Adam and Eve vs the Cannibals (1983)
A bizarre Italian film that recounts the Biblical story of Adam and Eve and then follows on from their banishment from Eden and into the wilderness where they encounter dinosaurs, cavemen and wild beasts
The Science Fiction Horror and Fantasy Film Review
Dinosaurs refers to any of an extinct species of reptiles. Dinosaurs emerged on the Earth in the prehistoric past some 230-240 billion years ago and were killed off 64 million years ago.
There has been a great fascination with dinosaurs since the days of silent cinema. They are frequently found in Films About Lost Worlds – some undiscovered pocket of the world where prehistoric life still lives. There is also the recurrent popularity of anthropologically absurd prehistoric adventures where cavemen are seen fighting dinosaurs.
The 1950s gave us the atomically revived dinosaurs beginning with The Beast from 20,000 Fathoms (1953). The genre underwent a revival during the 1990s with the massive success of Jurassic Park (1993) and its revival of dinosaurs by genetic-engineering and their bringing to life with CGI effects.
There have also been a variety of animated and children’s dinosaur films or else comedy takes such as the various incarnations of The Flintstones. There are even a number of Alternate History Films where the dinosaurs have not died off.
A bizarre Italian film that recounts the Biblical story of Adam and Eve and then follows on from their banishment from Eden and into the wilderness where they encounter dinosaurs, cavemen and wild beasts
Feeble and shabbily made kid’s film in which children are transported inside the world of their favourite dinosaur tv show. Featuring some terrible dinosaur effects
A modestly effective Jurassic Park copy from The Asylum with genetically-revived dinosaurs loose in L.A. and featuring better than usual effects
Sequel to the hit Korean film Along With the Gods: The Two Worlds about a journey of redemption through the afterlife. This is a much better polished effort than its predecessor
Found Footage film as survivors from a commercial airliner that has crashed on a top secret government test site find themselves hunted by mysterious creatures
Second in the trilogy of Edgar Rice Burroughs adaptations starring Doug McClure. This opens with the fabulous invention of the drilling mole but the arrival at the earth’s core look cheap and tatty
Disney family film about an expedition to Africa to find a dinosaur. This was made before Jurassic Park and so the effects are physical and variable but the film has an undeniable tenderness
A classic of the genre for a number of reason – it was the film that kicked off the 1950s fad for atomic monsters, featuring an archetypal story about a dinosaur brought back to life by atomic tests. It also featured among the very first screen credits for both Ray Bradbury and stop-motion animator Ray Harryhausen
This offers the novelty of a Loch Ness monster film that takes place in Canada! This is otherwise a routine monster of the era made for the Syfy Channel
From prolific B-budget director Fred Olen Ray, this is a softcore parody of the Indiana Jones films
Another killer shark survival piece with a family trapped aboard an abandoned oil rig under attack by a megalodon shark that may be the embodiment of an Aztec god
A Roger Corman produced cheapie about genetically engineered dinosaurs that was quickly rushed out to exploit the success of Jurassic Park. Corman went on to make two sequels
A comedy spoof of One Million Years B.C. and the whole sub-genre of caveman vs dinosaurs films This proves amiably goofy where Ringo Starr seems perfectly cast as the lead caveman
Despite the disappointment that it is not a Western but set modern-day. This enlivens a formula plot quite well and provides dinosaur effects that range between the surprisingly good and the occasionally ropy
This gets you watching with its deliberately ridiculous title but once you do, you soon wish you hadn’t. Winner of this site’s Worst Film of 2021.
An attempt to make an American equivalent of a Loch Ness Monster film. This drowns amid a dreary cheapness. The passable stop-motion animation effects have been a frequent source of ridicule
The first full computer animated film from Disney. It feels like someone decided to give the Jurassic Park dinosaurs their own film, mixed up with the plot of The Land Before Time
The very first film from stop-motion animator Willis O’Brien, the creator of King Kong. A rather slight piece about the comic shenanigans among a group of cave people but it was the first film to ever depict a dinosaur on screen.
A head-scratching oddity from the people behind Winnie-the-Pooh: Blood and Honey with people enter in a reality tv show where they are hunted by dinosaurs within the confines of a hotel
A collaboration between B-budget hacks Fred Olen Ray and Jim Wynorski. Made not long after Jurassic Park, the two have simply made one of their usual softcore T&A films and slapped the word dinosaur on it
A low-budget effort but amiable effort about dinosaurs and a caveman that are revived on an island. The cheap effects, culminating in a battle between a dinosaur and a crane, have some imagination
A TV mini-series based on the popular illustrated books by James Gurney about the discovery of a lost land where dinosaurs have evolved into their own civilisation
One of the better films from Charles Band – an uncredited homage to Marvel’s Dr Strange. The film captures a wonderful atmosphere of esotericism and Jeffrey Combs is perfect as the sorcerer superhero
Luc Besson adapts a French comic-book – sort of a female version of Tintin – with uneven but generally amiable regard. The result is somewhere between an Indiana Jones adventure and the quirkness of an Amelie
The best animated film Disney ever made, created as a work of art with animation set to classical music. The segments vary between abstraction, comic eccentricity and evocations of nightmare. The results are magical.
Adaptation of a classic British children’s book made by Jim Henson Productions where children discover a sand fairy that grants wishes. The film is largely centered around creating slapstick chaos
The first in what later became a fad for replicating cartoon tv series as big-budget live-action films, this does an exacting live-action version of the Hanna-Barbera series
Sequel to the live-action The Flintstones film. Whether we asked for it or not, this offers up a Flintstones origin story where we see familiar elements of the series fall into place
This was a fairly crappy and terrible Japanese monster movie from a rival company seeking to copy the success of Toho’s Godzilla films
An early film from Willis O’Brien, the creator of King Kong, where a man finds a telescope that offers a view of the prehistoric past
The director of The Beast from 20,000 Fathoms essentially rehashes the same film here with another atomically revived dinosaur this time attacking London instead of New York
The eighteenth Godzilla film and one of the best of the modern era. This has the most conceptually audacious plot of any Godzilla film and overflows with wild ideas involving time travel and changing the timeline
One of fantastic cinema’s great titles bouts is a spectacular effects show. At the same time, it also has one of the single most ridiculous script I have ever come across in the entire time I have been running this site
A follow-up to Godzilla vs Kong, this tries to offer more of the same but suffers another ridiculous script. This ended up being overshadowed by the acclaim that the Japanese-made Godzilla: Minus One received
Pixar have never been the same since they slipped into the easy familiarity of sequelitis. This is essentially a boy and his dog story but played out with a dinosaur and a caveboy, but also an alternate history tale
Superior revived dinosaur amok movie. While the effects are the cut-price man in the monster suit ones, these are expertly achieved and the film comes with a surprisingly poignant twist that makes it stand out
A compilation of shorts from anime directors set in the Halo videogame universe. The first two episodes have a breathtaking scale but the others are bitsy stories but nothing standout
A unique experimental film from Robert Zemeckis where the camera sits in a single spot in a room and tells is story, covers across history from the dinosaurs to the present day. Based on an acclaimed graphic novel
Film from Z-budget filmmaker Al Adamson. Most of this is reissued from a Filipino caveman film, along with a handful of filler scenes slung together from odds of Adamson’s other half-finished films
The first sequel to House, this is largely unrelated to its predecessor and plays itself with a sense of humour to emerge as the superior film. Now a skull opens doorways in the house into different eras
Another of Blue Sky Studios’ interminable animated sequels to its likeable original about prehistoric talking animals. This has little substance beyond a kinetic rush from one gag to the next
I hate the Ice Age films and their tediously extruded adventures. The opening sequence here and its ignorance of even basic science is the most inane thing in the entire series
Timo Vuorensola’s follow-up to Iron Sky. It is hard to believe that a film with a premise that combines Nazis on the Moon with alien lizard people from the hollow core of the Earth could go wrong
Larry Buchanan is a director on a par with Edward D. Wood Jr. This, not to be confused with the 1974 killer baby film, is his best film. Buchanan creates a perverse obsessiveness that is fascinating to watch
This was the first and one of the weaker of the generally quite likeable films from Charles Band about the time-travelling adventures of a juvenile hero
This was the second and weakest of the Josh Kirby juvenile time travel adventures that takes the young hero and companions to a future where they are enslaved by giants
One of his earlier efforts from the great Karel Zeman wherein four boys journey through prehistory. Not the equal of Zeman’s later work, it feels more like an illustrated museum tour than a dramatic film
This family friendly adaptation of the classic Jules Verne novel was made to highlight the 3D process and throws most of the book out to essentially become Jules Verne the theme park ride
The success of Disney’s 20,000 Leagues Under the Sea created a spate of Jules Verne’s adaptation. Here Verne’s tale of explorers in an underground realm has been turned into an absurdly colourful adventure
Hallmark TV mini-series version of the Jules Verne novel that keeps faith to the book for the most part before heading off on some colourfully exotic adventures
A mockbusters from The Asylum made to coincide with the big-budget Brendan Fraser film. Resemblance to the Jules Verne book fairly much ends at the title
A very cheaply made film (actually a remake of The Time Travelers) about a research laboratory propelled through time. Most of the historical scenes are represented by stock footage
Steven Spielberg handed the directorial reins of the series over to Joe Johnston and this emerges as a better film than The Lost World was, even if it is only ever arranged around a series of effects set-pieces
An enormous hit for Steven Spielberg who took new emergent CGI technologies and wowed audiences with dinosaurs brought to life in dazzlingly realistic detail. It doesn’t hurt that he delivers a relentlessly suspenseful film too
Fifth of the Jurassic Park films. Industrial Light and Magic do their usual excellent job but this time the film is just recycling the same thing as before with minimal change
The seventh of the Jurassic Park/World films, this receives a creative shot in the arm from Gareth Edwards, director of Monsters and The Creator
Rather good British-made low-budget take on Jurassic Park, which conducts its variation with an undeniable sense of humour. One of the better films from low-budget director Andrew Jones
The Asylum offer up their own mockbuster copy of the Jurassic World films, an amiable children’s film where a young boy hatches a dinosaur egg he finds
A killer shark film concerning a prehistoric megalodon prowling the waters of a lake. This once had the distinction of being the lowest rated film on the IMDB
After two ho-hum sequels, this finally delivers a solid follow-up to Jurassic Park. Rather than more scenes with dinosaurs chasing people, this comes with some fascinating ideas about seeing the park in operation
This was the sixth film in the Jurassic Park/World franchise and offers very much a return to the familiar. It at least also shakes several familiar things up
The third and final part of the adaptation of DC Comics’ classic title Crisis on Infinite Earths featuring an epic battle to prevent the destruction of the multiverse
Animated Justice League film, which adapts a comic-book storyline that reconceived the various DC superheroes as they were back in the era of their original creation
The first film from Bert I. Gordon, known for his cheap giant animal films through the 1950s. This concerns a space expedition to a planet inhabited by dinosaurs – cue Gordon’s usual cheap effects
Perhaps the greatest of all monster movies, one that has attained iconic status. A masterpiece of stop-motion animation, it imbues Kong with character and attains a delicate fairytale-like atmosphere
Peter Jackson’s dream project, a remake of the 1933 film, and his finest work as a filmmaker. Jackson builds the original out considerably and his command of the effects gives us something quite dazzling
Likeable but lightweight talking dinosaur film. This aims to be a prehistoric Bambi but never quite finds the depth. A large number of video-released sequels followed
Third of The Land Before Time animated films about talking dinosaurs, made for very young children
The fourth of The Land Before Time animated films about talking dinosaurs, having been made for very young children
The fifth of The Land Before Time animated films about talking dinosaurs, all having been made for very young children
Big screen revival of the children’s lost world tv series that is now a loud and excruciating Will Ferrell vehicle that reduces the original into lowbrow farce. A majorly unfunny bomb on every level
The first in a trilogy of prehistoric lost world adventures based on Edgar Rice Burroughs’ novels, all starring Doug McClure. Despite variable effects, this is a well-made adventure with a strong script
A low-budget modernised version of the Edgar Rice Burroughs book about a group ending up on a lost island where dinosaurs still roam. Slightly better than usual for The Asylum
A 1950s B movie where a US Navy team discovers a prehistoric lost world in the Antarctic where dinosaurs from prehistory still roam. This unfortunately befalls shoddy effects
A team of explorers find a humid world at the Arctic where dinosaurs and cavemen still roam. The men in rubber suit effects are adequate, although the film itself is on the slow side
The sixth of the Sharknado films, this has the usual crew fighting sharknados throughout history. With this comes the recognition there is nowhere more ridiculous and over-the-top for the series to go
Sequel to The Lego Movie. This time the idea of the Lego universe, the crossovers and fourth-wall breaking gags are not as fresh but this still gets good mileage out of them
Low-budget film with scientists in search of a downed rocket who encounter a prehistoric lost world of dinosaurs on an island plateau
Based on an Arthur Conan Doyle novel and featuring stop-motion animated dinosaurs from King Kong creator Willis O’Brien, this was the quintessential lost world film
A TV mini-series adaptation of the Arthur Conan Doyle lost world story, this has been produced by the BBC as a glorious period adventure with CGI dinosaurs
The first sequel to the massive success of Jurassic Park where Steven Spielberg returns to direct with a script that seems a mishmash of loose ends that only weakly rehashes the original
One of the more enjoyable efforts from the mid-2000s dead zone where Disney animation with filled with ideas that left-you scratching your head, this quickly gets demented and emerges like The Jetsons colliding with The Royal Tenenbaums
The sequel to the Jason Statham starring killer shark film, bigger and more over the top than before. The surprise is seeing cult director Ben Wheatley turning to making a big, dumb film
The first sequel to The Asylum’s Mega Shark vs Giant Octopus and marginally a better film. This is less sparing with the cheap effects, while in every other regard it plants tongue-in-cheek and tries to make a virtue out of the sheer ridiculousness of the action
The Asylum’s first venture into the gonzo shark movie that would spin off a series of sequels and culminate in the Sharknado phenomenon. Despite one of the great attention grabbing titles of all time, this is an unmemorable affair
A copycat of King Kong made on a budget of about $1.98 and featuring some pitiful giant ape effects
The incomprehensibly manic antics of the Minions have a cuteness appeal that has overspilled the Despicable Me films and seemed like it is in danger of taking over pop culture in the last couple of years; here they get a film all to themselves with amiably lightweight results
This tries to go one up on Sharknado and offers a tornado made up of assorted animals and prehistoric life. A completely ridiculous film from prolific British producer Scott Jeffrey
Disney film about a group of teens who find that heart of a UFO that opens up a time warp at their high school
Sequel to the Ben Stiller hit offers more of the same with a bigger museum and more exhibits come to life but little else
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters
Popular family hit with Ben Stiller as a night watchman at New York’s Museum of Natural History who discovers that the exhibits come to life at night. More a cute idea than a full film, there is some fun to the characters and effects
Despite one of the great exploitation titles of all time, this bikini clad babes vs dinosaurs after the apocalypse effort lacks the cheerful cynicism of other Troma films and is just cheap, dull and unwatchable on almost every level
I have raved elsewhere about Czech director Karel Zeman and his amazing blends of live-action and animation. This, his adaptation of a lesser-known Jules Verne work, is not quite up there with his earlier films but is an enjoyably colourful knockabout adventure
An Asylum mockbuster released at the same time as Roland Emmerich’s 10,000 B.C., this involves time travel mission into the prehistoric past that accidentally brings a dinosaur back to the present
A lost Edward D. Wood Jr film. Clearly made as a parody on the hit Raquel Welch-starring One Million Years B.C., this is adult work depicting the sex lives of cave people
Classic caveman vs dinosaurs prehistoric drama later to be remade as the more famous version with Raquel Welch. This plays as fairly creaky today but gains an undeniable vividness with the raw ferocity of its dinosaur scenes (played by optically enlarged lizards)
Cult stop-motion animator Ray Harryhausen made this classic caveman vs dinosaurs film in collaboration with Hammer Films. The work that brought Raquel Welch to prominence as an actress
The third in the trilogy of Edgar Rice Burroughs adaptations with Doug McClure. This has much imagination despite the special effects often not being up to the task
Modest effort featuring some stop-motion animated dinosaur effects that are reasonably accomplished for the pre-CGI era. On the other hand, it seems a professionally-made amateur production designed to highlight effects and with not much beyond that