In the Dark (2013)
A bland tv movie thriller in which a blinded woman Elisabeth Röhm finds that her homecare aid is an obsessive stalker who has fixated on her
The Science Fiction Horror and Fantasy Film Review
Psychos and Serial Killers is an all-embracing term that refers to anybody of murderously psychopathic disposition in genre cinema. This can range from general murderers and Stalkers to persons of Disturbed Psychology and to those that fall under the modern description of a serial killer.
In textbook psychology terms, a psychopath is merely someone who displays antisocial behaviour and is lacking empathy – so we will specify here that a psycho refers to those with murderous intent and disturbed psychology in a horror context (so as not to include general all-purpose villains too).
The field is so prolific it is hard to say who the first screen psycho would have been. The first time this became a major genre was with Alfred Hitchcock’s Psycho (1960) and its memorably gender-contorted, split-personalitied Norman Bates. The Psycho-Thrillers and Giallo Films that followed offered up a range of similarly gender-conflicted characters with strange psychological quirks.
This morphed into the psycho films of the 1970s, which placed less an emphasis on the thriller aspects and more on disturbed individuals and their often sordid states of mind. Plentiful psychos were found lurking in backwoods America to attacks passers-by in the Backwoods Brutality cycle.
The 1980s brought the Slasher Film where the psycho became a hulking Boogeyman or else a member among a group of teens nursing some troubled psychic split. Fatal Attraction (1987) produced a series of stalker films with vengeful women (usually) striking back for past or perceived slights.
The success of The Silence of the Lambs (1991) brought a public fascination with the term ‘serial killer’ and created the Serial Killer Thriller. In these, what was previously lumped together as being just ‘disturbed psychology’ was examined in terms of behavioural patterns that drove an individual to act, all of which could be deduced by minute examination of forensic evidence that gave key clues to their identity.
There is also a sizeable body of films about true-life psychopaths and serial killers. These are discussed under True Crime Films.
A bland tv movie thriller in which a blinded woman Elisabeth Röhm finds that her homecare aid is an obsessive stalker who has fixated on her
A standout thriller full of sharp whiplash twists that features Cassandra Naud as a murderous psycho who targets social media influencers and then steals their identities
Influencer with Cassandra Naud as a psycho who targets and then impersonates social media influencers was a modest hit, filled with a series of sharp whiplash twists. This is a sequel
Christopher Nolan’s second film, an English-language remake of a Norwegian thriller. The action is relocated to Alaska and gets the addition of Robin Williams as a serial killer but is far less effective than the original
A slasher film set in a supermarket! This proliferates in a series of cut/uncut versions and has an amazing cast line-up, including acting appearances from Sam Raimi and most of his regular troupe
The haunted house genre has become so overused t feels mined out of original moves. Despite a better cast line-up, this follows all the familiar paths, even if it arrives at a quite different ending
A painfully bad film about a jailed killer who uses astral projection powers to become invisible and leave his cell to take revenge on those who convicted him
This feels as though the director, frustrated with lack of financing, grabbed a camera and shot a film around his home. This generates a modest creepiness but falls apart at a credibiity-stretching ending
The last few years have seen the slasher film conduct some odd conceptual crosshatches – this offers a mash-up between a slasher film and It’s a Wonderful Life
Dramatisation of the Jack the Ripper murders that resembles a cheap British quota quickie but musters some okay gaslit atmosphere. Alas, the film has done little research on the details of Ripper casefile
A version of the Jack the Ripper killings from cult exploitation director Jess Franco starring Klaus Kinski. Neither Franco or Kinski are up to much. The film’s resemblance to the facts of the Ripper case is close to zero
TV mini-series made for the 100th anniversary of the Jack the Ripper killings. While the show adheres more to the facts of the case of any filmed work up to that point and to have uncovered new evidence, it should be considered fiction
A girl sets out to solve the Jack the Ripper killings to free her innocently convicted brother. This is no more, no less factual than any other version but conducts a fine period recreation of Victorian England
This comes with a fantastic pitch – it was released on the centenary of the Jack the Ripper killings and features a Ripper copycat operating in the present. Alas, this becomes a massive wasted opportunity
A completely ridiculous thriller with Kevin Kline playing a fireman-detective who is tracking a serial killer. It is hard to tell if it was intended as a comedy but it managed to attract an impressive cast list
The sixth and one of the better Friday the 13th films. This time the usual formula of the series is conducted with an undeniable sense of humour
The tenth Friday the 13th film. This tries to add novelty as Jason is thawed out in the future aboard a space station to slaughter anew. Featuring no less than David Cronenberg as a victim
A psycho-thriller in which Andy Garcia plays a detective who is trying to protect/romance blind Uma Thurman from a serial killer who targets blind women
Whether we asked for it or not, this is a revival of the Saw series. The upside is that unlike the other sequels it comes from a duo of directors who have made some quite good films elsewhere
A quite good thriller where Dolph Lundgren plays a detective who is drawn into a underworld of sadomasochistic sex during the hunt for a female serial killer
Another variant on the evil child theme, this suffers from far too mannered an approach where you keep waiting for it to pull back and sink its teeth into something shocking
Teens on a road trip play a practical joke using an old CB radio but prank a psychopathic truck driver. A film where director John Dahl delivers the goods with considerable style
A ridiculous supernatural action film where a madly overacting David Keith plays an executed killer returned from the dead to seek revenge against cop Martin Kove
Produced by Guillermo Del Toro, this Spanish film is an extremely good work about a blind woman stalked by a killer, featuring a script of sharp twists and grippingly suspenseful directorial set-pieces
Sean Connery stars as a law professor in a courtroom thriller about a wrongly convicted man. However, this gets sidetracked into being a The Silence of the Lambs copycat
Coolly intelligent road movie with a then-unknown David Duchovny as a writer on a tour of serial killer murder sites and an unknown Brad Pitt giving a charged performance as a psychopathic redneck
Film based on true-life serial killing couple Paul Bernardo and Karla Homolka. This could have been another Monster but it feels like a film that played everything safe in terms of its content
A Found Footage film about a family who finds everything they do is being filmed by hidden cameras before their home is invaded by masked figures
Comedy in which reverend Rowan Atkinson’s home is invaded by murderous nanny Maggie Smith. A promisingly black idea ends up being delivered as a quaintly mumsy British rural comedy
One of a growing number of horror takes on Groundhog Day with the unique premise of a serial killer trapped in a timeloop where he kills everybody but must change his ways to escape
The original film version of the Jim Thompson novel with Stacy Keach as a charismatic and well-liked sheriff’s deputy in a small Montana town who harbours a psychopathic side
Disappointing adaptation of a classic noir novel where neither Michael Winterbottom nor a blank Casey Affleck do much to get inside the noirish mood or the troubled central character of a psychopathic sheriff’s deputy
Ambitious ingenue film about a loner who may or may not be a serial killer. Directed with some subtle ambiguity and featuring good performances from the two leads
This gained a minor cult in which an abused nerd snaps as a result of constant humiliations and goes on a killing rampage. Tony Radloff gives an extraordinary performance
Notorious Video Nasty, a key work in the Nunsploitation genre with Anita Ekberg as a drug addicted nun who kills her patients. Apparently based on real life
The second film from Indonesia’s Mo Brothers follows the internet friendship between a serial killer and another he decides to mentor in the ways of killing. The Mo’s take to the material with a dark relish
Quite good British tv mini-series psycho-thriller in which calculating Hermione Norris sneaks her way in and takes over the home of Julie Graham stealing her husband and gaslighting her
Fine Australian psycho-thriller about a couple on the run from an accidental murder. This comes with sharp twists and ambiguities and a great sense of humour
The first film adapted from James Patterson’s books about forensic profiler Alex Cross, featuring standout performances from Morgan Freeman (cast as Cross) and Ashley Judd
Christopher Lambert and Diane Lane star in a thriller about a serial killer who treats his victims like a chess game and has turned an entire isolated island into a chessboard
The idea of a killer targeting all that is talentless in Hollywood has some satiric amusement but this is an incoherent film delivered in a series of MTV visuals by what feels a coke-addled director
A tawdry erotic thriller where designer Diane Lane creates a series of sexually provocative window dressings only for her to then become targeted by a psycho stalker
This is a misleadingly titled film that features no Krampus and is actually a low-budget Christmas slasher that has been renamed by the distributor. Poorly made on all accounts.
An Australian psycho film that gained a fascination, being called sleazy and sordid upon its release. Which of course makes it a must see for Moria
Witty psycho-thriller with Talia Shire giving the performance of a lifetime as a psychopathic landlady who becomes fixated on a handsome border
Film from Ray Dennis Steckler, the cult director of The Incredibly Strange Creatures Who Stopped Living and Became Mixed-Up Zombies concerning a maniac on a killing spree in Las Vegas
This asks the question of what happens to the final girl after a slasher film. This is less a slasher film than a work about post-traumatic stress before reaching a jaw-dropping ending
Mike Mendez film about a heist on a safety deposit company. Henry Rollins proves extremely entertaining as a serial killer come to retrieve his collection of eyeballs in the vault and caught in the midst
This was made guerrilla-style during the Cannes festival with many scenes shot at press conferences and premieres as obsessed fan Joe Spinell stalks Caroline Munro’s actress
British effort from the early days of the Found Footage film that reminds of Man Bites Dog with a serial killer demonstrating his techniques to a videographer
Wes Craven’s first film, a savage shock to the system about a group of psychopaths that brutalise two girls. With this, Craven inaugurated the Backwoods Brutality film; this is still one of the best of the cycle
A disappointing remake of the harrowing Wes Craven classic where the violence has been tamed down and the film is entirely missing the irony of the original’s savage ending
A disturbing Japanese film about a man in a motorised wheelchair (played by a real disabled actor) who turns serial killer and begins to enact revenge for petty injustices
A gritty US-made adaptation of a Swedish thriller with Walter Matthau and Bruce Dern as detectives investigating a machine-gun murder spree aboard a bus
Supposedly a The Texas Chain Saw Massacre prequel that offers us a Leatherface origin story. The least Texas Chain Saw-like of the sequels and eventually a far cry from the original
The third of the Texas Chainsaw films where the rights have now been inherited by New Line Cinema and the brutality of the original promptly watered down to MPAA standards
Cult director Takashi Miike makes a film about a teacher who goes on a shooting rampage through a school where Miike takes an unrestrained glee in the carnage
A black comedy that feels like a wannabe Coen Brothers film. Set among various Hollywood hangers-on, this starts with a surreal bizarreness that collapses into raucous farce
Tightly wound British tv thriller where Jemma Redgrave has a big secret that her ex is a jailed serial killer and she now cannot be certain if her son or fiance is responsible for a murder
This comes with a captivating tagline “Before The Ripper, fear had another name” and misleadingly suggests it is based on another true-life Victorian serial killer. This refuses to be the police procedural you expect
Gimmicky thriller about teen girls making prank phone calls who end up calling and then becoming the target of a serial killer
The last great film from Mario Bava, an exquisitely dreamy giallo/haunted house film that had the ignomity of being butchered and made into an Exorcist copy when it came out
Sound remake of the silent Alfred Hitchcock film, starring big man Laird Cregar as the new lodger that a family believe might be Jack the Ripper. Cregar gives a wonderfully melodramatic performance
Fourth version of the tale about a family who believe their boarder might be Jack the Ripper. This is updated to the present and abandons most of the story for a mind-bending pretzel of identity speculations
Alfred Hitchcock’s third film about a family who believe their lodger might be a killer. This was made during the silent era but Hitchcock uses extraordinary visual tricks that blow you away
Film based on true-life killers Martha Beck and Raymond Fernandez who preyed on victims through the lonely hearts column. Directed by the investigating detective’s grandson.
An exhaustive and very accurately detailed tv mini-series based around the Yorkshire Ripper, a serial killer who targeted prostitutes in the north of England between 1975 and 1981
Osgood Perkins has been a director on the rise in recent years. This was his fourth film where he makes a serial killer thriller featuring a verrrry weird Nicolas Cage in the title role
Chris Sivertson directs a frequently explosive film based on a Jack Ketchum novel that tells the story of a true-life teenage killer and the magnetic sway he held over others
An overlooked homage to the slasher film. This doesn’t set out to parody, deconstruct or subvert the tropes, rather is just a well-made and affectionate tribute to the genre’s 1980s heyday
From Denys Arcand, a strong and powerful examination of all differing aspects of sexuality in the 1990s via a crosscut of characters, including a serial killer also in the mix
Splendidly lurid and schlocky psycho film 1970s style with Erik Stern having the time of his life and giving an amazingly demented performance in the title role(s)
Australian black comedy about a guy imprisoned to be a girl’s perfect prom date. The film takes to horror with enthusiasm and is owned by two fantastic performances from the women of the show
A film about a dead girl trying to stop her paedophile murderer from the afterlife. A grim story becomes a visual effects vehicle wrecked by Peter Jackson’s overblown amateur hour symbolism
This starts out seeming like it is going to be a regular Backwoods Brutality film about a regular family threatened by hicks before expectations are abruptly turned on their head
An hilarious parody of the slasher film in which an undead lumberjack invades a Bible camp, slaughtering the teens in a series of over-the-top deaths to use their blood as syrup on his pancakes
Scout Taylor-Compton stars in a slasher about a killer stalking the cast of a high school play. She plays with a professionalism but the rest feels like an amateur production
A film about a psychopathic circus geek who kills using a pair of steel dentures. One of the better critically received releases from Troma. Things get quite nasty.
Fritz Lang was an extraordinary director of the silent era and this was his first sound film. Peter Lorre gives an amazingly craven performance as a child murderer who becomes hunted by the criminal underworld
The Hollywood remake of Fritz Lang’s film about how the criminal underworld hunts a child killer. Lang’s film is a classic but this comes with visuals maybe even superior to Lang’s version
Blumhouse production with Octavia Spencer as a stalkery mad woman who befriends a group of teens in an elaborate revenge plot. Quite what people though they were making is a scratch of the head
French thriller where psychiatrist Gerard Depardieu tests a device that allows him to swap bodies with a serial killer – only for the killer to get free and steal his life
A rather amusing Australian black comedy made very low key starring Craig Pearce as a mad bomber who makes all of his flatmates prisoner
John Barrymore as a ballet master who controls and dominates pupil Marian Marsh. This was clearly made as an attempt to replicate the success that Barrymore had playing more or less exactly the same type of role in the earlier Svengali
Vincent Price had success as the mad waxworks curator in the 3D horror House of Wax. This cheap copycat casts Price as a mad stage magician and is also served up in 3D
One among the spate of 1960s psycho films with Stella Stevens dealing with her brother and sister, one of whom is a killer
An attempt to copy the Dr Phibes films with Vincent Price as a horror actor facing a series of killings on the set of his comeback film
Appealingly sordid little film with Rob Arbogast as a psychopathic mailman who reads people’s mail and blackmails them with information
An entry in the slasher film made by several alumni from the original Night of the Living Dead. Someone is killing the girls of the high school’s cheerleading squad
One of the very first Found Footage films, an hilarious Belgian-made black comedy with Benoit Poelvoorde as a cheerful serial killer who demonstrates his techniques to a film crew
The fourth film version of The Lodger with Jack Palance as a new tenant that a family believe might be Jack the Ripper This has neither the style or the melodrama that the previous versions did
A fake True Crime film. This is loosely to the point of almost non-existently based on a serial killer who stalked victims in a van in 1970s Florida. This is blown up into a Duel wannabe with the van prowling everywhere
The very first Hannibal Lecter film. Under Michael Mann, this comes with a stylistic flourish very different to what the films became when Anthony Hopkins took the role
Muchly reviled slasher film that has undeniable effect in its determination to go all the way. I would argue that it is actually a far better film than Friday the 13th
The first in a series of films starring Robert Z’dar as an hulking, deformed ex-cop seeking revenge. Not as effective as the sequels but is lifted above the routine by a quirky Larry Cohen script
Standout sequel to Maniac Cop, the best of the series, where Larry Cohen turns in a remarkable script and William Lustig delivers incredible action sequences
The third of the Maniac Cop films had production problems and now feels more like a regular slasher film, although is still boosted by a characteristically witty Larry Cohen script
Controversial remake of the 1980 psycho film. The remake’s unique take is that everything is shot in first-person from the point-of-view of the killer.
A 1960s LSD film where a stripper kills men while under the influence. Mostly this is just a series of nudie scenes that go on and on without any plot
An obscure Canadian-made thriller about an evil twin