Curse II: The Bite (1988)
A sequel entirely unrelated to The Curse only worth seeing for a series of entertaining entertainingly ridiculous effects where a man’s arm transforms into a mutant snake
The Science Fiction Horror and Fantasy Film Review
A sequel entirely unrelated to The Curse only worth seeing for a series of entertaining entertainingly ridiculous effects where a man’s arm transforms into a mutant snake
One of Woody Allen’s less interesting films, a modernised version of Alice in Wonderland with Mia Farrow as a bored housewife who passes through various surreal experiences
Erotic horror as the demon Lilith attempts to take over a fashion magazine
Heather Thomas starring film about the discovery of a laboratory that has created a vampire virus
The first of the long-running series of sequels to Full Moon’s Puppetmaster, this is essentially a rerun of the first film
Dolph Lundgren’s The Punisher is minus his trademark t-shirt and the film takes considerable liberties with the source material but this is a hugely entertaining action comic-book of a film with hilariously tongue-in-cheek dialogue
The third of the Prom Night films, a direct follow-on from the second in which Mary Lou becomes a campy Freddy Krueger-like villain firing off bad puns amid her dispatches
Predator was one of the better Alien/Aliens copies of the 1980s. This sequel does little more than serve the same up all over again bar the substitution of a near-future L.A. for the jungle but manages to generate a reasonably intensive ride out of the action
Lush tv mini-series with Charles Dance as the Phantom, this stands too much in the shadow of the then recent Lloyd Webber musical and its making The Phantom into a romantic figure as opposed to a horror icon
Entertaining B-budget variant on The Hidden with a woman caught between an alien aw enforcement officer and fugitive criminal both of whom offer contradictory stories
A vacant and stylistically empty modern vampire film that is all posed mood
Thriller in which landlords Matthew Modine and Melanie Griffith’s lives are terrorised by psychopathic tenant Michael Keaton
A low-budget post-apocalyptic action film featuring the almost completely forgotten martial arts and (non)-actor Ron Marchini who must venture out into the ruined city to rescue three girls
Despite one of the great exploitation titles of all time, this bikini clad babes vs dinosaurs after the apocalypse effort lacks the cheerful cynicism of other Troma films and is just cheap, dull and unwatchable on almost every level
The second directorial film from Clive Barker is a hugely ambitious work concerning the discovery of a city of monsters – containing some extraordinary makeup creations – but proved a box-office flop
George Romero produces a remake of his groundbreaking zombie film. This adheres closely to the original but manages to modernise it in interesting ways
Sequel to The Neverending Story made with a better budget. This delivers some amazing sets and creature designs but is killed with a script that discards the metaphors and complex level of meta-fiction of the original
This wants to conduct an Airplane styled parody of The Exorcist to which extent it conducts the coup of casting a grown-up Linda Blair
A much better than usual film from Charles Band, an erotic fairytale in which Sherilyn Fenn becomes involved with a circusmaster and his twin brother who turns into a werewolf
A crazy Hong Kong blend of supernatural and slapstick, featuring a detective who employs supernatural methods to fight drug dealers who use the resurrected dead as couriers
A Bert I. Gordon film with Robert Forster as a P.I. hired to search for a missing girl before finding she was mixed up with a modelling agency and the occult
Standout sequel to Maniac Cop, the best of the series, where Larry Cohen turns in a remarkable script and William Lustig delivers incredible action sequences
A majorly unfunny film about the arrival of aliens in Hawaiian shirts that do bad stand-up comedy routines and tell everybody’s embarrassing secrets
Peter Jackson‘s second film, what might be called The Muppet Show by way of John Waters, an inspired work of puppet depravity that makes a beeline for bad taste
Little-known SF film with Billy Zane in a dystopian future involving Virtual Reality tech and implanted memories. Like Total Recall rewritten as an episode of Miami Vice
An Italian exploitation film intended to take advantage of the 80s makeup effects revolution of the day as a scientist injects himself with an untested serum and transforms into a monster
A variant on It’s a Wonderful Life where James Belushi gets to live the life he never did due to missing a key baseball homerun
Cheaply made Cannon Film that plays out like an action version of The Hitcher featuring a completely over-the-top Mark Hamill as the psycho
A 1990s video release, a variant on Carrie where a bullied teen girl enacts vengeance against tormentors with the aid of a cursed mirror
A classic Stephen King adaptation from Rob Reiner with writer James Caan imprisoned by psycho fan Kathy Bates, who gives a terrifying performance that won her an Academy Award
Fine film that deserves wider recognition with Jeff Goldblum as a man in an asylum who claims to be The Devil
An adaptation of a classic 18th Century Gothic novel about a priest who faces diabolic temptations in the form of a woman disguised as a novice monk amid much tortured guilt and damnation
Early Roland Emmerich film with Michael Paré investigating pirates targeting a mining moon. As usual with Emmerich, the focus is on action while neglecting the plausibility of the scenario
A dark Coming of Age story set in a surreal depiction of the midwest populated by what might be vampires and angels
With a script co-written by Frank Miller, this sequel comes in as a leaner work that abandons the campier excesses of its predecessor while expanding on its ideas with considerable ingenuity
A cheap submarine adventure/underwater monster encounter from Spanish director Juan Pique Simon that was intended as a copy of James Cameron’s The Abyss
A wannabe entry aboard the HK supernatural fantasy fad of the late 80s/early 90s sparked by the likes of the Mr Vampire and A Chinese Ghost Story films … This, which involves a time travel plot, is crippled by a pandering to a slapstick inanity that makes it a painful watching experience
Nicolas Roeg and Jim Henson collaborate on an adaptation of a Roald Dahl book. Roeg leaves the grotesquerie and gleeful malice intact making this one of the best Dahl adaptations
A horror anthology that ostensibly tells a series of children’s tales but heads for an admirable grotesquerie
One of David Lynch’s finest films, with lovers Nicolas Cage and Laura Dern on the run in a road movie that travels through deranged places of the mind and explodes with crazy energy
Dean R. Koontz adaptation in which Victoria Tennant kills an attacker only for him to be found alive again and return to attack her, involving her in a complex web involving Satanism, vampirism and twins
A blatant copy of Steven Spielberg’s Duel in which school bus driver Joanna Cassidy pursues a muscle car with never-seen driver who has abducted her daughter. Two-thirds of the film is taken up by an extended car chase scene where the stunt people seem to be having a field day
The first of three sequels to the Dean R. Koontz adaptation about an intelligent dog, although for each sequel producer Roger Corman has just remade the book
Oddball New Zealand-made comedy with various characters in pursuit of a statuette with rejuvenative properties
George Romero and Dario Argento collaborate on an anthology, each adapting an Edgar Allan Poe tale. Either director leaves you with high expectations but the results are very mixed
David Lynch’s dive into the dark underbelly of smalltown weirdness became the cult tv series of the 1990s. This is the slightly re-edited pilot issued for theatrical release internationally, which offers an ungainly wrap-up to the proceedings
Acclaimed as one of the worst films ever made, this has a legendary bizarreness that has made it a cult film, everything from the ridiculousness of its dialogue and effects to the cast that seems made up of unskilled amateurs
Adaptation of a Philip K. Dick story is killed by being turned into an Arnold Schwarzenegger action vehicle and by director Paul Verhoeven’s burying the reality bending subtleties of the story under bludgeoning ultra-violence
From Jörg Buttgereit, director of the notorious NEKRomantik, an anthology that depicts various scenes of death and suicide. Essentially the original version of The ABCs of Death
The first live-action spinoff of the comic-book and animated series still holds up well two decades later. Little of the manic barrage of pop culture has dated, there are some excellent animatronics that allow the Turtles to engage in a series of high-energy fights and more importantly emerge as distinctive characters
Film spinoff from the Tales from the Darkside tv series, this is an anthology of three horror tales, the result is a surprisingly slick and well made film
The first in a highly enjoyable series of flying swordsman films produced by Tsui Hark. The series hit its peak with the second film but this is an enjoyably energetic and busy effort in its own
The third of the Texas Chainsaw films where the rights have now been inherited by New Line Cinema and the brutality of the original promptly watered down to MPAA standards
Second film to follow-on from The Slumber Party Massacre. While the original was a straight-up slasher film, the second became completely ludicrous as it veered off in trying to copy the A Nightmare on Elm Street films but this returns to the slasher basics for a vigorous workout of the formula
Stuart Gordon, the cult director of Re-Animator, turns his hand to making a live-action Transformers film way back before anybody had ever head the name Michael Bay
Painfully unfunny vampire comedy from Cannon Films about a vampire teenager who becomes a rock star. This has one of the least credible premises I’ve ever seen in a film. Mostly it seems to have been conceived around placing various musicians of the day in acting roles with bizarre results
Sequel to the madcap Hong Kong fantasy Peacock King with Gloria Yip as a hell demon trying to adjust to living on Earth, which then turns into a comedy variant on Gremlins
One of the more amusing and better made Troma films – their take on the superhero fad of the early 90s featuring a Japanese-themed superhero
Film about a group of students locked in a lab and being hunted by a crazed experimental baboon
Completely demented Greek film about a mother and daughter imprisoning and torturing people in a big old house
Ambitious SF film about a space expedition to save the Sun, this bombed at the time but is not uninteresting
Gritty urban drama with Christina Applegate as a teenage runaway on the mean streets of L.A. harassed by a psycho cop
Well produced but otherwise unfunny comedy about a group of bumbling Martian invaders who turn up on Halloween, following a rebroadcast of the Orson Welles War of the Worlds radio show
Clearly an attempt to copy the success of Bill and Ted’s Excellent Adventure, this is a comedy with time travellers visiting the 1970s. Lots of 70s pop culture and faces without any of it being funny
The start of Tobe Hooper’s decline wherein he borrows the basics of Firestarter in a really bad film with a madly overacting Brad Dourif as a pyrokinetic
A killer android/cyborg film from the genre’s 1990s heyday with a tasteless concept where a raped woman kills herself and is then resurrected as an avenging cyborg. A bizarre melding of killer cyborg film and I Spit on Your Grave
Australian thriller that is a blatant copy of Fatal Attraction
A film that has been sold on the basis of its deliberately ridiculous title concept – that of alien invaders attempting to take over the airwaves by posing as televangelists
Remake of William Golding’s classic work about boys stranded on a desert island descending into barbarism where the book is disastrously Americanised in a clodding adaptation that misses the original’s rich swim of symbolism
A sequel to Killer Crocodile, which was a dreary Italian-made Jaws ripoff. Here another radioactive waste mutated crocodile stalks people. Indifferently made.
Paul Hogan became a huge international star with the Crocodile Dundee films. He next went on to appear in this oddity star as an aging ex-con who believes he is an angel
Cheap and fairly terrible adaptation of the Marvel Comics superhero from low-budget director Albert Pyun. The superheroics look impoverished and Matt Salinger makes a dopey-looking Steve Rogers
The Warren Beatty directed and starring adaptation of the popular newspaper comic-strip detective proved a flop. Beatty creates a highly stylised world and peoples it with an all-star cast but fails to invest the world with any depth
Part of an attempt to revive the Blaxploitation film, a gospel horror film of sorts in which a young African-American divinity student fights the demon Temptation
A Jean-Claude Van Damme action vehicle set in a prison that becomes an interestingly stylised realm in a wild plot featuring serial killers and organ harvesting schemes
Amid the early 1990s spate of dark superhero films, Sam Raimi created one of the few original screen superheroes with Darkman, essentially a superhero film where The Joker (by way of The Phantom of the Opera) is the hero of the piece
Conceptually ridiculous film where a spaceship crew in lunar orbit come across a space shuttle that disappeared through the Bermuda Triangle and contains a parasitic organism that is The Devil
Rather enjoyable action film that conducts an amusing spin on Lethal Weapon buddy cop formula with Dolph Lundgren taking on an intergalactic drug dealer
Charles Band film that gives the impression it is a Transformers-type film. While a Transformer does appear in a few scenes, this settles down to be more of a killer android whodunit.
A Paul Schrader director psycho-sexual thriller set in a beautifully brooding Venice as a couple are befriended by menacing husband and wife Christopher Walken and Helen Mirren
Mark L. Lester’s follow-up to his earlier The Class of 1982 about a teacher forced to adopt vigilante actions in a lawless classroom. In the interim, The Terminator came out and this now has killer android schoolteachers
Qurkily appealing Cyberpunk film in which a female bodyguard and a male pleasure android must make a journey across a post-apocalyptic wasteland
This was the fourth and final, as well as the best of the BBC’s tv adaptations of C.S. Lewis’s Narnia books, which works well enough despite the impoverished production values
Sequel to the sensational A Chinese Ghost Story, this reunites the principal talents and actors but is not quite as snappy as the original, placing more of an emphasis on comedy
The first Child’s Play felt like an incredibly silly film. However, this first sequel takes the same elements and constructs them into a much tighter, better package
Cult Italian horror director Lucio Fulci plays himself, a horror director being driven to hallucinations and acts of murder by the violence he directs in his films
The last gasp of the Cold War nuclear film. A tv movie that features Martin Landau is the US President who tries to stop an accidental Russian nuclear release escalating into full-out war
Claude Chabrol updates Fritz Lang super-villain Dr Mabuse to a millennial West Berlin where Alan Bates is a tv mogul who masterminds a mass suicide cult via messages hidden inside advertising
The directorial debut from Frank Darabont who went on to make The Shawshank Redemption and The Mist. A wife and her lover plot to kill husband off by poisoning him only for him to survive and plot an elaborate revenge scheme
Sequel to the cult splatter hit of Re-Animator, directed by the original’s producer Brian Yuzna. Jeffrey Combs, Bruce Abbott and David Gale are back. This has some amazing effects work but lacks the first film’s outrageous black humour
One of the better 80s attempts to copy A Nightmare on Elm Street from an old Charles Beaumont script in which Bill Pullman is a neurologist who becomes involved in an increasingly wilder series of reality bendings
The second film from Kathryn Bigelow in which Jamie Lee Curtis is a rookie cop who is stalked by a creepily psychopathic Ron Silver. A beautifully stylish rendering of an increasingly improbable plot
Belated Australian entry in the slasher genre about killings at a Catholic girls’ school, this is shabby on all counts
This has next-to-nothing to do with Edgar Allan Poe. Instead, Luigi Cozzi makes a giallo thriller that makes claims to be the unofficial third chapter of Dario Argento’s at that point unfinished Three Mothers trilogy.
The first film from E. Elias Merhige, subsequent director of Shadow of the Vampire. An unfathomably strange film in the Eraserhead vein about gods disemboweling themselves, rebirthing and being beset upon by nomads.
Frank Henenlotter takes the commercial route and makes a sequel to his no-budget cult film. A bigger budget allows the film to become a comic variant on Freaks featuring a series of way-out makeup effects
Fine Curtis Hanson psycho-thriller in which dull yuppie James Spader befriends charismatic psychopath Rob Lowe and is drawn into a series of taunting psychological games
Third of the Back to the Future films, which takes everything back in time to the Old West. Probably the slightest of the trilogy, this nevertheless goes out with a rousing farewell
A wildly deranged and gore-drenched ride. Imagine Rosemary’s Baby with an Alien chesburster where a woman is impregnated by a parasite that maintains a monologue as it urges her to kill and drink blood to feed it.
The second film from Guy Maddin, which comes with all of his familiar homages to German Expressionism and silent cinema, wrapped up in a surrealist plot of hilarious melodrama and side-splittingly deadpan dialogue