Wu Yen (2001)
Frenetic Hong Kong comedy about fairy enchantments involving all the cast undergoing gender reversals
The Science Fiction Horror and Fantasy Film Review
Frenetic Hong Kong comedy about fairy enchantments involving all the cast undergoing gender reversals
An X-Men origin story that serves as the occasion to recast the series with younger actors. This works far better than the previous two films, integrating the characters in a strong story, although is quiet at the superheroic action
Bryan Singer’s dynamic and exciting adaptation of the Marvel Comic title fairly much kicked off the massive fad for Marvel superheroes in the 00s/10s. This was also the film that mad Hugh Jackman into an international superstar.
The seventh X-Men chapter arrives with a certain ennui. Bryan Singer creates some epic scenes but the sprawling ensemble and the series’ ragged continuity makes it hard to invest in the characters, while the new villain looks like a B movie wizard and the mass destruction climax comes surprisingly by the book
Despite the bad press surroundings this, I failed to find it as bad as other reviewers. It’s a solid if not standout entry in the series with some fine superheroic action sequences
It is nice to see Bryan Singer regain his form after several years lull. The plot is nothing world-shattering but it is nice to see a character-driven X-Men, while Singer delivers the superheroics with a cheer-out loud elan that most of the sequels missed by a wide margin
After the disaster of X-Men: The Last Stand, the decision was made to give a whole film over to the series’s most popular character, Hugh Jackman’s Wolverine, and to go with a prequel that told his origin story. Largely a film that exists as a series of superheroic action scenes
Brett Ratner inherits the X-Men franchise from Bryan Singer for the third film in the series and promptly killed it off (after this point everything became prequels featuring Young X-Men). Ratner’s handling of the superheroic action lacks Singer’s exhilaration or any affinity for the characters
Bryan Singer’s immediate sequel to X-Men, this ups the number of new mutant characters, although only sporadically manages to kick in with the spectacular superheroic action sequences the first film had
An absolutely extraordinary work of Folk Horror about a young witch who learns the ability to inhabit the bodies of others
Zack Snyder’s original cut of Justice League is a magnificent work that restores much character depth and story. I would far rather watch this than any of the recent MCU films
Cleverly made Woody Allen mockumentary in which he plays a human chameleon who has managed to appear in the margins of historical events