Deep Blue Sea 3 (2020)
After the genuinely terrible Deep Blue Sea 2, all it took to improve the Deep Blue Sea series was a better director. This no more than a B movie but is certainly halfway watchable
The Science Fiction Horror and Fantasy Film Review
After the genuinely terrible Deep Blue Sea 2, all it took to improve the Deep Blue Sea series was a better director. This no more than a B movie but is certainly halfway watchable
From the director of the standout Meander, a dark and claustrophobic film set in the 1950s about miners disturbing a Lovecraftian entity buried in the depths of a mineshaft
From Alexandre Bustillo and Julien Maury, an incredibly spooky film, almost all of which is shot underwater, about two divers discovering a haunted house at the bottom of a lake
Stylish French slasher film about actors being stalked as they put on a performance of Little Red Riding Hood at a country estate. The fairytale is adeptly wound in and out as metaphor.
Another of the giallo psycho-thrillers from Dario Argento in his heyday as David Hemmings is witness to a murder and tries to find the killer. As with Argento’s films of this period, focused around a series of stylish and sadistic dispatches
The first of the Italian cannibal films, which became the most extreme niche in the horror genre. This acts more as a cod-anthropological study about the natives but does come with its fair share of stomach-churning scenes
The perpetually terrible Renny Harlin makes a halfway watchable film about the survivors of a plane crash at sea trying to stay alive as the sinking plane is surrounded by sharks
Modest and quite well made film entirely shot, produced and acted by the Adams Family who have gone on to make a series of other striking horror films. This concerns a man haunted by a ghost after he kills a girl
Part of an attempt to revive the Blaxploitation film, a gospel horror film of sorts in which a young African-American divinity student fights the demon Temptation
The great Mario Bava was the man who essentially created the giallo film. Here his son Lamberto makes an entry, which rehashes much of Mario’s seminal Blood and Black Lace, albeit more crudely
Blumhouse film that stars Topher Grace as an asylum detainee who is released to home detention and may or may not be hallucinating seeing figures inside the house
Danish film that is largely an uncredited remake of Straw Dogs (and a far better effort than the official remake a couple of years later). This has a dark, unrelenting bite that savagely indicts a racism at the heart of modern Denmark
Scott Derrickson’s supposed true-life account of a NYPD cop turned exorcist rehashes every hackneyed possession cliche the horror genre has, yet there comes a point where the film attains an odd conviction
Harrowing wilderness survival film from John Boorman about four men on a trip downriver that fall afoul of hillbillies. A classic that was highly influential on the formation of the Backwoods Brutality genre.
Supposedly based on a true story, a possession and exorcism film from filmmaker Lee Daniels about an African-American family undergoing a supernatural assault
This was the first Found Footage film to deal with the Satanic pregnancy theme, prefiguring the more high-profile Devil’s Due. This draws on the plotting conventions and cliches laid down by Rosemary’s Baby in every way
Cult Italian film with Rupert Everett as a cemetery keeper facing the resurrected dead. This has an hilariously off-the-wall mix of black, deadpan humour and artiness, plus Everett at his laconic best
Another in the vast horde of zombie films of the 2010s concerning a group of friends gathered for a party as a terrorist biowarfare attack turns the locals into zombies
The second film directed by Francis Ford Coppola, a psycho-thriller made for Roger Corman where Coppola shows the glimmerings of style that made him a major director a decade later
Dementia 13 was a routine psycho-thriller elevated by the hand of a young Francis Ford Coppola. This remake adds ghosts and a home invasion to the mundane original, but fails to come anywhere near Coppola’s style
This starts as a Death Wish-styled vigilante film of interesting ambiguities, before abruptly turning into a psycho film. The latter half generates some undeniable tension but the film feels it needed more than that
A South African-made copycat of Halloween with a figure in a black mask stalking women. Cameron Mitchell turns up as a weird clairvoyant hired to find one of the missing girls
A unique and original Polish film that throws out all the possession cliches and is instead about a man possessed by a Jewish dybbuk – the spirit of a girl killed during the Holocaust – on his wedding night
One hoped this might have taken the approach of featuring a demonically possessed tongue but more mundanely uses tongue as meaning language. In reality, this is a poorly made film about a team of ghostbusters searching a haunted bar
James Wan has an exemplary track record in one’s opinion, you think this would extend to anything he produces. Here all we get are series of tired haunted house cliches before a twist ending that makes no real sense
Neill Blomkamp, the director of District 9, returns with a possession film that uniquely takes places in Virtual Reality as Carly Pope must use a device that enters her comatose mother’s dreamspace
Yes, exactly what the title announces – a film about a possessed killer Christmas tree. A rather amusing Christmas horror entry from prolific low-budget British producer Scott Jeffrey/Scott Chambers
An entertaining B-budget film about malevolent toys from low-budget producer Charles Band, known for the Ghoulies and Puppetmaster films. One of the first works from screenwriter David S. Goyer
Corporate thriller in which Connie Nielsen discovers an underground of snuff S&M. This develops a compulsive hold but its pullback to kneejerk moralism is dissatisfying
Film where New Orleans detective Brian Krause investigates a series of ritual killings before finding he is dealing with devil worshippers and that he is a destined John Constatine-like figure
Jess Franco rips off Ken Russell’s The Devils, although surely only Franco could take a story about nuns being tortured and witches burned at the stake and turn it into a work of softcore erotica
Italian horror directed by Lamberto Bava and produced by Dario Argento, an Evil Dead-inspired work about the possessed dead taking over a cinema, all conducted with a ferocious enthusiasm
Miles Doleac is better known as an actor but also has a number of credits as a director. Here he both directs and stars as a former priest haunted by an exorcism gone wrong
This is one of the rare failures from Hammer Films, a not uninteresting work set during the early era of 19th Century psychology and directed with some vivid effect
Unfriended gained attention as a horror film that took place across social media where the computer screen became the video screen. It was done first in The Den about a snuff internet site that stalks people who innocently log in
Brian Yuzna plays on everybody’s fear of the dentist in this outrageously nasty film top-lining Corbin Bernsen in wildly over-the-top mode as a psychopathic dentist amid a series of imaginatively sadistic dental-themed dispatches
In this sequel to their earlier film, director Brian Yuzna and star Corbin Bernsen return to the role of the psychopathic dentist and successfully tap the same outrageously sadistic nastiness and black humour once again
Larry Fessenden has become a horror director who has made some fine work that remain under the commercial radar. This is his modernised take on the Frankenstein story
One of the better among several films based on the activities of the true-life body snatcher and necrophile Ed Gein. Roberts Blossom gives an amazingly creepy performance
Excellent British tv mini-series that tells the story of true-life serial killer Dennis Nilsen who preyed on gay men in London in the 1980s. David Tennant gives an electrifying performance in the title role
Film about an all-girl caving expedition encountering underground dwelling monsters. This made the name of Neil Marshall who ratchets up a degree of gripping seat-edge tension that far exceeds any other film in recent memory
Neil Marshall’s The Descent was a ferociously effective horror film that proved a sleeper success. This is an unnecessary sequel that only offers up a limited variation on the same jumps
Yet another effort about teens running around the backwoods being stalked by a madman. This does better than most with the psycho of the show being an original character, given an intense, domineering performance from Gonzalo Menendez
This is a surreal and plotless Catholic horror film from Dante Tomaselli that seems full of fairground horror house jumps and overloaded with tortured Catholic imagery but makes no real sense
Vampire film that takes place South of the Border. This is low-budget and has with the potential of doing something original in its hands but that never quite arrives
Alfonso Cuaron’s son Jonas makes a film about Mexican illegal immigrants being hunted by a white vigilante in a Most Dangerous Game scenario. The film came out just after Trump’s famous wall campaign speech
Halfway reasonable Stephen King adapted tv mini-series. This has been placed in the directorial hands of King’s worst adapter Mick Garris who at least holds his worst tendencies in check
A black comedy that comes in a very broad tone concerning an ordinary man trying to record an album who accidentally kills people around him only for them to refuse to stay dead
A film with insane creativity and spilling over with snide pop culture wit. Like a mash-up of Bad Kids Go to Hell, John Dies at the End and Back to the Future written by a love child of Kevin Williamson and Diablo Cody
Another entry in the zombie comedy field. This has essentially been conceived as a retread of The Breakfast Club but with the addition of zombies
An uncredited remake of Abel Ferrara’s The Driller Killer, this is the single worst film I have seen in the last few years. It is surely the horror equivalent of The Room
An indescribable, completely insane Southern road movie about soul collectors. Somewhere between The Dukes of Hazzard as redone by Guy Ritchie or Quentin Tarantino and the Southern blues film Crossroads
Typical Bela Lugosi fare of the 1940s involving one of the most lunatic mad scientist schemes of the era in which he kills his enemies with an experimental aftershave that his bats have been trained to hone in on and attack
Boris Karloff mad scientist film with a fear of science at the most extreme of any work of this era. What seems absurd is the film’s belief that doom will be brought by a device that is nothing more than an EEG machine
Found Footage horror that unimaginatively rehashes The Blair Witch Project with a trio of people equipped with videocameras wandering around a supposedly haunted forest in Romania
This has an insane plot about Satanists stealing the Shroud of Turin to clone a body to incarnate The Devil and a priest possessed by the archangel Michael wading into action with a glowing sword
Tod Browning film in which Lionel Barrymore is an escaped convict who disguises himself as an old woman where he takes revenge using people shrunken to the size of dolls
This British film is one of the better works on the theme of the malevolent ventriloquist’s dummy with a life of its own. Made with some modest effect.
Inferior sequel to the modest Devil in the Flesh which had Rose McGowan as a psychopathic schoolgirl. Recast with Jodi Lyn O’Keefe, this is now a routine slasher effort
One of the better copies of Fatal Attraction with Rose McGowan as school pupil with a crush on her teacher who proceeds to ruthlessly eliminate all in her way
Another Found Footage variant on an exorcism film. This was a big box-office hit but only ends up repeating the tired cliches of the exorcism and possession genre
One of the classic works from Hammer Films and Terence Fisher, often regarded as one of their finest moments. In this adaptation of a Dennis Wheatley novel, Christopher Lee (in a rare heroic role) fights Satanists
One of the original evil children films and undeniably effective too with a group of people snowed in at a mountain lodge being hunted by four malevolent children
Ken Russell makes an historical work about the Catholic Church’s persecution of a supposed outbreak of possession at a convent in 17th Century France. As to be expected of Russell, this is shocking and outrageous. Oliver Reed gives one of his best performance
One of Guillermo Del Toro earliest films – a ghost story set at an orphanage during the Spanish Civil War. Eerie supernatural scenes sit alongside a surprisingly rich swim of symbolism
From Australian director Sean Byrne who made the splendidly twisted The Loved Ones, this starts out a heavy metal horror film that broods with occult imagery and a sense of bad things about to explode
Darren Lynn Bousman, the director best known for the Saw sequels, makes a musical about a circus set in Hell through which three damned souls pass, enacting updated versions of various of Aesop’s Fables
Solid offering from the increasingly underrated Adam Mason that takes more than a few leaves from Hellraiser with a ghostsbusting team investigating occult happenings in an abandoned asylum
TV movie that copies Rosemary’s Baby as closely as copyright will allow with Belinda J. Montgomery encountering Satanists and the realisation she is the devil’s daughter
Irish made Found Footage film where the investigation into a seeming miracle at a Catholic orphanage uncovers a case of possession and assorted deviltry taking place
A Found Footage film that seeks to overhaul the Satanic impregnation film a la Rosemary’s Baby. Both the Found Footage and the Satanic impregnation genres feel well-mined by now and this fails to offer anything new
Cult Italian director Lucio Fulci makes an erotic thriller but fails to leave his horror background behind with deranged results quite unlike any other erotic film
British-made vampire film that very much trying to copy the style of Hammer Films. This has colour and moments of undeniable style that stand out but lacks it in other crucial areas.
Big-budget Satanism film that came out during the mid-70s occult film fad, this promptly collapses into a bad movie through many unintentionally absurd touches and a nonsensical screenplay
Rob Zombie’s sequel to House of 1000 Corpses and a more polished film, probably Zombie’s best. On the other hand, Zombie’s nihilistic worldview and sympathy for the psychopaths does take one aback.
New Zealand-made WWII horror film with a set-up – Nazis encountered occult forces in a bunker – that draws heavily on The Keep. Modestly effective and gore-drenched
Jason Connery directs a film that draws upon the basics of The Keep about soldiers venturing into a tomb in Iraq where they awaken a great evil housed there
One of the numerous European erotic vampire films made during the early 70s. This came out not long after The Exorcist and so the vampire countess is accompanied by a coven of Devil worshippers
This comes with an intriguing premise in which a struggling actor consults a demonologist to prepare for a role and agrees to spend a weekend with her during which she decides to exorcise him
Routine horror film about students being drawn to an internet site that is controlled by The Devil and is then driving them to kill others and themselves
This gives all appearance to being another copy of Insidious – a ghost story with an evil-sounding adjective for a title. The film settles in in predictable ways; then throws the ghost story angle on its head with a surprise SF twist
An early film from Jess Franco in which an exotic dancer is turned into a mind-controlled assassin who lures and kills victims with her six-inch long fingernails as part of a revenge scheme
Les Diaboliques is one of the great all-time thrillers. This remake, designed to highlight a post-Basic Instinct Sharon Stone, is an abortion that rewrites the classic twist ending for something upbeat
Classic French psycho-thriller that is gripping in its psychological games before reaching an unforgettable twist ending. It has been twice remade and its plot much imitated by others but never bettered
Vincent Price is an upstanding 19th Century magistrate who is possessed by a spirit known as The Horla. An interesting treatment of possession themes made prior to The Exorcist
TV movie prequel to the Stephen King tv mini-series Rose Red that tells the story of the building of the house. A lesser work but not without moments of interest
George Romero returns to zombies, making a Found Footage film. After the disappointment of Land of the Dead, he delivers the goods here, while making powerful political points about modern media
A gonzo parody of WWII heroics a la Inglourious Basterds with the addition of Nazi zombies, over-the-top splatter and some decidedly non-PC humour, this proves an enormously entertainingly comic-book of a film
A blatant copy of Saw, albeit without the Torture Porn sadism, with people imprisoned in a cellar forced to kill one another. An oddly unconvincing film that fails to generate any tension or even conviction
Hands down, this is the worst slasher film ever made. Seemingly shot by amateurs who have never held a video camera before and acted by those who have no prior experience, this is a painful viewing experience
Adaptation of H.P. Lovecraft’s The Color Out of Space, directed by Roger Corman’s production designer Daniel Haller that draws on the look and mood of Corman’s Edgar Allan Poe films
Pete Walker was one of the most underrated directors of the 1970s Anglo-horror wave. This was his first film. Compared to Walker’s later works, this is more a psycho-thriller that sits on the borderline of being horror
Adam Green, director of the Hatchet films, makes a Found Footage film about the search for an underground world of monsters. The monsters, when seen, are quite imaginative
A young couple are invited to a posh dinner party, only to find that sinister and deadly things lurk not far beneath the niceties before things get really strange. A directorial outing for actor Miles Doleac
A mind-bogglingly meta film that starts out as a regular crime thriller before it gets invaded and taken over by psycho fan Penn Jillette who abducts the star and is determined to write himself in as the hero
The film that made Clint Eastwood’s name. He is a rule-bending cop who decides he has to defy the system in his pursuit of a psycho (a thinly disguised version of the then active Zodiac Killer)
Enjoyably sordid Michael Winner film in which Lia Williams is an woman who starts to eliminate the abusive men in her life. As to be expected with Winner, this gets trashy in quick course
The haunted house film is a genre that has been mined to a point of almost complete creative exhaustion. This Kate Beckinsale starring effort is about as formulaic, by the book and forgettable as the genre gets
Shabbily made psycho-thriller where Piper Laurie tries to scam niece Olivia Hussey out of an insurance payout at the same time as Olivia starts to see visions of her dead husband
A hackneyed rehash of Alfred Hitchcock’s Rear Window where Shia LaBeouf is a teenager on home detention spying with a pair of binoculars who realises that his neighbour might be a serial killer