Abigail (2019)
Russian film that creates a fascinating alternate reality where Steampunk and magic blend in an almost familiar world
The Science Fiction Horror and Fantasy Film Review
Young Adult is a term from publishing that refers to works of fiction intended for readers between age 12 and 18 (that is intended audience, although actual readership can be of any age). The term has been adopted to also refer to films adapted from these works.
The genre saw a huge upsurge since the 2000s with the success of the Harry Potter, Twilight and Hunger Games films. The 2000s/10s period saw the rights to many YA book franchises purchased for adaptation, although the number of these series that have been successful on screen are far outweighed by the number that have never managed to go beyond a single film. There are other works that the label Young Adult can be applied to retrospectively.
Young Adult films will feature protagonists who are usually in their teens (although ages can range from between pre-adolescence to early twenties). Many of these are Coming of Age Stories concerning the move from childhood to adulthood.
In Young Adult cinema, protagonists frequently (although not necessarily always) will be a locus at the centre of world-changing events, a social revolution or be engaged in a titanic struggle against the Big Bad of the show. They may well have some form of great destiny heaped upon their shoulders. Or else they may simply be a protagonist at the centre of a series of ongoing adventures.
A romantic element will frequently be placed at the centre of the show – this is the standard romance one might find in any other work but here having been moved to centre stage where the protagonist (who is frequently female) faces divided choices.
Russian film that creates a fascinating alternate reality where Steampunk and magic blend in an almost familiar world
Yet another adaptation of a series of Young Adult fantasy books that failed to fly. The idea of an Indiana Jones-type adventure set in Victorian England holds promise but the film only sporadically manages to let the adventure fly
The Divergent series is a fundamentally implausible scenario for people that think horoscopes are a profound insight into human nature. This is the most interesting of the films and gives us an imaginative future world
Young Adult fantasy in which two girls befriend a mermaid. A film very much made for teenage girls, bubbly, silly and lightweight
Adaptation of the popular Young Adult series about a twelve-year-old super-villain and his adventures with assorted magical creatures. Audiences hated this but I though it overspilled with a madcap creativity
Adapted from a Young Adult series of books, this is a bland and utterly superficial film about a secret society of monster-hunting babysitters
Attempt to create another Twilight franchise that quickly becomes the anti-Twilight, shucking the pro-chastity message for a decidedly inflammatory stance against small-minded Christian prejudice
Essentially Groundhog Day for teenage girls as Zoey Deutch finds herself trapped in a timeloop living the same day at high school over and over. The film finds a reasonable emotional depth but some of Zoey’s concerns do seem just a little trivial
The amusing idea of the Frankenstein story relocated to a modern high school – and with no less than later-to-be superstar Ryan Reynolds as the monster
Suspiria director Luca Guadagnino sinks his teeth into making a film about cannibalism. Forget the Young Adult label the film was sold with, this is quite an impressive work
The point where the Twilight series collapses under its pretensions and draws every detail of its wedding out for an excruciating hour. A series that has been all about preaching chastity then segues into Right to Life advocacy
Perhaps the best thing about this is that the Twilight saga is finally ended. This provides a moderately spectacular showdown but also wraps its plotlines up with absurd deus ex machina wimp outs and an infuriating twist ending
Adaptation of a book by NZ author Margaret Mahy. Mahy has a sublimely poetic turn of phrase in the writing but the film strips the book down to the point we get no more than a by-the-numbers Young Adult work
Doug Liman’s adaptation of a Young Adult series that was problem-ridden behind the scenes. This certainly creates an interesting scenario set on a planet where men’s thoughts are visibly manifest
A contemporary take on Cinderella that relocates the story to a modern high school with a downtrodden Hillary Duff trying to make it to the prom
Adaptation of a series of Young Adult books that should have emerged as Harry Potter made with the sensibilities of a Tim Burton. But the result fails to come to life in Paul Weitz’s hands
Excellent Young Adult adapted work about teenagers in a vast underground city coming to an awareness of the forgotten surface world. The underground world is a production designer’s marvel
A surprisingly better than expected film from the Disney Channel, a Coming of Age story set on The Moon about a group of kids who break out to go on a jaunt across the lunar surface
Adapted from a series of Young Adult books concerning a group of children with psychic powers on the run in a dystopian future, this failed to find the audience it sought
The Maze Runner was a solid Young Adult effort that built out an effective Conceptual Breakthrough story; this, the second of two sequels, feeld like a series of canned action scenes in search of a purpose
This has an appealing premise – the children of all the Disney villains have grown up and go to school together. This is promptly killed by the awfulness of the film itself, which is essentially High School Musical set in the Disney universe
Sequel to the painfully bad Disney Channel film that copied the success of High School Musical and featured the teenage children of classic Disney animated villains. This is just as empty-headed and unwatchable
Designed as a copycat of The Hunger Games, this Young Adult film as a modest hit. The premise is fundamentally implausible as human psychology – and when there’s no basic credibility, you cease to care about the contrived dramatics
Rodrigo Cortes, who made the fine Buried, directs a Young Adult horror, which is produced by no less than Twilight author Stephenie Meyer, concerning supernatural happenings at a girl’s boarding school.
The third of the Twilight films. This extrudes the dramatic irresolution of the last film’s cliffhanger – should Bella marry Edward or does she really love Jacob? – with over-padded momentousness
Don’t be put off by the Young Adult label. Look past this and you will end up with one of the most original premises and one of the most beautifully written films seen in some time.
Adaption of a Young Adult series of books – this is essentially Twilight but with angels instead of vampires. Another YA effort where we never saw successive chapters due to its box-office flop
Wannabe in the fad for Young Adult films. An alien invasion story that takes place without drama or engagement in anything that happens. This seems more interested in its teen love triangle than combatting the alien threat
Modest and well-made British children’s tv mini-series about the mysterious psychic connection between two twins each unaware of the other’s existence
Another adaptation of a classic Young Adult book, this merely substitutes well-worn dystopian tropes and comes out feeling like Divergent by way of Pleasantville
The attempt to create another Lord of the Rings went astray with this adaptation of Philip Pulllman’s fantasy series, which cut many of the core elements of the books so as not to offend religious conservatives
One of the less known films of Joe Dante. A 3D work that just predates Avatar, it is a YA horror story in the vein of The Goonies or Dante’s own Explorers crafted with care and an affection for the characters
Andrew Niccol, a director of smart conceptual sf, seems mismatched on an adaptation of a Stephenie Meyer novel but Niccol tones down Meyer’s overripe teen romance to deliver a smart take on the alien body snatchers genre
Eli Roth is a director associated with the Torture Porn cycle and one does a double-take at him making a family-friendly film. The results emerge somewhere between Harry Potter and a Goosebumps film
While the title suggests a self-help manual about someone going to live off the land, this depicts an imaginary invasion of England similar to Red Dawn having been pitched as a Young Adult work
A Young Adult box-office hit that does little more than competently shuffle around ideas from other SF films. Jennifer Lawrence makes an impressive showing but the film also soft-pedals the moral reality of its scenario
The first sequel to the box-office juggernaut. The surprise is that it spends defies most of the things that made the first film, not to mention has made one of the year’s biggest box-office hits into a parable for Marxist revolution
The third The Hunger Games film starts in with a more brooding complexity but with the book being split in two parts, the story feels more thinly drawn and comes to an abrupt end just when it starts to get interesting
The finale of the saga comes with a tough, gritty edge that make it the best directed of the series. On the other hand, it builds well only to arrive at an ending that goes oddly sideways and throws sympathies to the wind
The Hunger Games was one of the biggest franchise of the 2010s. Here a number of the key talents return to make a prequel to the events, telling a story from the early days of the Hunger Games
Produced by Michael Bay and directed by the perpetually insipid D.J. Caruso, this is no more than a Young Adult high school version of Disney’s Witch Mountain films concerning an alien teenager with psi powers
A Young Adult film that comes with a highly original premise concerning the aftermath of a catastrophe that has left ghostly figures trapped in timeloops repeating the same moves
A British film about a teen who gets a cellphone embedded in his head and develops the ability to tap into cellular and internet traffic. The Computer Wore Tennis Shoes with an admirably gritty edge
Divergent, the first entry in this Young Adult dystopian series, a poor man’s Hunger Games, failed the “I can’t hold any suspension of disbelief” test. This offers more of the same, plus lots of random effects sequences
NOT the Hayao Miyazaki film but a live-action version based on the same books, made by Takashi Shimizu of the Jun-on/The Grudge films fame. Replicating Miyazaki in live-action is a futile endeavour
There have been the various adaptations of the Left Behind books about the Biblical Rapture; this is an attempt to spin the same off for Young Adult audiences and is not very good
The fourth variant on the Groundhog Day timeloop theme one to come out in the space of 12 months, this nevertheless wrings some charms from the premise
In between the hugely successful Young Adult adaptations of the 00s/10s there has been another trail of YA adaptations that never made it beyond one film. Adapted from a YA series by crime writer James Patterson about a group of kids with wings, this is an exceedingly lacklustre production
One of the better among the current fad for Young Adult dystopian SF works post-The Hunger Games. This dispenses with dystopian Coming of Age stories and gives us a fascinating conceptual mystery even if the answers prove underwhelming
Tim Burton used to be the great hope of fantastic cinema but his efforts since 2000 have been greeted with general disappointment. This Young Adult adaptation plays out like a fantasy version of the X-Men
Peter Jackson written-produced film that creates a fascinatingly original world. As always with a Jackson film, all the fun is in the massively scaled effects sequences and the design of the world. Alas, Jackson is not as well attuned in the story department, which often drags up corny cliched scenes
A Young Adult fantasy adaptation that fells a Harry Potter wannabe repackaged with the brooding teen romanticism of the Twilight series, all under a director whose indifferent handling fails to animate any of the material
Interesting attempt to rewrite Carmilla for the Twilight crowd. In fact, this is a film that features more credible teenage girls and is far more successful as a horror film and at creating uncanny mood than the Twilight films were
Possession film that is quite a bit more than the light fluffy Young Adult film the title makes it seem, boosted by a great performance from Amiah Miller
The second of the Twilight films where the moderately grounded original is blown up into the near laughable with the ridiculously over-the-top hyper-sexualised posturing of its male leads
Chris Columbus seeks to emulate the success of the Harry Potter films with this adaptation of a Young Adult series about the children of Greek gods. The film falls apart due to Columbus’s typical banal cues and effects overkill
This sequel is marginally better than the first film (largely due to Chris Columbus no longer being in the director’s chair), being more dramatically engaged and with effects that feel less like random eye candy. That still doesn’t disguise the fact that the Percy Jackson series is no more than a lightweight and forgettable Harry Potter knockoff
A story about an apprentice at a mysterious company that deals with magic, this could well serve as a fix for those wanting something more of the Harry Potter franchise
McG, one of the more empty-headed of modern mainstream directors, makes a big effects-heavy, Young Adult alien invasion film, a genre that has never enjoyed any success. To no surprise, this did not either
While the title sounds like a cheesy faux B movie, this a surprisingly serious work. Taking undeniable influence from tv’s The Tripods , it is a YA work about the fight to free Earth following a machine invasion that proves far more entertaining than anything one expects of it
The Maze Runner was one of the better Young Adult films, creating an intriguing conceptual mystery; this sequel ignores all of that, even throws the book out and is essentially a jumble of random sf tropes that amount to no more than running, shooting and things exploding
Adaptation of Susan Cooper’s popular fantasy series handled by people who have no interest in the material and badly rewrite/mangle it in order try to turn it into a Harry Potter/Lord of the Rings knockoff
An object lessons in how not to adapt a Young Adult series – take a book series about an apprentice witch hunter set in an alternate England and turn it a generic Lord of the Rings copy
Following the huge success of films like Gravity and The Martian that portray space travel with scrupulous realism, this can be considered the Young Adult version. It pays surprising attention to getting its science right; on the other hand, that doesn’t excuse the gaping implausibilities elsewhere
Witty and really hilarious film about a high school class where teens begin randomly exploding. With great performances and writing that is a delight to the ears
Film adaptation of a popular series of Young Adult books about a teenage spy. Made not long after the Austin Powers films, this seems unable to decide if it is being serious or a parody
Another variant on the Young Adult dystopia a la The Hunger Games and Divergent films, concerning a future where that who fail standardised school tests are executed to keep the population down. The blandness of approach utterly feels to grapple with the ideas at play
The Three Investigators books were an essential part of my youth. This does a fair job of remaining faithful to the stories, albeit with the addition of some grating modernisations, and creates reasonable atmosphere as they investigate a seemingly spooky mansion
An Australian version of Red Dawn – prettily mounted but feels more like Dawson’s Creek Goes to War than it has does a realistic war film
Classic tv mini-series about rebellion in a future where Earth is controlled by giant alien tripod machines, this still holds up as something great today
Before the teen idol phenomenon took over, the original in the massively popular Young Adult series works as an earnest romance where all involved are clearly making an effort to play with a conviction
One has zero enthusiasm for this, which has been sold as Twilight meets Harry Potter. Defying expectation, it is written with a sarcastic amusement puncturing its own seriousness and has a great performance from its leading lady, if in the end it is too weighted down by story exposition needed to set up its sequels to ever open up dramatically
The idea of H.G. Wells’ classic alien invasion novel rewritten with a Young Adult focus makes you cringe but the idea works in its own way
The idea of a Twilight copy where the lead male is a zombie seems an utterly lame idea before one sat down to watch this. That said, the film manages to make its peculiarly incongruous mix of teen romantic film, zombie film and comedy work for it
A ghost story from Studio Ghibli – although rather than any Western equivalent that sets out to scare the pants off us, this is a sweetly tender story of friendship between two girls. The result more than capably approaches some of Hayao Miyazaki’s best
High-profile adaptation of the classic children’s work by Madeline L’Engle that has been entirely wrenched out of shape by its director to become a heavy-handed message about diversity. It is SF made by people who think the genre is just eye candy and absurdly over-the-top costumes
This starts promisingly but it soon becomes apparent the classic story, which only takes place between two people, has been rewritten for the Young Adult audience with the addition of a third character and the focus on a love triangle, while abandoning most of the book’s themes
An adaptation of an R.L. Stine book, a work of safe anodyne horror about zombies trapped inside a film made by director Dan Aykroyd getting loose and overrunning a town