The Golem (1920)
Classic silent film from the German Expressionist period in which a rabbi brings to life a creature made of clay (played by Paul Wegener), which then proceeds to go amok
The Science Fiction Horror and Fantasy Film Review
The Occult and Black Magic refers to the dark magical arts, demonology and associated practices. This covers much the same area as what is listed under Devil Worship but comes with no practice of the worship of Satan and associated attempts to give birth to his son.
Those who dabble in the occult will still worship and attempt to summon demons or sacrifice innocents. They also use ritual magic, are constantly attempting to call powers, enact rites or are engaged in the quest for objects of power (Occult Artefacts).
As with Satanists, occultists are prone to wearing black and/or scarlet red hooded robes and gather in secretive covens. Occultists frequently form Secret Societies and will infiltrate positions of power and influence.
Classic silent film from the German Expressionist period in which a rabbi brings to life a creature made of clay (played by Paul Wegener), which then proceeds to go amok
Considered a lost classic of silent cinema for many years, this is a film loosely based on occultist Alesiter Crowley and was considered a daring work that delved into taboo areas
Classic occult film from former Val Lewton associate Jacques Tourneur that sits in a wonderfully ambiguous place where we cannot be certain whether the supernatural is real or imagined
An effort from the early days of the Anglo-horror cycle about a town ruled by a reincarnated witch. This comes drenched in a good deal of heavy black-and-white atmosphere
This was ostensibly another in Roger Corman’s series of Edgar Allan Poe adaptations with Vincent Price possessed by his ancestor. This only borrows Poe’s title and instead adapts an H.P. Lovecraft story.
Entry in the Anglo-horror cycle with a resurrected witch and an imported Lon Chaney Jr presiding over deviltry in a sleepy English village
Pilot for an unsold tv series that was later released theatrically produced by Alfred Hitchcock’s company. Leslie Nielsen plays an occult detective and the film proves surprisingly well-shot and atmospheric
Hammer film, not as well known as some of their other works, from a Nigel Kneale script that creates some effect in its story of schoolteacher Joan Fontaine moving to a sleepy English village and finding the locals engaged in witchcraft
Regarded as one of the worst films ever made, more than anything this is just dull and boring. The plot concerns a couple straying into a desert home where a warlock is about to be resurrected
One of the classic works from Hammer Films and Terence Fisher, often regarded as one of their finest moments. In this adaptation of a Dennis Wheatley novel, Christopher Lee (in a rare heroic role) fights Satanists
Classic film and one of Roman Polanski’s finest works, the comically paranoid story of a housewife who increasingly comes to believe that the child she is pregnant with was fathered by The Devil
Adaptation of an H.P. Lovecraft story in which Sandra Dee is lured by a young Dean Stockwell in order to summon Elder Gods. This seems like it has potential but befalls plodding, nondescript direction
A film about backwoods occult that comes with much H.P. Lovecraft influence. An inngenue film made by several unknowns who later became key figures at Industrial Light and Magic
In one’s efforts to track down all Edward D. Wood Jr’s films, one finally comes to Necromania, which was believed lost for many years … This turns out to be a pornographic film, consisting of little more than serial sex scenes, this far less interesting because it lacks all of Wood’s typical gaffes and ineptitudes
A clear attempt to copy Rosemary’s Baby made with extraordinary stylishnessas Jacqueline Bisset believes husband Alan Alda’s body has been stolen by a dead man
Entry in the spate of 1970s occult films, purportedly written by a real witch, that offers a sometimes comical portrait of the everyday life of a warlock
1970s British film about two sisters being drawn into the coven of witches. This comes with much in the way of softcore nudity but there is a surprising degree of innocence about all of it
One of the least known of George Romero’s films. Made not long after Rosemary’s Baby, this concerns itself with bored suburban housewives dabbling in witchcraft. Aka Season of the Witch
A young and dashing Leonard Nimoy plays a clairvoyant racing driver in this unsold tv pilot. The disappointment is that his powers amount to no more than a detective deducing clues in a standard murder mystery
An perfect example of 1970s exploitation cinema – a regional film made with no budget, a no-name cast and with all emphasis on the luridly sensationalistic. A crappy, badly made film on all counts
Obscure 1970s horror that generates a certain creepy effect with four girls gathered at a big old house for sinister purpose. before going sidewise during the second half amid a profusion of competing tropes
One of the films from director Ted V. Mikels made not long afterRosemary’s Baby and mostly seems an opportunity for Mikels to lecture about historical witchcraft. Certainly, one of the great exploitation titles of all time
Fascinatingly bizarre psychotronic film about an innocent drawn into the secrets of sexual witchcraft. Bad filmmaking on almost every level
For their seventh Dracula films, Hammer introduced Dracula to the present-day. The result was a wild mishmash where Christopher Lee plays second fiddle to Hammer’s belated attempts to jump aboard the Swinging 60s youth scene
One of the few films to come out after George Romero where zombies are still associated with voodoo. Spanish horror star Paul Naschy writes and plays three roles in a film that comes with a wild mix of cross-cultural ideas
The third of the Blind Dead films about the zombies of blind Knights Templar. This is set aboard a ghost ship at sea and is said to have later influenced John Carpenter’s The Fog
The fourth of the Blind Dead films from Spanish director Amando de Ossorio. The film, concerning Knights Templars who were blinded and have returned as zombies, have gained a modest cult
A really shoddily Greek made film that imports Peter Cushing and Donald Pleasence in a story concerning a cult of minotaur worshippers who are snatching tourists in a Greek village
Another unsold Gene Roddenberry tv pilot, this would have made for a potentially worthwhile series involving Robert Culp and Gig Young as occult investigators
The work on which the cult of director Dario Argento was built. The film consists of a series of extravagantly arty deaths at a girls boarding school, although comes without any real plot connecting this
One of the last gasps of the Anglo-horror cycle, this sets assorted deviltry in an English mansion along with a series of novelty deaths that trying to compete with The Omen
A TV movie that has been construed as a blatant copy of Carrie where innocent Kay Lenz moves into a sorority house and finds occult goings-on around her
Another of the ‘don’t __’- titled entries of the 1970s. This is a bizarre bad movie about teenage runaways in L.A.’s Griffith Park who fall prey to flesh-eating immortals
Australian-made film about a heroine being drawn into occult conspiracies around her that only treads where Rosemary’s Baby went before
Dario Argento’s sequel to Suspiria, the second film in his Third Mothers trilogy. This is an even better work where Argento delights in sadistic and beautifully artistic imagery almost entirely free of any plot
One of the key films of cult Italian director Lucio Fulci, a gore-drenched but plotlessly incoherent mishmash about zombies emerging as the gates of Hell are opened
A mind-bogglingly deranged example from the largely unexplored arena of Indonesian exploitation cinema as an American woman becomes involved with local witchcraft
Unrelated to the Michael Myers saga, John Carpenter tried to use the Halloween name to launch an original horror series. The plot is a baffling mix of Celtic magic and hi-tech but Tommy Lee Wallace creates some way out effects scenes
A completely deranged film from Hong Kong’s Shaw Brothers involving the resurrection of a dead wife to exact retribution. Full of ghost sex, gore and madcap creature effects
Ridiculous cheap 1980s video release about a witch burned at the stake returned as a New Wave punkette to claims souls
Modest horror film of the 1980s where kids inadvertently open a demonic gateway. Like a juvenile version of Poltergeist, this comes with the bonus of some fairly good effects
Very obscure horror anthology re-edited from episodes of a Canadian tv series featuring names like John Hurt, Charles Gray and Keir Dullea.
Riding on his fame as Freddy Krueger in the Elm Street films, actor Robert Englund made his directorial debut here but the film is lumbered with the lame concept of a demonic phone line
A low-budget 80s film about a town where the locals are in thrall to a Satanist who has demanded the souls of 103 children
Originally intended as a Demons sequel, director Michele Soavi decided to head in more arty directions. Imagine a Demons sequel mounted with the artistic ambitions of producer Dario Argento’s Three Mothers films
A Bert I. Gordon film with Robert Forster as a P.I. hired to search for a missing girl before finding she was mixed up with a modelling agency and the occult
An adaptation of the Edgar Allan Poe story produced by Roger Corman. Alas giving it to exploitation director Jim Wynorski, who likes to add really well stacked women to everything does, kills all of Poe’s atmosphere
A superior sequel to the modest The Gate. This borrows from H.P. Lovecraft and delves into the area of cursed wishes that turn on the wisher, all with imaginative results
Alien scripter Dan O’Bannon jumps aboard the 80s/early 90s fad for H.P. Lovecraft adaptations is this directorial outing that eventually develops quite reasonable effect
Full Moon production that offers the novelty of bringing together their Dollman and Demonic Toys franchises, although nearly a third of the film is comprised of recycled footage from said films
Anthology of three H.P. Lovecraft tales from directors Christophe Gans, Brian Yuzna and Shusuke Kaneko. For claiming such a quintessentially Lovecraftian title as this, you feel that it should have been more than it is
A film about a woman’s journey to a convent of sinister secrets that is aswim in religious imagery, although the film itself eventually proves to be all imagery with no coherent plot
The Stan Winston directed Pumpkinhead was one of the genuinely original monster movies of the 1980s. This was the first of several video-released sequels
The sixth of the Halloween films, the fifth with Michael Myers. By now John Carpenter’s original eerie suspense has been reduced to crude slasher movie payoffs. This tries to add some nonsense about druidic cults
Clive Braker’s third and final outing as a director. Barker is trying to tell an occult detective story but fails to get any of the mood that film noir operates by
Sequel to the classic Karen Black-starring horror anthology tv movie with Lysette Anthony starring in a trio of horror tales
This makes an interesting attempt to rewrite the basics of The Omen as an erotic film. The usual occult happenings but with an emphasis on bodies coupling
The third film adapted from the Stephen King short story, which dispenses with connection to the other films and now concerns occult forces in an Arctic base
A festival of H.P. Lovecraft short films held in Vancouver, which display a quality and faithfulness to the original texts that far outstrips the professional efforts being made elsewhere
A New Zealand-made horror film with Karl Urban as an anthropology lecturer who debunks the occult who is targeted and forced to go on the run from a Satanist cult
Stuart Gordon returns to adapt H.P. Lovecraft for a third time. As before, Gordon allows Lovecraft’s unspeakable terrors to be eclipsed by creature effects but the results are nothing too memorable
Here Nick Willing makes an initially promising film but this becomes a disjointed muddle involving hypnotism, serial killers and occult conspiracy. Not to be confused with the Stephen King adapted film
After a decade-long slump, Tobe Hooper started to show he still had what it took with this remake of the 1980 slasher film
The first of Guillermo Del Toro’s adaptations of Mike Mignola’s comic-book about a demon superhero. Not as good as the sequel, the film’s ace in the hole is Ron Perlman in the title role
Uwe Boll gained a reputation as the world’s worst director on the basis of his videogame adaptations. Prize exhibit was Alone in the Dark, which abandons the game and is a series of action scenes without explanatory rationale
Adaptation of DC’s Hellblazer comic-book that gets the Hollywood treatment where all of the character’s background and look has been thrown out and the part badly miscast with Keanu Reeves
From prolific genre director/producer Brian Yuzna, a film about the drowned residents of a town that was flooded by a dam construction now emerging to exact vengeance on the living
The first film featuring DC Comics; Teen Titans, a spinoff from the Teen Titans animated series
After 27 years, Dario Argento finally rounds out his Three Mothers trilogy begun way back with Suspiria but the underwhelming results give all evidence of his having lost his mojo
Horror anthology featuring four ghost stories from Thai directors. While all the segments vary in approach and style, this is a spooky and above average effort with the real standout being the final segment with an air hostess aboard a plane with a dead body in the midst of a storm
A Found Footage film about a tv crew investigating Lovecraftian cultists who are trying to raise an elder god. This makes an okay stab but is distinctly hampered by a low budget
Jason Connery directs a film that draws upon the basics of The Keep about soldiers venturing into a tomb in Iraq where they awaken a great evil housed there
An adaptation of the H.P. Lovecraft short story. While more faithful to the story than the earlier 1969 adaptation, the film is very cheaply made and collapses into the frequently ridiculous
Animated film directed by Rob Zombie that feels like an episode of Ren & Stimpy made by someone with an unhealthy obsession with horror and exploitation movies and stripper bars
German low-budget film about a resurrected sorcerer, this goes out on a wild edge, winds everything up to 15 on the dial and positively wades in blood, gore and torture scenes
A piece of filler horror that is utterly generic in every respect about travelers entering a sinister East European village where the locals are up to no good
This starts out was as a film about multiple personality disorder with several scenes that catch your attention before it drifts into a muddle of confused supernatural themes
New Zealand-made WWII horror film with a set-up – Nazis encountered occult forces in a bunker – that draws heavily on The Keep. Modestly effective and gore-drenched
Saw series director Darren Lynn Bousman delivers a loopy cross between The Number 23 and an occult film whose sole selling point is the significance of the date it was released
Low-budget ingenue effort with pretensions to being more, this produces some occasionally nifty effects that quickly weary and only seem to hold up a thoroughly hackneyed B horror movie plot
In this homage to the 1970s occult film, Rob Zombie tones back the posturing shock effect of his earlier films and creates atmosphere. Eventually though, Zombie creates a film that feels coiled to unleash something bad but falters
A blatant copy of The Craft where a new girl gets wound up into occult rites going on in a sorority house. Featuring porn star Ron Jeremy as a Catholic priest
Another of the unofficial sequels that bear slim to no resemblance to the Amityville Horror hoax. This is a cheaply made and not terribly scary British effort set in a asylum supposedly built on the site of the Amityville house
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
The zombie film of the 2010s has become marked by a search for the most bizarre and incongruous title/conceptual mash-ups. True to its promise, the film pits several WWE wrestlers up against zombies, alas the creativity begins and ends with the mild amusement of the title concept
Nick Willing is a genre director who has consistently impressed. Here he ventures into the English ghost story where your expectation is that he is going to turn the genre on its head – only he doesn’t
Third of the V/H/S films, all horror anthologies in the Found Footage style. While the other two were fairly hit and miss, this is extremely good. Each of the four stories sits among the very best episodes among the current crop of multi-director horror anthologies
Modestly creepy adaptation of a Stephen King short story about a boy who realises that his grandmother is a witch who made a deal with a backwoods entity
Another in the spate of multi-director anthologies that have become popular in recent years – The ABCs of Death, V/H/S et al. This is set around the common locale of a desert highway where all five tales hover in an eerie twilight zone where the everyday world has stepped over into the uncanny
From Australian director Sean Byrne who made the splendidly twisted The Loved Ones, this starts out a heavy metal horror film that broods with occult imagery and a sense of bad things about to explode
This is an absolutely fascinating film about the efforts to perfect an occult ritual. It feels as though the filmmakers have dispensed with Hollywood cliches and has researched the real thing
This feels like mostly a series of horror tropes – ghost hunters with cameras in an abandoned building, backwoods occultists wanting the heroine’s baby – shuffled without originality
Two couples on a road trip start to experience sinister happenings after witnessing a devil worship ceremony. Essentially Kalifornia meets Race with the Devil, this develops some modestly creepy effect
Chillingly effective film where a teenage girl casts a spell to kill her mother, only to become terrified and try to turn back what she has unleashed
The Dc Comics character John Constantine was made into an animated web series that was compiled as this film. One is quite taken aback at how much more edgy and adult this is than most of DC’s animated offerings
Word of mouth hit that has in its fingertips the capacity to be a great horror film. Moments of intense spookiness and an awards-worthy performance from Toni Colette but Ari Aster has an unfocused script
This BBC tv mini-series starts out seeming a mystery about the disappearance of a child as the investigating heroine makes the jolt realisation that she is the missing child, before the show edges over into occult conspiracy. Very nicely written and beautifully directed with a line-up of standout performances
A film where a violinist is drawn in to the mystery of a piece of classical music with occult properties, this is a classy and well-made production above the mill of the average horror film
The second of the films based on Dolores Redondo’s police procedurals, this heads into an admirably dark and perverse place with plenty of jolt twists
Rather funny comedy about Satanists and a virginal pizza girl who is chased as their intended victim. This comes with a bizarrely akilter sense of humour that reminds of Martin Scorsese’s After Hours