichetti, a parody of Bicycle Thieves, which becomes a meta-fiction where the characters emerge from the screen and enter the modern world
A space opera that was made in the aftermath of Star Wars. It is a magpie collage of influences that are not always the most coherently presented and given a comic emphasis
Obscure title that when seen is revealed to be a surprisingly well-made (in places) homage to the 1950s alien invasion genre and replication of the era’s style of filmmaking
A British venture into the gonzo splatter film about a motorcycle that develops vampiric tendencies after blood is spilled in its tank in a Satanist ceremony. Beyond an amusing title, this is crude and heavy-handed
In the vein of the Scary Movies films, this offers the amusing idea of a mash-up between The Hunger Games and The Hangover where the characters are forced into a death match against characters from other media franchises
The film that made the name of Joe Dante who fills it with a barrage of werewolf movie references and in-jokes. The film’s reputation rests on an amazing mid-film effects sequence where a man transforms into a wolf
A wholly unnecessary sequel to Hoodwinked!, this again runs the fairytale characters over with modern quips and pop culture references
Animated film that offers a revisionist take on Little Red Riding Hood. Everything is played in a manic barrage of pop culture gags and level of inanity that is seriously mind damaging
The Hitch Hiker’s Guide to the Galaxy was a multi-media phenomenon that has developed a cult. The tv series with a less-than-stellar BBC budget was not the most effective incarnation of these but still hits the wittily absurd nerve of Douglas Adams’ humour
One of the worst films ever made – a parody of The Blair Witch Project that mostly consists of various rappers (including Eminem and Vanilla Ice) incoherently improvising a series of monologues about said witch
Comedy where John Ritter is an actor dressed in a superhero costume for a promotion who then starts to fight crimes for real. The first of several comedy films about superheroes who have no powers.
Excrutiatingly unfunny Australian film that has taken an old Italian 1960s Italian Hercules film and redubbed it with a comedy rifftrack
A not terribly funny parody of the Italian-made Hercules films of the 1960s. This is mostly known for featuring Arnold Schwarzenegger (billed as Arnold Strong) in his first acting role
This has a witty idea – a parody of a soap opera combined with a slasher film. This is amusing, but the rest of the film consists of frenzied caricatures and a dearth of laugh out loud moments
From the creators of Reno 911, a comedy spoofing possession, exorcism and diabolical pregnancy cliches. This assembles material that feels as though it should have been funnier than it is
Sequel to A Haunted House where writer/star Marlon Wayans conducted a riff on the Scary Movie films. This is marginally more amusing than its predecessor
Marlon Wayans treads the same territory as the Scary Movie films in this parody take on Paranormal Activity. Most of the film is pitched as a series of crude lowest common denominator gags
TV mini-series based on the Neil Gaiman/Terry Pratchett novel that spoofs The Omen and Biblical End Times prophecies. The series is very close to the book as though it didn’t want to edit any precious gag
Likeable live-action adaptation of the animated series, which was construed as a parody of Tarzan. The sight gags work well and the creature effects are accomplished
An extremely funny parody of Star Trek that sends up both the show, the actors and the fandom. A very witty and knowing script that has definitely been written by fans
The major distinction this has is in starring murdered Playboy Playmate Dorothy Stratten. An SF comedy made in the aftermath of Star Wars where Stratten is an android on a ship voyage romancing her human commander
Werewolf films were all the thing around 1980-1 with hits like The Howling and An American Werewolf in London. This is cult director Larry Cohen’s often extremely silly but not entirely unamusing comedy take
Way before Austin Powers, Hong Kong director/star Stephen Chow made the funniest of all James Bond parodies with this deliriously madcap comedy
Tim Burton’s stop-motion animated expansion of his 1982 short film has a winning concept – a parody of the Universal Frankenstein films with a teenage boy resurrecting his dog
Frank Henenlotter of Basket Case fame modernises the Frankenstein film Here Frankenstein creates a body out of parts from Time Square hookers. Amusing but eventually a film where the humour is too broad
An absolutely hilarious parody of the Found Footage film about a film crew trying to conduct a shoot in a haunted house. This comes with mind-spinning levels of meta-fiction
Hilarious Stephen Chow directed/starring film where he plays an agent of the emperor in a series of gonzo exploits that go crazily over-the-top, including breaking the fourth wall
This sequel to Flesh Gordon, the R-rated parody of the Flash Gordon serials, feels like a joke that is belaboured in the retelling. The film does have a crass level of nonsensical absurdity that proves amusing
This offers the amusing idea of a softcore parody of the old Flash Gordon serials. A surprisingly well-made film in terms of effects but the jokes often seems belaboured amid the witless mugging
A wittily clever deconstruction of the slasher film where a bunch of contemporary characters are transported inside a 1980s slasher movie where their modern ways proceed to hilariously upset the cliches
Peter Sellers’ last film and usually lambasted by his fans. Spoofing the great villain, Sellers indulges his penchant for playing multiple roles and the result is some likeable silliness
Roman Polanski misfired with this vampire comedy intended as a spoof of Hammer Films. Beautifully produced but comedy is not Polanski’s forte and the film seems to consists of much slapstick running around
An occasionally amusing Airplane-styled spoof of film noir and psycho-thrillers, including parodies of then recent films like Basic Instinct and Fatal Attraction, among others
Robert Rodriguez directs from a script by Scream writer Kevin Williamson. This wittily deconstructs the 1950s alien body snatchers film by way of The Breakfast Club
A possession film set on an airplane. This sets out to parody exorcism movie cliches but makes a beeline for outrageous bad taste humour. It does include a great cast of genre regulars
Woody Allen film that takes the title of the best-selling sex manual and spins it out as the basis of a series of hilarious sex-themed skits. Contains the famous episode with the giant breast run amok
A vehicle for Marty Feldman, a peculiar comedy where he plays an advertising executive who has Walter Mitty-like sexual fantasies
Probably the worst of Jason Friedberg and Aaron Seltzer witless and painfully unfunny films – this just consists of a series of vulgar gags run over a bunch of scenes from films that came out in the last twelve months
Disney film where an animated fairytale princess emerges into the real world to become Amy Adams. This becomes the opportunity to wittily puncture the unreal world of the Disney fairytale
The second film outing of US horror hostess Elvira, which is construed as a parody/homage to the Roger Corman-Vincent Price Edgar Allan Poe films. Everything is overrun with Elvira’s cheesy puns and double entendres
A witty parody of the giallo film from members of Canada’s Astron-6 collective who are proving themselves the masters of a certain type of movie spoof
Wackily funny SF musical with Jeff Goldblum, Damon Wayans and Jim Carrey as aliens who land in the San Fernando Valley. Directed by Julien Temple with a giddily effervescent silliness
This sets out to parody the Lord of the Rings fantasy. Or at least you think that is what it is trying to do. All suspension of disbelief is killed by a series of grating and anachronistic quips
Mel Brooks had a huge hit with Young Frankenstein, an affectionate spoof of the Universal Frankenstein films. Two decades on he returns to do the same for the Dracula film but with far more scattershot results.
Italian-made sequel to the campy Vincent Price starring Dr Goldfoot and the Bikini Machine. Directed by the usually great Mario Bava and overrun by the buffoonish clowning of Italian comics Franco and Ciccio
Another variation on the Dr Jekyll and Hyde becomes a woman theme. This version is played as a modern comedy wherein Tim Daly turns into Sean Young who plays to bitchy excess
Very silly AIP comedy that parodies the massively popular James Bond films of the era, as well as features Vincent Price as the villain spoofing his appearances in the studio’s Edgar Allan Poe films
The movie parodies of Jason Friedberg and Aaron Seltzer, which consist of crude, witless gags run over replication of scenes from films of the last twelve months, are painfully unfunny. This doesn’t even spoof the disaster movie
A film with insane creativity and spilling over with snide pop culture wit. Like a mash-up of Bad Kids Go to Hell, John Dies at the End and Back to the Future written by a love child of Kevin Williamson and Diablo Cody
One of several films that came out around the same time, including Super and Kick-Ass, about ordinary people who believe they superheroes. Woody Harrelson gives a winning performance as the comically inept title character
An extremely witty parody of Charlie’s Angels (that also tapps the whole Austin Powers spy spoof fad). This amusingly rewrites the tv show in terms of lesbian attraction
Adapted from an Ira Levin play, this is an hilarious parody of the whodunnit with Michael Caine and Christopher Reeve engaged in a series of games trying to outsmart the other amid a series of brilliant whiplash reversals
The second film from Spain’s Alex de la Iglesia, a comedy poking fun at Biblical End Times prophecies. Quite a promising idea that eventually dissolves into a caper comedy
The first film from Jason Friedberg and Aaron Seltzer, a parody of a various romance movies. The duo went on to make some of the excruciating and unfunny comedies of the next decade
John Carpenter’s first film, made as a student project in collaboration with an also unknown Dan O’Bannon. A send-up of the boldly going space exploration of Star Trek, this features a ship where the crew are going stir crazy. The results are hilarious
Larry Blamire, a director who specialises in genre parodies, takes on the Old Dark House thriller. Not quite up there with Blamire’s funniest films, nevertheless, the film conducts some amusing spoofs of the form
A not very funny science-fiction spoof that has been intended in the vein of Airplane/Flying High but sending up Alien – one where the creature also gets to sing.
The second live-action tv adaptation of Terry Pratchett’s Discworld books (in fact combining two books). This is uneven and oddly padded but beautifully produced
Hong Kong director/writer Stephen Chow is the star of his own highly creative comedy films. Here in one of his quieter films, Chow conducts a comedy take on E.T. – The Extra-Terrestrial
Rather funny film that parodies the Hong Kong fad for lush erotic films that popped up in the 1990s. It even manages to wind in a parody of A Chinese Ghost Story
In the same vein as Grindhouse, four filmmakers have come together to make an anthology of spoof horror films that homage the drive-in tradition. Good taste is left well behind and the results are both outrageous and funny
A comedy spoof of One Million Years B.C. and the whole sub-genre of caveman vs dinosaurs films This proves amiably goofy where Ringo Starr seems perfectly cast as the lead caveman
Cats & Dogs was amiable but this sequel struggles against the irritatingly cutsie elements that have come to dominate this mini-genre of live-action talking animals films
Here the cutely appealing idea of a talking animals film conducted in live-action a la Babe has been blended with a tongue-in-cheek spy adventure. The results are enjoyably silly
During the James Bond craze of the 1960s, the only Ian Fleming novel not owned by Albert R. Broccoli was turned into a giant farce. The film has five directors, a host of stars (including three playing Bond) and is an incoherent mess