Fatal Instinct (1993)
An occasionally amusing Airplane-styled spoof of film noir and psycho-thrillers, including parodies of then recent films like Basic Instinct and Fatal Attraction, among others
The Science Fiction Horror and Fantasy Film Review
Parody (in the sense used on this site) is a form of Comedy that spoofs other works. Usually in parodies, a particular work or entire genre is taken where its elements and tropes are comically exaggerated or punctured. The most common parodies here are of other films and tv shows, sometimes of other media like books and comic-books.
The superhero parody began with tv’s Batman (1966-8) and its deliberate puncturing of the tone of the comic-book. This begat a long line of superhero parodies, even a mini-spate of ones about superheroes with no powers. Other genres to have attracted a sizeable number of parodies has been the Vampire Film and the Slasher Film.
The British Carry On films of the 1960s took a different genre with each film and played it for raucous farce. Mel Brooks cornered the field on parodies during the 1970s, spoofing a different movie genre with each film. Airplane (1980) popularised the spoof movie and created a number of copycat comedies based around spoofing either genres or individual films. The parody of the individual film is also frequently the stuff of short sketches on tv comedy shows.
The 2000s saw the popularity of the Scary Movie franchise, which spoofed assorted horror films, repeating them with a series of crude and vulgar gags and led to many imitators. This led to the rise of directors Jason Friedberg and Aaron Seltzer whose line of empty-headed and inane gags based on recent hits took the genre to its nadir.
An occasionally amusing Airplane-styled spoof of film noir and psycho-thrillers, including parodies of then recent films like Basic Instinct and Fatal Attraction, among others
Pearl White was the original serial heroine in The Perils of Pauline. During the 1960s Batman craze, the serial was revived as this campy comedy
Alien body snatchers comedy that feels less like a film than an extended fanboy in-joke
This has the amusing idea of casting a Last People on Earth film with two Valley Girls. This starts well but the film seems to run out of steam halfway through
A revival of the Leslie Nielsen starring Naked Gun films, which were a parody of the hard-boiled detective film. With Liam Neeson playing Nielsen’s son. Featuring a surprising degree of SF content
Another of the spy parodies that emerged following Austin Powers. Frankie Muniz is a high school teenager who is recruited as a spy. This proves a mildly amusing set-up that is delivered with surprisingly little wit
Widely rididculed attempt to market Gilbert & Sullivan’s Pirates of Penzance as a teen pop film by way of The Blue Lagoon. A mind-spinning film that seems to have no limit on how silly it is prepared to be, including numerous anachronistic contemporary pop culture in-jokes and fourth-wall breaking gags
Mel Brooks parodies the Star Wars films. As with most Brooks films, the humour is broad and scattershot but occasionally amusing
An amusing take on the Japanese Monster Movie that takes place in the aftermath of a monster battle as various government agencies debate what do with the carcass of a giant monster lying in the countryside
A parody of the slasher film with an amusing central idea – what if a slasher maniac found a love interest and wanted to give up hacking and slashing to be with them?
A series of parody sketches based around the popularity of Weird Al Yankovic who plays the owner of a struggling cable tv station
Made to coincide with the Leonardo DiCaprio Romeo and Juliet, this Troma offering sets out to conduct as many bad taste variations on Shakespeare as it can
A Roger Corman produced horror parody that conducts send ups of most of the horror icons of the 1980s – Freddy Krueger, Pinhead, Michael Meyers etc – without being particularly funny
Written by and starring 80s Scream Queen Brinke Stevens, this offers an occasionally amusing comedy take on the possession and exorcism film
Animated parody of the Tarzan films made with a very adult sense of humour that was banned in several countries as a result
The third in the series is no longer even a Spy Kids film but a Virtual Reality videogame film. Robert Rodriguez has some fun creating the virtual worlds but the parody that the other films engaged in is missing
An obscure parody about a team of inept and dysfunctional superheroes that was one of the earliest works from a then unknown James Gunn (who not only writes but stars as one of the superheroes)
This has an irresistible premise – of doing for 1970s tv SF what GalaxyQuest did for Star Trek – parodying the sets, costumes and cliches. On the other hand, the superb conception fails to ever play out as comedy and the film centres around a series of singularly dull personal dramas
Fairly silly fairytale parody with a prince transformed into a frog trying to find a modern girl to give him the kiss of true love
Film spinoff from the long-running animated tv series. The familiar gags are there but show feels awkward extruded out to a full-length plot. You keep feeling the film should have been more than it is.
The third of the Shrek films settles in with a formulaic blandness where the characters turn up more because everyone expects them to than the film finds much for them to do
Shrek was a fresh and original hit. The first of four insipid sequels, this seems to merely coast by on our liking of the characters while upping the fairytale parody
Fairly silly comedy in which housewife Susan Blakely discovers that she is turning into a werewolf. This varies between the over-the-top and the oddly amusing line
German animated film about the adventures of Snow White’s Seven Dwarves. Lightweight and trivial, this feels like it has come along ten years too late to the fad for fairytale parodies and mash-ups we had in the mid-2000s with films like Shrek and Hoodwinked!
By the time of this third film and the departure of screenwriter Kevin Williamson, creativity in the Scream series seems to be flagging even though this has critic-proofed itself by calling itself a parody of a sequel
Fourth of the Scary Movie films and the usual crude inanity, although under David Zucker the movie parodies have expanded well beyond what can be labelled scary movies any longer
The Wayans Brothers and most of the regulars return to revive the franchise to make more crude farce of the Scream and Halloween revivals and other horror films to come out in the last few years
Friday the 13th so changed the horror genre that within two years it produced two four parodies of its title. From Roger Corman, this is more of an occasionally amusing parody of classic monster movies than the slasher film
Based on an off-Broadway play, this is a drag parody of the beach party movie. It does dig into the squeaky clean image of the genre but never seems a particularly funny parody
A superhero parody about a group of reject superheroes with useless powers. Despite moments of amusement, this fails to quite come off
This seems to want to do for the lesbian vampire film what Shaun of the Dead did for the zombie film. Alas, the film makes its appeal fairly and squarely into the crude, sexism of British lad culture
A possession film set on an airplane. This sets out to parody exorcism movie cliches but makes a beeline for outrageous bad taste humour. It does include a great cast of genre regulars
From the creators of Reno 911, a comedy spoofing possession, exorcism and diabolical pregnancy cliches. This assembles material that feels as though it should have been funnier than it is
Rather forgettable film about a monster devouring people from beneath the sands of a beach that at least comes with the benefit of a tongue-in-cheek approach and some amusing characterisations
The second film outing of US horror hostess Elvira, which is construed as a parody/homage to the Roger Corman-Vincent Price Edgar Allan Poe films. Everything is overrun with Elvira’s cheesy puns and double entendres
Parody of the horror genre designed to highlight British comedian Kenny Everett. Some quite funny spoofs, some that aren’t. Vincent Price appears as the leader of a coven.
An anthology made up of six short film spoofs of The Blair Witch Project with a wraparound featuring the excrutiatingly unfunny Pauly Shore
Cats & Dogs was amiable but this sequel struggles against the irritatingly cutsie elements that have come to dominate this mini-genre of live-action talking animals films
A comedy spoof of One Million Years B.C. and the whole sub-genre of caveman vs dinosaurs films This proves amiably goofy where Ringo Starr seems perfectly cast as the lead caveman
The second film from Spain’s Alex de la Iglesia, a comedy poking fun at Biblical End Times prophecies. Quite a promising idea that eventually dissolves into a caper comedy
This has a witty idea – a parody of a soap opera combined with a slasher film. This is amusing, but the rest of the film consists of frenzied caricatures and a dearth of laugh out loud moments
Sequel to A Haunted House where writer/star Marlon Wayans conducted a riff on the Scary Movie films. This is marginally more amusing than its predecessor
A space opera that was made in the aftermath of Star Wars. It is a magpie collage of influences that are not always the most coherently presented and given a comic emphasis
Tim Burton’s stop-motion animated expansion of his 1982 short film has a winning concept – a parody of the Universal Frankenstein films with a teenage boy resurrecting his dog
Frank Henenlotter of Basket Case fame modernises the Frankenstein film Here Frankenstein creates a body out of parts from Time Square hookers. Amusing but eventually a film where the humour is too broad
This sequel to Flesh Gordon, the R-rated parody of the Flash Gordon serials, feels like a joke that is belaboured in the retelling. The film does have a crass level of nonsensical absurdity that proves amusing
This offers the amusing idea of a softcore parody of the old Flash Gordon serials. A surprisingly well-made film in terms of effects but the jokes often seems belaboured amid the witless mugging
Roman Polanski misfired with this vampire comedy intended as a spoof of Hammer Films. Beautifully produced but comedy is not Polanski’s forte and the film seems to consists of much slapstick running around
Comedy about stupid alien visitors largely construed as a vehicle for popular British comedy duo Mel Smith and Griff Rhys-Jones. Some witty SF in-jokes among a haphazard script
Another variation on the Dr Jekyll and Hyde becomes a woman theme. This version is played as a modern comedy wherein Tim Daly turns into Sean Young who plays to bitchy excess
A vehicle for Marty Feldman, a peculiar comedy where he plays an advertising executive who has Walter Mitty-like sexual fantasies
One of the original superheroes with no powers comedies, a not particularly funny variant based on a Saturday Night Live sketch. Written by and starring Damon Wayans.
In the vein of the Scary Movies films, this offers the amusing idea of a mash-up between The Hunger Games and The Hangover where the characters are forced into a death match against characters from other media franchises
Intermittently amusing parody of the disaster movie set aboard an atomically-powered luxury bus where everything proceeds to go wrong. The better parody of the genre would have to wait for Airplane
Way back before Austin Powers, the James Bond/spy movie parody began here with this silly effort in which teenager Richard Grieco is propelled into an international spy caper
Monster movie parody that spoofs a number of classic films, including King Kong where it takes the title literally and the monster makes off with the hero giving the film a certain LGBT community relevance in its day. Contains quite an impressive cast list, including featuring both Paul Walker and singer Fergie as kids
An anthology of comedy skits from several different directors including Joe Dante and John Landis. The result is fairly scattershot with moments of occasional humour falling between laughs that do not come off
B budget director Jim Wynorski makes another of his bimbo films, a parody of Attack of the 50 Foot Woman where a cam girl is turned giant size after eating GMO food
Fred Olen Ray offers up a bimbo movie take on Attack of the 50 Foot Woman. Where the original was an early feminist parable, Olen Ray offers up a giant woman whose only motivation is wanting a bigger set of breasts
This is intended as a deliberately bad parody of a 1950s SF film. It is a fairly silly effort that almost ends up being too well made for its own good to mimic the originals that weren’t even trying
The director of Tucker and Dale vs Evil returns with a comedy that spoofs The Omen about an average guy trying to step-parent the Anti-Christ child
Airplane was a parody of the disaster movie that proved a hit. This was a sequel that expands the action aboard the space shuttle and contains many SF in-jokes but to generally lesser effect
In the same vein as Grindhouse, an anthology that consists of two longer stories set around the gimmick of a tv horror host playing a double-bill, along with several mocked-up parody trailers
Third of the Austin Powers films and the point where the amusements of the other films topples over into a pandering indulgence to Mike Myers’ mugging, which is allowed to overtake the whole show
A film spinoff from the popular 1960s Batman tv show starring Adam West. At half-an-hour twice a week, the series was an enjoyable piece of surrealistic zaniness but its appeals seem stretched at feature-length
This was the third of the Attack of the Killer Tomatoes films. This hits an appealingly silly and wilfully ridiculous note that makes it the best of the sequels.
Fourth and final of the Killer Tomatoes films by which time the slight appeal of the original concept has been well and truly worn out
Joe Dante pays homage to Fantastic Voyage, the classic film about a submarine journey through the human body. Here Dante plays it as a screwball comedy but his in-joke heavy style failed to catch on with audiences
French-Belgian adult animated film in the gonzo trippy vein of Ralph Bakshi and Bill Plympton – a visually madcap satire of science-fiction tropes and 1980s East-West tensions, full of wackily surreal visuals
A demented Jeffrey Lau comedy that seems to have no limits on how silly it is willing to be, while parodying just about every other film made around the same time
Film from one of the producers of Scary Movie that heads for the same lowbrow comedy routines while spoofing 80s horror films
Rowan Atkinson is a very funny man but try as I might I cannot get into these Johnny English films – they seem at best lame Austin Powers castoffs with gags designed for the single digit age range
Marlon Wayans treads the same territory as the Scary Movie films in this parody take on Paranormal Activity. Most of the film is pitched as a series of crude lowest common denominator gags
The first of the Scary Movie sequels. The Wayans Brothers extend the gag beyond the slasher movie to take on the ghost story and exorcism film while aiming squarely for Lowest Common Denominator humour
Sequel to Anthony Hickox’s Waxwork, which ups the number of horror homages but suffers a low budget
Another crude and witless genre parody in the vein of Jason Friedberg-Aaron Seltzer of Epic Movie, Disaster Movie et al notoriety. I there is anything worse than that it is surely a failed attempt to imitate them
A sequel to The Blob, although this plays everything for comedy. The one and only film directed by actor Larry Hagman, no less than J.R. Ewing of Dallas fame
Very silly AIP comedy that parodies the massively popular James Bond films of the era, as well as features Vincent Price as the villain spoofing his appearances in the studio’s Edgar Allan Poe films
A Scary Movie-styled parody of the early 00s spate of superhero films, this has a few amsingly on-target spoofs of its targets (especially Spider-Man) but is mostly scattershot
Twelfth of the popular British comedy series, here the Carry On team conduct a bawdy farce on the Hammer horror film that was all the in-thing at the time
Dismissed at the time as a copy of Young Frankenstein even though it had been made earlier, this is a none too funny vampire comedy featuring David Niven as Dracula
Jason Friedberg and Aaron Seltzer, behind parody films like Epic Movie, Meet the Spartans and Disaster Movie, turn to The Hunger Games. There is all the usual inanity and celebrity mocking of their films, although they do seem to make a film that is only marginally less moronic than usual
During the James Bond craze of the 1960s, the only Ian Fleming novel not owned by Albert R. Broccoli was turned into a giant farce. The film has five directors, a host of stars (including three playing Bond) and is an incoherent mess
The first film from Jason Friedberg and Aaron Seltzer, a parody of a various romance movies. The duo went on to make some of the excruciating and unfunny comedies of the next decade
A series that reached its maximum level of cuteness two films ago is dragged out for another pointless entry that nobody was asking for. Robert Rodriguez delivers shabby juvenile slapstick
Mel Brooks had a huge hit with Young Frankenstein, an affectionate spoof of the Universal Frankenstein films. Two decades on he returns to do the same for the Dracula film but with far more scattershot results.
The epic fantasy quest film is well due a parody, unfortunately this majorly unfunny effort written by its leading man Danny McBride only makes a beeline for the witless and vulgar
This sets out to parody the Lord of the Rings fantasy. Or at least you think that is what it is trying to do. All suspension of disbelief is killed by a series of grating and anachronistic quips
The first in a popular series of comedies, this spoofs the recent hits of Scream and I Know What You Did Last Summer in the most vulgar and witless way possible
A flop theatrical film spinoff from the Get Smart tv series with Don Adams’ Maxwell Smart trying to stop a bomb that renders people naked
The slasher film only really came into existence in 1980 but was so prolifically milked that by even two years later it had spawned its own sub-cycle of parodies. This hits in with a wacky anything goes absurdity but, aside from an amusing Carrie spoof, little of it is funny
The infamous miscalculated Dino de Laurentiis remake of King Kong where the stop-motion is replaced by Rick Baker in an ape suit, while the fairytale romance is replaced by Jessica Lange as a flower child who cracks jokes
Spy movie parody with Rowan Atkinson as an inept agent who is constantly tripping over his own feet. It is Austin Powers reconceived as a Mr Bean film but offering little that is funny.
A lumbering, stagebound adaptation of Stephen Sondheim musical that lamely dips into the fairytale parody that Shrek and other films tapped far more engagingly over a decade ago
A British venture into the gonzo splatter film about a motorcycle that develops vampiric tendencies after blood is spilled in its tank in a Satanist ceremony. Beyond an amusing title, this is crude and heavy-handed
This wants to conduct an Airplane styled parody of The Exorcist to which extent it conducts the coup of casting a grown-up Linda Blair
A wholly unnecessary sequel to Hoodwinked!, this again runs the fairytale characters over with modern quips and pop culture references
Nothing indicates how miscalculated this remake is than the fact it has been placed in the hands of the director of the High School Musicals and sundry Disney Channel fodder
Comedy where John Ritter is an actor dressed in a superhero costume for a promotion who then starts to fight crimes for real. The first of several comedy films about superheroes who have no powers.
The first of the sequels to Attack of the Killer Tomatoes. Featuring the first screen appearance of George Clooney.