A Valentine Carol (2007)
Lifetime Channel Valentine’s Day movie that rewrites A Christmas Carol to have Emma Caulfield visited by the ghosts of relationships past, present and future
The Science Fiction Horror and Fantasy Film Review
TV Movies refer to films specifically made for television as opposed to theatrical release. These can range from original self-contained dramas to pilots for potential tv series, which may or may not be picked up. This also includes the British tradition of the tv play, self-contained televised works (often adapted from plays) usually for arts audiences. For more long-form televised works, which are self-contained stories split into multiple episodes, see TV Mini-Series.
The Golden Age of TV Movies was during the 1970s, which produced a number of classic works, some of which received theatrical release outside the USA. US TV Movies tended to be tamer than theatrical releases due to being made for public broadcast audiences. This is not the case in the UK and its tv plays, which often contain more adult content
The notion of the tv movie has been largely erased by the advent of cable and streaming services where it becomes difficult to tell the dividing line between a work intended for theatrical, video/dvd or televised release where in many cases a film’s intended destination may have nothing to do with the way it is eventually released. There are still some works that can be regarded as made-for-tv, notedly a number of psycho-thrillers made for the Lifetime network.
Lifetime Channel Valentine’s Day movie that rewrites A Christmas Carol to have Emma Caulfield visited by the ghosts of relationships past, present and future
There is a certain potential to the concept of two rival teams, parapsychological debunkers and a tabloid tv crew, researching a reputedly haunted prison. Only a couple of years later, this would have been mandatorily made as a Found Footage film but suffers from a director with no aptitude for atmosphere
Modernised version of the Dr Jekyll and Mr Hyde story starring Dougary Scott. The principal novelty here is that the bulk of the story takes place in a courtroom as Hyde is placed on trial for murder
A conceptually peculiar mix of Indiana Jones and Waterworld about tomb raiding adventures in a drowned future and the quest for Moses’s staff to turn back the rising waters
A British-made tv movie about a female stalker. What sets this above Fatal Attraction and the other copies is that it is based on a true story
A BBC adaptation of the classic oft-filmed Henry James ghost story in which we cannot be sure whether the ghosts are real or exist inside the heroine’s imagination. This treats some aspects of the story liberally but gets the essence of the story right
Syfy Channel film that seems to offer the intriguing premise of a Modernised Little Red Riding Hood but only deals with this in the vaguest ways. Otherwise this is a standard werewolf film and contains maybe the crappiest CGI wolf transformation scenes ever
Entirely unrelated to the forgettable 1973 film, this is a children’s film for the Nickelodeon Channel. Merely adequate but no more. Brooke Shields seems to be having the time of her life vamping it up with Bela Lugosi accent
Very nicely produced BBC retelling of the H.G. Wells novel that conducts an extremely faithful adaptation of the story and captures a perfect period sense of wonder
The William Shatner directed documentary can be a unique beast. Here he makes a quite reasonable effort to examine what is at the heart of Star Trek fandom
The premise of a group of adventurers seeking artifacts from fairytales has mild possibilities but is given zero conviction by anybody involved. A sub-Indiana Jones adventure that was made as a tv pilot
A pilot for a tv series that never went ahead set in a future where Global Warming has turned the Arctic into a thawed-out tundra where various countries seek to claim the new territory
A film about the origins of Doctor Who made for the series’ 50th anniversary. This comes packed with pieces of fanservice and origins of various iconic aspects. David Bradley gives a wonderfully nuanced and moving performance as William Hartnell
Lizzie Borden is one of the more fascinating figures in True Crime. This is very accurate to the details of the case; alas it gets the most sensational aspect over soon in and bogs down in the minutiae of the trial
Stephen King’s version of I Spit on Your Grave. What kills the film is the plot device that involves the heroine having imaginary conversations with dead bodies and her GPS
TV movie remake of Virginia Andrews’ best-selling Gothic melodrama about children imprisoned in an attic. Even if more faithful to the book, this is no better than the 1987 film
Sequel to the Lifetime channel adaptation of Virginia C. Andrews’ Flowers in the Attic. Andrews’ prolific output of Gothic melodramas are really the horror equivalent of daytime soap operas. Though marginally better, this drowns in the same stultifying blandness as its predecessor
This has an appealing premise – the children of all the Disney villains have grown up and go to school together. This is promptly killed by the awfulness of the film itself, which is essentially High School Musical set in the Disney universe
Smart and fascinating venture into the alternate universe hopping theme that suggests something of what the underwhelming Sliders should have been. Originally made as the pilot for a tv series, this comes with much intriguing backstory set-up for a potential series
The third of the Lifetime Channel’s films based on the Gothic incest melodramas of Virginia C. Andrews that began with Flowers in the Attic. The plotting is absurd and the film feels uninhabited by human beings
A model maker is hired to build a miniature of a famous actress’s house but then finds the model is capable of influencing reality. An ingenious premise that plays out with near-perfection
A blatant copy of Misery where Erika Christensen is a popular singer who is abducted and made a prisoner by deranged fan Bethany Lauren James who wants her to write more songs in the style she used to
A girl sets out to solve the Jack the Ripper killings to free her innocently convicted brother. This is no more, no less factual than any other version but conducts a fine period recreation of Victorian England
An adaptation of Jasper Fforde, one of the cleverest of modern humorous fantasy writers. Alas, the finished result is one that understands nothing about the book and is one of the worst ever screen adaptations
Adaptation of the Shakespeare play about fairy enchantments by Doctor Who showrunner Russell T. Davies. Davies goes with a standard interpretation alongside radical reinvention – Athens as a fascist dictatorship
Nothing indicates how miscalculated this remake is than the fact it has been placed in the hands of the director of the High School Musicals and sundry Disney Channel fodder
Sequel to the painfully bad Disney Channel film that copied the success of High School Musical and featured the teenage children of classic Disney animated villains. This is just as empty-headed and unwatchable
A near future film that with eviscerates the royals with biting savagery as it depicts Prince Charles becoming the King of England and clashing with the government of the day
The fourth film version of the Disney comedy about a mother and daughter who swap bodies for one day. This was made for the Disney Channel and comes as a grating teen musical
Another in the fad for horror films about escape rooms we have had in the last few years, this concerns a possibly haunted venue and reaches an interestingly odd ending
The 1956 The Bad Seed is the original evil child film. All other psycho children films draw themselves from here. This is a remake directed by actor Rob Lowe who also plays the father. McKenna Grace gives a superbly chill performance as the child
Blumhouse film where a Westernised Indian girl rejects her traditional mother’s fears about her new boyfriend being a bad man reincarnated only for them to come true
The best of the Welcome to Blumhouse films set among the rivalry of two sisters at a highly competitive music school where one gets an occult text allowing her an advantage
A new Clive Barker film is always something to be excited about – Barker has been absent too long as a creative force. This is an anthology based around Barker’s celebrated story collection
Blumhouse film in which an initial plot about a man suffering amnesia undergoes a twist to become a body theft story
A modern girl pining for the perfect man is transported back into the world of Jane Austen’s Pride and Prejudice where she ends up disrupting the story
A Star Trek film spun off around Michelle Yeoh and the secret service that appears in the modern revival series