Boy Wonder (2010)
Not to be confused with Robin of Batman fame, this is an indie film about a teenage vigilante. Not always the most accessible film but eventually works in a quietly effective way
The Science Fiction Horror and Fantasy Film Review
Revenge is a frequent motivating factor in genre cinema. Here an individual sets out to achieve a sense of personal justice for wrongs and injuries that they believe were done to them. It should be noted that this is a motivation that can be used for both heroes and villains.
Horror films are rife with villains who will often concoct elaborate revenge schemes, usually to eliminate those who have harmed them and often in ways that achieve an ironic just desserts. With Super-Villains, revenge will often be the cause of a psychic split that causes them to enact a crusade against all types of people associated. In some cases, this come about as a result of something that has resulted in Deformity and Disfigurement.
In many cases, the coin will be flipped and the person on such a vengeance trail will be regarded as the hero. There are a number of films where characters track down and eliminate those responsible, even superheroes who become revenge-obsessed crusaders such as Batman and The Punisher.
Another less pleasant variant is the Rape Revenge Film, which depicts women who have been raped taking up arms and bloodily eliminating all men responsible for their assault.
For films where revenge is enacted supernaturally or from beyond the grave see Supernatural Retribution.
Not to be confused with Robin of Batman fame, this is an indie film about a teenage vigilante. Not always the most accessible film but eventually works in a quietly effective way
Imagine Baise-Moi or Thelma and Louise by way of Priscilla, Queen of the Desert – a film that hits a perfect note in terms of tongue-in-cheek spirit
Overrated South Korean revenge thriller about a detective obsessively pursuing a serial killer that has a mild level of ultra-violence going for it but otherwise fails to grip or dig into a psychological darkness
Another in the spate of gonzo Japanese splatter films. A cartoony OTT vigilante film with a Gothic schoolgirl avenger, featuring ridiculous action and splatter set-pieces
The harrowing 1970s raped woman on a revenge spree film is given the remake treatment, although is watered down in many key areas. The revenge scenes however are played up for a particular nastiness
A disturbingly effective film that starts as a character study of people on the edge before eventually segueing into a savage revenge drama. The film astonishes you with its bared rawness, its uniquely condensed narrative and eventually the harrowing brutality of its ending
A man is abducted by a stranger who proceeds to remove his limbs in an effort to make him remember the terrible crime he committed. This suggests an incredibly grim film. Surprisingly enough, it is a comedy
The unique idea of an anthology made up of five different slasher tales. Unfortunately, the film’s only raison d’etre is serving up serial gore scenes, which have the effect taken out of them because they are all conducted digitally and look biologically preposterous
This starts out as a socially conscious drama about East European sex slavery. As directed by a makeup effects artist, the film seems to tepidly avoid the raw and brutal impact the material holds, before finally revealing its true nature as an imprisonment and revenge horror
Unique anthology that offers 26 episodes from different directors, each ending with a death. The episodes vary wildly in quality but a sufficient number ignore all good taste and/or travel waaaay across taboo lines
An early film from Ron Bonk misleadingly sold with connection to the notorious Italian cannibal film, concerning the tenants of an apartment building under siege by a mysterious cult
In the vein of films like I Spit on Your Grave and especially Baise-Moi, two girls go on a killing spree against rapists and asshole men. Undeniably interesting but this gets sabotaged by the film’s gaping moral blindspots
This promises the amusing idea of a sarcastic 00s take on The Breakfast Club but emerges as no more than a glorified episode of Scooby-Doo, in a plot about punishing the children of privilege
Canada’s twin sisters Jen and Sylvia Soska’s second film is set in the dark underground of body modification,. Like an episode of tv’s Nip/Tuck with a Suicide Girls ethos. Not perfect but an impressive maturation
Spike Lee’s English-language remake of Oldboy is an abortion. Where Park Chan-Wook directed the original with an insane energy, whereas Lee only delivers a formula action film and fumbles the ending
Another pointless 70s remake that replicates the 1976 Carrie almost scene for scene but misconstrues the material by a mile. Crucially, it comes without the sensational casting that made the original, nor a Brian De Palma at the helm
These rape-revenge films leave you wanting to conduct the moral equivalent of taking a shower after watching them. This sequel to the 2010 remake also ends up being undeniably brutal and effective
Uwe Boll makes a big issue film about the subprime mortgage crisis. The film is packed by Boll with messages but comes down to being a variant on Death Wish with its blue-collar hero on a shooting rampage against bankers
This rehashes I Spit on Your Grave by way of The Crow with a heroine who is raped and killed and then becomes resurrected as a supernatural avenger
Stephen King’s version of I Spit on Your Grave. What kills the film is the plot device that involves the heroine having imaginary conversations with dead bodies and her GPS
This starts as a standard Japanese high school drama but takes a turn for the twisted where it doesn’t exactly venture into Saw territory but certainly somewhere that has taken inspiration from it. Alas, everything gets lost in a second half that is burdened by an excessively complicated and non-linear plot
Sequel to the Lifetime channel adaptation of Virginia C. Andrews’ Flowers in the Attic. Andrews’ prolific output of Gothic melodramas are really the horror equivalent of daytime soap operas. Though marginally better, this drowns in the same stultifying blandness as its predecessor
A smart and boundary pushing Found Footage film in which a regular joe wins a competition and is selected as an actor on a porn film only to be pushed to snapping point
A film that sells its premise in three words. Essentially a variant on Phone Booth, this keeps a character trapped on a landmine unable to move and keeps piling on torturous twists from there
Troubled teenager is sent to a reform camp only to find he has raised a force that is exacting brutal vengeance against his bullies. This feels like one of the underdog gets supernatural comeuppance films that we had after Carrie but is rather well made on all fronts
From the generic title, this seems no more than another film about a girl seeking revenge for years of captivity a la I Spit on Your Grave. On the other hand, things are quickly turned on their head in unexpected ways
Harsh and brutal work written by Bret Easton Ellis of American Psycho fame wherein a group of jocks harass and tear apart the life of Bella Heathcote after she accidentally blinds the leader’s eye in the process of rejecting his advances
From Walter Hill, one of the legendary action directors, comes what is either the most edgy or tasteless concepts for a revenge film – Michelle Rodriguez is a hitman who seeks revenge after having gender reassignment surgery forced on him
The Bollywood horror film is a rare and strange beast – what other horror film would you see that comes with song and dance numbers? This is a Bollywood possession film where, despite the use of local colour and custom, it is surprisingly still drawn from the cliches created by The Exorcist
Another in the spate of multi-director horror anthologies with each episode here being set around a holiday. As with these films, some of the episodes work well, some end with a puzzled WTF and most fall somewhere in between
From Troma films, this is an anthology made up of twelve Christmas-themed short horror films for what supposed leading indie directors – so acclaimed I’ve only heard of two of them before
Positively the most insane, offensive and over-the-top film I have seen in some time. A bride finds she has a vagina possessed by Satan and uses it to go all I Spit on Your Grave on the gang who ate her husband on her wedding night, resulting in an outrageous splatter bloodbath
Passable low-budget slasher film that looks as though it is was shot in the director’s home. Somehow the title, which refers to a day when a group of teens decide to ditch school, fails to stand among the great holiday-titled slashers
A fascinating Chinese version of The Phantom of the Opera, transplanted from a Parisian opera house of the 19th Century to a film being shot in an abandoned theatre in the 1930s. On the other hand, this version makes the most radical changes to the story of any of the Phantom films
A film about a former alien abductee pottering endlessly about a cabin in order to lure the aliens who took her and take revenge. A film that is about as close to total amateurism as possible to get
Takashi Miike’s 100th film, the adaptation of a manga about an immortal samurai. Miike bookends the film with awesome sequences with his hero battling hundreds of opponents but the film in between drags
Another woman takes revenge against men film. You would think that this being directed by a woman would be less exploitative than usual but oh boy this one goes off the rails into the demented
Another woman seeks vengeance film, sort of a female version of The Crow where the heroine wears PVC catsuit, fishnets and cat ears. A film made with a cod-grindhouse aesthetic hoping to get by on a certain trash movie sensibility
Quite the most insane film I have seen in recent memory. The rivalry between two classical music students reminds of Black Swan albeit wound up to the histrionic level of What Ever Happened to Baby Jane?, all added to the most pleasingly twisty mess-with-your assumptions script
Nicolas Cage goes all Death Wish and slaughters a cult that murdered his wife. A regular revenge film is transformed by director Panos Cosmatos into something bizarrely primal
A film where four girls on a weekend getaway undergo a home invasion. It soon becomes apparent that this is a film homaging I Spit on Your Grave
Leigh Whannell, James Wan’s BFF and co-writer on the Saw and films, takes the director’s chair. A wheelchair-ridden Logan Marshall-Green gets an A.I. implant that gives him ninja super-skills among other things. Whannell’s action set-ups and plot twists are frequently ingenious.
Eli Roth’s remake of the classic Charles Bronson vigilante film is an ugly affair. In an era where school shooting are a weekly scourge in the US, do we really need another fantasy about one man becoming empowered and sorting things out with a gun?
I don’t enjoy watching these rape and revenge films. Continuing to make sequels showing abuse definitely crosses an exploitative line. After 41 years, director Meir Zarchi and star Camille Keaton re-team to make a sequel to the original
Blumhouse production with Octavia Spencer as a stalkery mad woman who befriends a group of teens in an elaborate revenge plot. Quite what people though they were making is a scratch of the head
Directorial outing from the creator of Final Destination about bystanders who are witness to a murder but do nothing and are afterwards killed by a possible supernatural agency
Edgar Wright creates a dazzlingly stylish recreation of 1960s London in a work with Thomasine McKenzie as a modern girl haunted by ghosts of the era’s dark underside
The fifth film of the Found Footage horror anthology series, including one episode that is among the best of the series so far
From writers of several Saw films and The Collector, a film about teens under attack in the woods where it is unclear what is going on oe who they are facing for most of the film
A variation on The Most Dangerous Game that comes with a nasty feminist agenda where women are hunted by men who feel a disappearing sense of entitlement
Robert Eggers, the director who made The Witch and The Lighthouse, makes a violent, primal Viking film steeped in Norse mythology
Terror Train starring Jamie Lee Curtis was one of the classics of the original slasher film fad. This is a remake
David Gordon Green and Jamie Lee Curtis return to round out their highly underwhelming Halloween reboot trilogy. By now, this feels like a Halloween film in name only
Hilariously black horror comedy that works as a sublime satire of fine dining – with a nasty sting underneath
Raw and undeniable brutal film in which a plus-size teenage girl forms a relationship with a serial killer after he abducts her tormentors
Superlatively moody and well written film that winds a young Edgar Allan Poe into an occult murder mystery
A Spanish slasher film reminiscent of I Know What You Did Last Summer, albeit rewritten for the Cancel Culture era, where a clown-masked killer eliminates their way through members of a book club
Becky was a modest effort with Lulu Wilson as a thirteen year-old violently fighting off home invaders. This is a sequel with her up against white supremacists
A Mexican-made variant on one of the Saw films where a group of diverse people are locked into a room and must select one of their number to die otherwise everybody will be killed
A well made tribute to the 1980s slasher film with characterisations and performances that make much rounded characters than usual
Eli Roth’s homage to the slasher film that comes with a dark sense of humour and a series of novelty deaths that rival the best of the 80s slasher heyday
A horror version of Cinderella where she gets to stab people with the glass slipper. This also features several modernisms where instead of a pumpkin coach, the fairy godmother conjures up Elon Musk to drive Cinderella to the ball in a Tesla
The original The Crow is a cult classic. This long-planned remake from the perpetually terrible Rupert Sanders was an ill-advised move from every angle that gets just about everything from the mood to the conception of its character wrong
From the people behind the Winnie-the-Pooh: Blood and Honey films, a horror version of Cinderella. And yes, the glass slipper is used to stab people
A remake of the 1992 film that starred Rebecca De Mornay as a psychopathic babysitter who enters a household seeking revenge. This updates the story for the 2020s, although is no less a conservative version than the original
Mamoru Hosoda conducts the bizarre notion of an anime version of Shakespeare’s Hamlet. It is a Hamlet that Shakespeare would barely recognise, following a heroine as she makes a journey across the afterlife
A strong and intelligent multiverse film filled with some great twists where a woman travels across multiple worlds to track down and kill different versions of the man who murdered her daughter
Another version of the Sweeney Todd legend. Rather than a musical, this is a straight horror version, produced on low-budget. Here we learn that Sweeney is on a mission to kill off members of the aristocracy
An effective slow burn film that settles in with the promise of being a standard entry with a babysitter being stalked on Halloween night. However, this proves to turn all your expectations on their head
Companion piece of James Gunn’s Superman, this met a very mixed reception. Part of its problem is that it wants to create a cynical version of the virtuous Supergirl we are familiar with and trash her image