The Science Fiction Horror and Fantasy Film Review
It is mind-boggling to think how you could combine zombies with Fight Club, the classic anti-capitalist manifesto about brawling clubs and split personality … Such an idea proves too challenging for this Taiwanese effort but we do get a solid zombie version of The Raid
Gonzo killer animal and zombie films have been hugely popular in recent years – it was probably inevitable they meet. This comes with the deliriously ridiculous image of zombified human-beaver hybrids on the attack
Not to be confused with the cult British comedy series, the anonymous title disguises an excellent film about a drought-ridden future. Less another Mad Max-inspired film than an SF version of There Will Be Blood that becomes a study in greed, ambition and the fight for resource control
It is nice to see Bryan Singer regain his form after several years lull. The plot is nothing world-shattering but it is nice to see a character-driven X-Men, while Singer delivers the superheroics with a cheer-out loud elan that most of the sequels missed by a wide margin
Australian zombie film that comes with a hyperactive fierceness and energy that reminds of early Sam Raimi or Peter Jackson. On the minus side, the zombie genre is now so creatively strip-mined that the film never offers anything original
The first occasion I have had to review a horror film from Peru – a thriller about a young woman imprisoned and forced to bear a child. This is never a work that particularly reinvents the wheel, just turns out a solid and suspenseful imprisonment thriller
A sequel to the 2012 ghost story from the revived Hammer Films, this adds precisely nothing to the original, has nothing to say and nothing in its directorial arsenal that is not a tiresomely over-cliched jump – you just ask, why was this film even made?
Evidently intended to be a werewolf equivalent of the Star Wars saga in in its epically contorted familial struggles, this sits just between the stylish and another classic monster repackaged for the teen crowd and cast with handsome good-looking faces
Deliberately made to look like a lost 1980s/early 90s film, this has a winning concept and sets in with an appealingly sarcastic amusement. On the other hand, the film is never quite as amusing as it gives the impression it is going to be and starts to lose it in the third act
Akiva Goldsman, a screenwriter who has laid a trail of devastation through the genre, attempts to film a classic fantasy novel that has aptly described as unfilmable, resulting in a curtailed story that works in individual scenes but is mostly a spawling patchwork of fantasy elements and a romance that never seems to spark
This is a modestly effective effort that sits just on the dividing line between interesting and cliched – the undeniably captivating premise involves an Amish-like cult dealing with a series of prophecies about devil children and killings of their number
A ghost story from Studio Ghibli – although rather than any Western equivalent that sets out to scare the pants off us, this is a sweetly tender story of friendship between two girls. The result more than capably approaches some of Hayao Miyazaki’s best
Beautifully low key Danish werewolf film (even if the term is never mentioned throughout) that takes place in a tiny seaside village as a girl tries to understand her transformations, the film is quiet and often takes place in silences rather than dialogue, its horror understated with striking effect
Hands down, this is the best vampire comedy ever made. An incredibly witty effort that contrasts the cliches of the genre with the mundane business of a group of vampires flatting together in New Zealand. A film that comes with sly deadpan gags packed into the corner of every frame
Belgian Backwoods Brutality effort concerning a boy scout troupe who run afoul of a mysterious feral child and hunter in the woods near their campsite. Defying many of the expectation of the genre, this provides a series of often unearthly images
Modest variant on the post-holocaust film with the novel variant being that this is set in a drought-ridden future. The usual action movie emphasis of the genre has been toned down and an emphasis placed on the fight for survival in this world
Russell Crowe turns director and, as is the case with actors turned director, feels the need to take up an epic historical subject – the aftermath of World War I (albeit with some Magical Realist elements). Crowe wields all the epic flourish and polish, even if the film never truly moves one
Neither of this film’s titles do it justice – Wandering Rose seems either about a girl who hitchhikes or is very promiscuous, while Demon Baby pushes it over into a devil pregnancy film. What we instead have is a film set in the Scottish Highlands that creates a great sense of dis-ease, even if it never fully delivers on it
On the scale of weird movies, this is about as out there as it gets – Ryan Reynolds has conversations with his cat and dog who urge him to cut people’s heads off, which continue to talk as he keeps them in his refrigerator. A mind-bogglingly warped film and quite brilliant in its dark funniness when you work out what is going on
Russian-made adaptation of a classic horror story that takes place as an exquisitely stylised 19th Century Gothic fantasy world but is a head-scratchingly incoherent mishmash on a plotting level
The peculiar story of a man who gains super-strength and various other powers whenever he is in water, this essentially plays out as a superhero film but in a more low key way without any costumes. Quirky, charming and rather likeably appealing
Third of the V/H/S films, all horror anthologies in the Found Footage style. While the other two were fairly hit and miss, this is extremely good. Each of the four stories sits among the very best episodes among the current crop of multi-director horror anthologies
One has zero enthusiasm for this, which has been sold as Twilight meets Harry Potter. Defying expectation, it is written with a sarcastic amusement puncturing its own seriousness and has a great performance from its leading lady, if in the end it is too weighted down by story exposition needed to set up its sequels to ever open up dramatically
An interesting adaptation of the classic lesbian vampire story Carmilla. This modernises and relocates it to Middle America and plays the vampirism with a psychological ambiguity
One of the most unique films in some time – everything takes place across social media (chat sessions, video calls) where the cinema screen is the computer screen. A fairly average supernatural retribution story that generates reasonable tension
Really, Kevin Smith?!? A film wherein a mad lunatic transforms another man into a walrus? While you can applaud Smith’s completely out there leap off into Human Centipede territory, you feel unsure whether you should be reacting in shock or laughter at the absurdity of the premise
Documentary charting the rise of the Teenage Mutant Ninja Turtles phenomenon from independent comic-book to the animated series, toys and live-action films
The police procedural has vanished from cinema screens this side of the 00s, although this is one Belgian example. This ventures into some very dark territory in its story of a detective who ventures into underground paedophile rings in search of a child-abducting serial killer
Are there any new creative directions that Michael Bay feels he he has to explore for a fourth Transformers film? All the Transformers beating the crap out of each other and copious mass destruction has become hard to tell one of the films from each other
A film that bites off some Big Ideas from the transhumanist movement – A.I., nanotechnology, and especially Mind Upload – and fails to do anything with them except for reach for hoary cliches of Frankenstein science. A film that, despite its self-importance, ends up as only a better budgeted version of The Lawnmower Man
Not a remake but a sequel to the cult true-crime film The Town That Dreaded Sundown with a series of copycat killings influenced by the film occurring in the present-day. Directed with a bravura stylishness that makes you jump out of your seat in joy
Shion Sono is a director who has gained cult acclaim in recent years. This astonishes with the brashness of his approach, set among the street gang warfare of the near future where all of the dialogue is delivered in rap. On the other hand, the film lacks the budget to sustain such energy
A perfect example of a film carried by the ingenuity of its concept – a camera that takes photos 24 hours into the future – told with a superb tightness of economy – two sets and mostly three actors (largely unknowns) – and some wonderfully contorted twists
Less a 300 sequel or prequel than a parallel story, this offers much the same as before but in 3D and with naval instead of land combat. Seeing Zack Snyder’s amazing visuals repeated all over again, all the poses and hyper-masculinity now seem to bubble with an inherent risibility.
I was very impressed with Daniel Stamm’s previous film The Last Exorcism; this was his follow-up – a brutal English-language remake of a Thai film where people are offered the challenge of engaging in increasingly more malicious and extreme acts to win large sums of money
Nobody seemed to care about Tekken, the 2010 film based on the popular videogame. Despite that, this is a sequel – albeit one that has almost nothing to do with the first film. This consists of nothing more than a series of efficiently unmemorable action scenes and a plot that makes no real sense
This reboot of the pop culture icons of 80s/90s is an ugly failure on almost every level. The Turtles I remember were hip, funky and bubbled with boyish enthusiasm; these Turtles seem sinister oversized creations, while the film’s adrenalised over-production and emphasis on grit seems to have missed the essential element of fun
Spike Lee makes a vampire film (even though the title gives the impression is he has detoured off into gospel). The even bigger surprise is he conducts a remake of the Blaxploitation classic Ganja & Hess
From the director of Excision, another film that satirically digs its claws into middle-class values but there is the feeling we have seen all of this before and the film fails to provide anything funny. Added to this is a barely scary ghost plot the film occasionally remembers to get back to
Eli Roth produced film made in Chile, this concerns a mysterious stranger to town who turns out to be a vampire that is soon sought and hunted by everybody. A promising premise given a not terribly interesting handling
Modest space opera from British director Neil Johnson that achieves things with its effects on a low-budget that easily rivals A-budget films
Sequel to Starship Rising, a space opera that does some amazing things with effects on a next-to-no budget
Bizarre horror about an actress trying to get her big break in Hollywood that takes all manner of strange turns as she becomes infected and starts physically decaying. More explanation about what is going on would have helped no end but the film still arrives in memorably perverse territory
A slasher musical??? The mind does a double takes trying to process the incongruity of the genre mash-ups. That said, this works exceedingly well – neither compromising on the slasher aspects, yet equally delivering some clever and witty musical numbers
Fascinatingly original monster movie – a wild mix of H.P. Lovecraft, The Man from Earth and Before Sunrise. A beautifully realised work that leaves you with the sense of not knowing what to expect from one minute to the next
This has an irresistible premise – of doing for 1970s tv SF what GalaxyQuest did for Star Trek – parodying the sets, costumes and cliches. On the other hand, the superb conception fails to ever play out as comedy and the film centres around a series of singularly dull personal dramas
An Oscar nominees for Best Animated Film – a unique and exquisitely drawn dive into Celtic mythology that comes with wit, humour and the emotional tenderness of a Hayao Miyazaki. This deserves to be seen far more widely than it ended up being
Another of the DC Universe Original Animated Movies, this devoted to the character of Batman’s son Damian. Solid action, a well moving plot that makes good use of its characters, adding to a decent entry even if it is not up among the best of these animated DC films
Another version of the popular figure from Japanese urban legend, which has appeared in a number of films. This is an anthology where four Japanese directors have come to L.A. to shoot a series of strictly average short horror tales, not all of which feature the Slit Mouth Woman
In the early 2010s, we had a series of fairytales rewritten as dark adult fantasies; The Asylum served up their own cheap copies – this was their version of Maleficent. Directed by actor Casper Van Dien, this not uninterestingly plays out as a fantasy adventure that follows the prince’s attempts to enter the castle
Robert Rodriguez makes his return to Frank Miller’s classic film noir-styled graphic novels. You keep expecting this to hit in with the astonishing freshness the first film did. Rodriguez and Miller give us more of the same amazing visuals but there is the feeling it is no longer original and new
A film ostensibly about alien abductees that has rather pleasurably been construed as a series of wild head-spinning twists that are constantly pulling everything we think we know is going on from under the audience, even if it eventually provides more questions than it ever does answers
Entry in the gonzo killer shark film (viz Sharknado et al), sequel to the earlier Sharktopus Though produced by veteran B movie producer Roger Corman, these Sharktopus films are some of the shittiest in the gonzo killer shark fad, featuring way below sub par effects and missing the sense of humour
Sequel to the bad movie phenomenon Sharknado Accompanied by a host of celebrity cameos, there is less the cheerful absurdity of the original than a film that is trying to recapture a spontaneously generated fad
I went to see this on the description that called it a horror film about premonitions of disaster but far less interestingly it is a fictional attempt to analyse people’s attempts to grieve over the Fukushima Disaster – not uninteresting but with little interest in being a fantastic film
Takashi Shimizu has done commendable work on the Ju-on/The Grudge films and so I anticipated his taking on the airplane-board horror genre. Only he delivers a surprisingly middle-of-the-road handling before reaching a cliched twist ending that truly deserves to be put out to pasture
An object lessons in how not to adapt a Young Adult series – take a book series about an apprentice witch hunter set in an alternate England and turn it a generic Lord of the Rings copy
German animated film about the adventures of Snow White’s Seven Dwarves. Lightweight and trivial, this feels like it has come along ten years too late to the fad for fairytale parodies and mash-ups we had in the mid-2000s with films like Shrek and Hoodwinked!
The Soska Sisters make a sequel to the 2006 slasher film. You cannot help but think that a sequel to such an average film is the sisters batting well below their capabilities. The surprise is that in their hands the result follows such traditional genre patterns
A modest effort that has studied well at the Ridley Scott school of people being stalked in the dark. The film produces a genuinely unearthly and alien creation. The main problem is that the film is severely underwritten and fails to do much after coming up with such an original creature
Impressive Australian film that recalls the Mad Max films. Rather than action spectacle, this feels like Mad Max as rewritten by Cormac McCarthy wherein a collapsed future echoes a beautifully written exploration of the soul of a man in a violent world
Roman Polanski’s Rosemary’s Baby was a classic film that popularised the modern interest in occult and deviltry on film; this sad remake is something that only parrots the cliches that have set in in the ensuing 46 years and clumsily mishandles all of Polanski’s comically edgy paranoia
Forget about movie melodrama like A Beautiful Mind , this may be one of the best, most credible films about mental illness … Essentially a surreal animated family history of a Latvian animator, this distils some incredibly bleak anecdotal material with a wittily and biting incisive brilliance
While the title sounds like a cheesy faux B movie, this a surprisingly serious work. Taking undeniable influence from tv’s The Tripods , it is a YA work about the fight to free Earth following a machine invasion that proves far more entertaining than anything one expects of it
I have to admit despite all the bad feeling for this, I liked it. While what went on in terms of the man inside the machine was cut and dried in the original, this has been shifted to give us a “the soul of Robocop” story . Moreover, the original’s biting satire of 1980s corporations and politics has been smartly updated to tackle some big 2010s issues
I hate the utterly formulaic films of Blue Sky Studios, the ones behind the endless Ice Age sequels. That said, this is one of their more enjoyable – despite a plot that is amazingly busy trying to reintroduce characters from the first film, the screen overflows with colourful exuberance
A film with identity disorder – the title and promotion makes it seem a revenge-action film only for it to conduct a number of strange doglegs and eventually arrive at a plot wherein life coach Anthony Mackie is tied up in the cellar by Forest Whitaker who feeds his inspirational lines back at him
A low key but modestly effective film where an amnesiac man comes to the gradual realisation that he is a clone
![[Rec]4 Apocalypse (2014) poster](https://moriareviews.com/rongulator/wp-content/uploads/rec-4-apocalypse-2014-poster.jpg)
The fourth film in the [Rec] series. This abandons the Found Footage look but without it, all we have is just another zombie film, nevertheless this builds to an intensively gore-drenched climax
A film from Quentin Dupieux that comes in a series of quirky intersecting stories where the dreams and films different characters are watching/making keeping blurring together in mind-boggling ways
Adaptation of an autobiographical Philip K. Dick book that he wrote in an attempt to make sense of a series of bizarre hallucinations, this long-rumoured film manages, despite a low-budget, to mainline the brain-twisting nature of Dick’s writing better than any other adaptation
Another offering from the revived Hammer Films. Like a few films of recent, this claims to be based on a true story – a parapsychological experiment conducted in the 1970s – but throws almost every detail out the window to substitute a well-worn bag of horror tricks
A monster movie where the major distinction is that the monster is drawn from Ancient Egyptian mythology and the locale is an unearthed pyramid. The film is too conceptually slim to do much with such an interesting background but it does deliver some solid jumps
This starts as a standard Japanese high school drama but takes a turn for the twisted where it doesn’t exactly venture into Saw territory but certainly somewhere that has taken inspiration from it. Alas, everything gets lost in a second half that is burdened by an excessively complicated and non-linear plot
Slightly more interesting than its predecessor in that it takes the action out from gated communities into the streets, otherwise this offers just the same as The Purge – much in the way of heavy artillery and a patina of contemporary politics that have all the depth of a protest placard
The zombie film of the 2010s has become marked by a search for the most bizarre and incongruous title/conceptual mash-ups. True to its promise, the film pits several WWE wrestlers up against zombies, alas the creativity begins and ends with the mild amusement of the title concept
An exceptional time travel film, one of the best to emerge in some time. Adapted from a classic Robert Heinlein story, the pleasure of the film all comes in seeing its twists and turns come together into the most ingenious temporal paradox ever conceived
The second of Disney’s spinoffs from Pixar’s Cars films featuring talking anthropomorphic planes. Like the first film, this is amiable and occasionally cute but lightweight. This is beginning to feel like a franchise that is spinning out thinning ideas solely for its own sake
A standout Australian-made zombie film that breathes some life into an overworked genre, focusing on the tensions among the survivors as they try to fend off the dead while at siege on a farm
Absolutely fascinating Bollywood venture into science-fiction. A comedic variant on the theme of the blankly innocent alien visitor trying to make sense of human culture, this has a daringly ambitious bite in tackling the topic of religion and delivering some sharply pointed barbs
Bollywood remake of a ghost story that comes with one of the cleverer M. Night Shyamalan conceptual reversal twists
Another of Disney’s Tinker Bell spinoff adventures. This has some slickly produced animation and does some occasionally cute pieces of fanservice that tie in to Peter Pan but is ultimately fantasy being produced for the single digit age groups
Sequel to the Lifetime channel adaptation of Virginia C. Andrews’ Flowers in the Attic. Andrews’ prolific output of Gothic melodramas are really the horror equivalent of daytime soap operas. Though marginally better, this drowns in the same stultifying blandness as its predecessor
A film about three American girls who are haunted by a vengeful child spirit while in Thailand. Another post-Insidious film that uses a sinister adjective as title
This spinoff from the Madagascar films is a lot more fun that I was anticipating – how could you dislike a film with John Malkovich as an octopus super-villain? Essentially cast as a spy parody, the film has a gonzo insanity that hits in with a manic delirium
Live-action adaptation of a manga about the war between body-snatching parasites that are capable of rearranging their host’s bodies. This plays out as a madcap version of The Thing relocated to a Japanese high school
Less another sequel than a spinoff of the Paranormal Activity series, this takes place with Latino characters and in a whole different culture and socio-economic strata. While this gives the series a face change, everything else it feels like the shuffling of a well-worn deck of plot cards
From the awful slapstick-heavy trailer, the prospects for this seem dismal – less Paddington Bear than a reprise of the live-action Yogi Bear. The finished result confounds expectation and the story of a small unassuming bear at large in the world comes full of considerable charm
The Pact was a modest and rather effective ghost story about a serial killer hiding inside the walls of a house. This seems to be straining to find some way to justify any relevance a sequel – for one, where do you go with the premise? Another killer hiding inside a different family home?
This begins fantastically well – the appearance of a mysterious alien object that paralyses everybody who looks upon it – only to take a major nosedive in its second act where we promptly realise that the filmmakers didn’t have a clue where to take the story after that
The most sustained film Takashi Miike has made in some time. In this case, he adapts Yotsuya Kaidan, the most famous of all Japanese ghost stories, which has been filmed multiple times, but rather than offer a straight telling also adds a layer where the story comes to replay itself among the actors in the play
Blumhouse horror film based around the Parker Brothers boardgame. Modern multiplex horror films don’t come more generic than this. On the other hand, you cannot deny that debuting director Stiles White creates some occasionally quite spooky moments, it’s just that the rest of the show comes entirely by the numbers
This Nacho Vigalondo film prefigured Unfriended with everything taking place on a computer screen. A far more adventurous film with a wildly entertaining plot about celebrity stalking
Going by the title you could easily dismiss this as an indie relationship drama (as I initially did) but what we instead get is a fascinatingly cryptic doppelganger film where a couple go on a retreat only to encounter idealised versions of themselves who seem intent on stealing their lives
I went into this with zero expectations, expecting no more than a work of formula family entertainment and came out gently surprised. Essentially a talking cartoon animals variant on a heist plot, it does the formula likeably and with none of the relentless smart-ass cynicism of too many contemporaries
The novelty of the world’s first Vietnamese science-fiction film set in a future where many areas are underwater as a result of climate change. Much of this is a very dull film observing the day to day life of people affected but the SF elements intrude in occasionally interesting ways
Tony Watt, who gets my nomination as the world’s worst filmmaker, does the laughtrack trick of taking a film – in this case, the original Nosferatu – and running his usual inane sound effects and excruciating bad acting over the top
Darren Aronofsky’s adaptation of the Biblical legend was mired in controversy. I can only applaud his decision to defy those who claim ownership of the story and set out to make an interesting film. Yet Noah remains an epic that never seems to quite fill the screen and a human drama that never quite comes to life
This has to be the single worst killer shark film ever made and quite possibly the worst film of the 2010s. A shark film set in a Beverly Hills mansion where the nearest body of water is a swimming pool and where the appearance of the shark will reduce you to tears of laughter
The third entry in a franchise that seems to be stretching to find anything to do with its premise beyond the first film. Everyone involved seems to have only turned up to collect a paycheque and be going through the motions in a show that entirely coasts by solely on your familiarity with the characters