The War Game (1965)
Peter Watkins stark, brutal mockumentary about a nuclear strike on England, this was banned from the BBC and still makes for harsh viewing today
Science Fiction
War Machine (2026)
The military action film is a genre that does nothing for me. But this does have a furious, survival-oriented pace as it pits Alan Ritchson and a detachment of soldiery up against an alien killer robot
War of the Colossal Beast (1958)
Bert I. Gordon makes a sequel to The Amazing Colossal Man. The film cheats where a good chunk of running time is padded with footage from the original
War of the Gargantuas (1966)
From Ishiro Honda, the creator of Godzilla, this bizarrely features two giant Frankenstein monsters battling it out. A fairly typical Japanese monster movie of its era featuring cheesily ridiculous rubber monsters, copious mass destruction and a largely irrelevant human element
War of the Planet of the Apes (2017)
The third film in the rebooted Planet of the Apes series. The motion capture effects are at an absolute peak of the art and the motion capture performances astonishing. The whole film almost seems to consist of heart-tugging moments to make you go “aww”
War of the Satellites (1958)
An early film from legendary B movie producer/director Roger Corman. This is an alien invasion film but has been twisted out of shape to exploit the fascination with satellites after the launch of Sputnik several months before the film came out
The War of the Worlds (1953)
First and best adaptation of the book, this takes liberties with the H.G. Wells original but smartly updates the book’s underlying anxieties to the Cold War era (in so doing becoming the grandaddy of the 1950s alien invader film) and providing what was top notch effects spectacle for the era
War of the Worlds (2005)
Where the legend of The Asylum and their low-budget mockbusters began, this was a cheap modernised version of the H.G. Wells novel that was released a day before the Spielberg film. Despite cheap effects, this adheres closer to Wells than Spielberg did and is better written than most Asylum product
The War of the Worlds (2005)
Released just before the Spielberg film, this was an adaptation of the H.G. Wells novel set in the Victorian period that attempts to tell the story as it was written. The film has ambition way beyond the resources at hand but you cannot help but applaud what it tries to do
War of the Worlds (2005)
Steven Spielberg remakes the classic H.G. Wells alien invasion story, liberally rewriting it for the post-9/11 world. Not Spielberg’s best film but a more than solid work on most grounds
War of the Worlds 2: The Next Wave (2008)
Sequel to The Asylum mockbuster version. Sequelising H.G. Wells is a daunting prospect and not too surprisingly this throws much of Wells out and creates its own film, which is undercut by a typical Asylum low budget
The War of the Worlds (2019)
BBC mini-series that sets out to restore the H.G. Wells novel to the era it was written. This it does, as well as restores many aspects that other films change. At the same time, it also introduces some radical changes that make it the most variant of the adaptations to date
War of the Worlds (2025)
An adaptation of H.G. Wells’ classic alien invasion novel modernised into the era of mass data surveillance and social media. Shot in the Screenlife process where the film screen becomes a computer screen
War of the Worlds: Goliath (2012)
Sequel to the H.G. Wells novel that imagines a fascinating alternate history that might have occurred following the Martian invasion. The clear appeal has been creating a series of scenes showing humanity tackling invading tripods in giant Steampunk manned robots
The War of the Worlds – Next Century (1981)
Not an adaptation of the H.G. Wells novel but a biting satire made in Poland during Soviet occupation about how the pretext of an alien invasion is used to create an authoritarian regime and the way media is used to control the masses. A film more potent today than when it was made
War of the Worlds: The Attack (2023)
The idea of H.G. Wells’ classic alien invasion novel rewritten with a Young Adult focus makes you cringe but the idea works in its own way
WarGames (1983)
This was the first film to ever depict the internet with Matthew Broderick as a teen innocent hacker who accidentally hacks in and triggers a nuclear alert thinking he is playing a computer game
WarGames: The Dead Code (2006)
WarGames was a thriller that was way ahead of its time; this sequel is no more than video fodder exploiting recognition factor that reduces the original to hacker movie cliches in a technically ill-informed and incoherent plot
Warhead (1996)
Routine action film about the attempts to stop a rogue general who has hijacked a nuclear missile silo
Warlord 3000 (1993)
Shabbily made copy of Mad Max 2 that plays out with minimal action
Warlords (1988)
B-budget director offers up a copy of Mad Max 2 and peppers it with plentiful tongue-in-cheek exploitation elements stirred with undeniable vigour
Warlords of Atlantis (1978)
Not one of the Doug McClure Edgar Rice Burroughs adaptations but by the same people and in the same vein. Thanks to a particularly inventive script this is the best of these lost world adventures
Warning (2021)
An anthology film that has been intended in the same vein as tv’s Black Mirror, offering a series of dark reflections of technological changes
Warning from Space (1956)
The first Japanese entry in the great alien invader fad of the 1950s. Nothing great but it does boast the awesomeness of starfish-shaped aliens
Warnings (2003)
A blatant copy of M. Night Shyamalan’s Signs even down to the near-identical title and a similar plot about crop circles appearing on a farm presaging an alien invasion
Warriors of Future (2022)
One of the most intensive and exciting action films of recent with humanity engaged in a furious battle with plants and killer robots
The Wasp Woman (1959)
Roger Corman cheapie clearly influenced by The Fly in which a woman becomes a creature after using a beauty product derived from wasp venom
The Watch (2012)
An uninspired comedy about a neighbourhood watch encountering alien invaders that falls somewhere between Ghostbusters and The ‘Burbs. The film’s virtues lie less in the weak premise than in the director allowing the stars to freely improvise with occasionally funny results
The Watcher in the Woods (1980)
Problem ridden Disney ghost story with a science-fiction rationalisation that never quite comes together on screen
Watchers (1988)
Dean R. Koontz adaptation in which Corey Haim adopts an unusually intelligent dog unaware it is part of a genetically engineered killing machine. Produced by Roger Corman who spun out a series of sequels.
Watchers II (1990)
The first of three sequels to the Dean R. Koontz adaptation about an intelligent dog, although for each sequel producer Roger Corman has just remade the book
Watchmen (2009)
Zack Snyder’s adaptation of Alan Moore’s groundbreaking graphic novel is exceedingly faithful to the original. Often called unfilmable, Snyder articulates the material in ways that quite surprise
Watchmen: Chapter I (2024)
The first of a two-part animated adaptation of Alan Moore’s classic, genre defining comic-book. This is the most faithful treatment to date, right down to replicating the comic panels
Watchmen: Chapter II (2024)
The second part of DC Universe Animated Original Movies’ adaptation of Alan Moore’s classic graphic novel, the most faithful screen adaptation yet
Waterworld (1995)
The most expensive film ever made at the time, a Kevin Costner epic in which he is a lone mariner in a drowned world where survivors cling to shantytowns floating on the surface. Essentially a Mad Max film located on water.
Wavelength (1983)
Modestly made alien contact film that came out not long after Steven Spielberg’s Close Encounters of the Third Kind
Way … Way Out (1966)
Comedy in which Jerry Lewis and Connie Stevens are forced to marry to go to The Moon. The sexual politics play out pretty embarrassingly today
We Can Be Heroes (2020)
Robert Rodriguez appears to have gotten the oversized non-event that was Alita: Battle Angel out of his system by making another of his seat of the pants home movies – this is less Spy Kids than Superhero Kids – and brings back one element Alita forgot, a sense of fun
Wedlock (1991)
SF action where Rutger Hauer is sentenced with a collar that will explode if he moves 100 yards apart from Mimi Rogers
Weekend (1967)
Jean-Luc Godard’s classic of the French New Wave where a couple’s journey into the countryside for the weekend becomes increasingly more surreal and anarchic
Weird Science (1985)
John Hughes cornered a certain 80s market on teen angst with films like The Breakfast Club. He also made this head-scratching oddity in which two nerds create the perfect woman
Welcome to Blood City (1977)
Clearly influenced by the original Westworld, this is an interesting film about people waking up inside a computer-simulated Western town. Without realising it, this was the very first film to depict Virtual Reality
The Well (2014)
Modest variant on the post-holocaust film with the novel variant being that this is set in a drought-ridden future. The usual action movie emphasis of the genre has been toned down and an emphasis placed on the fight for survival in this world
We’re All Gonna Die (2024)
A giant alien tentacle has appeared in the sky and randomly teleports to different locations. This concerns two oddball characters caught in one of these shifts and the quirky road journey they embark upon
Westworld (1973)
A hit for novelist Michael Crichton who made his directorial debut here. Themes of machines going amok run throughout Crichton’s work and here he comes up with the ingenious idea of a Western simulation playground using androids that proceed to turn against the humans
We’ve Forgotten More Than We Ever Knew (2016)
Cryptic film about a couple wandering a post-apocalyptic terrain who discover an untouched and still working apartment tower. Less a work of SF than one of baffling surrealism
Wham Bam Thank You Spaceman (1975)
An adult film about aliens that visit Earth to repopulate their own species and abduct women during sex whereupon they stimulate them with the penises that come out of their mouths
What Happened to Monday (2017)
From Tommy Wirkola, director of Dead Snow and Hansel and Gretel: Witch Hunters, a film where Noomi Rapace plays seven identical sisters hiding their existence in an overpopulated dystopian future, A film where neither the scenario nor the central characters end up convincing in any way
What Planet Are You From? (2000)
A sex-changed version of My Stepmother is an Alien in which Garry Shandling is an alien come to Earth to breed with a woman. Despite being directed by Mike Nichols this is as lame as it sounds and stumbles through tired routines that were not even funny the first time around
What to Do With the Dead Kaiju? (2022)
An amusing take on the Japanese Monster Movie that takes place in the aftermath of a monster battle as various government agencies debate what do with the carcass of a giant monster lying in the countryside
What’s So Bad About Feeling Good? (1968)
Mary Tyler Moore stars as a beatnik in a bizarre comedy where people are infected with a virus that makes them happy
When Dinosaurs Ruled the Earth (1970)
After the success of their earlier caveman vs stop-motion animated dinosaurs epic One Million Years B.C., Hammer made several other prehistoric films, including this effort that purportedly had a script by an uncredited J.G. Ballard
When the Wind Blows (1986)
Powerful and biting animated film from a Raymond Briggs book focused on an elderly couple and their wholly inadequate attempts to cope with the outbreak of nuclear war
When Time Becomes a Woman (2012)
How interesting can a film be that consists of nothing more than two people talking? The answer is surprisingly good. Boasting that it is Jordan’s first SF film, this produces an extraordinary series of conceptual reversal twists while never venturing beyond being a man and a woman talking on a beach
When Worlds Collide (1951)
Classic George Pal produced effects spectacular where Earth faces destruction in the face of collision with an oncoming planet and the efforts to build an ark so that some might survive
Where Have All the People Gone (1974)
One of the first films about a mysterious catastrophe that empties the world of all but a handful of survivors that formed the template of later films like The Quiet Earth
The Whip Hand (1951)
One of the first Reds Under the Bed hysteria films of the 1950s where a man stumbles on a small town where a Communist fifth column are conducting biowarfare experiments as part of a planned invasion
The Whispering Star (2015)
The very strange Japanese director Shion Sono makes a film about an intergalactic package delivery android, although this is anything but a regular SF film. Filmed in the Fukushima Exclusion Zone.
The White King (2016)
An acclaimed semi-autobiographical novel about a childhood growing up under Soviet rule is filmed translated to a near-future dystopian setting
White Man’s Burden (1995)
Potent and effective take on race relations that imagines an alternate world where Blacks are a majority and white people live as a disadvantaged minority
White Noise (2022)
Noah Baumbach makes a bitingly satiric adaptation of a Don DeLillo novel about the panic caused by a toxic cloud
Who is Bill Rebane? (2021)
A fascinating documentary devoted to a largely forgotten B-budget sf/horror director and his body of films
Who Wants to Kill Jessie? (1966)
Zany Czech film where a scientist invents a device that can cause dream to manifest only to cause the sexy comic-book heroine her husband is dreaming about to appear
Wifelike (2022)
This is like a version of The Stepford Wives updated to the era of Ex Machina and the modern A.I./android film
The Wild Blue Yonder (2005)
Eccentric Werner Herzog film where he tries to convince us that footage from a space shuttle mission and taken under the polar ice cap is documentary footage of a trip to explore an alien planet
Wild in the Streets (1968)
Satiric 1960s Youth Revolution film where a rock star becomes US President, reduces the voting age and everyone over thirty is placed in a concentration camp
The Wild Robot (2024)
A winning animated film about a robot trying to find its way among the animals on an island. Tender and heart-warming, the sort of film that Pixar used to do so well
The Wild, Wild Planet (1965)
One of the cheap Italian space operas of the 1960s from Antonio Margheriti. This has a certain colourful absurdity amid the mostly dull happenings and B-budget effects
Wild Wild West (1999)
The big screen remake of the 1960s Western/spy mashup tv series is transformed into an overblown and painfully unfunny Will Smith vehicle that loudly signals it is taking none of itself seriously
Willy McBean and His Magic Machine (1965)
Likeable puppet animated film about a time-travelling boy and his monkey companion
Wing Commander (1999)
Star Wars meets Top Gun – a concept it is surprising no one has thought of before – but alas this film adaptation of the popular videogame only regurgitates the cliches of either film
The Wings of Honneamise (1987)
Little-seen but beautifully made anime set in an alternate timeline where a young man becomes the volunteer for the first space launch
The Witch: Part 1 – Subversion (2018)
Don’t be fooled by the witch part of the title, this is actually a South Korean film about psychic powers. This follows the path of a standard psychic powers film about the gifted on the run a la The Fury and Firestarter before an ending that turns the genre on its head
The Witch Part 2: The Other One (2022)
The Witch: Part 1 – Subversion was an impressive South Korean psychic powers film. This is Part 2
Within the Rock (1996)
Low-budget Alien copy directed by makeup effects artist Gary J. Tunnicliffe with a plot that prefigures Armageddon as drillers uncover an alien nasty on an asteroid
Without Warning (1980)
One of the first copies of Alien, this essentially acts as a slasher movie but with an alien instead of a hockey-masked killer. It also manages to predict the essentials of Predator in many ways. A B-movie but the cast list makes for eye-opening reading today
Without Warning (1994)
Made for the anniversary of the Orson Welles’ War of the Worlds broadcast, a tv movie that simulates a a live newscast as alien craft arrive around the world
The Wizard of Mars (1965)
Low-budget film about an expedition to Mars The novelty the film holds is that it attempts to rework The Wizard of Oz in SF terms
Wizards (1977)
Ralph Bakshi left behind counter-culture animation to embark on this original fantasy film that comes with a trippily surreal quality, mixing fantasy tropes with a science-fictional rationalisation
The Wolverine (2013)
While this received a good deal of fan buzz, I must admit to being disappointed. It strips much of the superheroics and mutant cameos of the other X-Men films until it feels more like a Westerner in Japan thriller like Black Rain or even a routine film noir plot that happens to be cast with Wolverine
Woman in the Moon (1929)
A silent film from Fritz Lang where he sets out to depict a realistic attempt (at least in terms of what was known in the era) to build and launch a rocket to The Moon. Lang directs with an epic grandeur that still takes back today.
Womb (2010)
The finest film made yet on the subject of cloning. A beautifully directed film that deals with the tricky ethical issues when Eva Green decides to give birth to a clone of her lover Matt Smith and raise him as her son.
The World is Not Enough (1999)
The third and best of Pierce Brosnan’s outings as James Bond. All the aspects of the formula are contained within a strong plot and Sophie Marceau proves a standout in a role that combines both villain and love interest
World on a Wire (1973)
Fascinating work from Rainer Werner Fassbinder, one of the earliest depictions of Virtual Reality on screen and one that sets most of the genre’s tropes in place
Worldbreaker (2025)
The underrated Brad Anderson makes a film about a father and daughter trying to survive in a world overrun by monsters. A film that reaches for the epic but lets it fall through its hands
The World’s End (2013)
Edgar Wright, Simon Pegg and Nick Frost, the trio behind Shaun of the Dead, return to conduct a very similar effort – the story of a pub crawl that is affectionately mocking the characters’ nowhere lives, before taking an abrupt dogleg turn to become a comedic take on the alien body snatchers film
A Wrinkle in Time (2018)
High-profile adaptation of the classic children’s work by Madeline L’Engle that has been entirely wrenched out of shape by its director to become a heavy-handed message about diversity. It is SF made by people who think the genre is just eye candy and absurdly over-the-top costumes
Wrong is Right (1982)
A sprawling international political thriller/satire about stolen nuclear weapons starring Sean Connery as a journalist
WW 3 (2001)
A routine biowarfare outbreak thriller that holds a fascination in that it imagines the attacker to be al-Qaeda and Osama bin Laden two months before 9/11
The X Files (1998)
Film spinoff from tv’s hit ultra-paranoid alien conspiracy drama. The film is caught in the unenviable position of trying to give fans what they want and reiterate the basics of the series for new audiences, while giving away no plot details in advance, and as a result ended up pleasing nobody
The X Files: I Want to Believe (2008)
The second theatrical spinoff from The X Files, a dismally dull entry where one wonders how the people who created one of the great tv shows of the 1990s got it all wrong
X: First Class (2011)
An X-Men origin story that serves as the occasion to recast the series with younger actors. This works far better than the previous two films, integrating the characters in a strong story, although is quiet at the superheroic action
The X from Outer Space (1967)
A wannabe entry in the Japanese monster movie, this has the distinction of featuring possibly the most ridiculous monster to ever turn up in one of these films
X-Men (2000)
Bryan Singer’s dynamic and exciting adaptation of the Marvel Comic title fairly much kicked off the massive fad for Marvel superheroes in the 00s/10s. This was also the film that mad Hugh Jackman into an international superstar.
X-Men: Apocalypse (2016)
The seventh X-Men chapter arrives with a certain ennui. Bryan Singer creates some epic scenes but the sprawling ensemble and the series’ ragged continuity makes it hard to invest in the characters, while the new villain looks like a B movie wizard and the mass destruction climax comes surprisingly by the book
X-Men: Dark Phoenix (2019)
Despite the bad press surroundings this, I failed to find it as bad as other reviewers. It’s a solid if not standout entry in the series with some fine superheroic action sequences
X-Men: Days of Future Past (2014)
It is nice to see Bryan Singer regain his form after several years lull. The plot is nothing world-shattering but it is nice to see a character-driven X-Men, while Singer delivers the superheroics with a cheer-out loud elan that most of the sequels missed by a wide margin
X-Men Origins: Wolverine (2009)
After the disaster of X-Men: The Last Stand, the decision was made to give a whole film over to the series’s most popular character, Hugh Jackman’s Wolverine, and to go with a prequel that told his origin story. Largely a film that exists as a series of superheroic action scenes
X-Men: The Last Stand (2006)
Brett Ratner inherits the X-Men franchise from Bryan Singer for the third film in the series and promptly killed it off (after this point everything became prequels featuring Young X-Men). Ratner’s handling of the superheroic action lacks Singer’s exhilaration or any affinity for the characters
X – The Man With X-Ray Eyes (1963)
Great Roger Corman film in which Ray Milland is a scientist who invents a serum that allows him x-ray vision with disastrous consequences