The Science Fiction Horror and Fantasy Film Review
This topic refers to films based on properties that previously existed in animated form. Beginning with The Flintstones (1994), there has been a Hollywood tradition for remaking animated tv series in live-action.
In recent years, Disney has begun remaking most of its back catalogue in live-action. Also popular are various versions of anime films and tv series remade in live-action.
For films blending animation and live-action see Toon Films.
Cinematic revival of the old Rocky and Bullwinkle series having the two animated characters emerge into the real (live-action) world. A film that you feel should have been funnier and more energetic than is
Disappointingly watered down live-action adaptation of the cult animated series. Karyn Kusama creates some interesting visuals but eventually everything lapses to Hollywood formula
As part of the ongoing firesale, Disney offer up a live-action remake of their animated hit. where a mismatched Guy Ritchie delivers a mediocre rehash of what was an overrated classic in the first place
It may say how doomed the Western world is that people have paid to watch three films so far all centred around these annoyingly cutsie helium-voiced chipmunks. This is marginally less annoying that the preceding two
The squeaky helium-voiced Chipmunks are brought to life via CGI in this live-action film, featuring the chipmunks causing chaos, cracking smart-ass one-liners and lots of pee and poop jokes. The results are excrutiating
The end of Western civilisation is surely upon us that studios have devoted multi-million dollar resources to making four of these films and that audiences flock to them despite universally terribly reviews. Ok so maybe I hated this one marginally less than the preceding three
The first of the sequels to Alvin and the Chipmunks. Marginally less grating than the first film but that’s being relative – all the things that one hated the first time are back
The live-action adaptation of a popular manga series, this comes with a completely WTF premise about humanity defending itself from an invasion by a horde of misshapen giants that like to bite people’s heads off
Sequel the demented Attack of Titan with its wild images of humanity under attack from mindless giants that bite their heads off, which was shot back-to-back and released a few months later
This live-action remake of the Disney animated film is mounted with a lavishness. On the other hand, the romance at the centre never fully warms up, while the human characters have the show stolen from under by the cutlery and furnishings
Live-action English-language remake of the anime short about a demon-hunting vampire girl. The original is reduced to no more than a series of slick by-the-numbers action poses
Spinoff from the Transformers films. As though all it took was a change of director, this is a small sweet film that has more in common with E.T. as opposed to Michael Bay’s mass destruction spectaculars
Live-action film based on an anime series where the original is built out with a series of of extraordinarily gorgeous over-ornamented visuals set in a strange retro-future world
Charlotte’s Web gets the Babe treatment and is turned into a live-action film with CGI barnyard animals and name actors. Here the enormous charms of the original are replaced by cute and mawkish cues
Live-action remake of the Disney animated film. This varies little from the well-worn elements of the story to the point of over-familiarity but director Kenneth Branagh manages a lush and beautifully staged effort
Disastrous and miscalculated live-action Hollywood version of the anime series. which turns the characters into just regular teenagers. Nobody involved seems to be making any effort.
A live-action film adaptation of the old animated tv show with Brendan Fraser in the title role as a bumbling mountie. This drowns in excruciating slapstick and one-dimensional pantomime caricatures
Another in the spate of live-action remakes of Disney animated films – one of four to be released in 2019 alone. This comes from Tim Burton who reconceives as Dumbo as another of his oddball outsiders.
One of a spate of films of the 90s/00s that adapted animated tv series in live-action – in this case Fat Albert and the Cosby Kids. Here all we get is the animated characters emerging into the real world for slapstick inanity
The live-action English-language adaptation of the Japanese manga/anime that comes off as a muddled post-holocaust action film that doesn’t know what it wants to be
The first in what later became a fad for replicating cartoon tv series as big-budget live-action films, this does an exacting live-action version of the Hanna-Barbera series
Sequel to the live-action The Flintstones film. Whether we asked for it or not, this offers up a Flintstones origin story where we see familiar elements of the series fall into place
Live-action adaptation of the popular manga and anime series. Despite having a reasonable budget thrown at it and treating the source material with fathfulness, this looks awkward on the screen
The concluding chapter of the trilogy of live-action Fullmetal Alchemist films, this follows the manga’s storyline closely and brings the series to an epic conclusion
The first of two sequels to the live-action Fullmetal Alchemist. The first felt uninspired but this and the third film expand the saga and its storyline out with considerable depth
Likeable live-action adaptation of the animated series, which was construed as a parody of Tarzan. The sight gags work well and the creature effects are accomplished
This US-made live-action adaptation of the cult anime is a disaster on every level. The original’s haunting meditation on the dividing line between machine and human is diluted to being no more than a Cyberpunk action film
The live-action adaptation of a popular anime and manga, this takes place in an alternate history version of Japan where samurai fight following an alien invasion
US-made live-action adaptation of a popular manga/anime about a power-suit superhero. Directed by two makeup effects artists mostly as a vehicle for their creature creations
With Disney having remade most of their animated catalogue in live-action, other studios are now getting in on the act with this live-action remake of How to Train Your Dragon
The anime Jin-Roh: The Wolf Brigade was a fascinating play of metaphors that mixed terrorism and Little Red Riding Rood. This is a live-action remake from South Korea
A live-action adaptation of the popular animated series, one of the spate of such films made after the live-action The Flintstones. Amiably silly and frequently slapstick fun that proves to be exactly what one expects of it
A video-released sequel to the live-action Matthew Broderick film starring French Stewart. This is played as much more of a cartoon and amped to a maximum level of slapstick inanity
The original animated series was one of the pop oddities of the 80s – part teen pop fantasy, part superheroics and secret identities. This live-action remake is an object lesson in how to strip all the fun elements out a series
A live-action film based on the animated tv series about a girl rock band who originally appeared in Archie comics, this gets buried under its own efforts to be cutely ironic
The first of the Disney live-action remakes of their animated films. Stephen Sommers abandons the talking animals and gives us a film that it more Tarzan than Rudyard Kipling set in a lush fantasy version of India
Live-action remake of the Disney film that gives the animals life through top of the line CGI effects. The results are impressive aided in large part by near-perfect voice casting
English language adaptation of an anime. The original was controversial for its copious sex and violence; here we get an anodyne action movie that is no more than The Punisher cast with a teenage girl
Another Disney animated film rehashed in live-action. At which the best compliment you can pay this is that it is at least better than the same year’s remake of The Lion King was
Live-action film adaptation of the popular animated tv series, this was widely seen as a disaster for M. Night Shyamalan. I am one of the few that liked the film for Shyamalan’s superbly designed world
The Disney live-action remake machine continues with this version of the hit 2002 animated film about a cuddly malevolent alien creature. As with most of the Disney remake, the original looks flat in live-action
Jon Favreau had success recreating The Jungle Book in live-action with CGI animals and does the same with The Lion King – only to produce an exacting, lifeless replication missing the charms of the original
Disney’s original The Little Mermaid was an enormously fresh film. This is the live-action remake that came out amid much controversy and is inevitably a lesser shadow of the original.
Another in the early 2010s fad for fairytales rewritten as dark adult fantasy films – in this case, a version of Disney’s Sleeping Beauty told from the viewpoint of the witch
An ill-conceived attempt to compete amid the high stakes box-office superheroics enjoyed by Marvel and belatedly DC, this had one of the most disastrous box-office showings of 2016 … Based on a popular line of action toys, this gets nothing right – it’s hard to tell it is meant to be a superhero film for half the show
The Lion King was one of the worst of the live-action Disney remakes. Now comes this prequel
The Disney live-action remake of Mulan finally arrives mired in controversy but the film itself proves a solid production for the most part, although never quite soars as a work of fantasy
This live-action remake of the classic Disney animated film benefits from Glenn Close chewing scenery in grand style as Cruella De Ville but the latter half essentially degenerates into no more than a series of Home Alone-styled slapstick violence scenes
Disney conduct a live-action remake of their Peter Pan and promisingly place it in the hands of David Lowery, director of A Ghost Story and The Green Knight
Another Disney remake that hardly resemble its source – the original was light slapstick with a big cartoon dragon, this is a sober wild child story where the dragon is now an endangered species
The first of two Pinocchio adaptations of 2022, Here Back to the Future director Robert Zemeckis delivers a live-action remake of the Disney animated film
The live-action film version of the popular Hanna-Barbera animated tv series. Despite James Gunn on script, this is not very good, a one-dimensional, no-brain film trying to look like a one-dimensional, no-brain cartoon
Sequel to the live-action Scooby-Doo, this is at least a better film than its predecessor, being more polished in its slapstick and effects but still has no more ambition beyond being a silly no-brain film
The first film was vaguely passable but this is an agonising piece of commercial product that has reduced everything to lazy slapstick sequences, cutsie laughs and smartass lines played for the single-digit age groups
Live-action version of the popular Hanna-Barbera cartoon series. In its favour, it is at least slickly polished and comes with far less in the way of irritating smartass humour that one expected
The live-action remake of Disney’s Snow White comes surrounded by controversy on every side and served to make it a critical and box-office flop that left doubt over the future of the Disney remake industry
A live-action remake of the 1970s anime series Space Cruiser Yamato made with stupendous effects, although now much of the plot has been rendered familiar by assorted Star Wars copies
The Wachowskis live-action remake of the anime series is a sublimely madcap confection, a film that is alive with vibrant visuals and all the colours of the rainbow. A box-office flop but glorious, even groundbreaking visually
Michael Bay takes on the 1980s toy phenomenon, turning it into a massive blockbuster filled with copious mass destruction and machines beating the metal crap out of each other
Are there any new creative directions that Michael Bay feels he he has to explore for a fourth Transformers film? All the Transformers beating the crap out of each other and copious mass destruction has become hard to tell one of the films from each other
The third of Michael Bay’s Transformers films. While the human scenes opt for a ghastly miscalculated sense of humour, the effects houses are at the peak of their game, even if Bay allows them to drag the mass destruction out to a numbing excess
The first of Michael Bay’s Transformers sequels has even better effects and more copious mass destruction to the point it washes over you without any effect
The seventh of the live-action Transformers films, the second made after Michael Bay stepped down from the director’s chair
The fifth of Michael Bay’s Transformers films. This comes with more of an outright comedy focus than any of the other films where Bay seems to be second-guessing his critics and spoofing his own peccadilloes in quote marks, only to produce the silliest entry in the series yet
Excruciating and unfunny live-action version of the animated tv series about a superpowered dog. Everything is now run over with lame slapstick and smartass one-liners
Takashi Miike conducts a live-action adaptation of a 1970s anime tv series with completely madcap results. The effect is like drowning in multi-coloured candyfloss flavoured with LSD
The live-action adaptation of the classic Hanna-Barbera cartoon series is a film construed entirely around slapstick sequences that never requires you to engage your brain in any way