Guillermo Del Toro’s Pinocchio (2022)
Guillermo Del Toro offers up his dark, more adult take on the classic children’s story in this beautifully made stop-motion animated film. Winner of that year’s Academy Award for Best Animated Film.
The Science Fiction Horror and Fantasy Film Review
Fantastic Cinema often features real people that existed (or are still living) incorporated into a story. For films that dramatise the life stories of real people see Biopics and True Stories. In the case of notorious killers see True Crime Films.
These include cameos from real-life people in stories that takes place in an historical setting or encountered during time travel stories. Alternate History Films often include very different versions of familiar faces.
There are also some more fanciful stories like where famous figures such as Abraham Lincoln and Billy the Kid fight zombies and vampires. Other stories resurrect famous faces from the dead. This also includes satirical and deliberately ridiculous entries.
For more detail and an overview of the genre see the Theme Essay Real-Life People in Fiction.
Guillermo Del Toro offers up his dark, more adult take on the classic children’s story in this beautifully made stop-motion animated film. Winner of that year’s Academy Award for Best Animated Film.
A ghost story that takes place between two eras set aboard the real-life cruise liner Queen Mary, this conducts a variant on the ghost ship story with some reasonable effect
Henry Rollins is a man who may be immortal. Sort of like a dark version of The Man from Earth, this is made by the wittily phlegmatic indifference of Rollins’s performance and fascinatingly littered clues about who he might be
Director Jack Arnold was one of the great voices of 1950s SF cinema. Here he turns to making a none-too-funny comedy set in an underwater habitat. Featuring a teenage Richard Dreyfuss
A shot during the Covid lockdown film. An amiable comedy set on the last day of the world where Zoe Lister-Jones and her imaginary younger self Cailee Spaeny walk across L.A. to find closure with the people in her life
H.P. Lovecraft is a cult horror writer whose work brims over with a sense of cosmic dread. One of the most bizarre Lovecraft film adaptations is this work of children’s animation featuring a young Lovecraft
The second in a series of animated children’s films about the young H.P. Lovecraft and his encounters with the various denizens of the Cthulhu mythos
The third of the trilogy of animated films from Arcana Studios based around the adventures of a young H.P. Lovecraft
Madcap slapstick caper comedy with Bruce Willis as a cat burglar. This was a massive box-office flop at the time but remains a lunatically out-of-control mess that is frequently hilarious
Sequel to the original that pushes into even more perverse territory. This throws some amusing spins on the original, creating a unique protagonist, while also contriving to exist inside an extremely disturbed headspace
The first two Human Centipede films are masterpieces of twisted extremes. The third entry goes astray in giving the show over to Dieter Laser in one of the most over-the-top performances ever unleashed
One of the key films from cult director Walerian Borowczyk, a quartet of exquisitely photographed and art directed erotic tales, including one about Countess Bathory
A witty parody of the Found Footage form where the attempts by Werner Herzog to make a documentary about the Loch Ness monster are constantly upset by the director’s insistence on sensation and faked monster appearances
At age 80, Harrison Ford returns for what looks like being the last ever Indiana Jones film. It’s not perfect but when you compare to all the other contemporary franchises, this still has the good old adventure spirit
Third of the Indiana Jones films. This comes with all the breakneck action sequences and Sean Connery doing a fine comic turn as Indiana’s irascible father but also plays to a much greater slapstick emphasis
TV mini-series that adapts six less well known short stories by H.G. Wells into an anthology with Wells as the central character. A couple of good stories, some that never hit the mark
Sequel to the Russian-made horror film Viy, this is an historical fantasy with a big budget that mounts spectacular effects sequence and provides name stars, even if the results are utterly bizarre
Timo Vuorensola’s follow-up to Iron Sky. It is hard to believe that a film with a premise that combines Nazis on the Moon with alien lizard people from the hollow core of the Earth could go wrong
A French animated film where a boy with a cuckoo-clock for a heart goes on a quest for love through a surreal quasi-Steampunk world. With cameos from Georges Melies and Jack the Ripper
A puppet film about a satiric Nazi invasion of England in World War II. Imagine It Happened Here by way of Team America. This has its amusements but is uneven
Doctor Who writer/producer Steven Moffat’s modernised Jekyll and Hyde reworks the story in fascinatingly radical ways, while James Nesbitt gives a gleeful rafter-rattling performance
Notorious Z movie made as companion piece to Billy the Kid Versus Dracula in which the famous outlaw encounters Frankenstein’s granddaughter and her creations
Amiable comedy about an annoyingly intrusive artificially intelligent mobile assistant that wreaks havoc on its owner’s life
While the film bombed, it emerges as a fairly good and faithful, lavishly produced adaptation of Edgar Rice Burroughs’ swashbuckling planetary adventure
This BBC adaptation of Susanna Clarke’s book about rival 19th century magicians kicks J.K. Rowling completely out of the ring. A beautifully staged costume drama, written with a superb Austen-esque dryness of wit
Early Derek Jarman film that acts as a snapshot of the 70s punk movement, a rambling indulgent treatise that depicts a future England that has collapsed into anarchy
This jumps aboard the 1960s fad for Jules Verne film adaptations but it has nothing to do with Verne and is instead a slapstick caper film about the building of a rocket during the Victorian era
The long-delayed film based on the Disney theme park ride is an assemblage of cliches from various adventure films but ends up being far more enjoyable than it has any right to be
Former Tarzan star Johnny Weissmuller plays himself in a routine studio backlot jungle adventure that uncreditedly steals the plot from H. Rider Haggard’s She
Steven Soderbergh’s second film was this flop pseudo-biopic that places Franz Kafka (Jeremy Irons) alongside mad scientist elements and German Expressionist homages but fails to find much of Kafka’s paranoid mood
A near future film that with eviscerates the royals with biting savagery as it depicts Prince Charles becoming the King of England and clashing with the government of the day
Kingsman with its parody of gentlemanliness and action movie sensibilities, was the smartest of the modern spy movie parodies. This sequel has gone to the excesses of the Roger Moore Bond films in the space of one film
This rescues the spy film from the silliness of Austin Powers. The film’s sly mocking of its Englishness, with Colin Firth going into action as an impeccably mannered gentleman, along with explosive action sequences is irresistible
A big flop but highly underrated Arnold Schwarzenegger film, a sophisticated meta-fiction that views the cinema screen as another dimension and wittily deflates action cliches
Edgar Wright creates a dazzlingly stylish recreation of 1960s London in a work with Thomasine McKenzie as a modern girl haunted by ghosts of the era’s dark underside
The sixth of the Sharknado films, this has the usual crew fighting sharknados throughout history. With this comes the recognition there is nowhere more ridiculous and over-the-top for the series to go
Film spinoff from the popular British comedy series sees the familiar characters entering the real world to meet their creators and deal with the cancellation of the show
This comes with a captivating tagline “Before The Ripper, fear had another name” and misleadingly suggests it is based on another true-life Victorian serial killer. This refuses to be the police procedural you expect
A satiric Claymation animated version of the Manson murders. The film quickly heads for some astonishing bad taste areas, before finding itself in some biting black humour and songs
A comedy in which Sigmund Freud’s ghost pops up to offer advice to psychologist Dudley Moore after he falls in love with patient Elizabeth McGovern
Full marks for one of the great deliberately ridiculous titles of all time. The film itself is an oddity that almost seems intended to confound your expectations of it
Hilariously adult and filthy minded retelling of the Marquis de Sade story using puppets. Quills crossbred with Meet the Feebles if you like.
A biopic of the Marquis de Sade that is not uninteresting but suffers from being produced by Roger Corman on one of his usual B-budgets
One hardly greets the attempt to generate another entry out of this franchise with any enthusiasm. This mostly consists of tired and familiar gags, where maybe the most generous compliment you can pay is that it is better than Men in Black II was
A Countess Bathory film actually made by Hungarians (the area where Bathory lived historically) but this promptly heads into extremely bad movie territory
Appealingly lightweight whimsy from Woody Allen in which Owen Wilson keeps timeslipping between the present and 1920s Paris to meet the artistic/literary greats
Adaptation of a Salman Rushdie novel that acts as a superhero film of sorts about a secret war between people with unique powers set against the backdrop of 20th Century Indian history
The incomprehensibly manic antics of the Minions have a cuteness appeal that has overspilled the Despicable Me films and seemed like it is in danger of taking over pop culture in the last couple of years; here they get a film all to themselves with amiably lightweight results
An appealingly tongue-in-cheek killer shark film with sharks attacking along the Mississippi
DreamWorks animated film based on an old Rocky and Bullwinkle segment about a time-travelling genius dog and his adopted human son. This takes a relentlessly content-free approach to history that strips it down to no more than a series of giddy 3D slapstick gags for the single digit age groups
A Young Adult fantasy adaptation that fells a Harry Potter wannabe repackaged with the brooding teen romanticism of the Twilight series, all under a director whose indifferent handling fails to animate any of the material
A biopic of Paula Maxa, the real-life star of Paris’s Grand Guignol Theatre. The Grand Guignol specialised in plays depicting gory on-stage deaths and she was killed on stage an estimated 10,000 times during her career. Here the biopic elements are blended with a mystery in which she is targeted by a serial killer
A lavish and ambitious production that has the fictional character of Sherlock Holmes solving the real-life Jack the Ripper murders, even if the eventual resolution opts for one of the more far-fetched theories about The Ripper’s identity
Albert Brooks film with Sharon Stone as a Greek muse. This suggests a Woody Allen whimsy crossed with something of Robert Altman’s The Player and its satire on Hollywood with real-life celebrities playing themselves
Dry and typically laconic trio of tales from Jim Jarmusch all set around characters at a Memphis hotel on the same night. Included here for one episode featuring the appearance of a ghost Elvis
Hands down the best film ever produced by The Asylum. How could one not like an entertainingly madcap concoction that features mad scientists, zombie stormtroopers, Nazi UFOs and Adolf Hitler preserved as a head in a jar attached to a robot body?
Anthology of three H.P. Lovecraft tales from directors Christophe Gans, Brian Yuzna and Shusuke Kaneko. For claiming such a quintessentially Lovecraftian title as this, you feel that it should have been more than it is
Sequel to the Ben Stiller hit offers more of the same with a bigger museum and more exhibits come to life but little else
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters
Popular family hit with Ben Stiller as a night watchman at New York’s Museum of Natural History who discovers that the exhibits come to life at night. More a cute idea than a full film, there is some fun to the characters and effects
Another example of Tobe Hooper’s slight into mediocrity in the 1990s, an erotic thriller that features a madly overacting Robert Englund as the Marquis de Sade and an innocent being corrupted by his descendant in the modern day
TV mini-series that adapts eight Stephen King short stories. As with any anthology, the stories vary in quality but are generally quite reasonable
Martial arts film about a bullied teenager who gets aid from the ghost of Bruce Lee. A shabby effort lifted by the dynamic presence of a then unknown Jean-Claude Van Damme
A batshit crazy film involving Nostradamus who is a present-day cop, a time travelling assassin trying to bring about the Biblical Apocalypse at The Millennium, plus alternate timelines and a psychic FBI agent
The Coen Brothers hilariously adapt The Odyssey into the Depression Era with George Clooney leading a trio of escaped convicts as he tries to return to his wife
With the success of the James Bond films in the 1960s, someone had the idea of casting Sean Connery’s younger brother Neil in a spy film
Individualistic indie director Jim Jarmusch tackles the vampire film. Tilda Swinton and Tom Hiddleston are fantastically well paired as the two bored title lovers. Beautifully filmed but, typical of Jarmusch, one where not a lot happens
This takes the old conspiracy theory about the Moon Landing being faked by tv and rather hilariously is a Found Footage film being shot by two filmmakers who have been tasked with fabricating the Moon Landing
Tilda Swinton plays a gender-changing immortal in Sally Potter’s eccentric adaptation of a Virginia Woolf novel
This surely takes the cake amid the fad for wacky zombie films in which Osama bin Laden is resurrected as a zombie. Imagine a mash-up between Zero Dark Thirty and a zombie film
Superlatively moody and well written film that winds a young Edgar Allan Poe into an occult murder mystery
Pee-Wee Herman is a deliberately annoying character that is either adored or intensely loathed by audiences. This third film closely follows the structure of the first film with Pee-Wee in a series of nonsense adventures on a cross-country journey
Absolutely extraordinary British tv play that was one of the formative works in the development of Folk Horror on screen
The second film version of the story, lavishly remaking the classic 1925 Lon Chaney version in sound and colour. Alas, all this serves to do is stuff and mount the story. With the addition of a sympathetic backstory and cast with a wimpily diminutive Claude Rains, Chaney’s magnificently mad Phantom comes across like an indignant fox terrier
One of two films that came out in 1997 about the Cottingley Fairies Hoax. In comparison to the other, FairyTale: A true Story, this expands the premise out into a remarkable study of altered perception
Amiable effort from England’s Aardman Animations that doesn’t quite scale the heights of their other films but still has an entertainingly nonsensical charm that is far more enjoyable than most Hollywood competition
The Pirates of the Caribbean franchise is revived for a fifth outing. There is a new director in Rob Marshall but bar an energetic comic opening, he never does much that hits the zany heights of the previous entries
Stuart Gordon’s adaptation of the Edgar Allan Poe story gets full marks for being set during the Spanish Inquisition. On the other hand, Gordon’s unserious splatter heavy approach and a campy performance from Lance Henriksen deflates the material
This has a certain cuteness to its premise – of seeing a bunch of classic videogames brought to life. Beyond that, Pixels is a one gimmick film that suffers from two people whose films I hate – the perpetually banal Chris Columbus and the irritatingly smug presence of Adam Sandler
Comedy based on a Woody Allen play in which Allen plays his usual hapless character who receives romantic advice from the ghost of Humphrey Bogart
You might be inclined to dismiss on the basis of its title as some of lunatic fringe YouTube conspiracy video. But what we actually have is a strong and powerfully written alternate history mini-series based around the idea of Charles Lindbergh becoming US President in 1940 and the country’s subsequent slide into fascism
Another Uwe Boll videogame adaptation, a satire where Zack Ward sets out on a shooting spree. Boll sets out to offend as many people as possible but somehow forgets to make any of it funny
The final film from the great Robert Altman set backstage at a radio variety show as an angel of death wanders through
Christopher Nolan directs a beautiful period piece with Christian Bale and Hugh Jackman as rival Victorian stage magicians. The film is an elegantly crafted Hall of Mirrors and illusions, capped by sterling performances from all involved
The zombie film of the 2010s has become marked by a search for the most bizarre and incongruous title/conceptual mash-ups. True to its promise, the film pits several WWE wrestlers up against zombies, alas the creativity begins and ends with the mild amusement of the title concept
Adaptation of an autobiographical Philip K. Dick book that he wrote in an attempt to make sense of a series of bizarre hallucinations, this long-rumoured film manages, despite a low-budget, to mainline the brain-twisting nature of Dick’s writing better than any other adaptation
Beautifully made arthouse film about the real-life Japanese horror writer who becomes wound up in in enigmatic meta-fiction with his own creation
This is a crowdourced film made by military veterans who set out with the idea of creating better military characterisations in films. Bizarrely enough, they turn to the zombie comedy to do so and the result is the crassest, most willfully offensive zombie film ever made
Hammer Films turn the historical story of Rasputin and his influence over the Russian throne into a horror film. Although they treat history liberally, this is a vivid film with an intense performance from Christopher Lee
Silent movie based on the life of Edgar Allan Poe. Today we’d call it a biopic, although it readily departs into fantasy with Poe having drunken visions of the raven, ghosts and the afterlife
This has the great idea of pitting Edgar Allan Poe against a serial killer imitating his stories but instead produces a desultory murder mystery that has done only the most cursory reading about Poe and is ill-informed about the historical period
Film that features a young Edgar Allan Poe fighting a supernatural menace known as The Raven
Horror comedy about an attack by the zombies of resurrected former US Presidents
Depending on how you saw this, this is either a UK tv mini-series or three separately released films. Taking place over a decade, the three stories have a common locale and overlapping characters in the story of the hunt for a serial killer and the battle against a corrupt police department in Yorkshire
One of the more obscure films in the Disney catalogue. A part live-action, part animated dramatised tour of Disney Studios, showing how the studio runs and screening several animated short pieces
A sequel to R.I.P.D. that tells an origin story of how the sheriff character played by Jeff Bridges in the original became an afterlife enforcement officer
The first adaptation of Philip Jose Farmer’s series of novels where every person who ever lived is resurrected on an alien planet is given an abysmal treatment as a tv movie that ditches and rewrites major aspects of the books
The second tv mini-series of Philip Jose Farmer’s classic SF novels trashes the books just as badly as the first attempt. The premise and characters are indifferently rewritten, while the show is churned out by a director with a tatty indifference to what he is making
A low-budget horror anthology that is rough around the edges but shows promise
The Wayans Brothers and most of the regulars return to revive the franchise to make more crude farce of the Scream and Halloween revivals and other horror films to come out in the last few years