Goldfinger (1964)
The third of the James Bond films and the point where everything that has been defined as the formula of the series – the gadgets, the villains, the henchmen, the cars, the world domination plots – falls into place perfectly
The Science Fiction Horror and Fantasy Film Review
The action film is a popular subgenre of cinema where the emphasis is on action sequences – gunfights or unarmed combat, vehicular chases, stunts, frequent explosions and mass destruction – which are usually presented as serial set-pieces.
The action film emerged a distinct genre in the 1970s. Action films usually feature lone male (occasionally female) heroes who win out through muscular brawn or martial ability. In genre material, heroes often come with cyborg enhancements or occasional powers.
There have been numerous genre crossovers from action films set in dystopian and cyberpunk futures, featuring killer androids and cyborg heroes, time travel action films, others set in post-apocalyptic venues, or blends of action and horror featuring vampire and zombie-hunting action heroes, plus a good many others.
The third of the James Bond films and the point where everything that has been defined as the formula of the series – the gadgets, the villains, the henchmen, the cars, the world domination plots – falls into place perfectly
The fifth James Bond film takes the series to Japan. New director Lewis Gilbert is determined to outdo what has come before in terms of the spectacular, especially WITH the construction of the massive volcano set
The sixth James Bond film where Sean Connery was replaced by Australian model George Lazenby who had never acted before. Lazenby is a disliked Bond but that tends does stand in the way of the fact that this is a fine character-driven Bond film with some of the best action sequences of the series
The eighth James Bond film and Roger Moore’s debut in the role. This is one of the most variant Bond films also incorporating Blaxploitation and voodoo elements
Ninth and weakest of the James Bond films. Ian Fleming created a great nemesis in the assassin Scaramanga and the film casts it with Christopher Lee – only to fail to write the role interesting enough for Lee to fill
An early example of the post-apocalyptic action film with Yul Brynner as a lone fighter hired to defend a peaceful community
Classic work of dystopian SF set in a future where an ultra-violent sport has been created to pacify the masses
Disastrous adaptation of the Roger Zelazny novel where the story of a Hell’s Angel on a trek across the post-apocalyptic wasteland is recast with a G.I. and a girl and kid along for the journey, plus the addition of giant mutant cockroaches
The cornerstone of the modern New Zealand film industry – the first film of both Sam Neill and Roger Donaldson – a vigorous dystopian action film that offers up a nightmare of sleepy parochial 1970s NZ being brutally overrun by the imagery of totalitarianism
The tenth of the James Bond films, the third for Roger Moore. This determines to be spectacular in terms of international locales, effects and sets. It was also the point where the Moore Bond films started to become giant cartoon spectacles of the absurd
One of the film from legendary bad movie maker Al Adamson. While it has some SF elements, this is mostly an action film where Adamson has set out to mine the burgeoning Blaxploitation and kung fu genres of the day
Terrible film made to exploit the success of Death Race 2000 with David Carradine as a mystical post-apocalyptic Range Guide. This is however a post-apocalyptic action film that prefigures much of Mad Max 2
The eleventh James Bond film and one that sees that series trying to compete with the success of Star Wars and taking Roger Moore into orbit. One of the most spectacular productions of the series, it is also killed by a cartoonish unserious tone
The first of the Mad Max films and a considerable jolt if one comes to it after any of the sequels. This is an altogether different film – a grim and violent road movie more in the vein of Death Wish
Vigilante film with a cult reputation that was banned in places because of its ultra-violence. The film is a mix of Taxi Driver and Death Wish, mostly centred around a series of gory despatches
An Australian film from many of the people behind Mad Max about the cover-up of a nuclear accident. Essentially The China Syndrome with the addition of car chases
Canadian film set in a dystopian future where private use of cars has been banned and Darren McGavin is among the aging car aficionado who race custom cars in defiance of the authorities
One of the key films from John Carpenter with Kurt Russell giving his best ever performance, a slick exciting action film that imagines a future Manhattan Island having been transformed into a lawless prison
A sequel that makes an extraordinary leap over its predecessor. It created an entire genre of films – even its own design and clothing aesthetic – and is one of the most kinetic, exciting action films ever made
Dystopian action film that could have only been made during the late 70s Oil Crisis where Lee Majors defies a totalitarian system where vehicles are banned by setting out in his racing car
A beautifully evocative Walter Hill film where National Guard soldiers on training manoeuvres are hunted through the Louisiana swamps after accidentally shooting at Cajun locals
From they heyday of the 1970s martial arts film, karate champion James Ryan must reunite the old gang to take on a super-villain who wants to enslave the world with a mind control drug derived from potatoes
An Italian exploitation film about gangs fighting in the ruins of a future New York. Director Enzo G. Catsellari has ripped off both Escape from New York and The Warriors
SF film about an international action team outfitted in hi-tech vehicles, this was a big bomb in its day
A Chuck Norris horror film! One of his earlier films where Chuck is pitted against a psycho who is resurrected from the dead and becomes a near-invincible killing machine
A fairly blatant copy of Mad Max 2, although this is one of the better-made and budgeted. Crucially what is lacking is much in the way of the action that made Mad Max a hit
Joe D’Amato directs one of the numerous 80s Italian Mad Max 2 copies. One of the very first films to depict televised human bloodsports later popularised by the likes of The Running Man and The Hunger Games
Dan O’Bannon scripted film about a hi-tech helicopter, this crackles with great writing and some immensely exciting aerial action scenes from director John Badham
The first film from low-budget hack Jim Wynorski. How can you resist the absurd B-budget mix of a trio of very well-endowed women kicking ass, martial arts action, women’s prison scenes and mad scientist super-villains
One of the more cheesily entertaining among the Italian-made ripoffs of Mad Max 2 during the 1980s (as well as more than a few dashes of Escape from New York). The film works up a moderate head of steam
Enzo G. Castellari’s sequel to his Escape from New York ripoff 1990: The Bronx Warriors and a most more polished and entertaining B action movie
Lucio Fulci was a cult Italian horror director. This was the only occasion that Fulci visited the SF film, a low-budget ripoff of Rollerball by way of Mad Max featuring futuristic gladiatorial games
An Italian exploitation film that blatantly copies the plot of Mad Max 2. It offers the benefit of some vigorous action scenes and English-language dubbing that is out of this world
One of the numerous Mad Max imitators made in Italy. Directed by notorious adult director Joe D’Amato who pushes the material further than the other entries do
The second in a series of Hong Kong slapstick action caper comedies where the action is maintained at such a madcap and dementedly over-the-top pace that it frequently heads into orbit
French film about a tv gameshow where contestants are pursued by armed hunters. Much of this was copied by the subsequent The Running Man but this conducted the idea first and better
A vigorous copy of the Mad Max post-apocalyptic action film made by the underrated Cirio H. Santiago
One of a number of Italian-made copies of Mad Max 2 from Enzo G. Castellari. This is cheap and in some of the writing and dialogue frequently laughable
The thirteenth James Bond film. the fifth for Roger Moore. While the preceding entry had tried to trim back the cartoonish excesses of the Moore era, it is back to business as usual here. The film frequently feels divorced from the remotest shred of realism
Rogue James Bond film made outside the regular series due to a complicated copyright battle. Sean Connery was inveigled back the role and this has some standout casting that is a welcome relief from the unserious Roger Moore films
Ridiculous, splatter-heavy Australian-made film about a prison camp where prisoners are offered their freedom in a run while pursued by armed hunters
One of the 2-3 most influential SF films since 1980. James Cameron creates a barrelling powerhouse of a film, all lorded over by Arnold Schwarzenegger as the relentless killer machine in the role that defined his career
Low-budget attempt to make a Cyberpunk film. Essentially The Warriors with New Wave fashions as a group of frat boys are pursued by a relentless, psychopathic cyborg
A ridiculous action film from Cannon Films written by and starring Chuck Norris in which he singlehandedly arms himself and defeats a Communist invasion of the USA
The final outing as James Bond for a visibly aging Roger Moore, the fourteenth Bond film all told. One of the more anonymous among the giant unserious cartoon shows the Moore Bond films became
SF action with Michael Paré convicted to a prison planet from which he attempts to organise the prisoners to make an escape. This is essentially a Western that takes place in SF terms
From the director of the original Inglorious Bastards, an action film with Erik Estrada as a cop pursuing a blackmailing scientist who has a powerful laser weapon
The third of the Mad Max films sees the series becoming increasingly more mainstream in focus, along with the conscious resignation that it is impossible to top the previous film
Before this was spun out into a series of sequels and tv series, the first film had an original and captivating idea about immortals warring across the ages, Everything is propelled into high gear by Russell Mulcahy’s visually dazzling direction
From Cannon Films, a Sylvester Stallone action vehicle with a near-fascistic view of law enforcement that proves to be an absurd comic-book of a film that is preposterously entertaining
Laughably badly made ripoff of Blade Runner and The Terminator with a mercenary hunting amok androids
A quite reasonable Backwoods Brutality item with a group who go hunting in backwoods Oklahoma but stir up the inbred poachers and end up being hunted themselves
Action film from Cannon Films with Michael Dudikoff forced to undergo a Most Dangerous Game scenario and be hunted through the bayous by white supremacists
Completely insane 1980s spy film – a madcap mahsup of elements including James Bond gadgetry, mad scientists, action and splatter served up with not a shred of realism. The crowning glory is a completely OTT Gene Simmons as a cross-dressing super-villain
Undeniably entertaining Filipino action film that tries to throw in everything including time travel, post-holocaust action, adventure quests, magical artifacts, lost worlds, Nazis and dwarves
Fourth in a series of energetic Hong Kong slapstick action capers. The film has no pretence to anything more than providing a new action sequence every five minutes, although by now the level is juvenile
This takes the previous year’s big hit of Aliens and fuses it with The Most Dangerous Game, swapping that story’s bored aristocratic hunter for an alien hunting Arnold Schwarzenegger and a team of soldiers in the jungles of South America
Patrick Swayze vehicle that uncreditedly relocates the Western Shane into a post-holocaust setting
This was a minor cult hit at the time and concerns an alien that hops between human host bodies while having the invincibility of a Terminator. The idea is played with considerable panache and directed with great flair
This adapts one of Stephen King’s Richard Bachman novels but the book is sidelined to become an Arnold Schwarzenegger action comic-book on the oft-used theme of a future where people compete in televised gladiatorial games
Another variant on The Most Dangerous Game with an unarmed man on the run against armed hunter(s). This was made just after Rambo came out so it becomes one lone man fighting an entire army with his bare hands.
A popular hit that spins the cyborg cop theme through a Cyberpunk future, while director Paul Verhoeven piles on excesses of violence and black humour. A darkly funny satire of Reaganite America, this is an entertainingly slick comic-book of a movie
A low-budget spy/action film with entertainingly bizarre elements including a cryogenically frozen Hitler and the hero going into action accompanied by a baboon
B-budget hackmeister Fred Olen Ray makes a hi-tech vehicle fantasies that reads as a cheap attempt to do Blue Thunder with a motorcycle instead of a helicopter. Cheap action but what an amazing cast line-up
Fine thriller about the hunt for a frogman serial killer prowling the canals of Amsterdam. The police procedural plot is not so important as the entertaining dispatches and some of the finest action sequence of the 1980s
A Hong Kong take on RoboCop with Sally Yeh as crimefighting android. Though produced by and also starring Tsui Hark, a very silly slapstick element comes to dominate what are otherwise imaginative action sequences
An astoundingly bad low-budget RoboCop copy about an android motorcycle cop that goes amok
From Italy, a blatant copy of Predator – only where instead of a military unit being hunted through the jungle by an alien, they are hunted by a copycat of RoboCop
One of Chuck Norris’s action films made for Cannon Films during his 1980s heyday. This is a rather forgettable police procedural where Chuck is cast as a detective hunting an escaped serial killer
B-budget director offers up a copy of Mad Max 2 and peppers it with plentiful tongue-in-cheek exploitation elements stirred with undeniable vigour
1990s VHS SF/action with David Carradine as a future cyborg bounty hunter on the run with a wrongly convicted girl while hunted by his own side
The first of Albert Pyun’s kickboxing killer cyborg films featuring Jean-Claude Van Damme who was largely unknown at the time. Pyun creates wall-to-wall action but there is almost nothing else to the film
A low-budget SF-action film produced by Roger Corman with David Carradine as a police chief in a dystopian future who becomes wound up in the lives of two young lovers on the run
Predator was one of the better Alien/Aliens copies of the 1980s. This sequel does little more than serve the same up all over again bar the substitution of a near-future L.A. for the jungle but manages to generate a reasonably intensive ride out of the action
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
Rather enjoyable action film that conducts an amusing spin on Lethal Weapon buddy cop formula with Dolph Lundgren taking on an intergalactic drug dealer
Cheaply made Cannon Film that plays out like an action version of The Hitcher featuring a completely over-the-top Mark Hamill as the psycho
Adaptation of a Philip K. Dick story is killed by being turned into an Arnold Schwarzenegger action vehicle and by director Paul Verhoeven’s burying the reality bending subtleties of the story under bludgeoning ultra-violence
A Jean-Claude Van Damme action vehicle set in a prison that becomes an interestingly stylised realm in a wild plot featuring serial killers and organ harvesting schemes
Dolph Lundgren’s The Punisher is minus his trademark t-shirt and the film takes considerable liberties with the source material but this is a hugely entertaining action comic-book of a film with hilariously tongue-in-cheek dialogue
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
Mark L. Lester’s follow-up to his earlier The Class of 1982 about a teacher forced to adopt vigilante actions in a lawless classroom. In the interim, The Terminator came out and this now has killer android schoolteachers
Early Roland Emmerich film with Michael Paré investigating pirates targeting a mining moon. As usual with Emmerich, the focus is on action while neglecting the plausibility of the scenario
Entertaining B-budget variant on The Hidden with a woman caught between an alien aw enforcement officer and fugitive criminal both of whom offer contradictory stories
Cheap Cyberpunk action film that borrows the basics of Cyborg with Don ‘The Dragon’ Wilson as android bounty hunter engaged in stopping corporate skulduggery
Incredibly bad and frequently laughable variation on The Hidden and in turn The Terminator with Jesse Ventura as an intergalactic law enforcement officer hunting a criminal on Earth
Hong Kong-made copy of RoboCop where Amy Yip has her mind transferred into a cyborg body to track a mad scientist
VHS era martial arts film with Loren Avedon as a US detective who is sent undercover to infiltrate the kickboxing tournaments held in Thailand by snuff movie-makers
SF action where Rutger Hauer is sentenced with a collar that will explode if he moves 100 yards apart from Mimi Rogers
The novelty of a Cyberpunk biker film, this is an efficient actioner and assemblage of paper-thin cliches and poses with almost nothing of substance beneath them
The first sequel to The Terminator where James Cameron returns with the biggest budget for a film at the time. Cameron harnesses then top-drawer CGI technology to create one of the most original nemeses in any SF film
Action film from Avi Nesher that comes with a solid and satisfying punch. Michael Biehn is a mild-mannered clockmaker who suddenly discovers he is a brainwashed assassin
Blatant copy of The Terminator lacking in basic plausibility featuring Renee Soutendijk as an android with an atomic bomb in her chest that goes rogue while on downtown military maneuvers
This is a standard 90s direct-to-video SF/action film about warring cyborgs in a burned-out future. This has borrowed most of its moves from other films. Not a lot happens
Completely ridiculous mix of The Terminator and Die Hard where, for no clear reason, an android terrorist decides to take hostages in an office building and the FBI’s only hope is a cryogenically unfrozen football player
A mishmash of Alien copy and supernatural serial killer film set in a drowned future London with a script that makes no real sense. The film’s buddy cop relationship starring Rutger Hauer does have its amusements.
A routine post-apocalyptic action film with Nicole Hansen as the last fertile woman on the run hunted by killer cyborgs while being protected by Joe Lara
This is a completely demented Hong Kong film about alien body snatchers who are hiding in an apartment building on Earth
Emilio Estevez is snatched into the future and pursued for his body by bounty hunter Mick Jagger in an SF film that makes no sense at all. A film more worth watching for some bizarrely awful performances
Action film starring Lorenzo Lamas as a detective drawn into underground fight clubs while discovering a mystic sword owned by Alexander the Great