Target Earth (1998)
Alien invasion tv movie that mostly consists of cliches borrowed from the then success of tv’s The X Files
The Science Fiction Horror and Fantasy Film Review
TV Movies refer to films specifically made for television as opposed to theatrical release. These can range from original self-contained dramas to pilots for potential tv series, which may or may not be picked up. This also includes the British tradition of the tv play, self-contained televised works (often adapted from plays) usually for arts audiences. For more long-form televised works, which are self-contained stories split into multiple episodes, see TV Mini-Series.
The Golden Age of TV Movies was during the 1970s, which produced a number of classic works, some of which received theatrical release outside the USA. US TV Movies tended to be tamer than theatrical releases due to being made for public broadcast audiences. This is not the case in the UK and its tv plays, which often contain more adult content
The notion of the tv movie has been largely erased by the advent of cable and streaming services where it becomes difficult to tell the dividing line between a work intended for theatrical, video/dvd or televised release where in many cases a film’s intended destination may have nothing to do with the way it is eventually released. There are still some works that can be regarded as made-for-tv, notedly a number of psycho-thrillers made for the Lifetime network.
Alien invasion tv movie that mostly consists of cliches borrowed from the then success of tv’s The X Files
Comedy take on the Tarzan character with Joe Lara playing Tarzan who comes to New York and promptly proves to be a fish out of water. The filmmakers were likely inspired by the then recent hit of Crocodile Dundee
TV movie psycho-thriller produced by Aaron Spelling (plus assorted Anglo-horror veterans) where heiress Barbara Parkins thinks she is going crazy. Barbara Stanwyck goes the Baby Jane route
A retelling of the Shakespeare play, which had been updated to the midst of the American Civil War with some interesting results
Jean Renoir is considered one of the greatest of all film directors – this is his only venture into genre material, a version of Dr Jekyll and Mr Hyde. Though Renoir seems disinterested in making a horror film, he offers up the most faithful interpretation of the story on screen to date
The fourth film version of the Arabian Nights adventure, a tv movie released theatrically in some parts.
Rather dull plague outbreak drama tv movie based around a deadly outbreak at a water filtration plant
This comes with the undeniable influence of the then recent Minority Report in its story about a telepath recruited by law enforcement
UK tv movie that sets out to offer an unflinching depiction of a nuclear strike. About as bleak as it is possible to get
Largely forgotten adaptation of the H.G. Wells novel made for tv. While other versions place the story in Victorian England, this has been Americanised – where the time traveller is a weapons designer and journeys back to the Wild West. What kills the film is a painful cheapness
Unsold tv pilot that was a collaboration between Irwin Allen and Rod Serling where time travelers visit the Great Fire of Chicago
British tv movie variant on Fatal Attraction where a woman is stalked by her ex-husband Peter Davison
Classic tv movie that is a horror anthology offering a trio of tales all featuring Karen Black. The first two items are okay but the one that made the film into a cult item was the third episode with Black being chased through her apartment by an evil doll
Sequel to the classic Karen Black-starring horror anthology tv movie with Lysette Anthony starring in a trio of horror tales
Remake of the same Stephen King short story that formed the basis of Maximum Overdrive about trucks turning against humanity … Why remake a work that was poorly regarded first time around is a good question but this actually emerges as the better version
A BBC adaptation of the classic oft-filmed Henry James ghost story in which we cannot be sure whether the ghosts are real or exist inside the heroine’s imagination. This treats some aspects of the story liberally but gets the essence of the story right
Inane Disney Channel film with twin sisters Tia and Tamera Mowry as sisters who didn’t know it who discover they are witches. A film that has zero interest in its fantasy elements and is entirely taken up by airhead teenage airhead natter
Having to sit through the Mowray twins airhead natter again in a sequel to their early Disney Channel film feels the equivalent of nails being scratched on a blackboard
Classic tv movie in which Lindsay Wagner travels back to the 19th Century to romance Marc Singer. Classic what is the question – what we have is a weepy romantic version of a time travel film that eliminates any of the interesting things like culture clash, advanced knowledge and time paradox
A British-made tv movie about a female stalker. What sets this above Fatal Attraction and the other copies is that it is based on a true story
There is a certain potential to the concept of two rival teams, parapsychological debunkers and a tabloid tv crew, researching a reputedly haunted prison. Only a couple of years later, this would have been mandatorily made as a Found Footage film but suffers from a director with no aptitude for atmosphere
Lifetime Channel Valentine’s Day movie that rewrites A Christmas Carol to have Emma Caulfield visited by the ghosts of relationships past, present and future
A vampire movie from the creators of Hill Street Blues, the greatest tv cop show ever made??? The mind boggles as to the possibilities and wonder what amazing creative possibilities they could put on it – alas, the show only ends up staying with the tried and true
Peter Watkins stark, brutal mockumentary about a nuclear strike on England, this was banned from the BBC and still makes for harsh viewing today
Disney Channel film where a modern teenager finds she is the reincarnation of a martial arts warrior
Another bizarre werewolf movie title collusion from the 1970s era that produced such as Werewolves on Wheels and The Boy Who Cried Werewolf. The film is never quite up to making the notion of hippies vs werewolves work with the amusement of its title
A blatant copy of Steven Spielberg’s Duel in which school bus driver Joanna Cassidy pursues a muscle car with never-seen driver who has abducted her daughter. Two-thirds of the film is taken up by an extended car chase scene where the stunt people seem to be having a field day
Halloween film for children from the pen of horror author R.L. Stine of Goosebumps fame. The children’s horror story (and tv movie) is filled with many insipid and formulaic entries but this is a decent one that is not unafraid to scare people
TV movie that comes with a great opening hook – a family receive phone calls from a brother who died 15 years earlier
One of the first films about a mysterious catastrophe that empties the world of all but a handful of survivors that formed the template of later films like The Quiet Earth
Amiable live-action adaptation of Kenneth Grahame’s classic children’s work made for the BBC with an all-star cast
Made for the anniversary of the Orson Welles’ War of the Worlds broadcast, a tv movie that simulates a a live newscast as alien craft arrive around the world
The revived Hammer Films had with the ghost story The Woman in Black. This is the original version of the story made as a movie for British tv with a script from Quatermass creator Nigel Kneale
A routine biowarfare outbreak thriller that holds a fascination in that it imagines the attacker to be al-Qaeda and Osama bin Laden two months before 9/11
BBC tv adaptation of Gothic potboiler by J. Sheridan Le Fanu with newlywed wife Naomi Watts facing an evil squire and mad women in a big gloomy house
Film from Quatermass creator Nigel Kneale well ahead of its time in its prediction of a populace controlled by television
Dull live-action tv remake of the Rankin-Bass stop-motion animated Christmas special