Almost Dead (1994)
This a dull ghost story in which Shannen Doherty plays a parapsychological researcher who believes she is seeing the ghost of her mother everywhere
The Science Fiction Horror and Fantasy Film Review
Rationalised Fantasy concerns stories that are ostensibly fantasy, horror or supernatural but where the elements of the fantastic are reveled to be have a mundane explanation. This can refer to stories in which elements such as hauntings (most commonly), reincarnation, possession, mediums, UFOs and such like are revealed in an end twist to have more rational explanations than what we had been led to believe (sometimes in absurdly contrived ways).
This also refers to works of fantasy, myth and fairytale that are retold in modern terms.
This a dull ghost story in which Shannen Doherty plays a parapsychological researcher who believes she is seeing the ghost of her mother everywhere
The director of Zombie Strippers! offers up Alice in Wonderland as a modern urban tale that becomes an allegory for a drug-induced journey into a disturbed headspace
A small masterpiece of 1960s Italian Gothic cinema. Exquisitely moody black-and-white photography with Barbara Steele as the ideal of a Gothic dominatrix twisting men around her finger and setting a town against itself
Sweet and tender anime about a young girl who has a curse placed on her that causes her to lose her voice and how this actually allows everyone around her to voice things they don’t say.
A classic British ghost story that produces an exceedingly haunted atmosphere at times, although falls apart in a highly contrived M. Night Shyamalan twist ending
Story of the sole survivor of a cult mass suicide waking from a coma to be haunted by the cult leader begging her to join them. This becomes a derivative of the A Nightmare on Elm Street films before a contrived ending
This promises the amusing idea of a sarcastic 00s take on The Breakfast Club but emerges as no more than a glorified episode of Scooby-Doo, in a plot about punishing the children of privilege
Not the tv series, this is an unsold earlier tv pilot that attempted to spin a series off from Psycho, An ill-conceived disaster, the film’s clumsy
direction could not be further away from Alfred Hitchcock if it tried
This is a werewolf film with a difference. Everything comes with an ambiguity that is seen through the eyes of a young child trying to make sense of what is happening to her father
A quite enjoyable attempt to modernise the story of Beauty and the Beast with Martin Clunes as a disfigured reclusive aristocrat and Sienna Guillory as a plumber who connects with him
An interesting and worthwhile attempt to retell the epic legend of Beowulf but to give it grounding as an historical work. Filmed in Iceland with an international cast
Tim Burton film where Albert Finney plays a habitual teller of tall tales whose son sets out to find the truth. Burton’s characteristic quirkiness seems buried by such a blandness you suspect he has been replaced by a clone of Ron Howard
A TV movie that was released theatrically outside the US with Dale Robinette as a James Bond copycat with Dale Robinette up against villain Patrick MacNee who has weaponised the ozone layer
Beautifully made and exquisitely directed film with Nicole Kidman as a widow who meets a ten-year-old boy who claims to be the reincarnation of her late husband
Powerful film from Christopher Smith set during the Middle Ages about a group on a journey to a village where a priestess can purportedly raise the dead. The film’s skewering of faith in an unforgettable ending is stunning
An extraordinary film that offers a modern retelling of the Greek myth of Orpheus and Eurydice, relocating it amid the Rio Carnival with striking and colourful results
One of the entries from the Italian Gothic cycle featuring a big decaying castle, lurking disfigured figures, sinister hypnotists and moodily atmospheric black-and-white photography
Tyler Perry is an accomplished impressionist but his two Halloween comedies appropriate elements of the horror film while having no interest in the genre. Here all the horror elements only serve to deliver a lecture on child rearing
I don’t dislike the Tyler Perry film – the performances are skillfully accomplished. Here however Perry attempts to make a Halloween comedy while displaying almost zero interest in any of the genre elements
There is a certain appeal to the premise – nanny is expected to tend a doll that everyone pretends is real only to discover it might be alive. Director William Brent Bell but he redeems himself in terms of creepy atmosphere only to blow it with a lame twist ending
One of a series of cheap Canadian-made made Sherlock Holmes tv movies featuring a wildly overacting Matt Frewer who makes possibly the worst screen Holmes ever
An Old Dark House thriller that has the distinction of being the last horror film made during Universal’s Golden Age of Horror. The results are creaky and impoverished looking
A contemporary take on Cinderella that relocates the story to a modern high school with a downtrodden Hillary Duff trying to make it to the prom
Adaptation of Mark Twain’s classic about a modern man thrown back to the time of King Arthur. This has been made as a vehicle for Bing Crosby and makes for fairly excruciating viewing today
An early film from Francois Ozon, this offers a modernisation of Hansel and Gretel where the two are teenage lovers on the run before the story turns into a remarkable gay coming out parable
Luc Besson scripted sequel to the serial killer thriller The Crimson Rivers. However, in director Olivier Dahan’s hands, this emerges as a empty-headed series of shock images and random action scenes
A low-budget copy of the Vincent Price Edgar Allan Poe films with a patriarch seemingly returned from the dead and eliminating his relatives with a series of sensationalistic deaths
Kenneth Branagh breathes life into the creaky reincarnation thriller with a plot that crackles with tension, while he directs with a virtuoso showmanship that shouts style from every frame
A dully directed imitator of A Nightmare on Elm Street, although a series of highly contrived twists eventually reveal that there are no dream horrors after all
Miles Doleac is better known as an actor but also has a number of credits as a director. Here he both directs and stars as a former priest haunted by an exorcism gone wrong
Ken Russell makes an historical work about the Catholic Church’s persecution of a supposed outbreak of possession at a convent in 17th Century France. As to be expected of Russell, this is shocking and outrageous. Oliver Reed gives one of his best performance
This gives all appearance to being another copy of Insidious – a ghost story with an evil-sounding adjective for a title. The film settles in in predictable ways; then throws the ghost story angle on its head with a surprise SF twist
A creaky old-fashioned psycho-thriller – one that draws heavily on Les Diaboliques and a contrived plot to drive somebody crazy – that came out the same year as Halloween and feels a whole world apart
The idea of (some chapters of) the classic Chinese legend Journey to the West retold in contemporary terms. This makes for some amusing interpolations, while also acting as a social critique of modern-day Chinese society
A modest thriller with sheriff Robert Urich investigating cattle mutilations in small town Buffalo and finding possible UFOs and a government conspiracy to be behind these
Witty and very charming retelling of Cinderella that strips out all of the fantasy elements and substitutes a pseudo-historical realism. The cast positively shine.
Hong Kong cinema specialises in a type of frenetic, high-energy slapstick. This – a romance set around a swimming competition in which the girl thinks she has been blessed by a water god – is not one of the more inspired
A version of the Arthurian legends that has stripped out Merlin and all of the magic and mounted it as an historical romance. With Sean Connery as King Arthur and Richard Gere as Lancelot
Terry Gilliam’s finest moment, a modernised knightly quest where radio dj Jeff Bridges is dragged into helping homeless man Robin Williams find the Holy Grail. A film made by its performances and warm and eventually soaring characterisations
One of Rankin-Bass’s animated films, this has an ambitious epic fantasy plot with original themes about the line between science and magic, although this is undone by Rankin-Bass’s limited animation
Matthew Bright’s extraordinary modernisation/trashing of Little Red Riding Hood who becomes Reese Witherspoon’s juvenile delinquent who goes hitchhiking and is targeted by serial killer Kiefer Sutherland
Matthew Bright’s even better sequel to Freeway where he conducts an outrageous and quite brilliant modernisation of Hansel and Gretel now recast with two juvenile delinquents on the run
Modest Australian-made children’s film that imports Henry Thomas riding on the success of E.T. as a teen inventor finding a lake purported to contain a creature from Aborigine legend
David Fincher film in which Michael Douglas is wound into a conspiracy that makes him doubt everything around him. Fincher creates paranoia but the story eventually becomes an improbably contrived house of cards
One of the psycho-thrillers made by he great and underrated Curtis Harrington during the 60s/70s. The film draws much from Les Diaboliques, right down to casting its leading lady. Harrington delivers suspense with an expert hand
Don Knotts was a popular comic of the era who specialised in a craven fearfulness. Here he plays in a haunted house comedy. Beyond Knotts’ comedic antics, the film never seems very interested in the haunted house aspect
Another of the films from the East Side Kids/Bowery Boys, a prolific comedy act of the era. Here the boys set out to bust a fake medium racket during the course of which they are aided by a ghost
Worthwhile film that has a strong vibe of M. Night Shyamalan’s The Village about a post-US Civil War town that comes under attack by mysterious creatures
Comedy where the East Side Kids/Bowery Boys encounter Bela Lugosi running a Nazi fifth column operation from a haunted house, although the ghosts part eventually proves misleading
Creaky but atmospheric British film where Boris Karloff dies but is brought back from the dead by an Egyptian jewel to stalk his heirs through a big old mansion
The Green Hornet was a tv series based on the radio and serial masked hero. Following Bruce Lee’s ascent to superstardom, three episodes of the series were re-edited as a feature film
An Australian entry in the spate of superheroes with no powers films a la the likes of Kick-Ass, Defendor and Super. This plays out as a quirky but never particularly funny romantic comedy
Classic German silent film about a pianist who receives hand transplants and believes they are possessed. Superbly stylised direction from The Cabinet of Dr Caligari director Robert Wiene and with Conrad Veidt putting his all into the contorted mime work
The third film and least version of the classic horror story about a pianist who receives hands transplanted from a murderer and is driven mad believing they are possessing him
Both directing and starring here, Gene Wilder attempts to revive the Old Dark House comedy. By the 1980s, this was datedly creaky, while Wilder’s comedy mugging histrionics are excruciating to sit through
Dwayne Johnson starring Hercules film that just wants to be a big dumb cartoon without a brain cell in its body. This takes the interesting approach that Hercules was an ordinary man whose exploits were all down to PR
The fourth of Abbott and Costello’s films, a knockoff of the then recent hit of the Bob Hope remake of The Cat and the Canary involving much comedic running around a supposedly haunted mansion
An incredibly good adaptation of the Sherlock Holmes story. Thought lost for many years, this was made at the height of German Expressionism and has a vividness that other adaptations lack
The first in a series of Sherlock Holmes films starring Basil Rathbone, who became the definitive Holmes for many years, and a reasonable adaptation of the Arthur Conan Doyle novel
Hammer Films’ one and only Sherlock Holmes adaptation. It is beautiful to see the opulence of early Hammer productions brought to bear giving the story unusually effective life
Adaptation of the Sherlock Holmes novel made as a comedy vehicle for Peter Cook and Dudley Moore. Given the duo’s reputations as comics, the results are fairly excruciating
Given lavish period settings and featuring a sterling cast line-up of British talent from the day, this is probably the most faithful film adaptation of the Conan Doyle story
Another adaptation of the Sherlock Holmes quasi-supernatural mystery. This is also one of the worst ever thanks to the wildly over-acted, scenery chewing performance from Matt Frewer, badly miscast as Holmes
A new and extremely good adaptation of the Sherlock Holmes story featuring Richard Roxburgh as Holmes. This offers some radical shakeups of the story and characters
One of the key films from William Castle, the P.T. Barnum of the horror genre. Castle always approached horror like a carnival barker. Castle does not have much style but the luridness of his shocks proves entertaining
An NZ-made haunted house comedy that runs through a frenzied array of genre plot devices, a couple of minor jumps and some easy middle-of-the-road laughs leaving you feeling there should have been more to it
Fascinating forgotten film with Richard Boone as a cemetery keeper who finds he can kill by placing pins on a map of the cemetery. This feels like a forgotten Twilight Zone episode and develops some quite creepy effect.
A modernised retelling of the Cinderella story that is set in the Paris fashion world starring with Jennifer Grey as a lowly seamstress falling for self-important fashion designer Rob Lowe
This came out the same year as The Prestige and has a very similar plot with Edward Norton as a stage magician in 19th Century who may have real powers and the rivalry over a woman
A striking variant on the vampire film full of rich metaphor. Set against the backdrop of Oxford university, this explains vampirism as a psychological condition brought on by sexual impotence and academic pressure
The haunted house genre has become so overused t feels mined out of original moves. Despite a better cast line-up, this follows all the familiar paths, even if it arrives at a quite different ending
A low-budget cheapie starring Bela Lugosi as a widower who goes into a trance and starts killing women after having visions of his late wife’s ghost
Bollywood SF film that is like a version of Shyamalan’s aliens film Signs with a few dashes of The Mouse That Roared, all played as a comic farce with much singing and dancing
A big-budget version of the Arthurian legends that makes dubious claim about being rooted in historical fact. The fantasy elements are stripped out and what we have is more of an historical spectacle
French director Robert Bresson’s take on the Arthurian legends, stripped of nobility and magic. I’m not part of the critical cult around Bresson. Films that are dull and lifeless are not about spiritual yearning just dull
An exorcism film made Found Footage-style with Patrick Fabian as a conman exorcist. This is constantly confounding everything one expects of the genre with considerable cleverness
A tv movie version of the classic ghost story by Washington Irving and the most faithful version of the story to date. With a young Jeff Goldblum as Ichabod Crane
Tobe Hooper’s space vampires film wildly divides audiences and was a flop for Cannon Films. You have to applaud its ambitious conceptual grasp even if it bites off more wild ideas than it is ever capable of coherently presenting
An entry from the revived Hammer Films directed by duo who made Goodnight Mommy. A slow burn of a film about cabin fever and fragmenting psychology often reminiscent of The Shining
A lost film from the great silent actor Lon Chaney [Sr] who would undergo great physical makeup transformations for his role. This also has the distinction of being the first Hollywood-made vampire film
A ghost story that is directed by a married couple who shoot the film in their own apartment and also play a family as they start to be affected by a malign presence
One of Woody Allen’s slighter films about rationalist Colin Firth who is debunking medium Emma Stone but becomes convinced of her powers as romance sparkles
Ingmar Bergman film about a travelling magic show. Bergman is fascinated with the power that illusionists hold and what happens behind the mask. A spellbinding film that is more haunted that most genre films
A modernised retelling of Alice in Wonderland in which Alice takes a colourfully surreal trip through an urban landscape and criminal underworld
Before the spate of superheroes with no powers films with Kick-Ass and Super, there was this South Korean based-on-a-true-story film about a delusional man who believes he is Superman
Dracula director Tod Browning reteams with Bela Lugosi in a remake of the silent London After Midnight. A vampire film that has much atmosphere but is ruined by a ridiculous ending
Adapted from a David Gerrold book, this is essentially the Adam Sandler adopts a kid film Big Daddy by way of K-PAX and its ambiguous alien visitor
Gentle affecting film about a boy learning Buddhist life lessons as he journeys across Mongolia with an old man
Incredibly shabby film about residents of a Texas boarding house being killed by a supernatural dog
Another Z movie attempt to join the 1960s beach party movie fad with the additions of monsters that ends up being fairly ridiculous on all counts
A Hungarian-made Found Footage horror film with vague claims to being about the Mothman. This only goes where The Blair Witch Project trod before, although subverts it in a twist ending (8)
Spanish film about a group of people gathered at a mansion as spooky happenings begin happening and people are killed off
One of the first films to copy William Castle’s gimmick and filmed in Psychorama wherein frightening images and words were subliminally projected on the screen. The plot where a newlywed wife has a recurrent dream of a sinister house only for it to be the one they move into has a disappointingly mundane rationale
Film made during World War II about the locals of small English town dealing with a haunted mine and uncovering a Nazi infiltration plot
Following Tin Man and Alice, another of Nick Willing’s ingenious rewritings and rationalisations of classic children’s tales in science-fiction terms. Here the essentials of Peter Pan are transported to another planet
Charmingly nonsensical comedy variant on Firestarter where a girl’s dating life is a nightmare due to her causing things to spontaneously combust when she becomes emotionally aroused
A giallo film with Anthony Steffen as an aristocrat who likes to pick up red-haired girls and kill them in the dungeon in his villa, who then becomes haunted by the ghost of his late wife
William Castle psycho-thriller (from a Robert Bloch script) that creates an incredibly haunted mood between dream and reality only to fall apart in an absurdly contrived ending
Classic film starring Tyrone Power as an ambitious carnival barker who has success with a mind-reader act. Filled with great film noir atmosphere and a doomed sense of fate at play
Nominated for an Academy Award for Best Picture, Guillermo Del Toro’s remake of the 1947 film noir tale about a fake clairvoyant is an exquisite piece of mood and design