The Taint (2010)
Film about a penis-enlarging drug that creates zombies, this goes for an outrageous bad taste vein are rarely lets up
The Science Fiction Horror and Fantasy Film Review
The zombie film is one of the most popular sub-genres of the horror film. A zombie is a reanimated corpse that has returned from the dead, slow, shuffling and lacking will. In the modern incarnation, the zombie has become a creature ravenous for human flesh.
The idea of the zombie comes out of African religion. The first ever zombie film was White Zombie (1932) and for the next 36 years, the zombie remained in the province of Voodoo, occasionally a creature of mad science or created by alien invaders. There it was slow, shuffling reanimated corpse but never more than that.
The modern zombie film began with George Romero’s Night of the Living Dead (1968), an apocalyptic film about the dead risen and laying siege to the living in a farmhouse. This made the zombie into a flesh eater and created the popular mythology about it only being able to be killed by incapacitating the head. This created a number of imitators but the true popularity of the zombie film grew in the 1980s following Romero’s sequel Dawn of the Dead (1978), which added copious gore and splatter to the mix. There were a number of enthusiastic imitators in particular from Italy. The 1990s saw the first zombie comedies.
The zombie film underwent a revival in the mid-2000s with a series of works that remade or homaged Romero’s films and others that claimed to be spurious sequels. This was followed by a vast shuffling horde of mostly low-budgeted zombie films. During this time, we have seen zombie films from almost every film-making country in the world.
These low-budget copies soon revealed that the number of original plots available to the zombie film was limited. This period also saw an upsurge in the zombie comedy and by the 2010s this evolved to a series of gonzo takes where filmmakers mixed zombies up with the most absurd title or conceptual mashups. By the end of the 2010s, the gonzo zombie film too had started to run out of ideas.
Film about a penis-enlarging drug that creates zombies, this goes for an outrageous bad taste vein are rarely lets up
Bill Zebub is a micro-budgeted filmmaker who contends to be the most offensive filmmaker of all time. Yes, the film features a zombie Jesus who spends his time violating women who parade in a state of undress
George Romero’s underrated classic gets a makeover amid the 00/10s fad for remakes of 70s/80s horror films. Alas, Romero’s modest classic about a madness-inducing biospill has a big-budget thrown to emerge as just another zombie film
Four films in and clear evidence that the Resident Evil series needs to be retired. This consists of tediously borrowed action moves now presented in 3D and a plot of random dead ends that make little sense
Horror film about a soldier returned home from conflict strangely ‘changed’ reminiscent of the classic Dead of Night. From the director of August Underground films.
US film adaptation of a cult Italian comic-book about a private eye who investigates the supernatural, this comes out like a weak episode of tv’s Angel where a potential worthwhile idea descends to lame humour
This could easily be called Cowboys vs Zombies. A low-budget effort that is tame on the zombie front but makes great effort and is served by some well-drawn characters
Whether we asked for it or not, director Bruce LaBruce gives us the world’s first gay pornographic zombie film in which a zombie finds it can revive the dead by having sex with them
An absurd film where angels conduct a war on Earth, which comes amid much in the way of gunfire and creature effects. Directed by a former visual effects supervisor.
Strippers and zombies Japanese style. An entry into the Gonzo Japanese Splatter film fad. Cheaply made, with surprisingly little nudity and a whole lot of tongue-in-cheek splatter
A unique homage to Night of the Living Dead wherein the original has been recreated with a bewildering range of artwork and short pieces of animation from dozens of different artists, even scenes conducted by sock puppets and animated Barbie dolls
Enjoyable zombie comedy that has been regarded as a classic by many and contains an appealing nonchalant sense of humour and some great performances, even if it owes much to Shaun of the Dead
Steven Seagal tries to extend his career by taking on the zombie film. However, this is routine on all levels, although to its advantage Seagal is not on screen much
The social metaphors of George Romero’s original zombie films has been missing from the modern equivalents. This takes them up again with great enthusiasm, making a critique of USA attitudes post 9/11, hammering its message home with all the subtlety of a 26-point headline
A film about a bunch of boorish lads gleefully eliminating zombie women. A comedy this may well be but doesn’t disguise the fact the film’s sympathies are clearly with the guys making crude innuendos and feeling downtrodden by women
George Romero’s sixth and final zombie film where he writes characters and a script with much more of a richness of theme than he did in the last two entries
Completely insane Japanese film that wades in gore while playing everything up at a level of demented cartoonish absurdity. Possibly the most delirious movie-watching fun it is possible to have
Lesser sequel to the Spanish Found Footage zombie film [Rec] that repeats the original to variable effect but needlessly breaks up the single camera point-of-view
A painfully amateurish zombie films – the entire show has been shot in someone’s house. There are only two gore effects throughout and the titular platoon the soldiers is limited to only three in number
The fifth of the Universal Soldier films reuniting both Jean-Claude Van Damme and Dolph Lundgren, while being given a tough, brutal action punch by director John Hyams
Reasonable adaptation of Robert E. Howard’s stories about a Puritan warrior, an entry in the 00s sword-and-sorcery fad that comes with a welcomely dark edge
A low-budget amateur-made zombie film that treads where hundred of other copycats have before. It sets itself apart from these very slightly in that it makes effort to chart a relationship between the leads and in that the zombies behave in puzzlingly non-traditional ways
A WTF am I watching film where a performing freakshow troupe led by Pervo the Clown are pursued around a farm by topless zombie women
One of the more amusing titles in the gonzo zombie title mashup fad. On the other hand, this takes itself surprisingly seriously and, while well made, never fully goes for broke
A zombie comedy that comes with a mildly amusing premise – where people stage an intervention to stop their friend eating people. This feels a single gag drawn-out as a full length film
Animated film directed by Rob Zombie that feels like an episode of Ren & Stimpy made by someone with an unhealthy obsession with horror and exploitation movies and stripper bars
This could be The Raid reconceived as a zombie film (and a few borrowings from Assault on Precinct 13). This never reinvents the basics, just delivers a ferociously entertaining, bared to the bone zombie survival film
A low-budget regionally made film about a zombie outbreak. This does better than most of the vast horde of low-budget zombie films that came out in the late 2000s
A revival of the Nazi zombie film that comes from Norway! A hugely gore-drenched effort from Tommy Wirkola that soon plants tongue very much in cheek.
Madness/zombie outbreak film set in a radio station as a talkback host watches the catastrophe unfurl outside. This only cheaply goes where the far superior Pontypool did first
There is a great title and the germ of a good idea here – two rival street gangs and a white cop are forced to set aside their difference and cooperate to deal with the zombie apocalypse. Alas, as a directorial outing from the writer of the Sharknado films, this emerges cheaply and tattily
Bruce LaBruce made the world’s first gay pornographic zombie film with L.A. Zombie. This was an earlier trial run, less a porn film and more down around the level of a student art film
Odd film about 19th Century body snatchers that is like a low-budget version of a Burke and Hare story. This develops a sense of humour and starts to go in some very strange directions
An anthology of horror tales from Indonesia, most being too short to make much distinction,, the exception being The Mo Brothers gore-drenched first film Dara
The first in a series of anime films that were produced by Capcom, the creators of the Resident Evil videogames, and intended to run parallel to the live-action films. I was never a big fan of the live-action films. The question is – does Resident Evil work better in the anime format?
Likeable film made by fans about a ninja team formed to deal with a zombie onslaught
The Gonzo Japanese Splatter Film offers a wild array of splatter, bio-transformations and an obsession with schoolgirls’ panties. This is a low-budget entry that offers something akin to a zombie-hunting equivalent of Buffy
A remake of George Romero’s third and most underrated zombie film, This came out as part of the 2000s revival of the genre but majorly miscalculates the original and emerges as wrong in just about every way
Bruce McDonald makes a standout fim with Stephen McHattie as a radio dj dealing with a zombie infection that inhabits the English language that breaks out in the town around him
One of the more entertaining entries among the gonzo zombie film, this offers precisely what its title promises in an appealingly trashy, sarcastic and suitably gore-drenched blend
One of the worst of Uwe Boll’s videogame adaptations. This consists of action sequences slung together with random indifference and badly mismatched casting
A ridiculous American conservative satire that turns Dickens’ A Christmas Carol into a heavy-handed farce where a Michael Moore lookalike is made to see the error of his liberal ways
Horror film where Jesse Metcalfe has himself committed to an asylum to rescue his sister but comes up against Peter Stormare conducting mad science experiments turning inmates into zombies
Animated spinoff of the videogame. Your first impression is that animation is not suited for a gore-drenched film. One’s misgivings are silenced by the wildly phantasmagoric range of creatures the film throws at you
Zombie film made on a shoestring micro-budget from the point-of-view of a young man as he transforms into a zombie. The guerrilla approach results in an amateurism but also a work made with more imagination than you expect
Amid the overused zombie genre, this hits in with a considerable originality. The story of teenagers who find a zombie girl and keep her imprisoned for sexual purposes soon enters a disturbing headspace
English-language remake of the Spanish Found Footage film [Rec]. A lesser work but in the hands of John Erick Dowdle one of the few English-language horror remakes that stands up to the original
Third of the Resident Evil films. This expands the scale of action to show the entire world destroyed by the virus but for all that and a decent budget, director Russell Mulcahy fails to push the elements to a suitable head of steam
I was cautious about hailing 28 Days Later as a modern classic; this sequel is in fact a much better film. Newcomer director Juan Carlos Fresnadillo draws it out into a series of superbly sustained suspense sequences
A mockbuster from The Asylum that was intended to capitalise on the release of I Am Legend and in fact gets much more of the essence of the original Richard Matheson novel than the official film did
One of several films that came out not long after Snakes on a Plane offering similar wacky collusions – in this case, a zombie outbreak aboard a plane. The surprise is that the film plays itself seriously
Horror comedy told from the perspective of four friends who are unaware they have been transformed into zombies. The contrast of their reactions with everybody else as they flee in terror is mildly amusing for awhile but this is essentially a one-gag film
Above average revival of the Nazi zombie concept in a film that has spawned two sequels. The plot of soldiers venturing into an old bunker is conducted with tight, lean suspense and some undeniably gory dispatches
Not to be confused with the Peter Jackson Braindead, although the similarity of titles only emphasizes how weak and unfunny this 1980s splatter homage comedy is in comparison
Robert Rodriguez’s half of the Grindhouse double-bill where Rodriguez makes an hilariously tongue-in-cheek zombie film with great absurd comic energy and packed with witty cameos from various stars
Furious and highly engaging Spanish Found Footage film about the infected dead taking over an apartment building. Three sequels and an English-language remake followed
A Pakistani copy of The Texas Chain Saw Massacre and Backwoods Brutality film, all served up with reasonable vigour. It is fascinating seeing the genre tropes translated between different cultures
You feel that a film about lesbian Japanese schoolgirls vs zombies should have been more interesting. The zombies barely mount to a dozen and the director seems more preoccupied by his softcore predilections
Shinji Aramaki’s immediate sequel to his reboot of the Appleseed franchise. This lacks the visually stunning qualities of its predecessor and seems more conceptually muddled but Aramaki eventually gets it together
George Romero returns to zombies, making a Found Footage film. After the disappointment of Land of the Dead, he delivers the goods here, while making powerful political points about modern media
Troma film that has maybe the silliest movie title ever. This sets out to be so persistently moronic and wilfully offensive that it eventually attains a delirious absurdity
Interestingly different film about zombified children set after a time when childbirth has died out. This generates a reasonable level of tension but arrives at a very confusing end
James Gunn directs a film about body-snatching alien slugs that proves enormous fun and comes packed to the edges with numerous genre references and homages
Charmingly droll film that posits an alternate version of the 1950s where zombies have been domesticated. This has a perfect sense of mood and admirable deadpan playing by all involved
Despite a title that resembles more a 1990s killer cyborg film, this is actually a zombie film. Made soon into the mid-2000s zombie revival, this is driven more by fannish enthusiasm and copious gore than anything else
Despite being pitched as a zombie film, this is more of a ghost story featuring undead children who were killed in a mine disaster. Director J.S. Cardone does well with the horror elements
Remake of George Romero’s seminal zombie classic. The 3D is no more than a gimmick, while elsewhere they are some radical changes – a white Ben, a lame explanation for the zombies, some far-too-cute in-jokes – that fails to match the effectiveness of the original
Entry in the 00s zombie revival fad from the early days of The Asylum, this is the most gore-drenched zombie film ever made. Overlooked but a better film than you think
Exactly as the title suggests, a mash-up between the zombie film and a Western (albeit relocated to a post-apocalyptic future) – and one that plays itself surprisingly seriously
One of wittiest titles of the 2000s zombie revival fad – the suggestion of a high school love story gone really wrong. This actual film is a surprisingly ordinary and unexceptional effort
A Canadian entry made soon into the zombie movie revival of the mid-00s and before the copycats started to become tediously familiar and the genre turned to self-parody. This delivers a solid rehash of the essentials – IMHO a better job that Zack Snyder did in Dawn of the Dead
Shabbily made hanger-on to the 00s zombie fad that would have gained zero attention without its pedigree name. This completely misses the black humour of the original
George Romero’s return to the zombie genre after twenty years, after others starting remaking and homaging his films. Romero still makes potent social metaphors but the gory extremes of his earlier films seem tamed down
Disappointing film version of the videogame. The film seems to either miss or water down the principal appeals of the game, although you do get Dwayne Johnson (still billed as The Rock) as the bad guy
Made during the mid-2000s zombie revival, this is a cheap, badly made film that tries to cling to any kind of relevance to the George Romero name. If anything it is more like a sequel to Night of the Living Dead than to Day of the Dead
Another effort in the sad slide into shabby amateurishness that marked that latter years of Tobe Hooper’s career, a muddled effort set around a mortuary involving body-snatching fungus and deformed relatives in the crawlspaces
A sometimes amateurish film about people at a B&B surrounded by zombies. This takes a horror comedy tone and gets very gory. Not to mention features an amazing cast
A French zombie film that is about as far removed from a zombie film as it possible to get – the dead inexplicably return to life not to eat the flesh of the living but calm and detached where society’s problem is how to let them return to their previous lives
A warm parody/tribute to the George Romero zombie films that saw the emergence of Simon Pegg as a star. It also saw the zombie film move towards a more comedic emphasis, although few subsequent entries come with such good-natured humour
An enthusiastic Irish-made copy of the George Romero zombie film that vies between the amateurish and occasional moments of interest
Zack Snyder debuts with a remake of the cult George Romero film. While this has a bigger budget, it is missing is the satire and gore-drenched effects that made the original memorable. This inspired the mid-2000s zombie film revival
The surprise in seeing this after the tide of gonzo mash-ups and wacky title collusions that has taken over the zombie genre in the latter half of the 00s is that, despite the title, it is a zombie film that is playing itself seriously, emerging as another variant on the zombie relationship drama (*)
The first of the Resident Evil sequels and a better film than its predecessor, getting in a series of spectacular, if at times ridiculously silly, action sequences
Not to be confused with tv’s Z Nation, this for a time ranked on the IMDB’s Worst Films of All-Time list . It’s been called the Worst Zombie Film Ever made, although I’d suggest other contenders
The second sequel to the cult splatter hit Re-Animator is a superior effort to its predecessor, getting the original’s sense of black humour down pat and arriving at a memorably apocalyptic climax
Lightweight film based around the Disney theme park attraction that becomes a Eddie Murphy comedy where he and his family enter a big old mansion that proves to be haunted
Enjoyably tongue-in-cheek pirate swashbuckler based on the Disney theme park that proved an enormous hit and spun off a series of sequels, as well as giving Johnny Depp one of his iconic roles
The first of Uwe Boll’s videogame adaptations and the beginning of his bad director reputation. This is a zombie film by the numbers but it was at the forefront of zombie film revival of the 2000s
Appealingly quirky homemade zombie film that launched the career of Australia’s Spierig Brothers. The two demonstrate a considerable inventivity when it comes to the visual and makeup effects, which they created all themselves
Based on the survival horror videogame, this was the first in a surprisingly popular series of films. It also presaged a major return of the zombie film during the 2000s/10s, even if this only treads where George Romero went better before
Tsui Hark scripted/produced Wu Xia effort that shuffles the familiar tropes about without seeming too enervated
Danny Boyle’s sleeper hit presaged a big return for the zombie film during the 2000s/2010s. Not a bad film even if Boyle is conducting major borrowings from other works like The Day of the Triffids and Day of the Dead
Halloween film for children from the pen of horror author R.L. Stine of Goosebumps fame. The children’s horror story (and tv movie) is filled with many insipid and formulaic entries but this is a decent one that is not unafraid to scare people
The second of British director Andrew Parkinson’s remarkable kitchen sink zombie films about people trying to deal with ordinary life while transforming
The first film of directors Lucky McKee and Chris Sivertson, concerning a troupe of cheerleaders who are killed and resurrected from the dead. The two later returned to conduct a better-budgeted remake
Sequel to the 1999 The Mummy. Here Stephen Sommers amplifies everything in that film by a factor of ten where the constant bombardment by the spectacular reaches an point of absurd overkill
Completely madcap film from Takashi Miike, a black comedy about a family who run a guesthouse where the guests keep dying. This comes replete with musical numbers and Claymation sequences
A bizarre Japanese film about hordes of schoolgirl zombies
Early Mike Mendez film that quickly abandons being a standard venture into a haunted convent and launches into an entertainingly over-the-top splatter show filled with zombified nuns
Hong Kong comedy with a police station under siege from zombies. The emphasis is more on comedy than the horror element